Classic Moods - Tranquillo - Music of Peace and Serenity

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Air 'on the G string'
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1973-10-01 until 1973-10-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:32
2Fantasia on 'Greensleeves'
orchestra:
London Symphony Orchestra
conductor:
Sir Adrian Boult (conductor)
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:37
3La Traviata - Prelude to Act I
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Preludio (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:53
4Traumerei
piano:
Rudolf Buchbinder (Austrian classical pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:43
5Carmen - Entr'acte to Act III
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:35
6Canon in D
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:58
7Venus, the Bringer of Peace (from The Planets)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-09-28 until 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-09-28 until 1973-09-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-09-28 until 1973-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-09-28 until 1973-09-29)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1973-09-28 until 1973-09-29)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:42
8Largo
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-01-29)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (on 1976-01-29)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-10-26)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (on 1976-10-26)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel5:13
9Keyboard Concerto No 5 in F minor (II Largo)
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
10Fur Elise
piano:
Rudolf Buchbinder (Austrian classical pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:36
11On Hearing the First Cuckoo in Spring
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1968-08-06 until 1968-08-08)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-06 until 1968-08-08)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-08-06 until 1968-08-08)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1 (from 1968-08-06 until 1968-08-08)
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius7:28
12Capriol Suite - II Pavane
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Capriol Suite: II. Pavanne (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:51
13Dance of the Blessed Spirits
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (on 1976-01-29)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (on 1976-01-29)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (on 1976-10-26)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (on 1976-10-26)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:20
14Prelude in E minor
piano:
Emanuel Bay
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Carmen Dragon
recording of:
Prélude no. 4 in E minor, op. 28: Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin4:11