What a Wonderful World

~ Pubblicazione di Louis Armstrong (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2)
Louis Armstrong4:41
2A Kiss to Build a Dream On
registrazione di:
A Kiss to Build a Dream On
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
The Strip (1951 film)
Louis Armstrong3:01
3Sleepy Time Down South
registrazione di:
When It’s Sleepy Time Down South
paroliere:
Leon René e Otis René
compositore:
Clarence Muse
editore:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication e Sherwin Music (publisher)
Louis Armstrong2:47
4A Foggy Day
Louis Armstrong4:53
5Cabaret
registrazione cover di:
Cabaret (title song from the Kander & Ebb musical)
paroliere:
Fred Ebb
compositore:
John Kander
editore:
Carlin Music Corp.
parte di:
Cabaret (musical)
Louis Armstrong3:10
6Someday You’ll Be Sorry
registrazione di:
Someday You’ll Be Sorry
autore:
Louis Armstrong
Louis Armstrong4:08
7Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 8th Academy Award for Best Original Song (numero: 2)
parte di:
Top Hat (1935 film)
Louis Armstrong & Ella Fitzgerald4.25:51
8Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
Louis Armstrong & Ella Fitzgerald3.54:12
9Love Is Here to Stay
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Love Is Here to Stay (il 1957-07-23)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Louis Armstrong & Ella Fitzgerald33:55
10Big Butter and Egg Man
registrazione di:
Big Butter and Egg Man
autore:
Louis Armstrong e Percy Venable (nel 1926)
Louis Armstrong5:23
11Jelly Roll Blues
Louis Armstrong2:48
12Don’t Be That Way
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione cover di:
Don’t Be That Way (il 1957-08-13)
paroliere:
Mitchell Parish
compositore:
Benny Goodman (clarinetist and bandleader) e Edgar Sampson
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation e The Songwriters Guild
parte di:
New York, New York (1977 musical film soundtrack)
Louis Armstrong & Ella Fitzgerald4:57
13They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2)
parte di:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Louis Armstrong & Ella Fitzgerald4:30
14On the Sunny Side of the Street
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Louis Armstrong3:41
15Ain’t Misbehavin’
registrazione cover di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Louis Armstrong4:02
16Mack the Knife
basso :
Arvell Shaw (nel 1955)
batteria :
Barrett Deems (nel 1955)
clarinetto :
Barney Bigard (nel 1955)
pianoforte :
Billy Kyle (nel 1955)
tromba e voce principale:
Louis Armstrong (nel 1955)
trombone :
Trummy Young (nel 1955)
registrazione di:
Mack the Knife (1954 Blitzstein translation) (il 1955-09-28)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong53:24
17Hello, Dolly!
registrazione cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Louis Armstrong2:31
18When You’re Smiling (The Whole World Smiles With You)
registrazione di:
When You’re Smiling (the Whole World Smiles With You)
paroliere:
Mark Fisher (early 20th century songwriter) e Joe Goodwin
compositore:
Larry Shay
editore:
Mills Music, Inc.
Louis Armstrong1:03
19St. James Infirmary
registrazione di:
St. James Infirmary (Joe Primrose’s arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Joe Primrose
editore:
EMI Harmonies Limited
arrangiamento di:
St. James Infirmary
versione di:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong4:48
20What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.92:18