The Complete Capitol Bobby Hackett Solo Sessions

~ Release by Bobby Hackett (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Soft Lights and Sweet Music
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
live instrumental recording of:
Soft Lights and Sweet Music (on 1955-05-11)
lyricist and composer:
Irving Berlin
2:08
2Bobby’s Blues
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
2:50
3I Cried for You (Now It’s Your Turn to Cry Over Me)
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
instrumental recording of:
I Cried for You (on 1955-05-11)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
2:28
4You Turned the Tables on Me
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
instrumental recording of:
You Turned the Tables on Me (on 1955-05-11)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
2:28
5Under a Blanket of Blue
recorded in:
New York, New York, United States (on 1955-07-18)
cornet:
Bobby Hackett (on 1955-07-18)
instrumental recording of:
Under a Blanket of Blue (on 1955-07-18)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
2:48
6How About You?
recorded in:
New York, New York, United States (on 1955-07-18)
cornet:
Bobby Hackett (on 1955-07-18)
recording of:
How About You? (on 1955-07-18)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:56
7Easy to Love
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
instrumental recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:15
8That Old Black Magic
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
instrumental recording of:
That Old Black Magic (on 1953-05-11)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:05
9Someday You’ll Be Sorry
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
live recording of:
Someday You’ll Be Sorry (on 1953-05-11)
writer:
Louis Armstrong
2:35
10The Song Is You
recorded in:
New York, New York, United States (on 1953-05-11)
cornet:
Bobby Hackett (on 1953-05-11)
double bass [bass]:
Arnold Fishkind (on 1953-05-11)
drums (drum set):
Denzil Best (on 1953-05-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1953-05-11)
piano:
Lou Stein (on 1953-05-11)
instrumental recording of:
The Song Is You (on 1953-05-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
2:45
11It’s All Right With Me
recorded in:
New York, New York, United States (on 1955-07-18)
cornet:
Bobby Hackett (on 1955-07-18)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (on 1955-07-18)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:28
12Sleep
recorded in:
New York, New York, United States (on 1955-07-18)
cornet:
Bobby Hackett (on 1955-07-18)
2:35
13Serenade in Blue
recorded in:
New York, New York, United States (on 1954-11-09)
cornet:
Bobby Hackett (on 1954-11-09)
arranger:
Glenn Osser (on 1954-11-09)
instrumental recording of:
Serenade in Blue (on 1954-11-09)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
3:24
14Deep Night
recorded in:
New York, New York, United States (on 1954-11-07)
cornet:
Bobby Hackett (on 1954-11-07)
conductor:
Glenn Osser (on 1954-11-07)
instrumental recording of:
Deep Night (on 1954-11-07)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
2:54
15In a Sentimental Mood
recorded in:
New York, New York, United States (on 1954-11-10)
cornet:
Bobby Hackett (on 1954-11-10)
conductor:
Glenn Osser (on 1954-11-10)
arranger:
Glenn Osser (on 1954-11-10)
instrumental recording of:
In a Sentimental Mood (on 1954-11-10)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:10
16Lazy River
recorded in:
New York, New York, United States (on 1954-11-09)
cornet:
Bobby Hackett (on 1954-11-09)
arranger:
Glenn Osser (on 1954-11-09)
instrumental recording of:
Lazy River (on 1954-11-09)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:03
17Carefree
recorded in:
New York, New York, United States (on 1954-11-10)
cornet:
Bobby Hackett (on 1954-11-10)
conductor:
Glenn Osser (on 1954-11-10)
arranger:
Glenn Osser
2:41
18Mood Indigo
recorded in:
New York, New York, United States (on 1954-11-07)
cornet:
Bobby Hackett (on 1954-11-07)
conductor:
Glenn Osser (on 1954-11-07)
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (on 1954-11-07)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3:35
19Get Out of Town
recorded in:
New York, New York, United States (on 1954-11-09)
cornet:
Bobby Hackett (on 1954-11-09)
arranger:
Glenn Osser (on 1954-11-09)
instrumental recording of:
Get Out of Town (on 1954-11-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:14
20All Through the Night
recorded in:
New York, New York, United States (on 1954-11-07)
cornet:
Bobby Hackett (on 1954-11-07)
conductor:
Glenn Osser (on 1954-11-07)
recording of:
All Through the Night (on 1954-11-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
3:51
21Stars in My Eyes
recorded in:
New York, New York, United States (on 1954-11-10)
cornet:
Bobby Hackett (on 1954-11-10)
conductor:
Glenn Osser (on 1954-11-10)
arranger:
Glenn Osser
instrumental recording of:
Stars in My Eyes (from the Columbia picture ‘The King Steps Out’) (on 1954-11-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
2:17
22Rain
recorded in:
New York, New York, United States (on 1954-11-09)
cornet:
Bobby Hackett (on 1954-11-09)
arranger:
Glenn Osser
2:57
23Flamingo
recorded in:
New York, New York, United States (on 1954-11-07)
cornet:
Bobby Hackett (on 1954-11-07)
conductor:
Glenn Osser
instrumental recording of:
Flamingo (on 1954-11-07)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
3:09
24You’re My Thrill
recorded in:
New York, New York, United States (on 1954-11-10)
cornet:
Bobby Hackett (on 1954-11-10)
conductor:
Glenn Osser (on 1954-11-10)
arranger:
Glenn Osser
instrumental recording of:
You’re My Thrill (on 1954-11-10)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:14
25Isn’t It Romantic?
recorded in:
New York, New York, United States (on 1956-01-23)
cornet:
Bobby Hackett (on 1956-01-23)
arranger:
Glenn Osser
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1956-01-23)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
2:58
26If You Were the Only Girl in the World
recorded in:
New York, New York, United States (on 1956-01-23)
cornet:
Bobby Hackett (on 1956-01-23)
arranger:
Glenn Osser
recording of:
If You Were the Only Girl (in the World) (on 1956-01-23)
lyricist:
Clifford Grey
composer:
Nat D. Ayer
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
part of:
The Vagabond Lover
3:09
27Together
recorded in:
New York, New York, United States (on 1956-01-23)
cornet:
Bobby Hackett (on 1956-01-23)
arranger:
Glenn Osser
instrumental recording of:
Together (on 1956-01-23)
lyricist:
Lew Brown (in 1928) and Buddy DeSylva (in 1928)
composer:
Ray Henderson (in 1928)
publisher:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. and The Songwriters Guild
2:32
2▼CD
#TitleRatingLength
1You Are Too Beautiful
recorded in:
New York, New York, United States (on 1956-04-03)
cornet:
Bobby Hackett (on 1956-04-03)
conductor:
Glenn Osser (on 1956-04-03)
arranger:
Glenn Osser
instrumental recording of:
You Are Too Beautiful (on 1956-04-03)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
3:05
2Thank You for a Lovely Evening
recorded in:
New York, New York, United States (on 1956-02-15)
cornet:
Bobby Hackett (on 1956-02-15)
conductor:
Glenn Osser (on 1956-02-15)
arranger:
Glenn Osser
2:39
3Autumn Nocturne
recorded in:
New York, New York, United States (on 1956-02-13)
cornet:
Bobby Hackett (on 1956-02-13)
conductor:
Glenn Osser (on 1956-02-13)
arranger:
Glenn Osser
instrumental recording of:
Autumn Nocturne (on 1956-02-13)
lyricist:
Kim Gannon
composer:
Josef Myrow
2:38
4Cocktails for Two
recorded in:
New York, New York, United States (on 1956-01-23)
cornet:
Bobby Hackett (on 1956-01-23)
arranger:
Glenn Osser
instrumental recording of:
Cocktails for Two (on 1956-01-23)
lyricist:
Arthur Johnston (American composer and songwriter)
composer:
Sam Coslow
2:59
5When I’m With You
recorded in:
New York, New York, United States (on 1956-04-03)
cornet:
Bobby Hackett (on 1956-04-03)
conductor:
Glenn Osser (on 1956-04-03)
arranger:
Glenn Osser
instrumental recording of:
When I'm With You (on 1956-04-03)
writer:
Mack Gordon and Harry Revel (British-born American composer)
3:09
6We Kiss in a Shadow
recorded in:
New York, New York, United States (on 1956-02-13)
cornet:
Bobby Hackett (on 1956-02-13)
conductor:
Glenn Osser (on 1956-02-13)
arranger:
Glenn Osser
instrumental recording of:
We Kiss in a Shadow (The King and I) (on 1956-02-13)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
3:08
7Two Cigarettes in the Dark
recorded in:
New York, New York, United States (on 1956-04-03)
cornet:
Bobby Hackett (on 1956-04-03)
conductor:
Glenn Osser (on 1956-04-03)
arranger:
Glenn Osser
instrumental recording of:
Two Cigarettes in the Dark (on 1956-04-03)
lyricist:
Paul Francis Webster
composer:
Lew Pollack
2:37
8The Very Thought of You
recorded in:
New York, New York, United States (on 1956-02-15)
cornet:
Bobby Hackett (on 1956-02-05)
conductor:
Glenn Osser (on 1956-02-05)
arranger:
Glenn Osser
instrumental recording of:
The Very Thought of You (on 1956-02-13)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
2:35
9The Way You Look Tonight
recorded in:
New York, New York, United States (on 1956-02-13)
cornet:
Bobby Hackett (on 1956-02-13)
conductor:
Glenn Osser (on 1956-02-13)
arranger:
Glenn Osser
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1956-02-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
2:33
10Moonlight Becomes You
recorded in:
New York, New York, United States (on 1956-04-03)
cornet:
Bobby Hackett (on 1956-04-03)
conductor:
Glenn Osser (on 1956-04-03)
arranger:
Glenn Osser
instrumental recording of:
Moonlight Becomes You (on 1956-04-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:15
11Love Me
recorded in:
New York, New York, United States (on 1956-02-13)
cornet:
Bobby Hackett (on 1956-02-13)
conductor:
Glenn Osser (on 1956-02-13)
arranger:
Glenn Osser
instrumental recording of:
Love Me (on 1956-02-13)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
3:07
12One Kiss
recorded in:
New York, New York, United States (on 1956-02-15)
cornet:
Bobby Hackett (on 1956-02-15)
conductor:
Glenn Osser (on 1956-02-15)
arranger:
Glenn Osser
instrumental recording of:
One Kiss (from "The New Moon") (on 1956-02-15)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Sigmund Romberg
publisher:
Bambalina Music Publishing Company and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The New Moon
2:28
13My Heart Stood Still
recorded in:
New York, New York, United States (on 1956-02-15)
cornet:
Bobby Hackett (on 1956-02-15)
conductor:
Glenn Osser (on 1956-02-15)
arranger:
Glenn Osser
instrumental recording of:
My Heart Stood Still (on 1956-02-15)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
2:51
14Ev’rything I Love
recorded in:
New York, New York, United States (on 1957-12-19)
cornet:
Bobby Hackett (on 1957-12-19)
double bass [bass]:
John Dengler (on 1957-12-19)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-19)
saxophone:
Bob Wilber (on 1957-12-19)
trombone:
Cutty Cutshall (on 1957-12-19)
conductor:
David Terry (on 1957-12-19)
arranger:
David Terry
recording of:
Everything I Love (Let’s Face It! musical) (on 1957-12-19)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
2:54
15Moonlight Serenade
recorded in:
New York, New York, United States (on 1957-11-27)
cornet:
Bobby Hackett (on 1957-11-27)
double bass [bass]:
John Dengler (on 1957-11-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-11-27)
saxophone:
Bob Wilber (on 1957-11-27)
trombone:
Cutty Cutshall (on 1957-11-27)
conductor:
David Terry (on 1957-11-27)
arranger:
David Terry
recording of:
Moonlight Serenade (original instrumental version) (on 1957-11-27)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
3:21
16Put Your Dreams Away
recorded in:
New York, New York, United States (on 1957-12-12)
cornet:
Bobby Hackett (on 1957-12-12)
double bass [bass]:
John Dengler (on 1957-12-12)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-12)
saxophone:
Bob Wilber (on 1957-12-12)
trombone:
Cutty Cutshall (on 1957-12-12)
conductor:
David Terry (on 1957-12-12)
arranger:
David Terry
instrumental recording of:
Put Your Dreams Away (for Another Day) (on 1957-12-12)
lyricist:
Ruth Lowe and Paul Mann (German/American pianist and composer)
composer:
Stephan Weiss
publisher:
Anne-Rachel Music, Barton Music Corp., BMG Firefly, Cromwell Music, Inc., Tro-Cromwell Music, Inc. and フジパシフィックミュージック (Fujipacific Music, Inc.)
2:40
17Softly as in a Morning Sunrise
recorded in:
New York, New York, United States (on 1957-11-27)
cornet:
Bobby Hackett (on 1957-11-27)
double bass [bass]:
John Dengler (on 1957-11-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-11-27)
saxophone:
Bob Wilber (on 1957-11-27)
trombone:
Cutty Cutshall (on 1957-11-27)
conductor:
David Terry (on 1957-11-27)
arranger:
David Terry
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1957-11-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:55
18Wonderful One
recorded in:
New York, New York, United States (on 1957-12-19)
cornet:
Bobby Hackett (on 1957-12-19)
double bass [bass]:
John Dengler (on 1957-12-19)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-19)
saxophone:
Bob Wilber (on 1957-12-19)
trombone:
Cutty Cutshall (on 1957-12-19)
conductor:
David Terry (on 1957-12-19)
arranger:
David Terry
instrumental recording of:
Wonderful One (1923 song) (on 1957-12-19)
lyricist:
Theodora Morse (née Strandberg)
composer:
Ferde Grofé (pianist, arranger, conductor and composer) and Paul Whiteman
3:01
19Zigeuner
recorded in:
New York, New York, United States (on 1957-12-12)
cornet:
Bobby Hackett (on 1957-12-12)
double bass [bass]:
John Dengler (on 1957-12-12)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-12)
saxophone:
Bob Wilber (on 1957-12-12)
trombone:
Cutty Cutshall (on 1957-12-12)
conductor:
David Terry (on 1957-12-12)
arranger:
David Terry
instrumental recording of:
Zigeuner (on 1957-12-12)
lyricist:
Noël Coward
composer:
Noël Coward (in 1929)
publisher:
Harms, Inc.
part of:
Bitter Sweet (Noel Coward operetta)
2:27
20Don’t Take Your Love From Me
recorded in:
New York, New York, United States (on 1957-12-19)
cornet:
Bobby Hackett (on 1957-12-19)
double bass [bass]:
John Dengler (on 1957-12-19)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-19)
saxophone:
Bob Wilber (on 1957-12-19)
trombone:
Cutty Cutshall (on 1957-12-19)
conductor:
David Terry (on 1957-12-19)
arranger:
David Terry
instrumental recording of:
Don’t Take Your Love From Me (on 1957-12-19)
lyricist, writer and composer:
Henry Nemo
publisher:
Indano Music Co.
3:24
21Autumn Serenade
recorded in:
New York, New York, United States (on 1957-11-27)
bass:
John Dengler (on 1957-11-27)
cornet:
Bobby Hackett (on 1957-11-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-11-27)
saxophone:
Bob Wilber (on 1957-11-27)
trombone:
Cutty Cutshall (on 1957-11-27)
conductor:
David Terry (on 1957-11-27)
arranger:
David Terry
instrumental recording of:
Autumn Serenade (on 1957-11-27)
lyricist:
Sammy Gallop
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
EMI Robbins Catalog, Inc. (ASCAP), Sammy Gallop Music Company and WB Music Corp. (1929–2019)
2:55
22If I Had a Million Dollars
recorded in:
New York, New York, United States (on 1957-12-12)
cornet:
Bobby Hackett (on 1957-12-12)
double bass [bass]:
John Dengler (on 1957-12-12)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-12)
saxophone:
Bob Wilber (on 1957-12-12)
trombone:
Cutty Cutshall (on 1957-12-12)
conductor:
David Terry (on 1957-12-12)
arranger:
David Terry
2:42
23A Handful of Stars
recorded in:
New York, New York, United States (on 1957-12-12)
cornet:
Bobby Hackett (on 1957-12-12)
double bass [bass]:
John Dengler (on 1957-12-12)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-12)
saxophone:
Bob Wilber (on 1957-12-12)
trombone:
Cutty Cutshall (on 1957-12-12)
conductor:
David Terry (on 1957-12-12)
arranger:
David Terry
instrumental recording of:
A Handful of Stars (on 1957-12-12)
writer:
Jack Lawrence (US songwriter) and Ted Shapiro
3:19
24Street of Dreams
recorded in:
New York, New York, United States (on 1957-12-19)
cornet:
Bobby Hackett (on 1957-12-19)
double bass [bass]:
John Dengler (on 1957-12-19)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-12-19)
saxophone:
Bob Wilber (on 1957-12-19)
trombone:
Cutty Cutshall (on 1957-12-19)
conductor:
David Terry (on 1957-12-19)
arranger:
David Terry
instrumental recording of:
Street of Dreams (on 1957-12-19)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
2:37
25The Thrill Is Gone
recorded in:
New York, New York, United States (on 1957-11-27)
cornet:
Bobby Hackett (on 1957-11-27)
double bass [bass]:
John Dengler (on 1957-11-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-11-27)
saxophone:
Bob Wilber (on 1957-11-27)
trombone:
Cutty Cutshall (on 1957-11-27)
conductor:
David Terry (on 1957-11-27)
arranger:
David Terry
instrumental recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (on 1957-11-27)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:44
3▼CD
#TitleRatingLength
1At the Jazz Band Ball
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
instrumental recording of:
At the Jazz Band Ball (on 1957-04-10)
composer:
Nick LaRocca and Larry Shields
2:49
2Lazy Mood
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
4:01
3Wolverine Blues
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
recording of:
Wolverine Blues (on 1957-04-10)
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
2:44
4The Continental
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (on 1957-03-27)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
2:40
5Rose Room
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
instrumental recording of:
Rose Room (on 1957-04-10)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
3:21
6In a Little Spanish Town
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn)
piano:
Mickey Crane
reeds:
Ernie Caceres
tuba:
John Dengler
instrumental recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1957-04-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Mabel Wayne
2:40
7Cornet Chop Suey
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
recording of:
Cornet Chop Suey (on 1957-04-04)
composer:
Louis Armstrong
2:41
8Caravan
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
instrumental recording of:
Caravan (on 1957-03-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
3:20
9Tin Roof Blues
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (from 1957-04-04 to present)
recording of:
Tin Roof Blues (original instrumental version) (on 1957-04-04)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
5:33
10Albatross
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
3:00
11Henry Hudson
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
2:43
12It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1957-04-04)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:09
13Paradise
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
Paradise (on 1958-05-08)
lyricist:
Nacio Herb Brown (US songwriter) and Gordon Clifford
composer:
Nacio Herb Brown (US songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd. and Leo Feist, Inc.
2:49
14Spring, Beautiful Spring
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
2:40
15C’est magnifique
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
2:24
16I’ll See You in My Dreams
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
I’ll See You in My Dreams (on 1958-05-08)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
2:34
17It’s Been So Long
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
It’s Been a Long, Long Time (on 1958-05-07)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
2:19
18That Naughty Waltz
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
recording of:
That Naughty Waltz (on 1958-05-07)
lyricist:
Edwin Stanley (songwriter)
composer:
Sol Levy
2:11
19Cheek to Cheek
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-05-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
2:51
20If I Had My Way
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
If I Had My Way (on 1958-05-07)
lyricist:
Lou Klein
composer:
James Kendis
2:41
21My Monday Date
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
My Monday Date (on 1958-05-08)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
2:20
22If You Were There
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
2:24
23All of You
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
All of You (Silk Stockings musical) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:18
24Rosalie
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
Rosalie (from “Rosalie”) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1937)
2:06
4▼CD
#TitleRatingLength
1Bernie’s Tune
recorded in:
New York, New York, United States (on 1959-03-25)
cornet:
Bobby Hackett (on 1959-03-25)
double bass [bass]:
Bob Carter (bass) (on 1959-03-25)
drums (drum set):
Dick Scott (drums) (on 1959-03-25)
piano:
Dave McKenna (on 1959-03-25)
recording of:
Bernie’s Tune (on 1959-03-25)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
2:42
2The Lady Is a Tramp
recorded in:
New York, New York, United States (on 1959-03-26)
cornet:
Bobby Hackett (on 1959-03-26)
double bass [bass]:
Bob Carter (bass) (on 1959-03-26)
drums (drum set):
Dick Scott (drums) (on 1959-03-26)
piano:
Dave McKenna (on 1959-03-26)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1959-03-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:05
3Michelle
recorded in:
New York, New York, United States (on 1959-03-25)
cornet:
Bobby Hackett (on 1959-03-25)
double bass [bass]:
Bob Carter (bass) (on 1959-03-25)
drums (drum set):
Dick Scott (drums) (on 1959-03-25)
piano:
Dave McKenna (on 1959-03-25)
3:10
4You Stepped Out of a Dream
recorded in:
New York, New York, United States (on 1959-03-24)
cornet:
Bobby Hackett (on 1959-03-24)
double bass and double bass [bass]:
Bob Carter (bass) (on 1959-03-24)
drums (drum set):
Dick Scott (drums) (on 1959-03-24)
piano:
Dave McKenna (on 1959-03-24)
instrumental cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1959-03-24)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:40
5Stompin’ at the Savoy
recorded in:
New York, New York, United States (on 1959-03-24)
cornet:
Bobby Hackett (on 1959-03-24)
double bass [bass]:
Bob Carter (bass) (on 1959-03-24)
drums (drum set):
Dick Scott (drums) (on 1959-03-24)
piano:
Dave McKenna (on 1959-03-24)
instrumental recording of:
Stompin’ at the Savoy (on 1959-03-24)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:56
6Swing That Music
recorded in:
New York, New York, United States (on 1959-03-25)
cornet:
Bobby Hackett (on 1959-03-25)
double bass [bass]:
Bob Carter (bass) (on 1959-03-25)
drums (drum set):
Dick Scott (drums) (on 1959-03-25)
piano:
Dave McKenna (on 1959-03-25)
recording of:
Swing That Music (on 1959-03-25)
lyricist and composer:
Louis Armstrong and Horace Gerlach
2:14
7Stereoso
recorded in:
New York, New York, United States (on 1959-03-24)
cornet:
Bobby Hackett (on 1959-03-24)
double bass [bass]:
Bob Carter (bass) (on 1959-03-24)
drums (drum set):
Dick Scott (drums) (on 1959-03-24)
piano:
Dave McKenna (on 1959-03-24)
2:50
8Undecided
recorded in:
New York, New York, United States (on 1959-03-25)
cornet:
Bobby Hackett (on 1959-03-25)
double bass [bass]:
Bob Carter (bass) (on 1959-03-25)
drums (drum set):
Dick Scott (drums) (on 1959-03-25)
piano:
Dave McKenna (on 1959-03-25)
instrumental recording of:
Undecided (on 1959-03-25)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
2:28
9Don’t Be That Way
recorded in:
New York, New York, United States (on 1959-03-24)
cornet:
Bobby Hackett (on 1959-03-24)
double bass [bass]:
Bob Carter (bass) (on 1959-03-24)
drums (drum set):
Dick Scott (drums) (on 1959-03-24)
piano:
Dave McKenna (on 1959-03-24)
instrumental recording of:
Don’t Be That Way (on 1959-03-24)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:57
10Kahakalau
recorded in:
New York, New York, United States (on 1959-03-25)
cornet:
Bobby Hackett (on 1959-03-25)
double bass [bass]:
Bob Carter (bass) (on 1959-03-25)
drums (drum set):
Dick Scott (drums) (on 1959-03-25)
piano:
Dave McKenna (on 1959-03-25)
2:12
11High Society
instrumental recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
2:14
12It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1959-03-26)
cornet:
Bobby Hackett (on 1959-03-26)
double bass [bass]:
Bob Carter (bass) (on 1959-03-26)
drums (drum set):
Dick Scott (drums) (on 1959-03-26)
piano:
Dave McKenna (on 1959-03-26)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1959-03-26)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
2:21
13I’m in the Market for You
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
recording of:
I’m in the Market for You (on 1959-11-25)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
James F. Hanley
3:12
14Embraceable You
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
instrumental recording of:
Embraceable You (on 1959-11-25)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:22
15Mr. Wonderful
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
instrumental recording of:
Mr. Wonderful (on 1959-11-25)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
2:39
16’Tis Autumn
recorded in:
New York, New York, United States (on 1959-11-24)
cornet:
Bobby Hackett (on 1959-11-24)
double bass [bass]:
Bill Cronk (on 1959-11-24)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-24)
piano:
Pepe Moreale (on 1959-11-24)
recording of:
’Tis Autumn (on 1959-11-24)
lyricist and composer:
Henry Nemo
3:08
17Take the A Train
recorded in:
New York, New York, United States (on 1959-11-24)
cornet:
Bobby Hackett (on 1959-11-24)
double bass [bass]:
Bill Cronk (on 1959-11-24)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-24)
piano:
Pepe Moreale (on 1959-11-24)
recording of:
Take the “A” Train (original instrumental version) (on 1959-11-24)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
3:09
18Bright Eyes
recorded in:
New York, New York, United States (on 1959-11-24)
cornet:
Bobby Hackett (on 1959-11-24)
double bass [bass]:
Bill Cronk (on 1959-11-24)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-24)
piano:
Pepe Moreale (on 1959-11-24)
2:41
19Too Close for Comfort
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
instrumental recording of:
Too Close for Comfort (Mr. Wonderful) (on 1959-11-25)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
3:23
20Anytime, Anyday, Anywhere
recorded in:
New York, New York, United States (on 1959-11-24)
cornet:
Bobby Hackett (on 1959-11-24)
double bass [bass]:
Bill Cronk (on 1959-11-24)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-24)
piano:
Pepe Moreale (on 1959-11-24)
instrumental recording of:
Anytime, Anyday, Anywhere (on 1959-11-24)
lyricist:
Ned Washington
composer:
Lee Wiley and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Catharine Hinen Music, Chappell & Co., Inc. (USA) and Patti Washington Music
2:56
21What’s New?
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
instrumental recording of:
What’s New? (on 1959-11-25)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
4:27
22C’est fini
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
3:04
23Prelude to a Kiss
recorded in:
New York, New York, United States (on 1959-11-25)
cornet:
Bobby Hackett (on 1959-11-25)
double bass [bass]:
Bill Cronk (on 1959-11-25)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-25)
piano:
Pepe Moreale (on 1959-11-25)
instrumental recording of:
Prelude to a Kiss (on 1959-11-25)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:26
24Sleepy Lagoon
recorded in:
New York, New York, United States (on 1959-11-24)
cornet:
Bobby Hackett (on 1959-11-24)
double bass [bass]:
Bill Cronk (on 1959-11-24)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1959-11-24)
piano:
Pepe Moreale (on 1959-11-24)
2:51
5▶CD