Soul Spectacular! The Greatest Soul Hits of All Time

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1What’d I Say, Parts 1 & 2
registrazione di:
What’d I Say
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles5:06
2Money (That’s What I Want)
produttore:
Berry Gordy
batteria :
Benny Benjamin (US drummer)
pianoforte :
Barrett Strong
tamburello :
Brian Holland (Motown producer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 3) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 288)
registrazione di:
Money (That’s What I Want)
autore:
Janie Bradford e Berry Gordy
editore:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Barrett Strong42:38
3Please Mr. Postman
produttore:
Robert Bateman (R&B singer/songwriter/record producer) e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (nel 1961-04)
batteria :
Benny Benjamin (US drummer) (nel 1961-04) e Marvin Gaye (nel 1961-04)
battimani :
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
chitarra :
Eddie Willis (nel 1961-04)
percussione :
Eddie “Bongo” Brown (nel 1961-04)
pianoforte :
Richard ‘Popcorn’ Wylie (nel 1961-04)
strumenti:
The Funk Brothers (nel 1961-04)
voce di accompagnamento:
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Gladys Horton (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
voce principale:
Gladys Horton (nel 1961-04)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1961-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 331) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 410)
registrazione di:
Please Mr. Postman (nel 1961-04)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes52:31
4I Count the Tears
registrazione di:
I Count the Tears
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
The Drifters2:09
5Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:40
6Twist and Shout
registrazione cover di:
Twist and Shout (nel 1962)
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:31
7Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc. e Unichappell Music
Ben E. King4.652:57
8Any Day Now (My Wild Beautiful Bird)
registrazione di:
Any Day Now
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
editore:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. e WB Music Corp. (1929–2019)
Chuck Jackson3:23
9It’s Gonna Work Out Fine
Ike & Tina Turner3:05
10You’ll Lose a Good Thing
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 27)
registrazione di:
You’ll Lose a Good Thing
paroliere e compositore:
Barbara Lynn Ozen
editore:
Crazy Cajun Music (This is the publisher. Label is Crazy Cajun only), Dandelion Music Co. e Jamie Music Publishing Co.
Barbara Lynn2:25
11Do You Love Me
produttore:
Berry Gordy Jr.
chitarra :
Huey Davis (guitarist) (il 1962-06-03)
strumenti:
The Funk Brothers (il 1962-06-03)
voce di accompagnamento:
Billy Hoggs (nel 1962), Joe Billingslea (il 1962-06-03), Hubert Johnson (singer) (il 1962-06-03) e Sylvester Potts (il 1962-06-03)
voce principale:
Billy Gordon (The Contours) (il 1962-06-03)
voce principale aggiuntiva:
Billy Hoggs (il 1962-06-03)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1962-06-03)
video musicali:
Do You Love Me (music video) di The Contours (60s soul)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 9)
registrazione di:
Do You Love Me (il 1962-06-03)
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Contours52:54
12Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s4.152:55
13You’ve Really Got a Hold on Me
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 10) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles4.52:59
14Hello Stranger
registrata a:
Chicago, Illinois, Stati Uniti (il 1963-01-16)
produttore:
Ollie McLaughlin
basso , batteria , chitarra , organo e pianoforte :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1963-01-16)
voce:
The Dells (il 1963-01-16) e Barbara Lewis (il 1963-01-16)
direttore d'orchestra:
Riley Hampton (il 1963-01-16)
arrangiatore:
Riley Hampton
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 27)
registrazione di:
Hello Stranger (il 1963-01-16)
paroliere e compositore:
Barbara Lewis
Barbara Lewis2:42
15Just One Look
registrata a:
New York, New York, Stati Uniti (il 1963-03-05)
produttore:
Artie Ripp
basso :
Barney Richmond (il 1963-03-05)
batteria :
Bruno Carr (il 1963-03-05)
chitarra :
Napoleon "Snags" Allen (il 1963-03-05)
pianoforte :
Horace Ott (il 1963-03-05)
voce:
Doris Troy (il 1963-03-05)
voce di accompagnamento [harmony vocals] e voce principale:
Doris Troy (il 1963-03-05)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 7) e Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 29)
registrazione di:
Just One Look (il 1963-03-05)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
16The Monkey Time
registrazione di:
The Monkey Time
paroliere e compositore:
Curtis Mayfield
editore:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Major Lance2:49
17(Love Is Like a) Heat Wave
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 257)
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha and the Vandellas42:47
18Cry Baby
produttore:
Jerry Ragovoy
direttore d'orchestra:
Garry Sherman (mid-20th century composer, arranger & conductor)
arrangiatore:
Jerry Ragovoy
registrazione di:
Cry Baby (nel 1963-05)
autore:
Bert Russell Berns e Jerry Ragovoy
Garnet Mimms & the Enchanters43:27
19It’s All Right
registrazione di:
It’s All Right
paroliere e compositore:
Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Curtom Publishing Co Inc (dal 1963 al ????)
The Impressions2:51
20Walking the Dog
registrazione di:
Walking the Dog
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas2:35
21My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.352:50
22My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.652:56
▼ CD 2
#TitoloArtistaValutazioneDurata
1Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
strumenti:
The Funk Brothers (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 29) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 472)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland / Dozier / Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes52:36
2Shotgun
Jr. Walker & the All Stars3:00
3The “In” Crowd
Dobie Gray2:52
4Hurt So Bad
tecnico:
Kevin Reeves (engineer)
produttore:
Teddy Randazzo
tecnico di missaggio:
Ron Furmanek e Kevin Reeves (engineer)
arrangiatore:
Teddy Randazzo
registrazione di:
Hurt So Bad
autore:
Bobby Wilding (US songwriter), Bobby Hart e Teddy Randazzo
editore:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music e Vogue Music
Little Anthony & the Imperials52:19
5Got to Get You Off My Mind
Solomon Burke2:35
6Yes, I’m Ready
registrazione di:
Yes, I’m Ready
paroliere e compositore:
Barbara Mason
editore:
Embassy Music Corporation e Jamie Music Publishing Co.
Barbara Mason3:08
7Sitting in the Park
Billy Stewart3:37
8I Can’t Help Myself
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
archi :
Detroit Symphony Orchestra (nel 1965)
strumenti:
The Funk Brothers (nel 1965)
voce di accompagnamento:
The Andantes (nel 1965), Marlene Barrow (nel 1965), Renaldo Benson (nel 1965), Louvain Demps (nel 1965), Abdul “Duke” Fakir (nel 1965), Jackie Hicks (nel 1965) e Lawrence Payton (nel 1965)
voce principale:
Levi Stubbs (nel 1965)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 415) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 483)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (nel 1965)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops3.752:46
9In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Stax studio pianist, 1960s) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:35
10Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (Songwriter and producer)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (Songwriter and producer)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.52:54
11I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.72:48
12Seesaw
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-06-30)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1965-06-30)
chitarra :
Steve Cropper (il 1965-06-30)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-06-30)
sassofono baritono :
Floyd Newman (il 1965-06-30)
sassofono tenore :
Andrew Love (il 1965-06-30)
tastiera :
Booker T. Jones (il 1965-06-30)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-06-30)
voce:
Don Covay (il 1965-06-30)
registrazione di:
See Saw (il 1965-06-30)
autore:
Don Covay e Steve Cropper
editore:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay & the Goodtimers3:01
13Cool Jerk
registrata a:
Detroit, Michigan, Stati Uniti (il 1966-03-11)
voce:
The Capitols (1960's Soul Vocal Trio) (il 1966-03-11)
arrangiatore:
Riley Hampton
registrazione di:
Cool Jerk (il 1966-03-11)
paroliere e compositore:
Donald Storball
editore:
Trio Music Company e Aberbach (German publisher) (nel 1967)
The Capitols2:36
14Barefootin’
registrazione di:
Barefootin’
paroliere e compositore:
Robert Parker (American R&B singer and musician)
editore:
Bonatemp Music Publishing Co., Inc. (nel 1965, nel 1967)
Robert Parker2:33
15When a Man Loves a Woman
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-02-17)
produttore:
Marlin Greene ('60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene ('60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.252:58
16Sunny
produttore:
Jerry Ross (Philadelphia soul composer/producer)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (nel 1966)
registrazione di:
Sunny (nel 1966)
paroliere e compositore:
Bobby Hebb
editore:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb42:48
17B‐A‐B‐Y
registrazione di:
B-A-B-Y
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:57
18Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Eddie Floyd43:06
19But It’s Alright
registrazione di:
But It’s Alright
autore:
J.J. Jackson (soul/R&B singer/songwriter Jerome Louis Jackson) e Pierre Tubbs
J.J. Jackson2:53
20Love Is a Hurtin’ Thing
registrata a:
Los Angeles, California, Stati Uniti (il 1966-07-06)
produttore:
David Axelrod (baroque pop composer)
voce:
Lou Rawls
voce principale:
Lou Rawls (il 1966-07-06)
direttore d'orchestra:
H.B. Barnum
arrangiatore:
H.B. Barnum
registrazione di:
Love Is a Hurtin’ Thing (il 1966-07-06)
autore:
Dave Linden (Motown songwriter) e Ben Raleigh
editore:
FP Wixen LLC, Rawlou Music, Wise Brothers Music LLC, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Lou Rawls2:15
21Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.52:42
22The Dark End of the Street
James Carr2:31
▼ CD 3
#TitoloArtistaValutazioneDurata
1Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:23
2Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:24
3Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas4.53:02
4Show Me
registrata a:
Nashville, Tennessee, Stati Uniti (il 1967-02-01)
produttore:
Buddy Killen
batteria [drums] :
Clyde Williams (US drummer) (il 1967-02-01)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1967-02-01)
sassofono tenore :
Charles Farley (il 1967-02-01)
tromba :
Emile Hall (il 1967-02-01) e Leroy Monroe (il 1967-02-01)
trombone :
Anthony Dorsey (il 1967-02-01) e Sly Sellers (il 1967-02-01)
voce:
Joe Tex (American southern soul musician) (il 1967-02-01)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1967-02-01)
parte di:
Cachitos Nochevieja 2022 (numero: 28)
registrazione di:
Show Me (il 1967-02-01)
autore:
Joe Tex (American southern soul musician)
editore:
London Tree Music e Tree Publishing Co., Inc.
Joe Tex2:57
5Soul Finger
The Bar-Kays2:21
6Gimme Little Sign
Brenton Wood2:21
7I’m Your Puppet
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1966)
registrazione cover di:
I’m Your Puppet
autore:
Spooner Oldham e Dan Penn
editore:
Warner Chappell Music Ltd. (1996–2019) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
James & Bobby Purify3:00
8Higher and Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson, Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson4.83:00
9Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex "Sam and Dave") (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:39
10Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:58
11Tighten Up
Archie Bell & the Drells52:39
12Expressway to Your Heart
produttore:
Gamble-Huff
arrangiatore:
Gamble-Huff
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1966)
registrazione di:
Expressway to Your Heart (nel 1966)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
EMI Blackwood Music Inc., Mijac Double Diamond Music, Mijac Music, One Song Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Soul Survivors2:22
13Boogaloo Down Broadway
The Fantastic Johnny C2:44
14The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.52:47
15La‐La Means I Love You
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1971)
registrazione di:
La La (Means I Love You) (nel 1968)
autore:
Thom Bell (keyboards, songwriter, producer) e William Hart (of The Delfonics)
The Delfonics4.53:18
16Cowboys to Girls
produttore:
Gamble-Huff
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1967)
registrazione di:
Cowboys to Girls (nel 1967)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders22:36
17Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
basso :
David Hood (il 1968-04-08)
batteria :
Roger Hawkins (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:32
18You’re All I Need to Get By
produttore:
Nickolas Ashford e Valerie Simpson
voce:
Tammi Terrell
registrazione di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.52:52
19Love Makes a Woman
produttore:
Carl Davis (record producer) e Eugene Record
arrangiatore:
Sonny Sanders
parte di:
The Downloader’s Music Source Book (numero: 135)
registrazione di:
Love Makes a Woman (il 1968-03-25)
autore:
Carl Davis (record producer), Eugene Record, Sonny Sanders e Gerald Sims
editore:
Chappell & Co., Inc. (USA), Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbara Acklin2:57
20Who’s Making Love
registrazione di:
Who’s Making Love?
autore:
Homer Banks, Bettye Crutcher, Don Davis (American record producer) e Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:52
21I Heard It Through the Grapevine
produttore:
Norman Whitfield
batteria :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10) e Uriel Jones (dal 1967-02-03 al 1967-04-10)
organo :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.33:15
22Soulful Strut
produttore:
Carl Davis (record producer) e Eugene Record
archi :
Eldee Young (nel 1968)
batteria :
Red Holt (nel 1968)
pianoforte :
Ken Chaney (jazz pianist and composer) (nel 1968)
arrangiatore:
Sonny Sanders
registrazione di:
Soulful Strut (nel 1968)
compositore:
Eugene Record e Sonny Sanders
editore:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
Am I the Same Girl
Young–Holt Unlimited4.53:02
23Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:40
24We Got More Soul
Dyke & the Blazers2:41
▼ CD 4
#TitoloArtistaValutazioneDurata
1I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.353:01
2Turn Back the Hands of Time
registrata a:
Chicago, Illinois, Stati Uniti (il 1970-01-23)
produttore:
Carl Davis (record producer)
voce:
Tyrone Davis (“Wonder Boy”) (il 1970-01-23)
direttore d'orchestra:
Tom Washington (American pianist, producer, and songwriter) (il 1970-01-23)
arrangiatore:
Tom Washington (American pianist, producer, and songwriter)
registrazione di:
Turn Back the Hands of Time (il 1970-01-23)
autore:
Jack Daniels (soul/blues/funk producer and songwriter) e Bonnie Thompson (songwriter)
Tyrone Davis42:38
3Backfield in Motion
Mel & Tim2:31
4Give Me Just a Little More Time
diritti fonografici (℗) detenuti da:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (nel 1970)
registrazione di:
Give Me Just a Little More Time (Dunbar/Wayne)
autore:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Holland Group Productions Inc. e Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:41
5Band of Gold
diritti fonografici (℗) detenuti da:
Holland Group Productions Inc. (nel 1970)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 278) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 391)
registrazione di:
Band of Gold
autore:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
6O‐o‐h Child
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 392)
registrazione di:
O‐o‐h Child
paroliere e compositore:
Stan Vincent (1960s/70s pop songwriter)
editore:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Five Stairsteps3.853:19
7Want Ads
registrazione di:
Want Ads
autore:
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins e Greg Perry
Honey Cone2:47
8Groove Me
registrata a:
Jackson, Mississippi, Stati Uniti (il 1970-05-04)
produttore:
Wardell Quezergue e Elijah Walker
voce:
King Floyd (il 1970-05-04)
arrangiatore:
Wardell Quezergue
registrazione di:
Groove Me (il 1970-05-04)
paroliere e compositore:
King Floyd
editore:
Malaco Music Co. (publisher) (nel 1991)
King Floyd53:02
9Respect Yourself
edit di:
Respect Yourself di The Staple Singers
registrazione di:
Respect Yourself
paroliere e compositore:
Luther Ingram e Sir Mack Rice
editore:
Irving Music (BMI) (nel 1988) e Klondike Enterprises (publisher) (nel 1988)
The Staple Singers53:34
10Treat Her Like a Lady
Cornelius Brothers & Sister Rose2:47
11In the Rain
registrazione di:
In the Rain
autore:
Tony Hester
editore:
Groovesville Music (publishing) (conclusa) e EMI Longitude Music
The Dramatics4.55:08
12Let’s Stay Together
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce:
Al Green (US soul singer, songwriter, pastor and record producer)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
diritti fonografici (℗) detenuti da:
Cream Records (70s Los Angeles) (nel 1971) e HI Records Inc. (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 84)
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4.53:18
13Betcha by Golly, Wow
registrazione cover di:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics53:17
14Oh Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc.
The Chi‐Lites3:14
15Back Stabbers
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:09
16One of a Kind (Love Affair)
The Spinners3:34
17If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
voce principale:
Harold Melvin
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:29
18Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer)
esecutore:
MFSB (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
19Midnight Train to Georgia
edit di:
Midnight Train to Georgia di Gladys Knight & the Pips
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:57
20Lookin’ for a Love
registrazione cover di:
Lookin’ for a Love
autore:
James Woodie Alexander e Zelda Samuels
Bobby Womack4.52:38
21Sideshow
tecnico:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) e Joe Tarsia (engineer)
produttore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
voce:
Blue Magic (American R&B soul vocal quintet) (nel 1973)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1973)
direttore d'orchestra:
Don Renaldo (nel 1973: ottoni [horns], archi)
arrangiatore archi e arrangiatore ottoni [horns] :
Don Renaldo
arrangiatore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Sideshow (nel 1973)
autore:
Vinnie Barrett e Bobby Eli
editore:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zella Music
Blue Magic54:12
22Kiss and Say Goodbye
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3:31

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ASIN:US: B00005Y1NY [info]