80s Pop Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (iTunes + Deezer + Spotify)

(As of 2020-08-08).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)

Countries where available (iTunes + Deezer + Spotify)

(As of 2020-08-08).

  • Northern America: 🇺🇸 United States (us) 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇩🇴 Dominican Republic (do) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇹🇹 Trinidad and Tobago (tt) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (Malvinas) (fk) 🇬🇸 South Georgia and Sandwich Isl. (gs)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl) 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se) 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇸🇮 Slovenia (si) 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me) 🇦🇱 Albania (al) 🇷🇸 Serbia (rs) 🇦🇩 Andorra (ad)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇹🇳 Tunisia (tn) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma) 🇪🇭 Western Sahara (eh) 🇸🇩 Sudan (sd)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇨🇮 Cote D’Ivoire (ci) 🇬🇳 Guinea (gn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇰🇪 Kenya (ke) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇼 Zimbabwe (zw) 🇷🇼 Rwanda (rw) 🇿🇲 Zambia (zm) 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇸🇴 Somalia (so)
  • Middle Africa: 🇦🇴 Angola (ao) 🇹🇩 Chad (td) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇨🇫 Central African Republic (cf) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za) 🇱🇸 Lesotho (ls)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇾🇪 Yemen (ye) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇵🇸 Palestinian Territory, Occupied (ps) 🇸🇾 Syrian Arab Republic (sy)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇳🇵 Nepal (np) 🇲🇻 Maldives (mv) 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇨🇳 China (cn) 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇹🇱 Timor-Leste (tl)
  • Polynesia: 🇹🇴 Tonga (to) 🇵🇳 Pitcairn (pn) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇲🇭 Marshall Islands (mh) 🇲🇵 Northern Mariana Islands (mp) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
  • Antarctica: 🇧🇻 Bouvet Island (bv)
Annotazione modificata l'ultima volta il 2020-08-08 07:52 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:45
2Rio
tecnico e produttore:
Colin Thurston
sassofono :
Andrew Kevin Hamilton (British saxophonist, composer and producer)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi)
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran4.755:37
3Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
4Ain’t Nobody
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan4:05
5I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
6Frankie
produttore:
Nile Rodgers
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
7Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
Levert4:22
8Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.954:27
9I Want Her
registrazione di:
I Want Her
autore:
Teddy Riley (US R&B singer & producer) e Keith Sweat
Keith Sweat6:00
10Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s4.25:21
11Always
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page
arrangiatore:
Gene Page
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
12Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:35
13Just the Two of Us
assistente tecnico di registrazione:
Ed Heath
tecnico di registrazione:
Richard Alderson (Producer and engineer) (dal 1980-06 al 1980-07)
assistente tecnico:
Eddie Heath, Jr.
tecnico:
Richard Alderson (Producer and engineer)
produttore:
Ralph MacDonald e Grover Washington, Jr.
basso :
Marcus Miller (jazz musician) (dal 1980-06 al 1980-07)
batteria :
Steve Gadd (drummer) (dal 1980-06 al 1980-07)
chitarra :
Eric Gale (dal 1980-06 al 1980-07)
percussione :
Ralph MacDonald (dal 1980-06 al 1980-07)
piano Rhodes :
Richard Tee (dal 1980-06 al 1980-07)
sassofono :
Grover Washington, Jr. (dal 1980-06 al 1980-07)
sintetizzatore :
William Eaton (US producer & arranger) (dal 1980-06 al 1980-07)
voce e esecutore:
Bill Withers (dal 1980-06 al 1980-07)
direttore d'orchestra:
William Eaton (US producer & arranger) (dal 1980-06 al 1980-07)
remixer:
Elliot Scheiner
arrangiatore:
William Eaton (US producer & arranger)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Company (validity of this label needs to be investigated…) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
registrata presso:
Rosebud Recording Studio in New York, New York, Stati Uniti (dal 1980-06 al 1980-07)
registrazione di:
Just the Two of Us (Bill Withers song) (dal 1980-06 al 1980-07)
autore:
Ralph MacDonald, William Salter e Bill Withers
editore:
Antisia Music Inc. e Bleunig Music
Grover Washington, Jr.57:24
14Sweet Love
tecnico:
Barney Perkins
produttore:
Michael J. Powell
chitarra :
Greg Moore (US guitarist & songwriter)
chitarra basso :
Freddie Washington (US session bassist)
membranofono :
Ricky Lawson
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Dean Gant
voce di accompagnamento:
Jim Gilstrap, Bunny Hull e Darryl Phinnessee
voce di accompagnamento e voce principale:
Anita Baker
video musicali:
Sweet Love di Anita Baker
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.54:26
15When the Night Comes
registrazione di:
When the Night Comes
scritta a:
Los Angeles, California, Stati Uniti (nel 1987-04) e Vancouver, British Columbia (Columbia Britannica), Canada (nel 1987-04)
autore:
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (nel 1987-04) e Jim Vallance (nel 1987-04)
Joe Cocker4:49
16In Private
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
registrazione di:
In Private
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
Dusty Springfield44:22
17Mirror Mirror
registrazione di:
Mirror Mirror (Mon amour)
autore:
Trevor Horn e Bruce Woolley
Dollar3:31
18Don’t You Want My Love
Jomanda4:03
19In Your Eyes
George Benson3:21
20Useless (I Don’t Need You Now)
registrazione di:
Useless (I Don't Need You Now)
paroliere e compositore:
Marshall Jefferson
Kym Mazelle5:32
21Still in Love
Troop5:01
22Really Want to Know You
Gary Wright4:20
23St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
24Secret Rendezvous
tecnico di registrazione e tecnico di missaggio:
Jon Gass
assistente tecnico:
Toni Greene (engineer), John Guggenheim e Fred Howard (engineer)
tecnico aggiunto:
Bob Brown (recording, mixing and mastering engineer)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
produttore esecutivo:
Benny Medina e Leonard Richardson (US hip-hop producer)
batteria [drums] e percussione :
L.A.
chitarra solista e tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds)
sintetizzatore basso [bass synth] :
Kayo (Kevin Roberson)
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, O'Bryan Burnett II, Daryl Simmons e Karyn White
mixata per:
Ratstyle Productions
è stato produttore per:
La'Face, Inc. (production company)
registrata presso:
Silverlake Sound in Hollywood, Los Angeles, California, Stati Uniti e Studio Masters in Los Angeles, California, Stati Uniti
mixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Secret Rendezvous
autore:
Babyface (R&B musician Kenny Edmonds), D. Simmons e L.A. Reid
editore:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White5:37
25Don’t Blame It on That Girl
registrazione di:
Don't Blame It on That Girl
autore:
Mark Fisher (UK keyboardist, songwriter and producer) e Mark Reilly (guitarist, vocalist, producer, songwriter)
Matt Bianco43:49
26Nite and Day
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
Nite and Day
autore:
Al B. Sure! e Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
27I Shoulda Loved Ya
Narada Michael Walden6:37
28Headed for a Heartbreak
assistente tecnico:
Noah Baron e Jimmy Hoyson
tecnico e produttore:
Beau Hill
tecnico audio:
Bob Caputo (engineer) e Bob Schwall (technician)
editor:
Stephen Benben
batteria e percussione :
Rod Morgenstein
chitarra :
Reb Beach e Paul Taylor (Winger rhythm guitarist and keyboardist)
chitarra basso e voce principale:
Kip Winger
tastiera :
Paul Taylor (Winger rhythm guitarist and keyboardist) e Kip Winger
viola :
Rebecca Young (violist)
violino :
Hae-Young Ham (violinist) e Sandra Park (violinist)
violoncello :
Maria Kitsopoulos
voce aggiuntiva:
Beau Hill e Ira McLaughlin (engineer)
voce di accompagnamento:
Reb Beach, Rod Morgenstein e Paul Taylor (Winger rhythm guitarist and keyboardist)
arrangiatore archi :
Kip Winger
arrangiatore:
Beau Hill e Winger
registrata presso e mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Headed for a Heartbreak
paroliere e compositore:
Kip Winger
editore:
EMI-Virgin Songs, Small Hope Music e Varseau Music
Winger45:13
29Foolish Beat
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione:
Fred Zarr
assistente tecnico:
Bill Esses
produttore:
Debbie Gibson
assistente tecnico di missaggio:
Jim Goatley
tecnico di missaggio:
Phil Castellano (brother of John, uncle of Richie) e Debbie Gibson
chitarra acustica e chitarra elettrica :
Ira Siegel
percussione :
Bashiri Johnson
sassofono :
Jeff Smith (US saxophonist)
tastiera e sintetizzatore :
Fred Zarr
voce di accompagnamento:
Carrie Johnson e Tim Lawless
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Sorceror Studios in New York, New York, Stati Uniti
registrazione di:
Foolish Beat
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson4.54:23
30We’re Not Gonna Take It (single version)
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:37
31Give Me Back My Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
registrazione di:
Give Me Back My Heart
paroliere e compositore:
Simon Darlow (songwriter, keyboardist & guitarist) e Trevor Horn
editore:
Island Music Ltd. (nel 1982) e Perfect Songs (UK publisher, affiliated with BMI) (nel 1982)
Dollar5:01
32The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:35
33Loosey’s Rap
esecutore:
Roxanne Shanté (QB rapper of Juice Crew)
registrazione di:
Loosey’s Rap
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James3:53
34Almaz
registrazione di:
Almaz
orchestratore:
Wil Malone
autore:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford4:31
35Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
36The Sun Always Shines on T.V.
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha3.95:02
37Rebels Are We (single version)
registrazione di:
Rebels Are We
compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
Chic4:55
38Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:33
39C30 C60 C90 Go
assistente produttore:
Martin Levan
produttore:
Malcolm McLaren
registrazione di:
C·30 C·60 C·90 Go
autore:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) e Malcolm McLaren
Bow Wow Wow53:03
40This Is My Night
registrazione di:
This Is My Night
autore:
David Frank (American keyboardist, producer, writer; The System) e Mic Murphy
Chaka Khan44:41
41How Many Lovers
Anthony & the Camp4:02
42High Rollers
programmazione:
Afrika Islam (nel 1988)
produttore:
Afrika Islam (nel 1988) e Ice‐T (nel 1988)
tecnico di missaggio:
Mark Wolfson (nel 1988)
voce principale:
Ice‐T (nel 1988)
registrazione di:
High Rollers (nel 1988)
paroliere:
Ice‐T
compositore:
Charles Andre Glenn e Ice‐T
Ice‐T44:37
43Turn Your Love Around
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
flauto e sassofono :
Gary Herbig
piano Rhodes [Fender Rhodes] e pianoforte :
Jai Winding (pianist, composer, vocal)
piatti [Cymbals (payette)] :
Mike Baird (drummer)
sintetizzatore :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
sintetizzatore basso :
David Paich
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce:
George Benson (jazz guitarist/singer)
voce di accompagnamento:
Bill Champlin, Vennette Gloud e Carmen Twillie
arrangiatore corno :
Jerry Hey
arrangiatore:
Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrazione di:
Turn Your Love Around
autore:
Bill Champlin, Jay Graydon e Steve Lukather
editore:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
George Benson3:50
44Somebody
registrazione di:
Somebody
autore:
Jimmy Cauty, John Chester (songwriter), Martin Glover e June Montana
Brilliant4:13
45R.R. Express
registrazione di:
R.R. Express
paroliere e compositore:
Norman Whitfield
Rose Royce12:01
46Giving You the Best That I Got
assistente tecnico:
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) e Tim Purvis
tecnico:
Barney Perkins
tecnico aggiunto:
Milton Chan (Recording Engineer)
produttore:
Michael J. Powell
produttore esecutivo:
Anita Baker
basso :
Nathan East (nel 1988)
batteria :
Omar Hakim (nel 1988)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1988)
pianoforte :
Dean Gant (nel 1988)
tastiera :
Vernon Fails (nel 1988)
voce di accompagnamento:
Alex Brown (US soul vocalist, member of Raelets) (nel 1988), Carl Carwell (nel 1988), Angel Edwards (nel 1988) e Valerie Pinkston (nel 1988)
voce principale:
Anita Baker (nel 1988)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
Giving You the Best That I Got (nel 1988)
paroliere e compositore:
Anita Baker, Randy Holland (songwriter/engineer) e Skip Scarborough
editore:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music e Fresh Air Music Ltd.
Anita Baker34:21
4718 and Life
tecnico di registrazione, produttore e tecnico di missaggio:
Michael Wagener
tecnico aggiunto:
Dave Kent (engineer)
batteria :
Rob Affuso
chitarra :
Scotti Hill e Dave “The Snake” Sabo
chitarra basso :
Rachel Bolan
voce di accompagnamento:
Rachel Bolan, Scotti Hill e Dave “The Snake” Sabo
voce principale:
Sebastian Bach (Canadian metal singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989)
registrata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti (nel 1988)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 60)
registrazione di:
18 and Life
autore:
Rachel Bolan e Dave “The Snake” Sabo
Skid Row4.053:50
48Shake Your Love
Debbie Gibson3:43

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Group – X5 Music Group (nel 2017)
scaricare a pagamento:https://itunes.apple.com/us/album/id1268587201 [info]
streaming gratuito:https://open.spotify.com/album/78rQv4P5Eb52myHpr6fRuj [info]
https://www.deezer.com/album/45920672 [info]
pagina di streaming:https://music.apple.com/us/album/1268587201 [info]