| # | Title | Artist | Rating | Length |
|---|
| 1 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:57 |
| 2 | Rio | Duran Duran | 4.15 | 4:45 |
| 3 | Silver Machine- producer:
- Doctor Technichal and Hawkwind
- additional bass guitar and additional guitar:
- Guy Pratt (on 1972-02-13)
- bass guitar and lead vocals:
- Lemmy Kilmister (on 1972-02-13)
- drums (drum set):
- Simon King (on 1972-02-13)
- flute and saxophone:
- Nik Turner (on 1972-02-13)
- guitar:
- Dave Brock (on 1972-02-13)
- synthesizer:
- Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
- vocals:
- Dave Brock (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
- remixer:
- The Scourge of the Earth
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1972)
- recorded at:
- Roundhouse in Camden Town, Camden , London , England, United Kingdom (on 1972-02-13)
- mixed at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- edit of:
- Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
- live recording of:
- Silver Machine (on 1972-02-13)
- lyricist:
- Robert Calvert
- composer:
- Sylvia MacManus
- publisher:
- EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
- recording of:
- Silver Machine
- lyricist:
- Robert Calvert
- composer:
- Sylvia MacManus
- publisher:
- EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
| Hawkwind | 3.65 | 4:39 |
| 4 | On the Road Again- recording of:
- On the Road Again
- lyricist and composer:
- Floyd Jones and Alan Wilson
- publisher:
- Embassy Music Corporation, EMI Catalogue Partnership, EMI Music , EMI Music Publishing , EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co , SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer and United Partnership Ltd.
| Canned Heat | | 4:35 |
| 5 | Gimme Some Lovin’- recording engineer and mixer:
- Mike Fraser
- producer:
- Andy Taylor
- bass guitar:
- Mark "Snake" Luckhurst
- drums (drum set):
- Gary 'Harry' James
- guitar:
- Ben Matthews and Luke Morley
- organ:
- Ben Matthews
- lead vocals:
- Danny Bowes
- cover recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| Thunder | 3 | 3:50 |
| 6 | Imagination | Belouis Some | 3 | 3:36 |
| 7 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:38 |
| 8 | Radar Love | Golden Earring | | 4:56 |
| 9 | Something Better Change | The Stranglers | 3 | 3:37 |
| 10 | Wheels of Steel | Saxon | 4.15 | 5:59 |
| 11 | I Hear You Knockin’ | Dave Edmunds | 4 | 2:48 |
| 12 | Sailing on the Seven Seas | OMD | 3 | 3:45 |
| 13 | Running Up That Hill- assistant engineer:
- Pearse Dunne
- engineer:
- Haydn Bendall , James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker
- producer:
- Kate Bush
- mixer:
- Brian Tench
- balalaika:
- Paddy Bush
- bass:
- Del Palmer
- drums (drum set):
- Stuart Elliott
- guitar:
- Alan Murphy
- vocals:
- Kate Bush
- phonographic copyright (℗) by:
- EMI America Records (in 1985), EMI Korea (in 1985), EMI Records (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (in 1993), Universal Domestic Division (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
- recorded at:
- Wickham Farm Home Studio in Welling, Bexley , London , England, United Kingdom
- engineered at:
- Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- music videos:
- Running Up That Hill by Kate Bush
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 7), Billboard Year-End Hot 100 singles of 2022 (number: 23), Billboard Hot 100: 2026-01-17 (number: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 279)
- recording of:
- Running Up That Hill
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing LLC and ソニー・ミュージックパブリッシング EMI外国事業部
| Kate Bush | 3.95 | 4:55 |
| 14 | Dancing With Tears in My Eyes | Ultravox | 4 | 4:05 |
| 15 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:57 |
| 16 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:44 |
| 17 | We’ve Gotta Get Out of This Place | The Animals | 3.8 | 3:14 |
| 18 | Runaway Boys | Stray Cats | 3.65 | 3:02 |
| 19 | Blockbuster | The Sweet | 5 | 3:13 |
| 20 | Love Is the Drug- producer:
- Chris Thomas
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (in 1975, in 1999)
- recording of:
- Love Is the Drug
- lyricist:
- Bryan Ferry
- composer:
- Andy Mackay
- publisher:
- BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control , E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (in 1975)
| Roxy Music | 4.2 | 4:08 |
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