Lena, a New Album

~ Veröffentlichung von Lena Horne (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1I’ve Grown Accustomed to His Face
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
?:??
A2Someone to Watch Over Me
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
?:??
A3My Funny Valentine
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
?:??
A4Someday My Prince Will Come
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Someday My Prince Will Come
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
?:??
A5I’ve Got the World on a String
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
?:??
B1Softly as I Leave You
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly, as I Leave You
Texter:
Giorgio Calabrese
Komponist(in):
Antonio DeVita
Übersetzer:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. und Miller Music (publisher)
übersetzte Version von:
Piano
?:??
B2I Have Dreamed
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Have Dreamed (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The King and I (Rodgers & Hammerstein musical)
?:??
B3A Flower Is a Lovesome Thing
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
A Flower Is a Lovesome Thing
Texter und Komponist(in):
Billy Strayhorn
?:??
B4I’ve Got to Have You
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I’ve Got to Have You
Texter und Komponist(in):
Kris Kristofferson
publisher:
Universal Music Careers
?:??
B5My Ship
Assistent recording engineer, assistierende(r) Mix und assistierendes Editing:
Jeremy Gee
recording engineer, Mix und Editing:
Keith Grant (classical recording engineer)
Koproduzent(in):
Keith Grant (classical recording engineer)
Produzent(in):
Norman Schwartz
Bass:
Chris Laurence (double bassist) (in 1976)
Keyboard:
Gordon Beck (in 1976)
Saxophon:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger und Orchestrator(in):
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976)
mixed at und edited at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
Texter:
Ira Gershwin
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. und WB Music Corp. (1929–2019)
Version von:
Lady in the Dark: My Ship
?:??

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