Süddeutsche Zeitung | Diskothek: 1956: Ein Jahr und seine 20 Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
Produzent(in):
Paul Gayten (US R&B)
Gitarre:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1956-09)
Klavier:
Paul Gayten (US R&B) (in 1956-09)
Kontrabass [bass]:
Frank Fields (in 1956-09)
Posaune:
Edgar Myles (in 1956-09)
Schlagzeug [drums]:
Eugene Jones (drummer) (in 1956-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (in 1956-09) und Eddie Smith (R&B tenor sax) (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten (in 1956-09)
recording of:
Ain’t Got No Home (in 1956-09)
Texter und Komponist(in):
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:19
2Baby Loves Him
phonographisches Urheberrecht (℗) von:
Capitol Nashville (vom 2005 bis heute)
recording of:
Baby Loves Him
Texter und Komponist(in):
Wanda Jackson (aka the Female Elvis)
publisher:
Central Songs
Wanda Jackson2:00
3Ooby Dooby
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (vom 1956 bis heute)
recording of:
Ooby Dooby
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
Roy Orbison and The Teen Kings2:11
4Rip It Up
recording of:
Rip It Up
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard2:21
5Lonely Avenue
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 1956 bis heute)
recording of:
Lonely Avenue
Texter und Komponist(in):
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:33
6Die Straße der Vergessenen
phonographisches Urheberrecht (℗) von:
Polydor GmbH (do not use as a release label, for company-type relationships only) (vom 1956 bis heute)
recording of:
Die Straße der Vergessenen
Texter:
Fini Busch (lyricist)
Komponist(in):
Peter Schöll (songwriter)
Peter Kraus2:36
7Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.82:02
8I Walk the Line
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (vom 1956 bis heute)
recording of:
I Walk the Line
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:42
9Be‐Bop‐A‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:34
10Whatever Will Be, Will Be (Que Sera, Sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:05
11Please, Please, Please
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Produzent(in):
Ralph Bass
Bass:
Clarence Mack (US bassist) (am 1956-02-04)
Gitarre:
Nafloyd Scott (am 1956-02-04)
Klavier:
Lucas "Fats" Gonder (am 1956-02-04)
Schlagzeug:
Edison Gore (am 1956-02-04)
Tenorsaxophon:
Ray Felder (am 1956-02-04) und Wilbert Smith (am 1956-02-04)
Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1956-02-04), Nashpendle Knox (am 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (am 1956-02-04) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1956-02-04)
Sologesang:
James Brown (The Godfather of Soul) (am 1956-02-04)
Interpret(in):
James Brown & The Famous Flames (am 1956-02-04)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1956)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 142)
recording of:
Please, Please, Please (am 1956-02-04)
Texter und Komponist(in):
James Brown (The Godfather of Soul) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. und Jadar Music Corp.
James Brown and the Famous Flames2:45
12Precious Lord, Part One
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute)
cover recording of:
Precious Lord, Take My Hand
Texter:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
zusätzliche(r) Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
arranger:
Roy Ringwald (songwriter)
publisher:
Unichappell Music, Inc.
Arrangement von:
Take My Hand, Precious Lord
Aretha Franklin3:24
13Let the Good Times Roll
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 2005 bis heute)
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee2:22
14Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
15The Train Kept A‐Rollin’
Gitarre:
Paul Burlison (am 1956-07-02) und Johnny Burnette (am 1956-07-02)
Kontrabass:
Dorsey Burnette (am 1956-07-02)
Schlagzeug:
Murray M. "Buddy" Harman, Jr. (Session drummer and songwriter) (am 1956-07-02)
vocals:
Johnny Burnette (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (vom 1956 bis heute)
aufgenommen bei:
Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-07-02)
cover recording of:
The Train Kept A‐Rollin’ (am 1956-07-02)
Verfasser(in):
Tiny Bradshaw, Howard Kay und Lois Mann
publisher:
Bienstock Publishing Company (ASCAP affiliated), Fort Knox Music Co, Quartet Music Inc. und Trio Music, Inc. (publisher)
Teil von:
Twins (1988)
The Johnny Burnette Trio2:14
16Stranded in the Jungle
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (vom 1956 bis heute)
cover recording of:
Stranded in the Jungle
Verfasser(in):
James E. Johnson (The Jayhawks/Vibrations) und Ernestine Smith
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peermusic (UK) Limited und Shag Publications
The Cadets3:04
17Who Do You Love?
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24) und Jody Williams (blues guitarist/singer) (am 1956-05-24)
Maracas / Rumba-Rasseln:
Jerome Green (am 1956-05-24)
Schlagzeug:
Clifton James (am 1956-05-24)
Hintergrundgesang:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 132)
recording of:
Who Do You Love? (am 1956-05-24)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Bo Diddley3.52:28
18Rock Island Line
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (vom 1956 bis heute)
cover recording of:
Rock Island Line
Texter und Komponist(in):
Lead Belly
publisher:
Folkways Music Publishers Inc.
Teil von:
Roud Folk Song Index (Nummer: 15211)
The Lonnie Donegan Skiffle Group2:28
19Ruby Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 1956 bis heute)
recording of:
Ruby Baby
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC und Stoller Music (ASCAP)
The Drifters2:22
20It’s Too Late
recorded in:
New York, New York, Vereinigte Staaten (am 1956-04-13)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Hintergrundgesang:
The Cookies (50s girl group) (am 1956-04-13)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1956-04-13)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 1956 bis heute)
recording of:
It’s Too Late (am 1956-04-13)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
Chuck Willis2:37

Nennungen

Veröffentlichung

hergestellt in:Deutschland
booklet editor:Philipp Oehmke (German journalist)
Johannes Waechter (German journalist)
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Süddeutsche Zeitung GmbH (in 2005)
Teil von:Süddeutsche Zeitung | Diskothek (1955-2004) (Nummer: 2) (Reihenfolge: 2)
ASIN:DE: 386615061X [Info]