41 Original Hits from the Soundtrack of American Graffiti

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Anmerkung

Distributed By – BMG Arista / Ariola Limited

Printed in Australia.

Anmerkung zuletzt geändert am 2019-09-20 06:29 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(We’re Gonna) Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and The Comets4.352:11
2Sixteen Candles
recording of:
16 Candles
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
January Music Corp., Little A Music, Mijac Music und Unichappell Music, Inc.
The Crests3.52:52
3Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.42:19
4Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:18
5That’ll Be the Day
Sprecher:
Wolfman Jack (US disc jockey)
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
6Fanny Mae
Sprecher [Dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Fannie Mae
Texter und Komponist(in):
Morris Levy (in 1959), Clarence Lewis (in 1959) und Waymon Glasco (1911-1976 blues musician) (in 1959)
Verfasser(in):
Buster Brown (1911-1976 blues musician)
publisher:
EMI Longitude Music, FROST Music Corp, Jonware Music Co. (US publisher) und Olivia Pub. Co. (BMI-affiliated)
Buster Brown2:54
7At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Flash Cadillac & the Continental Kids2:27
8She’s So Fine
recording of:
She’s So Fine
Verfasser(in):
Kris Moe und Linn Phillips
publisher:
Lotsa Music
Flash Cadillac & the Continental Kids2:23
9The Stroll
recording of:
The Stroll
Verfasser(in):
Nancy Lee (US 1950/60s songwriter & singer) und Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:28
10See You in September
recording of:
See You in September
Verfasser(in):
Sherman Edwards und Sid Wayne
publisher:
Vibar Music
The Tempos2:09
11Surfin’ Safari
Techniker(in):
Chuck Britz
Produzent(in):
Nick Venet und Murry Wilson
Sologesang:
Mike Love (Beach Boys) (in 1962-06, am 1962-06-13)
recording of:
Surfin’ Safari (am 1962-06-13)
Verfasser(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys4.152:07
12He’s The Great Imposter
recording of:
(He’s) The Great Imposter
Verfasser(in):
Jackie DeShannon und Sharon Sheeley
publisher:
Metric Music Co (publisher)
The Fleetwoods1:34
13Almost Grown
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass und Kontrabass:
Willie Dixon (am 1959-02-17)
Gitarre:
Chuck Berry (am 1959-02-17) und Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1959-02-17)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1959-02-17)
Schlagzeug:
Jasper Thomas (am 1959-02-17)
Hintergrundgesang:
Chuck Barksdale (am 1959-02-17), Harvey Fuqua (am 1959-02-17), Marvin Gaye (am 1959-02-17), Etta James (am 1959-02-17), The Marquees (am 1959-02-17), The Moonglows (1950s Cleveland R&B group) (am 1959-02-17), James Nolan (Second Tenor, Baritone singer) (am 1959-02-17), Reese Palmer (First Tenor singer) (am 1959-02-17) und Chester Simmons (am 1959-02-17)
Sologesang:
Chuck Berry (am 1959-02-17)
vocals:
Chuck Berry (am 1959-02-17)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1959-02-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 6)
recording of:
Almost Grown (am 1959-02-17)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:21
14Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:39
15Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:06
16Peppermint Twist
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Peppermint Twist
Verfasser(in):
Joey Dee und Henry Glover
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und FROST Music Corp
Joey Dee & the Starlighters2:01
17Barbara Anne
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Barbara‐Ann
Texter und Komponist(in):
Fred Fassert
publisher:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. und Windswept Pacific Music Ltd.
adaptations:
Bomb Iran (Vince Vance & the Valiants parody)
adaptations:
Bomb Iran (Paul Shanklin parody)
The Regents2:12
18Book of Love
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones2:21
19Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:03
20Ya Ya
recording of:
Ya, Ya
Verfasser(in):
Lee Dorsey, Morris Levy, Clarence Lewis und Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:24
21The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:36
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ain’t That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:27
2Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:42
3I Only Have Eyes for You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 157) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 175)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Flamingos4.253:24
4Get a Job
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 36)
recording of:
Get a Job (in 1957-10)
Verfasser(in):
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) und William F. Horton (US R&B/northern soul)
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) und Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:49
5To the Aisle
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
recording of:
To the Aisle
Verfasser(in):
Billy Smith (1950s Ohio rockabilly artist) und Stuart Wiener
publisher:
Wemar Music Corp.
The Five Satins2:46
6Do You Wanna Dance
recorded in:
Vereinigte Staaten
Produzent(in):
Morty Palitz
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 39)
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
recording of:
Do You Want to Dance?
Komponist(in):
Jerry Cohen, Gene McFadden und John Whitehead
Bobby Freeman3.52:36
7Party Doll
recording of:
Party Doll
Texter und Komponist(in):
Buddy Knox (US country rocker, of The Rhythm Orchids)
Verfasser(in):
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) und Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three und Patricia Music Publ. Corp.
Buddy Knox2:14
8Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:43
9You’re Sixteen – You’re Beautiful (and You’re Mine)
recording of:
You’re Sixteen
Verfasser(in):
Bob Sherman (American songwriter) und Dick Sherman
publisher:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1960)
Johnny Burnette41:59
10Love Potion No. 9
recording of:
Love Potion No. 9
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
The Clovers1:54
11Since I Don’t Have You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 18)
recording of:
Since I Don’t Have You
Verfasser(in):
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
Komponist(in):
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. und Southern Music Publ. Co. Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:39
12Chantilly Lace
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Chantilly Lace
Texter und Komponist(in):
J.P. Richardson (known as The Big Bopper)
publisher:
Glad Music Co.
The Big Bopper52:23
13Teen Angel
recording of:
Teen Angel
Texter und Komponist(in):
Jean Surrey
publisher:
Acuff Rose Musikverlag (German department of the US publishing company Acuff Rose Music, which began its exploration of foreign publishing markets in the 1950s), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Mark Dinning42:43
14Crying in the Chapel
cover recording of:
Crying in the Chapel (am 1953-06-30)
Texter und Komponist(in):
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) und Mijac Music
Sonny Till & The Orioles3:04
15A Thousand Miles Away
recording of:
A Thousand Miles Away (in 1956-08)
Verfasser(in):
William Miller (US songwriter, A&R executive, label owner) und James “Shep” Sheppard (American Doo-Wop/R&B singer)
publisher:
Nom Music, Inc.
The Heartbeats32:28
16Heart and Soul
recording of:
Heart and Soul
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Cleftones1:54
17Green Onions
recording of:
Green Onions
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & The M.G.'s2:27
18Only You (And You Alone)
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter, Verfasser(in) und Komponist(in):
Buck Ram und Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:42
19Goodnight, Well It’s Time to Go
recording of:
Goodnight, Well It’s Time to Go
Verfasser(in):
Calvin Carter und James Hudson (American clarinetist and saxophonist)
publisher:
Conrad Music (publisher; do NOT use as release label)
The Spaniels2:46
20All Summer Long
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
E-Bass:
Al Jardine (von 1964-05-06 bis 1964-05-07)
E-Gitarre [electric rhythm guitars]:
Carl Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Marimba und xylophone:
Brian Wilson (Beach Boys co‐founder) (von 1964-05-06 bis 1964-05-07)
Piccoloflöte und Schwegel:
Jay Migliori (von 1964-05-06 bis 1964-05-07)
Schlagzeug:
Dennis Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (von 1964-05-06 bis 1964-05-07)
Bass-Gesang und Sologesang:
Mike Love (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Hintergrundgesang:
Al Jardine (von 1964-05-06 bis 1964-05-07), Brian Wilson (Beach Boys co‐founder) (von 1964-05-06 bis 1964-05-07), Carl Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07) und Dennis Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
All Summer Long (von 1964-05-06 bis 1964-05-07)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc.
The Beach Boys3.752:06