Casta Diva

~ Release by Cecilia Bartoli (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Norma: Atto I, scena 1. "Casta Diva"
choir vocals:
International Chamber Vocalists
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra La Scintilla
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:28
2La Cenerentola: Atto II. "Nacqui all'affanno e al pianto"
engineer:
James Lock (James Locke, engineer) (task: Balance Engineer) and Jonathan Stokes (engineer) (task: Balance Engineer)
producer:
Christopher Raeburn (producer), Morten Winding and Michael Woolcock (producer)
editor:
Philip Gossett (musicologist and historian) and Alberto Zedda (conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:05
3La Cenerentola: Atto II. "Non più mesta"Gioachino Rossini3:09
4Ines di Castro: Romanza "Cari giorni" (Ines)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra La Scintilla
conductor:
Ádám Fischer (Hungarian conductor)
partial recording of:
Ines de Castro
composer:
Giuseppe Persiani (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
Giuseppe Persiani4:11
5L'elisir d'amore: Atto I. "Una parola"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Riccardo Chailly (conductor)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:35
6L'elisir d'amore: Atto I. "Chiedi all'aura"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Riccardo Chailly (conductor)
recording of:
L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti6:18
7Norma: Atto II. "Mira, o Norma" (Critical Ed. Maurizio Biondi and Riccardo Minasi) (Edit)
engineer:
Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Maurizio Biondi and Riccardo Minasi (Italian conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
soprano vocals:
Sumi Jo (soprano)
orchestra:
Orchestra La Scintilla
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:33
8Norma: Atto II. "Cedi! Deh, cedi!" (Critical Ed. Maurizio Biondi and Riccardo Minasi) (Edit)
engineer:
Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Maurizio Biondi and Riccardo Minasi (Italian conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
soprano vocals:
Sumi Jo (soprano)
orchestra:
Orchestra La Scintilla
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Norma: Atto II, scena 1. Duetto “Cedi...deh cedi!” (Adalgisa, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:00
9Norma: Atto 2, scena 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi)
engineer:
Maurizio Biondi and Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Riccardo Minasi (Italian conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
soprano vocals:
Sumi Jo (soprano)
orchestra:
Orchestra La Scintilla
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Norma: Atto II
Vincenzo Bellini1:50
10La sonnambula: Atto I. "Prendi: l'anel ti dono" (Edit)
engineer:
Wolf‐Dieter Karwatky and Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
choir vocals:
Chor des Opernhauses Zürich
soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orchestra La Scintilla
conductor:
Alessandro De Marchi (conductor, harpsichord and organ player)
recording of:
La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono” (Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:43
11Il turco in Italia: Atto I. "No mia vita, mio tesoro" (Critical Ed. Margaret Bent)
engineer:
Philip Siney (sound engineer) (task: Balance Engineer) and Jonathan Stokes (engineer) (task: Balance Engineer)
producer:
Christopher Pope (producer) and Christopher Raeburn (producer)
editor:
Margaret Bent (musicologist)
baritone vocals:
Alessandro Corbelli (baritone)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
Il turco in Italia: Atto I, scena 2. “No, mia vita, mio tesoro” (Geronio, Fiorilla)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
Gioachino Rossini2:10
12Il turco in Italia: Atto I. "Ed osate…" (Critical Ed. Margaret Bent) (Edit)
engineer:
Philip Siney (sound engineer) (task: Balance Engineer) and Jonathan Stokes (engineer) (task: Balance Engineer)
producer:
Christopher Pope (producer) and Christopher Raeburn (producer)
editor:
Margaret Bent (musicologist)
baritone vocals:
Alessandro Corbelli (baritone)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
partial recording of:
Il turco in Italia: Atto I
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia (The Turk in Italy)
Gioachino Rossini2:22
13I puritani: Atto II. "O rendetemi la speme"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra La Scintilla
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini5:25
14Irene, o L'assedio di Messina: "Ira del ciel"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra La Scintilla
conductor:
Ádám Fischer (Hungarian conductor)
partial recording of:
Irene, ossia L'assedio di Messina
composer:
Giovanni Pacini (composer)
librettist:
Gaetano Rossi (librettist)
Giovanni Pacini2:25
15Irene, o L'assedio di Messina: "Vaga luna che inargenti"
engineer:
Krzysztof Jarosz (audio)
producer:
Christopher Raeburn (producer)
piano:
James Levine (US conductor and pianist)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
balance engineer:
James Lock (James Locke, engineer)
partial recording of:
Irene, ossia L'assedio di Messina
composer:
Giovanni Pacini (composer)
librettist:
Gaetano Rossi (librettist)
Giovanni Pacini34:03
16Irene, o L'assedio di Messina: La danza
engineer:
Krzysztof Jarosz (audio)
producer:
Christopher Raeburn (producer)
piano:
James Levine (US conductor and pianist)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
balance engineer:
James Lock (James Locke, engineer)
partial recording of:
Irene, ossia L'assedio di Messina
composer:
Giovanni Pacini (composer)
librettist:
Gaetano Rossi (librettist)
Giovanni Pacini3.53:01
17Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete"
recording engineer:
Christopher Alder (editor/engineer/producer)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo‐soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:29
18Così fan tutte, K. 588: Atto II. No. 23. Duet "Il core vi dono"
producer:
Evans Mirageas and Christopher Raeburn (producer)
bass-baritone vocals [Guglielmo]:
Bryn Terfel (bass‐baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Dorabella]:
Cecilia Bartoli (mezzo‐soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:22
19La clemenza di Tito: "Se mai senti spirarti sul volto"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
Bernhard Forck (conductor/violinist)
recording of:
La clemenza di Tito: Atto II. "Se mai senti spirarti sul volto" (Sesto)
lyricist:
Pietro Metastasio
composer:
Christoph Willibald Gluck (composer)
Christoph Willibald Gluck5:19
20Siface: "Come nave in mezzo all'onde"
recording engineer:
Philip Siney (sound engineer) (from 2009-01-28 until 2009-03-24)
assistant engineer:
Mark Buecker (engineer of classical recordings)
producer:
Arend Prohmann (producer / editor)
editor:
Martin Heimgartner
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (from 2009-01-28 until 2009-03-24)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (from 2009-01-28 until 2009-03-24)
conductor:
Giovanni Antonini (conductor and flautist) (from 2009-01-28 until 2009-03-24)
recorded at:
Centro Cultural Miguel Delibes in Valladolid, Valladolid (Province of Valladolid), Castilla y León (Castile and León), Spain (from 2009-01-28 until 2009-03-24)
partial recording of:
Siface (from 2009-01-28 until 2009-03-24)
lyricist:
Pietro Metastasio
composer:
Nicola Porpora (Italian composer)
Nicola Porpora4:06
21Alcina, HWV 34: Atto I. "Di' cor mio"
engineer:
Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Les Musiciens du Prince‐Monaco
conductor:
Gianluca Capuano
recording of:
Alcina, HWV 34: Atto I, VIII. Aria "Di', cor mio, quanto t'amai" (Alcina)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
Georg Friedrich Händel5:50
22Alcina, HWV 34: Atto III. "Ma quando tornerai"
engineer:
Philip Siney (sound engineer)
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Les Musiciens du Prince‐Monaco
conductor:
Gianluca Capuano
recording of:
Alcina, HWV 34: Atto III, VII. Aria "Ma quando tornerai" (Alcina)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto III
Georg Friedrich Händel4:03