Nat ‘King’ Cole’s Top Pops

~ Release by Nat ‘King’ Cole (see all versions of this release, 5 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Somewhere Along the Way
bass:
Charlie Harris (jazz bassist) (on 1952-01-10)
bongos:
Jack Costanzo (on 1952-01-10)
guitar:
John Collins (US jazz guitarist) (on 1952-01-10)
vocals:
Nat King Cole (on 1952-01-10)
conductor:
Nelson Riddle (on 1952-01-10)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-10)
cover recording of:
Somewhere Along the Way (on 1952-01-10)
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
?:??
A2Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (on 1951-09-04)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
?:??
A3Faith Can Move Mountains
recording of:
Faith Can Move Mountains
lyricist:
Ben Raleigh
composer:
Guy B. Wood
?:??
A4Funny! (Not Much)
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (US jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Funny (Not Much) (on 1952-01-11)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
?:??
A5Hold My Hand
?:??
A6Teach Me Tonight
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-10-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (American harpist) (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (Cuban percussionist) (on 1954-10-18)
piano:
Bill Miller (pianist) (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (US big band viola player) (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (violinist) (on 1954-10-18), Eudice Shapiro (Violinist) (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Teach Me Tonight (on 1954-10-18)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
?:??
B1I’m Never Satisfied
?:??
B2Because You’re Mine
recording of:
Because You’re Mine (Because You’re Mine)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 25th Academy Award for Best Original Song (number: 2)
?:??
B3The Ruby and the Pearl
recording of:
The Ruby and the Pearl
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
?:??
B4A Weaver of Dreams
recording of:
A Weaver of Dreams
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
?:??
B5Papa Loves Mambo
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-10-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (American harpist) (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (Cuban percussionist) (on 1954-10-18)
piano:
Bill Miller (pianist) (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (US big band viola player) (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (violinist) (on 1954-10-18), Eudice Shapiro (Violinist) (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Papa Loves Mambo (on 1954-10-18)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
?:??
B6If I Give My Heart to You
?:??

Credits

Release group

included in:Milestones of a Legend
Wikidata:Q7824585 [info]