Le nozze di Figaro (Highlights)

~ Release by Wolfgang Amadeus Mozart; Gundula Janowitz, Dietrich Fischer‐Dieskau, Hermann Prey, Edith Mathis, Chor der Deutschen Oper Berlin, Karl Böhm (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Le Nozze di Figaro, K. 492: Ouverture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:23
2Le Nozze di Figaro, K. 492: Act I. No. 2. Duettino “se a Caso Madama La Notte Ti Chiama” (Figaro, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:42
3Le Nozze di Figaro, K. 492: Act I. No. 3. Cavatina “se Vuol Ballare, Signor Contino” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:41
4Le Nozze di Figaro, K. 492: Act I. No. 4. Aria “la Vendetta, Oh, La Vendetta” (Bartolo)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:13
5Le Nozze di Figaro, K. 492: Act I. No. 6. Aria “non So Più Cosa Son, Cosa Faccio” (Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:20
6Le Nozze di Figaro, K. 492: Act I. No. 9. Aria “non Più Andrai, Farfallone Amoroso” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:49
7Le Nozze di Figaro, K. 492: Act II. No. 10. Cavatina “porgi, Amor” (Contessa)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:22
8Le Nozze di Figaro, K. 492: Act II. No. 11. Canzona “voi Che Sapete” (Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:09
9Le Nozze di Figaro, K. 492: Act II. No. 12. Aria “venite … Inginocchiatevi” (Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1968-03)
soprano vocals and soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:20
10Le Nozze di Figaro, K. 492: Act III. No. 17. Aria “vedrò, Mentr’Io Sospiro” (Conte)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva] and bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:38
11Le Nozze di Figaro, K. 492: Act III. No. 19. Recitativo “E Susanna Non Vien! ” (Contessa)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:45
12Le Nozze di Figaro, K. 492: Act III. No. 19. Aria “dove Sono I Bei Momenti” (Contessa)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:04
13Le Nozze di Figaro, K. 492: Act III. No. 20. Duettino (“sull’Aria”) - “che Soave Zeffiretto” (Susanna, Contessa)
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:36
14Le Nozze di Figaro, K. 492: Act IV. No. 23. Cavatina “L’Ho Perduta” (Barbarina)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:43
15Le Nozze di Figaro, K. 492: Act IV. No. 26. Aria “aprite Un Po’ Quegli Occhi” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
edit of:
Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi by Hermann Prey (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:44
16Le Nozze di Figaro, K. 492: Act IV. No. 27. Recitativo “giunse Alfin Il Momento” (Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:23
17Le Nozze di Figaro, K. 492: Act IV. No. 27. Aria “deh Vieni, Non Tardar” (Susanna)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:15
18Le Nozze di Figaro, K. 492: Act IV. No. 28. Finale “gente, Gente, All’Armi, All’Armi” (Conte, Tutti)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (baritone) (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:08