2000 ans de Musique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD: Les premiers siècles de notre ère
#TitleArtistRatingLength
114e Antienne de l'office de Vendredi Saint: "Inna Yousof"[anonymous]5:46
2Office de la présentation de Christ: "Allaha-r-rabû dhahara lana"[anonymous]1:50
3Canticum: Ecce quam bonum et jocundum
conductor:
Marcel Pérès
performer:
Ensemble Organum
[anonymous]5:51
4Alléluia: Epi si Kyrie
conductor:
Marcel Pérès
performer:
Ensemble Organum
[anonymous]4:25
5Lauda: Seravit
conductor:
Marcel Pérès
performer:
Ensemble Organum
[anonymous]4:25
6Ascension: Répons de procession: Pater cum essen cum eis
conductor:
Marcel Pérès
performer:
Ensemble Organum
[anonymous]4:45
7Matines de Noël: 4e répons: Propter nimiam caritatem
conductor:
Marcel Pérès
performer:
Ensemble Organum
[anonymous]3:36
8Codex Las Huelgas: Quis dabit
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
[anonymous]3:20
9Codex Las Huelgas: O monialis
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
O monialis concio (planctus)
composer:
[anonymous] (special purpose artist)
part of:
Codex Las Huelgas
[anonymous]3:50
10Anonyme: Natus est rex
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
[anonymous]5:30
11Prologue: Porque Trobar
countertenor vocals:
Zeger Vandersteene (Belgian tenor, opera singer)
conductor:
René Clemencic (conductor)
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
recording of:
Prologue to the "Cantigas de Santa María" (Porque trobar é cousa en que jaz)
lyricist and composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 0)
part of:
Cantigas de Santa María
[anonymous]7:26
12Chansons à boire et à manger: Bacche, bene venies
vocals:
Yves Rouquette
conductor:
René Clemencic (conductor)
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
recording of:
Bacche, bene venies
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 200)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:04
13Chansons morales et chants sacrés: Flete flenda
vocals:
Yves Rouquette
conductor:
René Clemencic (conductor)
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
recording of:
Flete flenda, CB 5
part of:
Carmina Burana (number: 5) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:14
14Anonyme: A l'entrada del temps clar
conductor:
René Clemencic (conductor)
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
recording of:
A l'entrada del tens clar
lyricist and composer:
[anonymous] (special purpose artist)
[anonymous]2:48
15Vida
conductor:
René Clemencic (conductor)
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
Folquet de Marselha4:06
16Anonyme: Volez vous que je vous chante
psaltery [psalterion]:
Andrew Lawrence‐King (Early music harpist and conductor) (from 1996-04-03 until 1996-04-06)
tenor vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1996-04-03 until 1996-04-06)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1996-04-03 until 1996-04-06)
recording of:
Reverdie: Volez vous que je vous chant (from 1996-04-03 until 1996-04-06)
composer:
[anonymous] (special purpose artist)
[anonymous]4:36
17Deus est ensi comme li pellicanz
psaltery [psaltérion medieval] and psaltery [psalterion]:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals [voix] and tenor vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
Deus est ensi conme li pellicanz (in 1997-02)
writer:
Thibaud de Champagne (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253) (in 1250)
Thibaut de Champagne4:48
18Awê dirre nöt!
countertenor vocals:
Drew Minter (countertenor)
conductor:
Mary Springfels (viola da gamba player and conductor)
performer:
The Newberry Consort
recording of:
Owe dirre not
writer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal4:01
19Der kuninc Rodolp
countertenor vocals:
Drew Minter (countertenor)
conductor:
Mary Springfels (viola da gamba player and conductor)
performer:
The Newberry Consort
recording of:
Der kuninc Rodolp
writer:
Der Unverzagte
[anonymous]2:47
2CD: Le règne de la polyphonie (1200-1450)
#TitleArtistRatingLength
1Christ natus est nobis, psalm 94
choir vocals:
Ensemble Organum
[anonymous]4:04
2Hymne: Christe redemptor omnium
choir vocals:
Ensemble Organum
[anonymous]1:41
3Alleluia: Dies santificatus
choir vocals:
Ensemble Organum
[anonymous]7:54
4Conduit à quatre voix: Deus miserus hominis
choir vocals:
Ensemble Organum
Pérotin4:16
5An English Lady Mass: Kyrie "Kyria christifera"
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
[anonymous]3:57
6An English Lady Mass: Alléluia: Alme iam ad gaudia / Alme matris dei / Alleluya per te dei
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
[anonymous]3:12
7Kyrie: Orbis factor
choir vocals:
Ensemble Organum
[anonymous]5:45
8Manuscrit de Montpellier, Mo. 311: Se je chante / Bien doi amer / Et sperabit
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
recording of:
Si je chante/Bien doi amer/ET SPERABIT (Mo 311)
part of:
Montpellier Codex (number: 311)
[anonymous]2:07
9Manuscrit de Montpellier, Mo. 270: Amours, dont je sui / L'autrier, au douz mois / Chose Tassin
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
recording of:
Amours, dont je sui/L'autrier, au douz mois/CHOSE TASSIN (Mo 270)
part of:
Montpellier Codex (number: 270)
medley of:
L'amour dont sui espris
[anonymous]2:22
10Manuscrit de Monpellier, Mo. 255: J'ai mis toute ma pensée / Je n'en puis / Puerorum
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
recording of:
J'ai mis toute ma pensee/Je n'en puis/PUERORUM (Mo 255)
part of:
Montpellier Codex (number: 255)
[anonymous]2:21
11Manuscrit de Montpellier, Mo. 256: S'on me regarde / Prennés i garde / Hé, mi enfant
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
recording of:
S'on me regarde/Prennés i garde/Hé, mi enfant (Mo 256)
part of:
Montpellier Codex (number: 256)
[anonymous]1:57
12Messe de Tournai: Gloria in excelsis deo
choir vocals:
Ensemble Organum
[anonymous]7:40
13Alleluia: A newë work
vocals:
The Hilliard Ensemble (British male vocal quartet)
[anonymous]3:51
14Le Roman de Fauvel: Quare fremuerunt / Douce dame / Quoniam secta latronum
performer:
Clemencic Consort (Austrian baroque / early music ensemble)
[anonymous]6:01
15Honte, paour, doubtance
choir vocals:
Ensemble Organum
chorus master:
Marcel Pérès
recording of:
Hont paour
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:04
16Aquila altera
choir vocals:
Ensemble Organum
recording of:
Aquila Altera / Creature Gentile / Uccel di Dio
composer:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
Jacopo da Bologna3:29
17Requiem: Introït: Requiem aeternam dona eis Domine
choir vocals:
Ensemble Organum
recording of:
Requiem: Introitus: Requiem aeternam
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Requiem, Source: Vatican Library, MS Chigi C VIII 234
Johannes Ockeghem4:35
18Requiem: Offertorium
choir vocals:
Ensemble Organum
recording of:
Requiem: Offertorium: Domine Jesu Christe
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Requiem, Source: Vatican Library, MS Chigi C VIII 234
Johannes Ockeghem8:34
3CD: La musique de la Renaissance
#TitleArtistRatingLength
1Missa Pange Lingua: Hymne "Pange Lingua"
vocals:
Ensemble Organum
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Pange lingua (plainchant)
lyricist:
St. Thomas Aquinas
composer:
[anonymous] (special purpose artist)
Josquin des Prez2:44
2Missa Pange Lingua: O Salutaris
vocals:
Ensemble Organum
performer:
Ensemble Clément Janequin (French early music ensemble)
Josquin des Prez1:02
3Missa Pange Lingua: Agnus
vocals:
Ensemble Organum
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Missa Pange lingua: V. Agnus Dei
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Missa Pange lingua
Josquin des Prez3:28
4Mille Regretz
conductor:
Dominique Visse (countertenor)
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Mille regretz (à 4)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez2:03
5Le Chant des oyseaulx
conductor:
Dominique Visse (countertenor)
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Le Chant des oiseaux
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1529)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558) (in 1529)
Clément Janequin5:27
6Au vert bois je m'en iray
engineer:
Jean-François Pontefract (engineer) (in 1987-08)
performer:
Ensemble Clément Janequin (French early music ensemble)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1987-08)
recording of:
Au verd boys ie m'en iray seule (in 1987-08)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin2:02
7Tant que vivray
choir vocals:
Ensemble Clément Janequin (French early music ensemble)
chorus master:
Dominique Visse (countertenor)
recording of:
Tant que vivray
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1527)
lyricist:
Clément Marot (French renaissance poet, 1496-1544)
composer:
Claudin de Sermisy (French Renaissance composer) (in 1527)
Claudin de Sermisy2:22
8Il est bel et bon
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Il est bel et bon (Nr. 7 of Tiers livre contenant XXI chansons à quatre esleves)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1536)
composer:
Pierre Passereau (French Renaissance composer, fl. 1509-1547)
Pierre Passereau1:25
9Hardis Françoys
performer:
Ensemble Clément Janequin (French early music ensemble)
Guillaume Costeley3:58
10La, la, la, je ne l'ose dire
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
La, la, la, la je ne l'ose dire
composer:
Pierre Certon (French renaissance composer, c. 1515-1572)
Pierre Certon0:59
11Belle qui tient ma vie
conductor:
Jeremy Barlow (conductor)
performer:
The Broadside Band (UK early / baroque music ensemble)
recording of:
Belle qui tiens ma vie (Orchesographie)
composer:
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
[anonymous]1:21
12Une puce j'ay dedans l'oreille
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Une puce j’ay dedans l’oreill’, S. xiv/114
lyricist:
Jean-Antoine de Baïf
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiv/114)
Orlande de Lassus1:53
13Fuyons tous d'amour le jeu
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Fuyons tous d'amour le jeu, S. xii/80
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xii/80)
Orlande de Lassus0:31
14Un jeune moine est sorti du couvent
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Un jeune moine, S. xii/89
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xii/89)
Orlande de Lassus1:49
15Lamentations de Jérémie: Lamentatio Tertia
Orlande de Lassus6:54
16Missa Viri Galilaei: Kyrie
recording of:
Missa Viri Galilaei: Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Viri Galilaei
Giovanni Pierluigi da Palestrina4:00
17Missa Viri Galilaei: Credo
recording of:
Missa Viri Galilaei: Credo
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Viri Galilaei
Giovanni Pierluigi da Palestrina7:37
18Canzon XGiovanni Gabrieli4:17
19Anchor che col partire
choir vocals:
The Hilliard Ensemble (British male vocal quartet)
recording of:
Anchor que col partire
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore2:19
20Giunto alla tomba
choir vocals:
Cantus Cölln (German vocal music ensemble)
recording of:
Giunto alla tomba
lyricist:
Torquato Tasso (in 1580)
composer:
Giaches de Wert (Franco-Flemish 16th century composer)
Giaches de Wert5:36
21Vezzosi augelli
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
Madrigali a quattro voci: Vezzosi augelli, in fra le verdi fronde
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
Luca Marenzio2:34
22Ardita zanzaretta
performer:
Les Arts Florissants (French baroque ensemble)
recording of:
Madrigals, Book 6: “Ardita Zanzaretta”
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 6
Carlo Gesualdo3:13
23T'amo mia vita, Livra V, 1605
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
T’amo mia vita, la mia cara vita, SV 104
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 104)
part of:
Quinto libro de madrigali, SV 94–106
Claudio Monteverdi3:02
24Greensleeves
lute:
Andreas Martin (lute player)
recording of:
Greensleeves (generic entry for traditional and unknown arrangements)
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]2:25
25Lachrimae
lute:
Paul O’Dette (American conductor and lute player specialising in early music)
John Dowland5:13
4CD: La révolution baroque (XVIIe siècle)
#TitleArtistRatingLength
1Orfeo: Toccata
conductor:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:49
2Orfeo: Prologo / Dal mio Permesso amato (La Musica)
soprano vocals:
Efrat Ben-Nun (Israeli soprano)
conductor:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
L’Orfeo: Prologo, Dal mio Permesso (La Musica)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Prologo
Claudio Monteverdi2:56
3L'Incoronazione di Poppea: Pur ti miro (Poppea / Nerone)
mezzo-soprano vocals:
Guillemette Laurens (mezzo-soprano)
soprano vocals:
Danielle Borst (soprano)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:20
4Lamento d'Arianna
mezzo-soprano vocals:
Helga Müller‐Molinari (mezzo-soprano)
conductor:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
Lamento d’Arianna, SV 22
lyricist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 22)
Claudio Monteverdi11:34
5Laudate Dominum
soprano vocals:
María Cristina Kiehr (soprano)
performer:
Concerto Soave
Claudio Monteverdi4:27
6La Calisto: Act I: Mercurio, Giove trasformato in Diana, Calisto "Chi non ti crederebbe" (Calisto, Giove, Mercurio)
baritone vocals:
Simon Keenlyside (baritone) and Marcello Lippi
soprano vocals:
María Bayo (soprano)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
partial recording of:
La Calisto
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giovanni Faustini
Francesco Cavalli5:15
7Jauchzet dem Herrn, alle Welt, SWV 36
choir vocals:
Cantus Cölln (German vocal music ensemble)
performer:
Cantus Cölln (German vocal music ensemble)
recording of:
Jauchzet dem Herren, alle Welt (Psalm 100), SWV 36 (Psalmen Davids)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 36)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz4:17
8Bringt her dem Herrn, SWV 283
countertenor vocals:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
recording of:
Bringt her dem Herren, ihr Gewaltigen, SWV 283
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 283)
Heinrich Schütz3:02
9Sonata Representativa: Allegro / Nachitgal / Cu Cu / Fresch / Dei Henn & der Hann / Die Katz / Musqetir MarsHeinrich Ignaz Franz von Biber9:03
10Venus & Adonis: Act II. The Cupid's Lesson: You place such delightful care (Venus, Cupid)
countertenor vocals:
Robin Blaze (countertenor)
soprano vocals:
Rosemary Joshua (soprano)
performer:
Orchestra of the Age of Enlightenment
recording of:
Venus and Adonis: Act II. "You place with such delightful care"
composer:
John Blow (English composer)
part of:
Venus and Adonis
John Blow5:03
11King Arthur: What Power are thou (Genius, Cupid)
soprano vocals:
Rosemary Joshua (soprano)
performer:
Deller Consort (UK vocal & instrumental early music ensemble)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell4:15
12Music for a while
bass viol and viola da gamba:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While" (in 1979-04)
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
part of:
Oedipus, King of Thebes, Z. 583
Henry Purcell4:09
13Atys: Are des songes agréables
performer:
Les Arts Florissants (French baroque ensemble)
Jean‐Baptiste Lully2:31
14Le Bourgeios gentihomme: Marche pour la cérémonie des Turcs
orchestra:
London Oboe Band
conductor:
Paul Goodwin (conductor / oboist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994-01-03 until 1994-01-05)
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs (from 1994-01-03 until 1994-01-05)
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:29
15Te Deum: Prélude
choir vocals:
Les Arts Florissants (French baroque ensemble) (in 1988-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1988-10)
conductor:
William Christie (harpsichordist and conductor) (in 1988-10)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1988-10)
recording of:
Te Deum, H. 146: Prélude (in 1988-10)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:00
16Concerto da chiesa no. 8 "fatto per la notte di Natale" en sol mineur
conductor:
Chiara Banchini (violinist and conductor)
performer:
Ensemble 415 (Swiss Baroque ensemble)
partial recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (catch-all for arrangements)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
arrangement of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli8:39
5CD: Le Baroque tardif (début du XVIIIe siècle)
#TitleArtistRatingLength
1Water Music en Ré majeur: Allegro
Georg Friedrich Händel2:00
2Water Music, en Ré majeur: Alla hornpipe
Georg Friedrich Händel3:48
3Giulio Cesare: Aria "Va tacito" (Cesare)
instruments:
Concerto Köln
contralto vocals:
Jennifer Larmore (mezzo-soprano)
mezzo-soprano vocals:
Jennifer Larmore (mezzo-soprano) (in 1991)
orchestra:
Concerto Köln (in 1991)
conductor:
René Jacobs (conductor) (in 1991)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) (in 1991)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Georg Friedrich Händel7:12
4Messiah: Chorus: "Halleluja!"
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:27
5Leçons de Ténèbres du Mercredy: JOD / Manum suem misit / Omnus populus ejus. LAMED O vos omnes. MEM
recording of:
Troisième leçon de ténèbres: JOD
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
recording of:
Troisième leçon de ténèbres: LAMED
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
recording of:
Troisième leçon de ténèbres: MEM
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
François Couperin7:47
6Deuxième Livre de pièces de clavecin: VI. Les Baricades MistérieusesFrançois Couperin2:43
7Caster & Pollux: Que tout gémisse!
Jean‐Philippe Rameau3:36
8Les Indes galantes: Air des Sauvages
Jean‐Philippe Rameau2:05
9Maddalena ai piedi di Cristo: La mia virtude (Amor Celeste, Amor Terreno)
partial recording of:
Maddalena ai piedi di Cristo
composer:
Antonio Caldara (Italian composer)
Antonio Caldara2:28
10Maddalena ai piedi di Cristo: In lagrime stemprato il core qui cadear costei (Maddalena)
partial recording of:
Maddalena ai piedi di Cristo
composer:
Antonio Caldara (Italian composer)
Antonio Caldara4:28
11I quattro stagioni, op. 8: L'estate. Allegro non molto. Presto. Tempo impetuoso
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi8:28
12Sonate K. 444Domenico Scarlatti3:58
13Magnificat en Ré majeur, BWV 243: Magnificat anima mea Dominum
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:04
14Suite en Ré majeur, BWV 1068: Aria
performer:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:20
15Le Clavier bien tempéré, BWV 846: Praeludium IJohann Sebastian Bach2:00
16Passion selon saint Matthieu: Wir setzen uns mit Tränen mieder
choir vocals:
Collegium Vocale Gent (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:35
17Canon
instruments:
London Baroque (founded 1978 by Charles Medlam)
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:45
6CD: Le style classique (fin du XVIIIe siècle)
7CD: L'âge d'or du romantisme
8CD: Le post-romantisme et l'éveil des nations
9CD: La musique moderne (1900-1950)
10CD: La musique contemporaine (1950-2000)