As Time Goes By

~ Release by Bryan Ferry (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1As Time Goes By
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Richard Jeffries (Bassist)
cello:
Anthony Pleeth (cellist)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
harp:
Hugh Webb (harpist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Colin Good
viola:
Philip Dukes (classical viola soloist)
violin:
Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 1999)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
32:34
2The Way You Look Tonight
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Richard Jeffries (Bassist)
clarinet and tenor saxophone:
Alan Barnes (English jazz musician)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
piano:
Colin Good
trombone:
Malcolm Earle Smith (trombonist)
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:36
3Easy Living
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Jim Tomlinson
bass:
Richard Jeffries (Bassist)
clarinet:
Alan Barnes (English jazz musician) and Jim Tomlinson
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
piano:
Colin Good
tenor saxophone:
Alan Barnes (English jazz musician)
trombone:
Malcolm Earle Smith (trombonist)
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Living
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
2:16
4I’m in the Mood for Love
programming:
James Sanger
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bandoneón:
José Libertella and Luis Stazo
bass:
Chris Laurence (double bassist)
drums (drum set):
Andy Newmark
guitar:
Phil Manzanera and Nils Solberg
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
percussion:
Frank Ricotti (percussionist)
piano:
Colin Good
synthesizer:
Bryan Ferry and Colin Good
violin:
Abraham Leborovich (Violinist)
spoken vocals:
Alice Retif (Actress)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
4:17
5Where or When
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Chris Laurence (double bassist)
cello:
Anthony Pleeth (cellist)
harp:
Hugh Webb (harpist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Colin Good
viola:
Philip Dukes (classical viola soloist)
violin:
Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 1999)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
3:20
6When Somebody Thinks You’re Wonderful
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
associate producer:
Robin Trower
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Jim Tomlinson
bass:
Richard Jeffries (Bassist)
clarinet:
Alan Barnes (English jazz musician) and Jim Tomlinson
drums (drum set):
Paul Clarvis (percussionist)
guitar:
Nils Solberg
percussion [tap]:
Tobias Tak
piano:
Colin Good
tenor saxophone:
Alan Barnes (English jazz musician)
trombone:
Malcolm Earle Smith
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
When Somebody Thinks You’re Wonderful
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Callicoon Music (in 1935, in 1991)
2:57
7Sweet and Lovely
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Alan Barnes (English jazz musician)
banjo:
Martin Wheatley
bass:
Richard Jeffries (Bassist)
clarinet:
Alan Barnes (English jazz musician) and Robert Fowler
drums (drum set):
John Sutton (drums)
piano:
Colin Good
trombone:
Bob Hunt (UK Jazz/Blues trombonist)
trumpet:
Enrico Tomasso (trumpet player)
choir vocals:
The Oxford Girls’ Choir
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
3:11
8Miss Otis Regrets
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
cello:
Anthony Pleeth (cellist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Colin Good
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
2:39
9Time on My Hands
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Jim Tomlinson
bass:
Richard Jeffries (Bassist)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
piano:
Colin Good
tenor saxophone:
Alan Barnes (English jazz musician) and Robert Fowler
trombone:
Malcolm Earle Smith
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
3:02
10Lover, Come Back to Me
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Alan Barnes (English jazz musician)
bass:
Richard Jeffries (Bassist)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
piano:
Colin Good
tenor saxophone:
Alan Barnes (English jazz musician) and Robert Fowler
trombone:
Malcolm Earle Smith
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:55
11Falling in Love Again
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Chris Laurence (double bassist)
cello:
Anthony Pleeth (cellist)
harmonium and piano:
Colin Good
harp:
Hugh Webb (harpist)
viola:
Philip Dukes (classical viola soloist)
violin:
Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 1999)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
Falling in Love Again (Can’t Help It)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
2:26
12Love Me or Leave Me
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Jim Tomlinson
bass:
Richard Jeffries (Bassist)
clarinet:
Alan Barnes (English jazz musician) and Jim Tomlinson
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
piano:
Colin Good
tenor saxophone:
Alan Barnes (English jazz musician)
trombone:
Malcolm Earle Smith
trumpet:
Enrico Tomasso (trumpet player)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:45
13You Do Something to Me
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bandoneón:
José Libertella and Luis Stazo
bass:
Richard Jeffries (Bassist)
cello:
Anthony Pleeth (cellist)
drums (drum set):
John Sutton (drums)
guitar:
Martin Wheatley
piano:
Colin Good
solo violin:
Abraham Leborovich (Violinist)
viola:
Peter Lale (violist)
violin:
Boguslaw Kostecki (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:48
14Just One of Those Things
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
alto saxophone:
Alan Barnes (English jazz musician)
banjo:
Martin Wheatley
bass:
Richard Jeffries (Bassist)
cello:
Anthony Pleeth (cellist)
clarinet:
Alan Barnes (English jazz musician) and Robert Fowler
drums (drum set):
John Sutton (drums)
percussion:
Frank Ricotti (percussionist)
piano:
Colin Good
tenor saxophone:
Robert Fowler
trombone:
Bob Hunt (UK Jazz/Blues trombonist)
trumpet:
Enrico Tomasso (trumpet player)
viola:
Peter Lale (violist)
violin:
Boguslaw Kostecki (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:47
15September Song
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
associate producer:
Robin Trower
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Chris Laurence (double bassist)
bass clarinet:
Anthony Pike (clarinetist)
cello:
Anthony Pleeth (cellist)
clarinet:
Nicholas Bucknall, Timothy Lines and David White (sax / clarinetist)
guitar:
Nils Solberg
harp:
Hugh Webb (harpist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
viola:
Peter Lale (violist)
violin:
Wilf Gibson (UK violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
3:03

Credits

Release

engineer:Mark Tucker (engineer)
producer:Rhett Davies
Bryan Ferry
mastering:Bob Ludwig (mastering engineer)