Anthology

~ Veröffentlichung von Louis Prima (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Just a Gigolo (I Ain’t Got Nobody)
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
44:46
2Jump, Jive, An’ Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
53:33
3Sing Sing Sing
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (am 1958-08-25)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
4:12
4That Old Black Magic
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25) und Keely Smith (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live cover recording of:
That Old Black Magic (am 1958-08-25)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
42:59
5Nothing’s Too Good for My Baby
Sologesang:
Louis Prima (am 1956-04-19) und Keely Smith (am 1956-04-19)
Orchester:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (am 1956-04-19)
Komponist(in):
Ted Eddy, Mack Kay und Frederick Patrick
2:40
6I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore (am 1959-01-02)
Tenorsaxophon:
Sam Butera (am 1959-01-02)
Trompete:
Louis Prima (am 1959-01-02)
vocals:
Louis Prima (am 1959-01-02) und Keely Smith (am 1959-01-02)
Orchester:
The Witnesses (am 1959-01-02)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (am 1959-01-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:41
7Buena sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
43:00
8Oh Marie
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Oh Marie (am 1956-04-19)
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
42:28
9Pennies from Heaven
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-31)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-31)
Klavier:
Willie McCumber Jr. (am 1957-01-31)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-31)
Schlagzeug:
Bobby Morris (am 1957-01-31)
Tenorsaxophon:
Sam Butera (am 1957-01-31)
Trompete:
Louis Prima (am 1957-01-31)
vocals:
Louis Prima (am 1957-01-31)
Orchester:
The Witnesses (am 1957-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-31)
cover recording of:
Pennies From Heaven (am 1957-01-31)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
52:23
10I’ll Be Glad When You’re Dead (You Rascal You)
Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1956-04-19)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:17
11Hey! Ba‐Ba‐Re‐Bop
2:13
12Felicia No Capicia
3:02
13I’ve Got the World on a String
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-31)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-31)
Klavier:
Willie McCumber Jr. (am 1957-01-31)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-31)
Schlagzeug:
Bobby Morris (am 1957-01-31)
Tenorsaxophon:
Sam Butera (am 1957-01-31)
Trompete:
Louis Prima (am 1957-01-31)
vocals:
Louis Prima (am 1957-01-31)
Orchester:
The Witnesses (am 1957-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-31)
cover recording of:
I’ve Got the World on a String (am 1957-01-31)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:29
14Basin Street Blues / When It’s Sleepy Time Down South (medley)
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
medley including a recording of:
Basin Street Blues (am 1956-04-19)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (am 1956-04-19)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
4:14
15Banana Split for My Baby
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-09-13)
Trompete:
Louis Prima (am 1956-09-13)
vocals:
Louis Prima (am 1956-09-13)
Orchester:
The Witnesses (am 1956-09-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-13)
recording of:
Banana Split for My Baby (am 1956-09-13)
Verfasser(in):
Stan Irwin und Louis Prima
42:31
16St. Louis Blues
2:26
17Hey Boy! Hey Girl!
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-10-06)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-10-06)
Klavier:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (am 1958-10-06)
Posaune:
Lou Sino (am 1958-10-06)
Schlagzeug:
Paul Ferrara (am 1958-10-06)
Tenorsaxophon:
Sam Butera (am 1958-10-06)
Trompete:
Louis Prima (am 1958-10-06)
vocals:
Louis Prima (am 1958-10-06) und Keely Smith (am 1958-10-06)
Orchester:
The Witnesses (am 1958-10-06)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-06)
cover recording of:
Hey, Boy! Hey, Girl! (am 1958-10-06)
Verfasser(in):
Oscar McLollie und Jimmy Thomas
publisher:
Recordo Music Pub.
2:44
18(Up A) Lazy River
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-10-06)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-10-06)
Klavier:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (am 1958-10-06)
Posaune:
Lou Sino (am 1958-10-06)
Schlagzeug:
Paul Ferrara (am 1958-10-06)
Tenorsaxophon:
Sam Butera (am 1958-10-06)
Trompete:
Louis Prima (am 1958-10-06)
vocals:
Louis Prima (am 1958-10-06)
Orchester:
The Witnesses (am 1958-10-06)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-06)
cover recording of:
Lazy River (am 1958-10-06)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
3:28
19Be Mine (Little Baby)
2:37
20Angelina / Zooma Zooma (live medley)
Produzent(in):
Voyle Gilmore (am 1957-07-26)
Bass:
Tony Liuzza (am 1957-07-26)
Klavier:
Willie McCumber Jr. (am 1957-07-26)
Posaune:
Jimmy 'Little Red' Blount (am 1957-07-26)
Schlagzeug:
Bobby Morris (am 1957-07-26)
Tenorsaxophon:
Sam Butera (am 1957-07-26)
Trompete:
Louis Prima (am 1957-07-26)
vocals:
Louis Prima (am 1957-07-26)
Orchester:
The Witnesses (am 1957-07-26)
aufgenommen bei:
Harrah’s Lake Tahoe in Stateline, Nevada, Vereinigte Staaten (am 1957-07-26)
live medley including a recording of:
Angelina (am 1957-07-26)
Verfasser(in):
Allan Roberts (songwriter) und Doris Fisher
live medley including a recording of:
Zooma Zooma (am 1957-07-26)
Verfasser(in):
Pablo Citarella und Louis Prima
4:23
21Whistle Stop
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-09-13)
Trompete:
Louis Prima (am 1956-09-13)
vocals:
Louis Prima (am 1956-09-13)
Orchester:
The Witnesses (am 1956-09-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-13)
recording of:
Whistle Stop (am 1956-09-13)
Verfasser(in):
Jimmy Breedlove (1950s rocker)
2:18
22Five Months Two Weeks Two Days
Produzent(in):
Voyle Gilmore
Bass:
Amato Rodriguez (am 1956-09-13)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-09-13)
Instrumente:
Willie McCumber Jr. (am 1956-09-13)
Posaune:
Jimmy 'Little Red' Blount (am 1956-09-13)
Schlagzeug:
Bobby Morris (am 1956-09-13)
Tenorsaxophon:
Sam Butera (am 1956-09-13)
Trompete:
Louis Prima (am 1956-09-13)
vocals:
Louis Prima (am 1956-09-13)
Orchester:
The Witnesses (am 1956-09-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (am 1956-09-13)
Verfasser(in):
Don Donaldson und Debbie Morris (songwriter)
52:13
23I’ll Be Seeing You
3:01
24The Bee Song (He‐Bee and She‐Bee)
2:51
25When the Saints Go Marchin In
2:43