Odes

~ Release by Henry Purcell; Trevor Pinnock, English Concert (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Come, ye sons of art, away: Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:45
2Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:42
3Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
countertenor vocals [countertenor I]:
Michael Chance (British countertenor) (in 1988-07)
countertenor vocals [countertenor II]:
Timothy Wilson (countertenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:27
4Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:11
5Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1988-07)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:44
6Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
bass vocals:
Stephen Richardson (British bass) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:52
7Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
soprano vocals:
Jennifer Smith (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:56
8Come, ye sons of art, away: “These are the sacred charms” (Bass)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
bass vocals:
Stephen Richardson (British bass) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:40
9Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
bass vocals:
Stephen Richardson (British bass) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
soprano vocals:
Jennifer Smith (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:44
10Welcome to all the pleasures: Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture (in 1988-11)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell1:49
11Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Michael George (operatic bass) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures (in 1988-11)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell1:49
12Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell5:19
13Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Michael George (operatic bass) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
Henry Purcell1:43
14Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love (in 1988-11)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell3:41
15Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices (in 1988-11)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell1:13
16Of old, when Heroes thought it base: Symphony
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: I. Symphony (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell1:18
17Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
bass vocals:
Michael George (operatic bass) (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: II. Of old, when heroes thought it base (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
recording of:
Of old, when heroes thought it base, Z. 333: IIIb: Brigantium, honour'd with a race divine (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell3:27
18Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: IVb: The bashful Thames, for beauty so renowned (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell3:37
19Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: VIb. The pale and purple rose (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell2:36
20Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
bass vocals:
Michael George (operatic bass) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: VIIa. / VIIb. And in each track of glory since (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell3:29
21Of old, when Heroes thought it base: Symphony
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: VIII. Symphony (reprise) (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell1:16
22Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: IXa. And now when the renown'd Nassau (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell1:56
23Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
bass vocals [bass I]:
Michael George (operatic bass) (in 1988-11)
bass vocals [bass II]:
Stephen Richardson (British bass) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: X. They did no storms nor threat’nings fear (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell2:09
24Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
tenor vocals:
John Mark Ainsley (tenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: XIb. So when the glitt'ring Queen of Night (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell3:36
25Of old, when Heroes thought it base: “Let music join” (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: XII. Let music join (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell1:16
26Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: XIIIa. Sound, trumpets, sound! (Sound, trumpet, beat every drum) (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell2:15
27Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet:
Michael Harrison (British brass player) (in 1988-11) and Stephen Keavy (trumpet player) (in 1988-11)
bass vocals:
Michael George (operatic bass) (in 1988-11)
choir vocals:
Choir of the English Concert (in 1988-11)
orchestra:
The English Concert (in 1988-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Of old, when heroes thought it base, Z. 333: XIVa: Sound all to him (in 1988-11)
composer:
Henry Purcell (Baroque composer)
part of:
Of old when heroes thought it base, Z. 333 (Yorkshire Feast Song)
Henry Purcell1:49

Credits

Release

part of:Classikon (Deutsche Grammophon) (number: 449853) (order: 197)
Discogs:https://www.discogs.com/release/9983249 [info]
ASIN:DE: B00004S65Q [info]