Tracklist

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1CD: Mass In B Minor, BWV 232
#TitleArtistRatingLength
1Mass In B Minor, BWV 232, Kyrie: Coro: Kyrie Eleison
Johann Sebastian Bach9:18
2Mass In B Minor, BWV 232, Kyrie: Duetto: Christe Eleison (Soprano I & II)
Johann Sebastian Bach5:35
3Mass In B Minor, BWV 232, Kyrie: Coro: Kyrie Eleison
Johann Sebastian Bach3:19
4Mass In B Minor, BWV 232, Gloria: Coro: Gloria In Excelsis Deo
Johann Sebastian Bach7:02
5Mass In B Minor, BWV 232, Gloria: Aria: Laudamus Te (Soprano II)
Johann Sebastian Bach4:21
6Mass In B Minor, BWV 232, Gloria: Coro: Gratias Agimus Tibi
Johann Sebastian Bach2:31
7Mass In B Minor, BWV 232, Gloria: Duetto: Domine Deus (Soprano I, Tenor)
Johann Sebastian Bach6:23
8Mass In B Minor, BWV 232, Gloria: Coro: Qui Tollis Peccata Mundi
Johann Sebastian Bach2:58
9Mass In B Minor, BWV 232, Gloria: Aria: Qui Sedes Ad Dextram Patris (Alto)
Johann Sebastian Bach4:26
10Mass In B Minor, BWV 232, Gloria: Aria: Quoniam Tu Solus Sanctus (Bass)
Johann Sebastian Bach4:32
11Mass In B Minor, BWV 232, Gloria: Coro: Cum Sancto Spiritu
Johann Sebastian Bach3:50
2CD
#TitleArtistRatingLength
1Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Credo In Unum Deum
Johann Sebastian Bach1:55
2Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Patrem Omnipotentem
Johann Sebastian Bach1:51
3Mass In B Minor, BWV 232, Symbolum Nicenum: Duetto: Et In Unum Dominum (Soprano I, Alto)
Johann Sebastian Bach4:57
4Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Et Incarnatus Est
Johann Sebastian Bach3:05
5Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Crucifixus
Johann Sebastian Bach3:12
6Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Et Resurrexit
Johann Sebastian Bach3:53
7Mass In B Minor, BWV 232, Symbolum Nicenum: Aria: Et In Spiritum Sanctum (Bass)
Johann Sebastian Bach5:07
8Mass In B Minor, BWV 232, Symbolum Nicenum: Coro: Confiteor
Johann Sebastian Bach5:56
9Mass In B Minor, BWV 232, Sanctus: Coro: Sanctus
Johann Sebastian Bach4:51
10Mass In B Minor, BWV 232, Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Osanna In Excelsis
Johann Sebastian Bach2:32
11Mass In B Minor, BWV 232, Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Aria: Benedictus (Tenor)
Johann Sebastian Bach3:58
12Mass In B Minor, BWV 232, Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Osanna In Excelsis
Johann Sebastian Bach2:34
13Mass In B Minor, BWV 232, Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Aria: Agnus Dei (Alto)
Johann Sebastian Bach5:27
14Mass In B Minor, BWV 232, Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Dona Nobis Pacem
Johann Sebastian Bach2:34
3CD: Mass In F Major, BWV 233
#TitleArtistRatingLength
1Mass In F Major, BWV 233, Kyrie (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:16
2Mass In F Major, BWV 233, Gloria: Gloria In Excelsis Deo (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:33
3Mass In F Major, BWV 233, Gloria: Domine Deus (Bass)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Kooy (baritone) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:32
4Mass In F Major, BWV 233, Gloria: Qui Tollis Peccata Mundi (Soprano)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Agnès Mellon (soprano) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:21
5Mass In F Major, BWV 233, Gloria: Quoniam Tu Solus Sanctus (Alto)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Gérard Lesne (countertenor) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:58
6Mass In F Major, BWV 233, Gloria: Cum Sancto Spiritu (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:35
7Mass In G Major, BWV 236, Kyrie (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:14
8Mass In G Major, BWV 236, Gloria: Gloria In Excelsis Deo (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:51
9Mass In G Major, BWV 236, Gloria: Gratias Agimus Tibi (Bass)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Kooy (baritone) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:07
10Mass In G Major, BWV 236, Gloria: Domine Deus (Soprano, Alto)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Gérard Lesne (countertenor) (in 1990-04)
soprano vocals:
Agnès Mellon (soprano) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:47
11Mass In G Major, BWV 236, Gloria: Quoniam Tu Solus Sanctus (Tenor)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Christoph Prégardien (tenor) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:59
12Mass In G Major, BWV 236, Gloria: Cum Sancto Spiritu (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:08
4CD: Mass In G Minor, BWV 235
#TitleArtistRatingLength
1Mass In G Minor, BWV 235, Kyrie (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:44
2Mass In G Minor, BWV 235, Gloria: Gloria In Excelsis Deo (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:13
3Mass In G Minor, BWV 235, Gloria: Gratias Agimus Tibi (Bass)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:26
4Mass In G Minor, BWV 235, Gloria: Domine Fili Unigenite (Alto)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
alto vocals:
Gérard Lesne (countertenor) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:11
5Mass In G Minor, BWV 235, Gloria: Qui Tollis Peccata Mundi (Tenor)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
vocals:
Christoph Prégardien (tenor) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:33
6Mass In G Minor, BWV 235, Gloria: Cum Sancto Spiritu (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:29
7Mass In A Major, BWV 234, Kyrie (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:03
8Mass In A Major, BWV 234, Gloria: Gloria In Excelsis Deo (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach5:30
9Mass In A Major, BWV 234, Gloria: Domine Deus, Rex Coelestis (Bass)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:33
10Mass In A Major, BWV 234, Gloria: Qui Tollis Peccata Mundi (Soprano)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
soprano vocals:
Agnès Mellon (soprano) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach7:06
11Mass In A Major, BWV 234, Gloria: Quoniam Tu Solus Sanctus (Alto)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
alto vocals:
Gérard Lesne (countertenor) (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:57
12Mass In A Major, BWV 234, Gloria: Cum Sancto Spiritu (Chorus)
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:21
13Sanctus In D Major, BWV 238, Chorus
assistant producer:
Adrian Hunter (producer and engineer)
executive producer:
Simon Foster (executive producer)
producer:
Nicholas Parker (Production music composer)
choir vocals:
Collegium Vocale Gent (in 1989-07)
orchestra:
Collegium Vocale Gent (in 1989-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-07)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1989-07)
recording of:
Sanctus D-Dur, BWV 238 (in 1989-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
Johann Sebastian Bach3:01
5CD: Die Auferstehung Und Himmelfahrt Jesu, Wq 240
#TitleArtistRatingLength
1Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Einleitung
Johann Sebastian Bach1:22
2Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Chor: Du Wirst Seine Seele
Johann Sebastian Bach2:54
3Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Recitativ: Judäa Zittert! (Bass)
Johann Sebastian Bach1:44
4Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Arie: Mein Geist, Voll Furcht Und Freuden (Bass)
Johann Sebastian Bach4:12
5Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Chor: Triumph! Des Herrn Gesalbter Sieget!
Johann Sebastian Bach2:04
6Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Recitativ: Die Frommen Töchter Zions (Tenor)
Johann Sebastian Bach1:31
7Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Arie: Wie Bang Hat Dich Mein Lied Beweint! (Soprano)
Johann Sebastian Bach4:06
8Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Recitativ: Wer Ist Die Sionitin (Bass)
Johann Sebastian Bach2:15
9Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Duett: Vater Deiner Schwachen Kinder (Soprano, Bass)
Johann Sebastian Bach6:06
10Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Recitativ: Freundinnen Jesu! (Tenor)
Johann Sebastian Bach1:52
11Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Arie: Ich Folge Dir, Verklärter Held (Tenor)
Johann Sebastian Bach4:45
12Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part One: Chor: Tod! Wo Ist Dein Stachel?
Johann Sebastian Bach1:59
13Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Einleitung
Johann Sebastian Bach0:58
14Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Recitativ: Dort Seh' Ich Aus Den Toren (Bass)
Johann Sebastian Bach7:04
15Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Arie: Willkommen, Heiland! (Bass)
Johann Sebastian Bach6:48
16Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Chor: Triumph! Der Fürst Des Lebens Sieget!
Johann Sebastian Bach2:04
17Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Recitativ: Elf Auserwählte Jünger (Tenor)
Johann Sebastian Bach2:21
18Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Arie: Mein Herr, Mein Gott! (Tenor)
Johann Sebastian Bach4:25
19Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Chor: Triumph! Der Sohn Des Höchsten Sieget!
Johann Sebastian Bach2:03
20Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Recitativ: Auf Einem Hügel (Tenor)
Johann Sebastian Bach2:07
21Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Arie: Ihr Tore Gottes (Bass)
Johann Sebastian Bach3:49
22Die Auferstehung und Himmelfahrt Jesu, Wq 240, Part Two: Chor: Gott Fähret Auf Mit Jauchzen
Johann Sebastian Bach9:08