Rocks

~ Release by Ella Mae Morse (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Money Honey
baritone saxophone:
Joseph J. Koch (on 1953-12-14)
double bass [bass]:
George Sylvester "Red" Callender (on 1953-12-14)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-14)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-14)
piano:
Gerald Foster Wiggins (on 1953-12-14)
tenor saxophone:
Charles O. Butler (on 1953-12-14) and Ernest T. "Ted" Romersa (on 1953-12-14)
vocals:
Ella Mae Morse (on 1953-12-14)
conductor:
Dave Cavanaugh (on 1953-12-14)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-14)
recording of:
Money Honey (on 1953-12-14)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:37
2Have Mercy Baby
baritone saxophone:
Joseph J. Koch (on 1953-12-14)
double bass [bass]:
George Sylvester "Red" Callender (on 1953-12-14)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-14)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-14)
piano:
Gerald Foster Wiggins (on 1953-12-14)
tenor saxophone:
Charles O. Butler (on 1953-12-14) and Ernest T. "Ted" Romersa (on 1953-12-14)
vocals:
Ella Mae Morse (on 1953-12-14)
conductor:
Dave Cavanaugh (on 1953-12-14)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-14)
2:16
3Rock Me All Night Long
baritone saxophone:
Joseph J. Koch (on 1953-12-14)
double bass [bass]:
George Sylvester "Red" Callender (on 1953-12-14)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-14)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-14)
piano:
Gerald Foster Wiggins (on 1953-12-14)
tenor saxophone:
Charles O. Butler (on 1953-12-14) and Ernest T. "Ted" Romersa (on 1953-12-14)
vocals:
Ella Mae Morse (on 1953-12-14)
conductor:
Dave Cavanaugh (on 1953-12-14)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-14)
2:26
4Daddy Daddy
baritone saxophone:
Joseph J. Koch (on 1953-12-14)
double bass [bass]:
George Sylvester "Red" Callender (on 1953-12-14)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-14)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-14)
piano:
Gerald Foster Wiggins (on 1953-12-14)
tenor saxophone:
Charles O. Butler (on 1953-12-14) and Ernest T. "Ted" Romersa (on 1953-12-14)
vocals:
Ella Mae Morse (on 1953-12-14)
conductor:
Dave Cavanaugh (on 1953-12-14)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-14)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (on 1953-12-14)
lyricist and composer:
Rudolph Toombs
publisher:
Unichappell Music, Inc.
2:39
5The House of Blue Lights
double bass [bass]:
John H. Ryan (double bassist) (on 1946-02-12)
drums (drum set) [drums]:
Nick Fatool (on 1946-02-12)
guitar:
George van Eps (on 1946-02-12)
piano:
Freddie Slack (on 1946-02-12)
vocals:
Ella Mae Morse (on 1946-02-12)
recorded at:
Radio Recorders (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1946-02-12)
recording of:
The House of Blue Lights (on 1946-02-12)
writer:
Don Raye and Freddie Slack
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corp.
2:52
65-10-15 Hours
alto saxophone:
Bennett "Benny" Carter (on 1953-12-16)
baritone saxophone:
Joseph J. Koch (on 1953-12-16)
double bass [bass]:
George Sylvester 'Red' Callender (on 1953-12-16)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-16)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-16)
piano:
Gerald Foster Wiggins (on 1953-12-16)
tenor saxophone:
Charles O. Butler (on 1953-12-16) and Ernest T. "Ted" Romersa (on 1953-12-16)
trombone:
Walter R. Benson (on 1953-12-16)
trumpet:
Emanuel "Mannie" Klein (on 1953-12-16), Conrad Gozzo (on 1953-12-16) and Joseph Graves (60s pop/soul) (on 1953-12-16)
vocals:
Ella Mae Morse (on 1953-12-16)
conductor:
Dave Cavanaugh (on 1953-12-16)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-16)
recording of:
5-10-15 Hours (on 1953-12-16)
lyricist and composer:
Rudolph Toombs
2:31
7Teardrops From My Eyes
alto saxophone:
Bennett "Benny" Carter (on 1953-12-16)
baritone saxophone:
Joseph J. Koch (on 1953-12-16)
double bass [bass]:
George Sylvester 'Red' Callender (on 1953-12-16)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-16)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-16)
piano:
Gerald Foster Wiggins (on 1953-12-16)
tenor saxophone:
Charles O. Butler (on 1953-12-16) and Ernest T. "Ted" Romersa (on 1953-12-16)
trombone:
Walter R. Benson (on 1953-12-16)
trumpet:
Emanuel "Mannie" Klein (on 1953-12-16), Conrad Gozzo (on 1953-12-16) and Joseph Graves (60s pop/soul) (on 1953-12-16)
vocals:
Ella Mae Morse (on 1953-12-16)
conductor:
Dave Cavanaugh (on 1953-12-16)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-16)
2:55
8How Can You Leave a Man Like This
alto saxophone:
Bennett "Benny" Carter (on 1953-12-16)
baritone saxophone:
Joseph J. Koch (on 1953-12-16)
double bass [bass]:
George Sylvester 'Red' Callender (on 1953-12-16)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1953-12-16)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-12-16)
piano:
Gerald Foster Wiggins (on 1953-12-16)
tenor saxophone:
Charles O. Butler (on 1953-12-16) and Ernest T. "Ted" Romersa (on 1953-12-16)
trombone:
Walter R. Benson (on 1953-12-16)
trumpet:
Emanuel "Mannie" Klein (on 1953-12-16), Conrad Gozzo (on 1953-12-16) and Joseph Graves (60s pop/soul) (on 1953-12-16)
vocals:
Ella Mae Morse (on 1953-12-16)
conductor:
Dave Cavanaugh (on 1953-12-16)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-16)
2:45
9Lovey Dovey
alto saxophone:
Arthur "Skeets" Herfurt (on 1954-04-13)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (on 1954-04-13)
double bass [bass]:
George Sylvester 'Red' Callender (on 1954-04-13)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-13)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-04-13)
piano:
Gerald Foster Wiggins (on 1954-04-13)
tenor saxophone:
Charles O. Butler (on 1954-04-13) and Ernest T. "Ted" Romersa (on 1954-04-13)
trombone:
Walter R. Benson and Simon H. "Si" Zentner (on 1954-04-13)
trumpet:
Emanuel "Mannie" Klein (on 1954-04-13), Conrad Gozzo (on 1954-04-13), Joseph Graves (60s pop/soul) (on 1954-04-13) and Vito N. "Micky" Mangano (on 1954-04-13)
vocals:
Ella Mae Morse (on 1954-04-13)
conductor:
Dave Cavanaugh (on 1954-04-13)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-04-13)
recording of:
Lovey Dovey (on 1954-04-13)
writer:
Memphis Curtis and Nuggy (US American Songwriter, producer)
publisher:
Progressive Music Co. (ended) and Unichappell Music, Inc.
2:43
10Get Off It and Go
clarinet:
Mahlon Clark (on 1947-05-07)
double bass [bass]:
Harry Babasin (on 1947-05-07)
drums (drum set) [drums]:
Leonidas Raymond "Lee" Young (40s-60s US jazz drummer, then producer/A&R) (on 1947-05-07)
guitar:
Alton R. "Al" Hendrickson (on 1947-05-07)
piano:
Edwin LeMar "Buddy" Cole (on 1947-05-07)
tenor saxophone:
Dave Cavanaugh (on 1947-05-07)
trumpet:
Vernon "Geechie" Smith (trumpeter / photographer) (on 1947-05-07)
vocals:
Ella Mae Morse (on 1947-05-07)
recorded at:
Radio Recorders, Studio B (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-05-07)
2:21
11Okie Boogie
baritone saxophone:
Robert Lawson (saxophone player) (on 1951-12-12)
double bass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1951-12-12)
drums (drum set) [drums]:
Frank "Frankie" Carlson (on 1951-12-12)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1951-12-12)
piano:
Milton W. Raskin (Milton Raskin) (on 1951-12-12)
steel guitar:
Wesley Webb "Speedy" West (on 1951-12-12)
tenor saxophone:
Babe Russin (on 1951-12-12)
trombone:
Harold Diner (on 1951-12-12), Francis L. Howard (american trombone player) (on 1951-12-12), Paul O.W. Tanner (on 1951-12-12) and Raymond "Ray" Sims (on 1951-12-12)
trumpet:
Vito N. "Micky" Mangano (on 1951-12-12) and Walter P. "Pete" Candoli (on 1951-12-12)
vocals:
Ella Mae Morse (on 1951-12-12)
conductor:
Nelson Riddle (on 1951-12-12)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1951-12-12)
2:15
12False Hearted Girl
double bass [bass]:
Clifford H. "Cliffie" Stone (on 1952-07-09)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1952-07-09)
guitar:
Ivy J. "Jimmy" Bryant (country music guitarist & composer) (on 1952-07-09) and William Everett "Billy" Strange (on 1952-07-09)
piano:
William Edward "Billy" Liebert (on 1952-07-09)
steel guitar:
Wesley Webb "Speedy" West (on 1952-07-09)
vocals:
Tennessee Ernie Ford (on 1952-07-09) and Ella Mae Morse (on 1952-07-09)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1952-07-09)
cover recording of:
False Hearted Girl (on 1952-07-09)
writer:
Alton Delmore and Rabon Delmore
2:16
13Greyhound
baritone saxophone:
Danny Bank (reeds) (on 1952-10-12)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-10-12)
vocals:
Ella Mae Morse (on 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1952-10-12)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1952-10-12)
2:20
14Jump Back Honey
baritone saxophone:
Danny Bank (reeds) (on 1952-10-12)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-10-12)
vocals:
Ella Mae Morse (on 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1952-10-12)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1952-10-12)
recording of:
Jump Back, Honey, Jump Back (on 1952-10-12)
writer:
Hadda Brooks
2:05
15A Little Further Down the Road a Piece
clarinet:
Mahlon Clark (on 1947-05-07)
double bass [bass]:
Harry Babasin (on 1947-05-07)
drums (drum set) [drums]:
Leonidas Raymond "Lee" Young (40s-60s US jazz drummer, then producer/A&R) (on 1947-05-07)
guitar:
Alton R. "Al" Hendrickson (on 1947-05-07)
piano:
Edwin LeMar "Buddy" Cole (on 1947-05-07)
tenor saxophone:
Dave Cavanaugh (on 1947-05-07)
trumpet:
Vernon "Geechie" Smith (trumpeter / photographer) (on 1947-05-07)
vocals:
Ella Mae Morse (on 1947-05-07)
recorded at:
Radio Recorders, Studio B (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-05-07)
recording of:
Down the Road Apiece (on 1947-05-07)
lyricist and composer:
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal Music Corp. (USA, affiliated with ASCAP)
2:29
16Bouncin' Ball
baritone saxophone:
Danny Bank (reeds) (on 1952-10-12)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-10-12)
vocals:
Ella Mae Morse (on 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1952-10-12)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1952-10-12)
2:30
17Big Mamou
alto saxophone and flute:
Harry G. Klee (on 1953-03-23)
baritone saxophone:
Joseph J. Koch (on 1953-03-23)
bass saxophone:
Joseph Rushton (on 1953-03-23)
cello:
Eleanor Aller Slatkin (US cellist, b. Aller) (on 1953-03-23)
double bass [bass]:
Morty Corb (bass, USA) (on 1953-03-23)
drums (drum set) [drums]:
Frank "Frankie" Carlson (on 1953-03-23)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1953-03-23)
piano:
James Rowles (on 1953-03-23)
tenor saxophone:
Thedore M. "Ted" Nash (40s-80s US swing reedman, uncle of the other) (on 1953-03-23)
trombone:
Murray McEachern (on 1953-03-23)
trumpet:
Conrad Gozzo (on 1953-03-23)
viola:
Stanley Harris (US big band viola player) (on 1953-03-23) and Paul Robyn (on 1953-03-23)
violin:
Victor Bay (on 1953-03-23), Mischa Russell (violinist) (on 1953-03-23), Felix Slatkin (on 1953-03-23) and Marshall Sosson (on 1953-03-23)
xylophone:
Louis "Lou" Singer (percussionist) (on 1953-03-23)
vocals:
Ella Mae Morse (on 1953-03-23)
conductor:
Nelson Riddle (on 1953-03-23)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-03-23)
recording of:
Big Mamou (on 1953-03-23)
writer:
Link Davis (rockabilly / country artist)
2:23
18Forty Cups of Coffee
alto saxophone:
Bennett "Benny" Carter (on 1953-06-19) and Gus Bivona (on 1953-06-19)
bongos:
Joe Guerrero (on 1953-06-19)
double bass [bass]:
George Sylvester 'Red' Callender (on 1953-06-19)
drums (drum set) [drums]:
Alvin A. Stoller (on 1953-06-19)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1953-06-19)
piano:
Gerald Foster Wiggins (on 1953-06-19)
tenor saxophone:
Babe Russin (on 1953-06-19) and Jules Jacob (US jazz woodwind player) (on 1953-06-19)
trombone:
Simon H. "Si" Zentner (on 1953-06-19)
trumpet:
Conrad Gozzo, Emanuel "Mannie" Klein (on 1953-06-19) and Vito N. "Micky" Mangano (on 1953-06-19)
vocals:
Ella Mae Morse (on 1953-06-19)
conductor:
Dave Cavanaugh (on 1953-06-19)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-06-19)
2:52
19Give a Little Time to Your Lover
alto saxophone:
Bennett "Benny" Carter (on 1954-09-24)
baritone saxophone:
Joseph "Joe" Koch (on 1954-09-24)
double bass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1954-09-24)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1954-09-24)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-09-24)
organ:
Donald Robertson (on 1954-09-24)
piano:
Gerald Foster Wiggins (on 1954-09-24)
tenor saxophone:
Ernest T. "Ted" Romersa (on 1954-09-24) and Don Lodice (on 1954-09-24)
vocals:
Ella Mae Morse (on 1954-09-24)
conductor:
Dave Cavanaugh (on 1954-09-24)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-09-24)
2:06
20The Blacksmith Blues
baritone saxophone:
Robert Lawson (saxophone player) (on 1951-12-12)
double bass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1951-12-12)
drums (drum set) [drums]:
Frank "Frankie" Carlson (on 1951-12-12)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1951-12-12)
piano:
Milton W. Raskin (Milton Raskin) (on 1951-12-12)
steel guitar:
Wesley Webb "Speedy" West (on 1951-12-12)
tenor saxophone:
Babe Russin (on 1951-12-12)
trombone:
Harold Diner (on 1951-12-12), Francis L. Howard (american trombone player) (on 1951-12-12), Paul O.W. Tanner (on 1951-12-12) and Raymond "Ray" Sims (on 1951-12-12)
trumpet:
Vito N. "Micky" Mangano (on 1951-12-12) and Walter P. "Pete" Candoli (on 1951-12-12)
vocals:
Ella Mae Morse (on 1951-12-12)
conductor:
Nelson Riddle (on 1951-12-12)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1951-12-12)
recording of:
The Blacksmith Blues (1951 song) (on 1951-12-12)
lyricist and composer:
Jack Holmes (composer, arranger)
is based on:
Happy Pay-Off Day
3:01
21Won't You Listen to Me Baby
alto saxophone:
Henry Gruen (on 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (on 1955-03-23)
double bass [bass]:
George Sylvester 'Red' Callender (on 1955-03-23)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-03-23)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1955-03-23)
organ:
Donald Robertson (on 1955-03-23)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1955-03-23)
tenor saxophone:
Babe Russin (on 1955-03-23) and John "Plas" Johnson, Jr. (on 1955-03-23)
vocals:
Ella Mae Morse (on 1955-03-23)
conductor:
Dave Cavanaugh (on 1955-03-23)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-03-23)
2:06
22Okie Boogie
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1952-02-06)
2:28
23Smack Dab in the Middle
alto saxophone:
Henry Gruen (on 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (on 1955-03-23)
double bass [bass]:
George Sylvester 'Red' Callender (on 1955-03-23)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-03-23)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1955-03-23)
organ:
Donald Robertson (on 1955-03-23)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1955-03-23)
tenor saxophone:
Babe Russin (on 1955-03-23) and John "Plas" Johnson, Jr. (on 1955-03-23)
vocals:
Ella Mae Morse (on 1955-03-23)
conductor:
Dave Cavanaugh (on 1955-03-23)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-03-23)
recording of:
Smack Dab in the Middle (on 1955-03-23)
lyricist and composer:
Charles Calhoun
publisher:
Roosevelt Music
2:33
24Yes, Yes I Do
alto saxophone:
Henry Gruen (on 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (on 1955-03-23)
double bass [bass]:
George Sylvester 'Red' Callender (on 1955-03-23)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-03-23)
guitar:
Robert F. "Bob" Bain (guitarist) (on 1955-03-23)
organ:
Donald Robertson (on 1955-03-23)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1955-03-23)
tenor saxophone:
Babe Russin (on 1955-03-23) and John "Plas" Johnson, Jr. (on 1955-03-23)
vocals:
Ella Mae Morse (on 1955-03-23)
conductor:
Dave Cavanaugh (on 1955-03-23)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-03-23)
2:18
25Razzle Dazzle
alto saxophone:
Henry Gruen (on 1955-07-07)
double bass [bass]:
Abe Siegel (on 1955-07-07)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-07-07) and William V. Douglas (American jazz drummer) (on 1955-07-07)
guitar:
Bernard "Barney" Kessel (on 1955-07-07) and Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1955-07-07)
piano:
Milton W.Raskin (Milton Raskin) (on 1955-07-07)
tenor saxophone:
Babe Russin (on 1955-07-07), Charles O. Butler (on 1955-07-07) and Ernest T. "Ted" Romersa (on 1955-07-07)
vocals:
Ella Mae Morse (on 1955-07-07)
conductor:
Dave Cavanaugh (on 1955-07-07)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-07)
cover recording of:
Razzle Dazzle (on 1955-07-07)
lyricist and composer:
Charles Calhoun
2:46
26Ain't That a Shame
alto saxophone:
Henry Gruen (on 1955-07-07)
double bass [bass]:
Abe Siegel (on 1955-07-07)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-07-07) and William V. Douglas (American jazz drummer) (on 1955-07-07)
guitar:
Bernard "Barney" Kessel (on 1955-07-07) and Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1955-07-07)
piano:
Milton W.Raskin (Milton Raskin) (on 1955-07-07)
tenor saxophone:
Babe Russin (on 1955-07-07), Charles O. Butler (on 1955-07-07) and Ernest T. "Ted" Romersa (on 1955-07-07)
vocals:
Ella Mae Morse (on 1955-07-07)
conductor:
Dave Cavanaugh (on 1955-07-07)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-07)
cover recording of:
Ain’t That a Shame (on 1955-07-07)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
2:24
27Piddily Patter Patter
alto saxophone:
Henry Gruen (on 1955-07-07)
double bass [bass]:
Abe Siegel (on 1955-07-07)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-07-07) and William V. Douglas (American jazz drummer) (on 1955-07-07)
guitar:
Bernard "Barney" Kessel (on 1955-07-07) and Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1955-07-07)
piano:
Milton W.Raskin (Milton Raskin) (on 1955-07-07)
tenor saxophone:
Babe Russin (on 1955-07-07), Charles O. Butler (on 1955-07-07) and Ernest T. "Ted" Romersa (on 1955-07-07)
vocals:
Ella Mae Morse (on 1955-07-07)
conductor:
Dave Cavanaugh (on 1955-07-07)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-07)
recording of:
My Heart Goes Piddily Patter (on 1955-07-07)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:09
28Seventeen
alto saxophone:
Henry Gruen (on 1955-07-07)
double bass [bass]:
Abe Siegel (on 1955-07-07)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-07-07) and William V. Douglas (American jazz drummer) (on 1955-07-07)
guitar:
Bernard "Barney" Kessel (on 1955-07-07) and Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1955-07-07)
piano:
Milton W.Raskin (Milton Raskin) (on 1955-07-07)
tenor saxophone:
Babe Russin (on 1955-07-07), Charles O. Butler (on 1955-07-07) and Ernest T. "Ted" Romersa (on 1955-07-07)
vocals:
Ella Mae Morse (on 1955-07-07)
conductor:
Dave Cavanaugh (on 1955-07-07)
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-07)
cover recording of:
Seventeen (on 1955-07-07)
composer:
Boyd Bennett, Carl Gorman and John F. Young (US pianist, member of Boyd Bennett and the Rockets)
2:19
29When Boy Kiss Girl
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-27)
1:59
30Give Me Love
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-07-27)
2:23
31Rockin' and Rollin'
recorded at:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-02-29)
2:23
32Rock and Roll Wedding
double bass [bass]:
Phil Stevens (country bass player) (on 1957-06-17)
drums (drum set) [drums]:
Louis "Lou" Singer (percussionist) (on 1957-06-17)
guitar:
Bernard "Barney" Kessel (on 1957-06-17) and J.W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-06-17)
percussion:
Frank "Chico" Guerrero (on 1957-06-17)
piano:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-06-17) and Ray I. Sherman (pianist) (on 1957-06-17)
xylophone:
David Grupp (on 1957-06-17)
vocals:
Ella Mae Morse (on 1957-06-17)
conductor:
Les Baxter (on 1957-06-17)
recorded at:
Capitol Recording Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-06-17)
2:32
33Cow-Cow Boogie
double bass [bass]:
Jim Lynch (40's jazz bassist) (on 1942-05-21)
drums (drum set) [drums]:
John Cyr (drums) (on 1942-05-21)
guitar:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (on 1942-05-21)
piano:
Freddie Slack (on 1942-05-21)
saxophone:
Walter "Buddy" Clark (on 1942-05-21), John Hamilton (big band sax) (on 1942-05-21), Al Harding (clarinetist) (on 1942-05-21) and Willie Martinez (big band woodwinds) (on 1942-05-21)
trombone:
William Anthens (on 1942-05-21) and Bruce Squires (on 1942-05-21)
trumpet:
Bob Goodrich (on 1942-05-21), John Kee (trumpet) (on 1942-05-21) and George Wendt (Swing trumpeter) (on 1942-05-21)
lead vocals:
Ella Mae Morse (on 1942-05-21)
recorded at:
C.P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-05-21)
recording of:
Cow Cow Boogie (on 1942-05-21)
composer:
Benny Carter, Gene de Paul and Don Raye
3:14
34Mr. Anthony's Blues
alto saxophone:
Al Harding (clarinetist) (on 1942-07-31) and Joe Knechtel (on 1942-07-31)
double bass [bass]:
Fred Whiting (US double bassist) (on 1942-07-31)
drums (drum set) [drums]:
John Cyr (drums) (on 1942-07-31)
guitar:
Louis Gonzalez (on 1942-07-31)
piano:
Freddie Slack (on 1942-07-31)
tenor saxophone:
Henry Evans (big band sax) (on 1942-07-31), Hubert Myers (on 1942-07-31) and Morton B. "Morty" Friedman (on 1942-07-31)
trombone:
William Anthens (on 1942-07-31) and Edward "Eddie Kusby" Kuczborski (on 1942-07-31)
trumpet:
Don Anderson (trumpet player) (on 1942-07-31), Clyde L. Hurley, Jr. (on 1942-07-31), Emanuel "Mannie" Klein (on 1942-07-31), Bert Harry (on 1942-07-31) and George Wendt (Swing trumpeter) (on 1942-07-31)
vocals:
Johnny Mercer (on 1942-07-31) and Ella Mae Morse (on 1942-07-31)
recorded at:
C.P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-07-31)
2:33

Credits

Release

liner notes:Kevin Coffey
Lawrence Zwisohn (author on music)
Richard Weize
miscellaneous support:Lawrence Zwisohn (author on music) (task: tape/acetate research)
producer:Bill Millar (task: re-issue)
mastering:Jürgen Crasser
transferrer:Jay Ranellucci
Discogs:https://www.discogs.com/release/7573956 [info]
purchase for mail-order:https://www.bear-family.de/morse-ella-mae-ella-mae-morse-rocks-cd.html [info]

Release group

part of:Rocks (Bear Family Records' digipaks) (number: Ella Mae Morse) (order: 22)