Hall Of Fame

~ Release by Fats Waller (see all versions of this release, 1 available)

Tracklist

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1▼CD: Sugar Blues
#TitleRatingLength
1You're the Picture (I'm the Frame)
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
You're the Picture (I'm the Frame) (on 1935-06-24)
writer:
Jack Golden and Bob Rothberg (tin-pan alley songwriter)
3:35
2My Very Good Friend the Milkman
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
My Very Good Friend the Milkman (on 1935-06-24)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
publisher:
Chappell & Co., Inc. (USA)
43:30
3Blue Because of You
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Blue Because of You (on 1935-06-24)
lyricist:
Charles Carpenter
composer:
Louis Dunlap and Quinn Wilson (jazz bassist, tubist)
2:54
4There's Going to Be the Devil to Pay
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
2:26
512th Street Rag
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
performer:
Fats Waller and His Rhythm (on 1935-06-24)
recording of:
12th Street Rag (on 1935-06-24)
publisher:
Euday L. Bowman (on 1914-01-30)
lyricist:
James S. Sumner
composer:
Euday L. Bowman
arrangement of:
Twelfth Street Rag
recording of:
Twelfth Street Rag (on 1935-06-24)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
2:47
6There'll Be Some Changes Made
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
There’ll Be Some Changes Made (on 1935-06-24)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:07
7Somebody Stole My Gal
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
cover recording of:
Somebody Stole My Gal (on 1935-06-24)
lyricist and composer:
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:27
8Sweet Sue, Just You
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Sweet Sue, Just You (on 1935-06-24)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:52
9Truckin'
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Truckin’ (on 1935-08-02)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
3:18
10Sugar Blues
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Sugar Blues (on 1935-08-02)
lyricist:
Lucy Fletcher (in 1919)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919)
publisher:
Chappell Paris
2:48
11Just as Long as the World Goes 'round and 'round
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
As Long as the World Goes Round and Round (And I Go Around with You) (on 1935-08-02)
writer:
Harry M. Woods (American 1920/30s songwriter)
3:04
12Georgia Rockin' Chair
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Georgia Rockin’ Chair (on 1935-08-02)
writer:
Fred Fisher
2:42
13Brother, Seek and Ye Shall Find
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Bolden (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
2:48
14The Girl I Left Behind Me
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Bolden (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
3:15
15You're So Darn Charming
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
You're So Darn Charming (on 1935-08-20)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
2:43
16Woe! Is Me
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Woe Is Me (on 1935-08-20)
lyricist:
James Cavanaugh and Dick Sanford (songwriter, musician and bandleader)
composer:
Robert Emmerich (writer "Our Love")
2:56
17Rhythm and Romance
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Rhythm and Romance (on 1935-08-20)
lyricist:
Nat Schwartz (Early 20th century composer?)
writer:
George Whiting (American composer)
composer:
J.C. Johnson
3:13
18Loafin' Time
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Herman Autrey (Jazz trumpet player) (on 1935-08-20) and Fats Waller (on 1935-08-20)
2:28
19(Do You Intend to Put an End to) A Sweet Beginning Like This
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Herman Autrey (Jazz trumpet player) (on 1935-08-20) and Fats Waller (on 1935-08-20)
2:50
20Got a Bran' New Suit
recorded in:
New York, New York, United States (on 1935-08-20)
clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Got a Bran’ New Suit (on 1935-08-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:34
21I'm on a See-Saw
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
I’m on a See-Saw (on 1935-08-20)
lyricist:
Desmond Carter
composer:
Vivian Ellis (composer)
3:01
22Thief in the Night
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Thief in the Night (on 1935-08-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
2:50
2▼CD: Keepin' Out Mischief Now
#TitleRatingLength
1Sweet Heartache (vocal)
recorded in:
New York, New York, United States (on 1937-04-09)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-04-09)
drums (drum set):
Slick Jones (on 1937-04-09)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-04-09)
piano:
Fats Waller (on 1937-04-09)
reeds:
Gene Sedric (on 1937-04-09)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-04-09)
vocals:
Fats Waller (on 1937-04-09)
3:19
2Sweet Heartache (instrumental)
recorded in:
New York, New York, United States (on 1937-04-09)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-04-09)
drums (drum set):
Slick Jones (on 1937-04-09)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-04-09)
piano:
Fats Waller (on 1937-04-09)
reeds:
Gene Sedric (on 1937-04-09)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-04-09)
3:11
3Honeysuckle Rose
recorded in:
New York, New York, United States (on 1937-04-09)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-04-09)
drums (drum set) and vibraphone:
Slick Jones (on 1937-04-09)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-04-09)
piano:
Fats Waller (on 1937-04-09)
reeds:
Gene Sedric (on 1937-04-09)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-04-09)
instrumental recording of:
Honeysuckle Rose (on 1937-04-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
4:32
4(You Know It All) Smarty
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
recording of:
Smarty (You Know It All) (on 1937-06-11)
lyricist:
Ralph Freed
composer:
Burton Lane
2:38
5Don't You Know or Don't You Care?
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
3:24
6Lost Love
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
3:06
7I'm Gonna Put You in Your Place (And Your Place Is in My Arms)
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
2:29
8Blue, Turning Grey Over You
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
instrumental recording of:
Blue, Turning Grey Over You (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
recording of:
Blue, Turning Grey Over You (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
4:24
9Keepin' Out of Mischief Now
recorded in:
New York, New York, United States (on 1937-06-11)
solo piano:
Fats Waller (on 1937-06-11)
recording of:
Keepin’ Out of Mischief Now (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
3:09
10Stardust
piano:
Fats Waller (on 1937-06-11)
recording of:
Stardust (the jazz standard) (on 1937-06-11)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:12
11Basin Street Blues
piano:
Fats Waller (on 1937-06-11)
recording of:
Basin Street Blues (on 1937-06-11)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:30
12Tea for Two
piano:
Fats Waller (on 1937-06-11)
recording of:
Tea for Two (No, No, Nanette) (on 1937-06-11)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:20
13I Ain't Got Nobody
solo piano:
Fats Waller (on 1937-06-11)
recording of:
I Ain’t Got Nobody (on 1937-06-11)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
3:07
14You've Got Me Under Your Thumb
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
2:49
15Beat It Out
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
2:10
16Our Love Was Meant to Be
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set) and vibraphone:
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
recording of:
Our Love Was Meant to Be (on 1937-09-07)
writer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Joe Davis (US lyricist, producer, publisher & promoter) and Fats Waller
3:28
17I'd Rather Call You Baby
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
2:58
18I'm Always in the Mood for You
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
3:17
19She's Tall, She's Tan, She's Terrific
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
3:26
20You're My Dish
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
2:49
21More Power to You
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
recording of:
More Power to You (on 1937-09-07)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
2:55
3▼CD: The Joint Is Jumpin'
#TitleRatingLength
1How Can I?
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
3:04
2The Joint Is Jumpin'
recorded in:
New York, New York, United States (on 1937-10-07)
clarinet, reeds and saxophone:
Gene Sedric (on 1937-10-07)
double bass and double bass [bass]:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
recording of:
The Joint Is Jumpin’ (on 1937-10-07)
lyricist:
J.C. Johnson and Andy Razaf
writer:
James C. Johnson (Jim Johnson, James Calvin Johnson // American guitarist, singer and songwriter)
composer:
Fats Waller
2:45
3A Hopeless Love Affair
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
recording of:
A Hopeless Love Affair (on 1937-10-07)
writer:
Andy Razaf and Fats Waller
3:11
4What Will I Do in the Morning?
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
3:03
5How Ya, Baby?
recorded in:
New York, New York, United States (on 1937-10-07)
clarinet and reeds:
Gene Sedric (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
2:27
6Jealous of Me
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
2:51
7Every Day's a Holiday
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
guitar:
Ceele Burke (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
recording of:
Every Day’s a Holiday (on 1937-12-16)
writer:
Sam Coslow and Barry Trivers
3:17
8Neglected
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
guitar:
Ceele Burke (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
3:25
9My Window Faces the South
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
guitar:
Ceele Burke (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
recording of:
My Window Faces South (on 1937-12-16)
lyricist:
Jerry Livingston (songwriter) and Mitchell Parish
composer:
Jerry Livingston (songwriter) and Abner Silver
3:12
10Am I in Another World?
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
steel guitar:
Ceele Burke (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
3:06
11Why Do Hawaiians Sing Aloha?
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
steel guitar:
Ceele Burke (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
3:09
12My First Impression of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1937-12-16)
double bass:
Al Morgan (jazz double-bassist) (on 1937-12-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1937-12-16)
guitar:
Ceele Burke (on 1937-12-16)
piano:
Fats Waller (on 1937-12-16)
reeds:
Caughey Roberts (on 1937-12-16)
trumpet:
Paul Campbell (trumpet) (on 1937-12-16)
vocals:
Fats Waller (on 1937-12-16)
recording of:
My First Impression of You (on 1937-12-16)
writer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
3:07
13Something Tells Me
recorded in:
New York, New York, United States (on 1938-03-11)
celesta and piano:
Fats Waller (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
recording of:
Something Tells Me (on 1938-03-11)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
2:58
14I Love to Whistle
recorded in:
New York, New York, United States (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
piano:
Fats Waller (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
recording of:
I Love to Whistle (on 1938-03-11)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
2:39
15You Went to My Head
recorded in:
New York, New York, United States (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
piano:
Fats Waller (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
recording of:
You Go to My Head (on 1938-03-11)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:12
16Florida Flo
recorded in:
New York, New York, United States (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
piano:
Fats Waller (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
recording of:
Florida Flo (on 1938-03-11)
writer:
Howard Johnson (songwriter / lyricist) and Joe Sivad
2:48
17Lost and Found
recorded in:
New York, New York, United States (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
piano:
Fats Waller (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
2:56
18Don't Try to Cry Your Way Back to Me
recorded in:
New York, New York, United States (on 1938-03-11)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-03-11)
drums (drum set):
Slick Jones (on 1938-03-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-03-11)
piano:
Fats Waller (on 1938-03-11)
reeds:
Gene Sedric (on 1938-03-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-03-11)
vocals:
Fats Waller (on 1938-03-11)
2:43
19In the Gloaming
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel "Courtney" Williams (jazz trumpeter) (on 1938-04-12)
instrumental recording of:
In the Gloaming (on 1938-04-12)
lyricist:
Meta Orred
composer:
Annie Fortescue Harrison (in 1877)
part of:
Roud Folk Song Index (number: 18343)
3:13
20You Had an Evening to Spare
recorded in:
New York, New York, United States (on 1938-04-12)
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel "Courtney" Williams (jazz trumpeter) (on 1938-04-12)
vocals:
Fats Waller (on 1938-04-12)
2:48
21Let's Break the Good News
recorded in:
New York, New York, United States (on 1938-04-12)
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel "Courtney" Williams (jazz trumpeter) (on 1938-04-12)
vocals:
Fats Waller (on 1938-04-12)
2:59
4▼CD: Squeeze Me
#TitleRatingLength
1Wait and See
double bass:
Cedric Wallace (jazz double bass player) (on 1939-06-28)
drums (drum set):
Larry Hinton (Jazz drum player) (on 1939-06-28)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-06-28)
piano:
Fats Waller (on 1939-06-28)
tenor saxophone:
Chauncey Graham (Sax player) (on 1939-06-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-06-28)
vocals:
Fats Waller (on 1939-06-28)
3:06
2You Meet the Nicest People in Your Dreams
double bass:
Cedric Wallace (jazz double bass player) (on 1939-06-28)
drums (drum set):
Larry Hinton (Jazz drum player) (on 1939-06-28)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-06-28)
piano:
Fats Waller (on 1939-06-28)
tenor saxophone:
Chauncey Graham (Sax player) (on 1939-06-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-06-28)
vocals:
Fats Waller (on 1939-06-28)
recording of:
You Meet the Nicest People (on 1939-06-28)
writer:
Al Goodhart, Al Hoffman and Manny Kurtz
2:51
3Anita
double bass:
Cedric Wallace (jazz double bass player) (on 1939-06-28)
drums (drum set):
Larry Hinton (Jazz drum player) (on 1939-06-28)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-06-28)
piano:
Fats Waller (on 1939-06-28)
tenor saxophone:
Chauncey Graham (Sax player) (on 1939-06-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-06-28)
vocals:
Fats Waller (on 1939-06-28)
recording of:
Anita (on 1939-06-28)
lyricist and composer:
Fats Waller
3:13
4What a Pretty Miss
3:34
5Squeeze Me
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Gene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
recording of:
Squeeze Me (on 1939-08-10)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
3:06
6Bless You
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Gene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
3:17
7It's the Tune That Counts
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Gene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
3:03
8Abdullah
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
recording of:
Abdullah (on 1939-08-10)
writer:
Edgar Battle, Slick Jones and Cornelius Lawrence
2:56
9Who'll Take My Place
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Gene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
2:52
10Bond Street
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Eugene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
recording of:
Bond Street
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
3:12
11It's You Who Taught It to Me
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
2:40
12Suitcase Susie
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
2:43
13Your Feet's Too Big
recorded in:
New York, New York, United States (on 1939-11-03)
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
recording of:
Your Feet’s Too Big (on 1939-11-03)
lyricist:
Ada Benson
composer:
Fred Fisher (in 1936)
3:04
14You're Letting the Grass Grow Under Your Feet
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
3:18
15The Darktown Strutters Ball
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
recording of:
Darktown Strutters’ Ball (on 1939-11-03)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
included in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
part of:
For Me and My Gal (1942 movie)
2:43
16I Can't Give You Anything but Love, Baby
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Eugene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Una Mae Carlisle (on 1939-11-03) and Fats Waller (on 1939-11-03)
recording of:
I Can’t Give You Anything but Love, Baby (on 1939-11-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:54
17Swing-Dilla Street
double bass:
Cedric Wallace (jazz double bass player) (on 1940-01-12)
drums (drum set):
Slick Jones (on 1940-01-12)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-01-12)
Hammond organ and piano:
Fats Waller (on 1940-01-12)
reeds:
Eugene Sedric (on 1940-01-12)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-01-12)
2:43
18At Twilight
double bass:
Cedric Wallace (jazz double bass player) (on 1940-01-12)
drums (drum set):
Slick Jones (on 1940-01-12)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-01-12)
piano:
Fats Waller (on 1940-01-12)
reeds:
Eugene Sedric (on 1940-01-12)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-01-12)
vocals:
Fats Waller (on 1940-01-12)
recording of:
At Twilight (on 1940-01-12)
lyricist:
William Tracey
composer:
Maceo Pinkard
3:19
19Oh! Frenchy
double bass:
Cedric Wallace (jazz double bass player) (on 1940-01-12)
drums (drum set):
Slick Jones (on 1940-01-12)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-01-12)
piano:
Fats Waller (on 1940-01-12)
reeds:
Eugene Sedric (on 1940-01-12)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-01-12)
vocals:
Fats Waller (on 1940-01-12)
part of:
V Disc (by matrix number) (number: VP 982 (2))
3:04
20Cheatin' on Me
double bass:
Cedric Wallace (jazz double bass player) (on 1940-01-12)
drums (drum set) and vibraphone:
Slick Jones (on 1940-01-12)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-01-12)
piano:
Fats Waller (on 1940-01-12)
reeds:
Eugene Sedric (on 1940-01-12)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-01-12)
vocals:
Fats Waller (on 1940-01-12)
3:10
5▶CD: Honeysuckle Rose