The Elgar Edition: The Complete Electrical Recordings of Sir Edward Elgar

~ Release by Sir Edward Elgar (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Symphony No.1 in A flat Op.55: I. Andante: nobilmente e semplice-Allegro
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (from 1930-11-20 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-11-20 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and A. D. Lawrence
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1930-11-20 until 1930-11-22)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (from 1930-11-20 until 1930-11-22)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
17:26
2Symphony No.1 in A flat Op.55: II. Allegro molto-
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (from 1930-11-20 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-11-20 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and A. D. Lawrence
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1930-11-20 until 1930-11-22)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (from 1930-11-20 until 1930-11-22)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
7:38
3Symphony No.1 in A flat Op.55: III. Adagio
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (from 1930-11-20 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-11-20 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and A. D. Lawrence
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1930-11-20 until 1930-11-22)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (from 1930-11-20 until 1930-11-22)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
10:18
4Symphony No.1 in A flat Op.55: IV. Lento-Allegro
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (from 1930-11-20 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-11-20 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and A. D. Lawrence
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1930-11-20 until 1930-11-22)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (from 1930-11-20 until 1930-11-22)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
11:21
5Falstaff-Symphonic Study in C minor Op.68: I. Falstaff and Prince Henry
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
2:58
6Falstaff-Symphonic Study in C minor Op.68: II. Eastcheap-Gadshill-The Boar's Head, revelry and sleep
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
12:47
7Falstaff-Symphonic Study in C minor Op.68: Dream Interlude: 'Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk'
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
2:27
8Falstaff-Symphonic Study in C minor Op.68: III. Falstaff's march-The return through Gloucestershire-the new king-The hurried ride to London
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
3:56
9Falstaff-Symphonic Study in C minor Op.68: Interlude: Gloucestershire. Shallow's orchard
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
2:26
10Falstaff-Symphonic Study in C minor Op.68: IV. King Henry V's progress-The repudiation of Falstaff, and his death
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (from 1931-11-11 until 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-11-11 until 1932-02-04)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1931-11-11 until 1931-11-12, on 1932-02-04)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (from 1931-11-11 until 1932-02-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
8:16
2▼CD
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1Symphony No.2 in E flat Op.63 I. Allegro vivace e nobilmente
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (on 1927-07-15)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
14:36
2Symphony No.2 in E flat Op.63 II. Larghetto
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (on 1927-07-15)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
12:57
3Symphony No.2 in E flat Op.63 III. Rondo (Presto)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (on 1927-07-15)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
7:50
4Symphony No.2 in E flat Op.63 IV. Moderato e maestoso
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
partial recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (on 1927-07-15)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
12:33
5Symphony No.2 in E flat Op.63 III. Rondo (to cue 116): first take (CR 1275-1)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
orchestra:
London Symphony Orchestra (on 1927-04-01)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-04-01)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-04-01) and Studio D, Small Queen’s Hall (on 1927-04-01)
partial recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (on 1927-04-01)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
4:20
6Symphony No.2 in E flat Op.63 Rehearsal for second take (CR 1275-2)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner) and Jerrold Northrop Moore (musicologist)
spoken vocals:
Edward Elgar (composer)
orchestra:
London Symphony Orchestra (on 1927-04-01)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-04-01)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-04-01) and Studio D, Small Queen’s Hall (on 1927-04-01)
partial recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (on 1927-04-01)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
5:02
3▼CD
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1The Dream of Gerontius Op.38: Prelude
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
10:38
2The Dream of Gerontius Op.38: Kyrie eleison (cue 29)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
2:24
3The Dream of Gerontius Op.38: Rescue him, O Lord (cue 63)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
3:24
4The Dream of Gerontius Op.38: Go, in the name of Angels and Archangels (cue 72)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:27
5The Dream of Gerontius Op.38: Praise to the Holiest (cue 60)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:48
6The Dream of Gerontius Op.38: And now the threshold... Praise to the Holiest (four before cue 73)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
6:54
7The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:22
8The Dream of Gerontius Op.38: Take me away (three before cue 125)
engineer:
Anthony C. Griffith (engineer)
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (operatic bass) (on 1927-02-26)
choir vocals:
Royal Choral Society (The Royal Choral Society) (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (tenor) (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-02-26)
balance engineer:
A. S. Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (on 1927-02-26)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
8:08
9Civic Fanfare and National Anthem
engineer:
Anthony C. Griffith (engineer)
orchestra:
London Symphony Orchestra (on 1927-09-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-09-04)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-04)
live recording of:
Civic Fanfare and National Anthem (on 1927-09-04)
arranger:
Edward Elgar (composer)
2:36
10The Dream of Gerontius Op.38: So pray for me, my friends (cue 28)
engineer:
Anthony C. Griffith (engineer) and Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (operatic bass) (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (tenor) (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
3:49
11The Dream of Gerontius Op.38: O Jesu, help! (cue 61)
engineer:
Anthony C. Griffith (engineer) and Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (operatic bass) (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (tenor) (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:15
12The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106)
engineer:
Anthony C. Griffith (engineer) and Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (operatic bass) (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (tenor) (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:41
13The Dream of Gerontius Op.38: Take me away (three before cue 125)
engineer:
Anthony C. Griffith (engineer) and Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (operatic bass) (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (mezzo-soprano) (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (tenor) (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
4:18
14The Music Makers Op.69: We are the music makers (cue 10)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
choir vocals:
Three Choirs Festival Chorus (on 1927-09-08)
orchestra:
London Symphony Orchestra (on 1927-09-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-09-08)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-08)
live recording of:
The Music Makers, op. 69: Larghetto. "We are the music makers" (on 1927-09-08)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
2:16
15The Music Makers Op.69: With wonderful deathless ditties (three before cue 16)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
choir vocals:
Three Choirs Festival Chorus (on 1927-09-08)
orchestra:
London Symphony Orchestra (on 1927-09-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-09-08)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-08)
live recording of:
The Music Makers, op. 69: Allegro. "With wonderful deathless ditties" (on 1927-09-08)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
1:35
16The Music Makers Op.69: A breath of our inspiration (cue 38)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
choir vocals:
Three Choirs Festival Chorus (on 1927-09-08)
orchestra:
London Symphony Orchestra (on 1927-09-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-09-08)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-08)
live recording of:
The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration" (on 1927-09-08)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
3:41
17The Music Makers Op.69: For we are afar with the dawning (cue 78)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
choir vocals:
Three Choirs Festival Chorus (on 1927-09-08)
orchestra:
London Symphony Orchestra (on 1927-09-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-09-08)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-08)
live recording of:
The Music Makers, op. 69: Come prima. "For we are afar with the dawning" (on 1927-09-08)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
2:14
4▼CD
#TitleRatingLength
1Variations on an Original Theme Op.36: Theme
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:43
2Variations on an Original Theme Op.36: I. C.A.E.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:55
3Variations on an Original Theme Op.36: II. H.D.S.-P.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:44
4Variations on an Original Theme Op.36: III. R.B.T.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:27
5Variations on an Original Theme Op.36: IV. W.M.B.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:31
6Variations on an Original Theme Op.36: V. R.P.A.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:54
7Variations on an Original Theme Op.36: VI. Ysobel
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:22
8Variations on an Original Theme Op.36: VII. Troyte
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:54
9Variations on an Original Theme Op.36: VIII. W.N.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:40
10Variations on an Original Theme Op.36: IX. Nimrod
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1926-04-28 until 1926-08-30)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:53
11Variations on an Original Theme Op.36: X. Intermezzo: Dorabella
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:32
12Variations on an Original Theme Op.36: XI. G.R.S.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:51
13Variations on an Original Theme Op.36: XII. B.G.N
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:17
14Variations on an Original Theme Op.36: XIII. Romanza: ***
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:03
15Variations on an Original Theme Op.36: XIV. Finale: E.D.U.
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
4:42
16Violin Concerto in B minor Op.61: I. Allegro
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
recording of:
Violin Concerto in B minor, op. 61: I. Allegro (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
17:25
17Violin Concerto in B minor Op.61: II. Andante
producer:
Fred Gaisberg
solo violin:
Yehudi Menuhin (violinist)
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
13:01
18Violin Concerto in B minor Op.61: III. Allegro molto-
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
partial recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
10:13
19Violin Concerto in B minor Op.61: Cadenza (accompagnata: Lento)-Allegro molto
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
partial recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
9:10
5▼CD
#TitleRatingLength
1The Wand of Youth, First Suite Op.1a: I. Overture (Allegro molto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: I. Overture (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
1:35
2The Wand of Youth, First Suite Op.1a: II. Serenade (Andantino)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: II. Serenade (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
2:26
3The Wand of Youth, First Suite Op.1a: III. Minuet (Old Style) (Andante)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style) (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
2:02
4The Wand of Youth, First Suite Op.1a: IV. Sun Dance (Presto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
2:21
5The Wand of Youth, First Suite Op.1a: V. Fairy Pipers (Allegretto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
4:08
6The Wand of Youth, First Suite Op.1a: VI. Slumber Scene (Moderato)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
3:55
7The Wand of Youth, First Suite Op.1a: VII. Fairies and Giants (Presto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
is based on:
Humoreske
part of:
The Wand of Youth Suite no. 1, op. 1a
3:07
8The Wand of Youth, Second Suite Op.1b: I. March (Alla marcia: allegro moderato)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: I. March (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
3:54
9The Wand of Youth, Second Suite Op.1b: II. The Little Bells (Scherzino) (Allegro molto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells (Scherzino) (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
2:30
10The Wand of Youth, Second Suite Op.1b: III. Moths and Butterflies (Dance) (Allegretto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: III. Moths and Butterflies (Dance) (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
2:24
11The Wand of Youth, Second Suite Op.1b: IV. Fountain Dance (Allegretto comodo)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
3:16
12The Wand of Youth, Second Suite Op.1b: V. The Tame Bear (Allegro moderato)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
2:06
13The Wand of Youth, Second Suite Op.1b: VI. The Wild Bears (Presto)
orchestra:
London Symphony Orchestra (from 1928-12-19 until 1928-12-20)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1928-12-19 until 1928-12-20)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1928-12-19 until 1928-12-20)
recording of:
The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears (from 1928-12-19 until 1928-12-20)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
2:21
14Nursery Suite: I. Aubade (Awake) (Allegretto)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: I. Aubade (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
4:13
15Nursery Suite: II. The Serious Doll (Andantino)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: II. The Serious Doll (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
2:44
16Nursery Suite: III. Busy-ness (Allegro molto)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: III. Busy-Ness (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
2:04
17Nursery Suite: IV. The Sad Doll (Andantino)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: IV. The Sad Doll (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:23
18Nursery Suite: V. The Wagon (Passes) (Allegretto)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: V. The Wagon (Passes) (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:24
19Nursery Suite: VI. The Merry Doll (Allegro molto)
orchestra:
London Symphony Orchestra (on 1931-05-23)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1931-05-23)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23)
recording of:
Nursery Suite: VI. The Merry Doll (on 1931-05-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:27
20Nursery Suite: VII. Dreaming (Lento)
orchestra:
London Symphony Orchestra (from 1931-05-23 until 1931-06-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-05-23 until 1931-06-04)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23, on 1931-06-04)
partial recording of:
Nursery Suite: VII. Dreaming (from 1931-05-23 until 1931-06-04)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
2:03
21Nursery Suite: Envoy (Coda)
orchestra:
London Symphony Orchestra (from 1931-05-23 until 1931-06-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1931-05-23 until 1931-06-04)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1931-05-23, on 1931-06-04)
partial recording of:
Nursery Suite: VII. Dreaming (from 1931-05-23 until 1931-06-04)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
3:02
22Severn Suite Op.87: I. Worcester Castle (Introduction)
orchestra:
London Symphony Orchestra (on 1932-04-14)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-04-14)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-04-14)
recording of:
The Severn Suite, op. 87: I. Introduction (Worcester Castle) (for brass band) (on 1932-04-14)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
2:48
23Severn Suite Op.87: II. Tournament (Toccata)
orchestra:
London Symphony Orchestra (on 1932-04-14)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-04-14)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-04-14)
recording of:
The Severn Suite, op. 87: II. Toccata (Tournament) (for brass band) (on 1932-04-14)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
3:54
24Severn Suite Op.87: III. Cathedral (Fugue)
orchestra:
London Symphony Orchestra (on 1932-04-14)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-04-14)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-04-14)
recording of:
The Severn Suite, op. 87: III. Fugue (The Cathedral) (for brass band) (on 1932-04-14)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
3:55
25Severn Suite Op.87: IV. Commandery (Minuet)
orchestra:
London Symphony Orchestra (on 1932-04-14)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-04-14)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-04-14)
recording of:
The Severn Suite, op. 87: IV. Minuet (Commandery) (for brass band) (on 1932-04-14)
composer:
Sir Edward (= Harold Vick) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
5:25
26Severn Suite Op.87: V. Coda
orchestra:
London Symphony Orchestra (on 1932-04-14)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-04-14)
balance engineer:
unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-04-14)
recording of:
The Severn Suite, op. 87: V. Coda (for brass band) (on 1932-04-14)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
1:55
6▼CD
#TitleRatingLength
1Land of Hope and Glory
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
contralto vocals:
Margaret Balfour (mezzo-soprano) (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
Land of Hope and Glory (on 1928-02-03)
anthem of:
England, United Kingdom (ended)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
4:40
2It comes from the misty ages
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
The Banner of St. George, op. 33: Epilogue (on 1928-02-03)
composer:
Edward Elgar (composer) (in 1897)
librettist:
Shapcott Wensley
part of:
The Banner of St. George, op. 33
4:41
3National Anthem
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
God Save the King (for soloists, chorus and orchestra, Elgar) (on 1928-02-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Edward Elgar (composer)
arrangement of:
God Save the King (national anthem of several countries in the British Commonwealth)
3:17
4Croft: O God, our help in ages past
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
O God, our help in ages past (arr. Elgar) (on 1928-02-03)
lyricist:
Isaac Watts (hymn writer)
composer:
William Croft (English composer & organist)
arranger:
Edward Elgar (composer)
arrangement of:
O God, our help in ages past (hymn to tune St. Anne)
4:23
5Meditation from The Light of Life Op.29
orchestra:
Royal Albert Hall Orchestra (on 1926-08-30)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1926-08-30)
balance engineer:
A. S. Clarke (engineer), R. E. Beckett and H. E. Davidson
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-08-30)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1926-08-30)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
4:44
6Three Characteristic Pieces Op.10: 1. Mazurka
orchestra:
New Symphony Orchestra (often referred to as just The New Symphony Orchestra) (on 1929-11-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1929-11-08)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Queen’s Small Hall in London (Greater London), England, United Kingdom (on 1929-11-08)
recording of:
Three Characteristic Pieces, op. 10: No. 1. Mazurka (on 1929-11-08)
composer:
Edward Elgar (composer) (in 1899)
part of:
Three Characteristic Pieces, op. 10
3:22
7Three Characteristic Pieces Op.10: 2. Sérénade mauresque
orchestra:
New Symphony Orchestra (often referred to as just The New Symphony Orchestra) (on 1929-11-08)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1929-11-08)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Queen’s Small Hall in London (Greater London), England, United Kingdom (on 1929-11-08)
recording of:
Three Characteristic Pieces, op. 10: No. 2. Sérénade mauresque (on 1929-11-08)
composer:
Edward Elgar (composer)
part of:
Three Characteristic Pieces, op. 10
5:15
8Three Characteristic Pieces Op.10: 3. Contrasts: The Gavotte AD 1700 and 1900
orchestra:
London Symphony Orchestra (on 1933-02-21)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1933-02-21)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1933-02-21)
recording of:
Three Characteristic Pieces, op. 10: No. 3. Contrasts: The Gavotte (on 1933-02-21)
composer:
Edward Elgar (composer)
part of:
Three Characteristic Pieces, op. 10
3:31
9Chanson de nuit Op.15 No.1
orchestra:
Royal Albert Hall Orchestra (on 1926-04-27)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1926-04-27)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1926-04-27) and Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-27)
recording of:
Chanson de nuit, op. 15 no. 1 (for violin and piano) (on 1926-04-27)
composer:
Edward Elgar (composer)
part of:
Chanson de nuit and Chanson de matin, op. 15 (for violin and piano)
recording of:
Chanson de nuit, op. 15 no. 1 (for orchestra) (on 1926-04-27)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
version of:
Chanson de nuit, op. 15 no. 1 (for violin and piano)
4:28
10Chanson de matin Op.15 No.2
orchestra:
London Symphony Orchestra (on 1927-04-01)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-04-01)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1927-04-01) and Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-04-01)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1927-04-01)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
3:06
11Three Bavarian Dances Op.27: 1. The Dance (Sonnenbichl) (Allegretto giocoso)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Three Bavarian Dances: No. 1. The Dance (on 1927-07-15)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
part of:
Three Bavarian Dances, op. 27a
3:45
12Three Bavarian Dances Op.27: 2. Lullaby (In Hammersbach) (Moderato)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Three Bavarian Dances: No. 2. Lullaby (on 1927-07-15)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
3:44
13Three Bavarian Dances Op.27: 3. The Marksman (Bei Murnau) (Allegro)
orchestra:
London Symphony Orchestra (on 1932-02-04)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1932-02-04)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander, D. F. Larter and unknown ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-02-04)
recording of:
Three Bavarian Dances: No. 3. The Marksmen (on 1932-02-04)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
part of:
Three Bavarian Dances, op. 27a
4:53
14The Crown of India-Suite Op.66: I. (a) Introduction (Allegro)-
orchestra:
London Symphony Orchestra (from 1930-09-15 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-09-15 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and G. W. Dillnutt
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15, on 1930-11-22)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls (from 1930-09-15 until 1930-11-22)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
1:32
15The Crown of India-Suite Op.66: (b) Dance of the Nautch Girls (Allegretto)
orchestra:
London Symphony Orchestra (from 1930-09-15 until 1930-11-22)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (from 1930-09-15 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and G. W. Dillnutt
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15, on 1930-11-22)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls (from 1930-09-15 until 1930-11-22)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:05
16The Crown of India-Suite Op.66: II. Menuetto (Moderato)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: II. Menuetto (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
2:13
17The Crown of India-Suite Op.66: III. Warriors' Dance (Allegro)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: III. Warrior's Dance (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
1:59
18The Crown of India-Suite Op.66: V. March of the Mogul Emperors (Moderato maestoso)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: V. March of the Mogul Emperors (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:57
19Fantasia and Fugue in C minor Op.86: Fantasia
orchestra:
Royal Albert Hall Orchestra (on 1926-04-28)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1926-04-28)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-28)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (on 1926-04-28)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
4:37
20Fantasia and Fugue in C minor Op.86: Fugue
orchestra:
Royal Albert Hall Orchestra (on 1926-04-28)
conductor:
Sir Edward Elgar (Edward Elgar, composer) (on 1926-04-28)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-28)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (on 1926-04-28)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
3:03
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8▶CD
9▶CD

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ASIN:UK: B004MSRDK6 [info]