Greatest Ever! Dad: The Definitive Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Are You Gonna Be My Girl?
Jet3:34
2Boys Will Be Boys
recording of:
Boys Will Be Boys
Verfasser(in):
William J. Brown (UK guitarist for The Ordinary Boys), James Gregory (UK bassist for The Ordinary Boys) und Samuel Preston (Sam Preston, English singer-songwriter, musician, actor)
The Ordinary Boys42:40
3Chelsea Dagger
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in) und Mix:
Tony Hoffer
recording of:
Chelsea Dagger
Texter und Komponist(in):
Jon Fratelli
The Fratellis4.153:35
4America
Techniker(in):
Sam Miller (alias of Hanno Leichtmann)
zusätzliche(r) Techniker(in):
Chris Thomas (UK record producer / remixer)
Produzent(in):
Razorlight
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bass und Klavier:
Carl Dalemo
Gitarre:
Björn Ågren (guitarist), Johnny Borrell und Carl Dalemo
mellotron, Orgel, Rhodes Piano und zwölfsaitige Gitarre:
Björn Ågren (guitarist)
Schlagzeug und Hintergrundgesang:
Andy Burrows (songwriting drummer)
vocals:
Johnny Borrell
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
America
Verfasser(in):
Johnny Borrell und Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:10
5Hundred Mile High City
Produzent(in) und Mix:
Brendan Lynch (London producer), Martin Heyes (Engineer) und Ocean Colour Scene
phonographisches Urheberrecht (℗) von:
Universal Music (UK) Ltd. (not a release label; see Universal Music UK annotation) (in 1997)
recording of:
Hundred Mile High City
Verfasser(in):
Steve Cradock, Simon Fowler (English singer), Oscar Harrison und Damon Minchella
publisher:
Island Music Ltd.
Ocean Colour Scene4.653:58
6Don't You Forget About Me
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
7Easy
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1992)
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1992-03)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More3.553:06
8Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.94:10
9In a Room
Akustikgitarre, Bass und E-Gitarre:
Nigel Clark (singer and bassist of Dodgy)
Blechblasinstrumente:
Simon Clarke (UK saxophonist), Roddy Lorimer, Tim Sanders (UK saxophonist) und Neil Sidwell
Gitarre, Sitar und Slide-Gitarre:
Andy Miller (UK guitarist for Dodgy/Hey Gravity)
Klavier:
Richard Payne (UK keyboardist)
Perkussion:
Mathew Priest
vocals:
Nigel Clark (singer and bassist of Dodgy), Andy Miller (UK guitarist for Dodgy/Hey Gravity) und Mathew Priest
recording of:
In a Room
Komponist(in):
Nigel Clark (singer and bassist of Dodgy), Andy Miller (UK guitarist for Dodgy/Hey Gravity) und Mathew Priest
publisher:
BMG Music Publishing Ltd.
Dodgy3.654:17
10Sing
assistierende(r) Techniker(in):
Darrell Thorp (record producer, mixer and engineer)
Techniker(in):
Steve Orchard (producer and engineer) (Saiteninstrumente)
Produzent(in) und Mix:
Nigel Godrich (English record producer)
Saiteninstrumente:
Millennia Strings
Saiteninstrumente arranger:
Joby Talbot (English score composer)
phonographisches Urheberrecht (℗) von:
Independiente Ltd (company behind Independiente for copyright and other purposes) (in 2001) und Craft Recordings (US jazz label; reissue division of Concord) (in 2021)
aufgenommen bei und mixed at:
Ocean Way Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente)
Musikvideos:
Sing von Travis (Scottish alternative rock band)
recording of:
Sing
Texter und Komponist(in):
Fran Healy
Travis3.853:46
11There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:43
12Wide Open Space
recording of:
Wide Open Space
Texter und Komponist(in):
Paul Draper (singer‐songwriter)
publisher:
PolyGram Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mansun34:02
13World at Your Feet
Embrace3:40
14Dakota
Techniker(in):
Jim Lowe (sound engineer)
Produzent(in) und Mix:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
phonographisches Urheberrecht (℗) von:
V2 Music Limited (holding company - do not use as release label) (in 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Dakota
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
15All Together Now
Techniker(in):
Noel Rafferty
Produzent(in):
Graham McPherson
zusätzliche(r) Produzent(in):
Heller & Farley
phonographisches Urheberrecht (℗) von:
Produce Records (UK label owned by the band The Farm) und Farmsongs Ltd. (in 1990)
recording of:
All Together Now
Texter:
Peter Hooton
Komponist(in):
Steve Grimes (The Farm)
publisher:
Farm Music (publisher for The Farm), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Windswept Music (London) Ltd.
The Farm4.25:41
16ConnectedStereo MCs33:46
17House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:46
18Hold on Now
assistierende(r) Techniker(in):
Jonathan Gilmore
Techniker(in):
Mike Spink
Produzent(in) und Mix:
Mike Crossey
aufgenommen bei:
The Motor Museum in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2011 bis 2012)
recording of:
Hold on Now
Komponist(in):
Kyle Falconer, Angelo Petraglia und Kieren Webster
The View4:27
19Days
cover recording of:
Days
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Unichappell Music, Inc.
Kirsty MacColl2.653:00
20Wonderwall
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 28) und The Downloader’s Music Source Book (Nummer: 197)
cover recording of:
Wonderwall
Texter und Komponist(in):
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Ryan Adams34:08
2CD
Nr.TitelKünstlerBewertungLänge
1Common People
recording of:
Common People
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
Premiere bei:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2018-03-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pulp2.44:08
2Fill My Little World
Produzent(in):
The Feeling (English rock/pop band)
Mix:
Adrian Bushby
recording of:
Fill My Little World
Verfasser(in):
Dan Gillespie Sells, Ciaran Jeremiah, Kevin Jeremiah, Richard Jones (bassist with The Feeling) und Paul Stewart (drummer with The Feeling)
The Feeling4:06
3Dizzy
Produzent(in) und Mix:
Mick Glossop (producer & engineer)
cover recording of:
Dizzy
Texter und Komponist(in):
Tommy Roe und Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Wonder Stuff3.653:17
4Happy Hour
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
Bassgitarre:
Norman Cook (in 1986)
Chimes:
P.d. Heaton (in 1986)
Gitarre:
Stan Cullimore (in 1986)
Schlagzeug:
Hugh Whitaker (in 1986)
Hintergrundgesang:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) und Hugh Whitaker (in 1986)
Sologesang:
Paul Heaton (in 1986)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Happy Hour (in 1986)
Texter:
Paul Heaton
Komponist(in):
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:22
5Nice Day
Produzent(in):
Marshall Bird und Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:23
6In the Morning
assistierende(r) Techniker(in):
Richard Cooper (engineer)
Techniker(in):
Jamie Johnson (UK engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bass:
Carl Dalemo
Gitarre:
Björn Ågren (guitarist) und Johnny Borrell
Schlagzeug:
Andy Burrows (songwriting drummer)
Hintergrundgesang:
Andy Burrows (songwriting drummer) und Carl Dalemo
vocals:
Johnny Borrell
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2006)
aufgenommen bei:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
recording of:
In the Morning
Texter und Komponist(in):
Johnny Borrell
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.83:43
7You're the Best Thing
recording of:
You’re the Best Thing
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und Universal Music Publishing MGB Australia
The Style Council5:11
8Turn On, Tune In, Cop Out
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Norman Cook und Ashley Slater
Bass:
Dale Davies
Keyboard:
Cyril McCammon
membranophone:
Jim Carmichael (performed in "When I See an Elephant Fly" among other Disney songs)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25)
aufgenommen bei:
The Esselle Beat Company in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Turn On, Tune In, Cop Out
Texter und Komponist(in):
Norman Cook
publisher:
PolyGram Music Publishing Ltd.
Freak Power4:25
9Step On
Assistent recording engineer:
Dave Burnham (UK recording engineer)
recording engineer:
Ray Blair
Produzent(in) und Mix:
Paul Oakenfold und Steve Osborne (producer)
Bassgitarre:
Paul Ryder
Gitarre:
Mark Day (from Happy Mondays)
Keyboard:
Paul Davis (UK keyboardist for Happy Mondays)
Schlagzeug:
Gary Whelan
Sologesang:
Shaun Ryder
Interpret(in):
Bez (UK percussionist Black Grape/Happy Mondays)
arranger:
Paul Oakenfold und Steve Osborne (producer)
cover recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
Happy Mondays3.555:18
10Scooby Snacks
Assistent recording engineer:
Edward Douglas (engineer) (von 1995-04-25 bis 1995-05-20) und Juan Garcia (assistant at Magic Shop) (von 1995-04-25 bis 1995-05-20)
recording engineer:
Tim Latham (von 1995-04-25 bis 1995-05-20)
Produzent(in):
Fun Lovin’ Criminals
assistierende(r) Mix:
Sean “Puffy” Coffey (US recording engineer) (von 1995-06-03 bis 1995-07-19)
Mix:
Tim Latham (von 1995-06-03 bis 1995-07-19)
Interpret(in):
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
aufgenommen bei:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, Vereinigte Staaten (von 1995-04-25 bis 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, Vereinigte Staaten (von 1995-06-03 bis 1995-07-19)
Samples:
Movement of Fear von Tones on Tail
recording of:
Scooby Snacks
zusätzlicher Texter:
Quentin Tarantino
Verfasser(in):
Stephen Borgovini, Brian Leiser und Huey Morgan (DJ for the BBC)
publisher:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:03
11Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.53:56
12On a Rope
Mix:
Andy Wallace (engineer)
recording of:
On a Rope
Verfasser(in):
Adam Willard (rock/punk drummer Adam Willard), Jason Crane, Paul O'Beirne, Petey Reichert, John Reis und Andy Stamets
publisher:
Mr. Buttermaker Painting und Wind Wing Music
Rocket From the Crypt4.352:53
13Swords of a Thousand Men
Produzent(in):
Bob Andrews (keyboardist and producer) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
Texter und Komponist(in):
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:53
14This Town Ain't Big Enough for Both of Us
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Mix:
Bill Price (UK producer/engineer)
Bass:
Martin Gordon
Gitarre:
Adrian Fisher
Keyboard [keyboards]:
Ron Mael
Schlagzeug:
Dinky Diamond
vocals:
Russell Mael
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
Musikvideos:
This Town Ain’t Big Enough for the Both of Us (silent film version) von Sparks (US rock and pop duo, The Mael Brothers) und This Town Ain’t Big Enough for the Both of Us (version 2) von Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
Texter und Komponist(in):
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:02
15Baggy Trousers
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
aufgenommen bei:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1981-12-19)
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:28
16Two Tribes
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 27)
recording of:
Two Tribes
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:24
17Supernova
vocals:
Kanye West (formerly Kanye West)
Gast-Interpret(in):
Kanye West (formerly Kanye West)
recording of:
Supernova
Verfasser(in):
Benjamin McIldowie und Kanye West (formerly Kanye West)
Mr Hudson feat. Kanye West2.753:14
18Step It Up
recording of:
Step It Up
Verfasser(in):
Rob Birch (Stereo MCs) und Nick Hallam
publisher:
EMI Virgin Songs, Inc. und Virgin Music Ltd.
Stereo MCs4:35
19Ebeneezer Goode
Produzent(in):
Shamen
remixer:
The Beatmasters (British producer trio)
recording of:
Ebeneezer Goode
Verfasser(in):
Colin Angus und Richard West (UK techno producer aka Mr. C)
publisher:
Warner Chappell Publishing Ltd. und Warner/Chappell Music Ltd. (1996–2019)
The Shamen3.23:52
20Pacific 707
Techniker(in):
Graham Massey
Produzent(in):
808 State
recording of:
Pacific 707
Komponist(in):
Graham Massey, Martin Price und Gerald Simpson
Arrangement von:
Pacific State
808 State4.63:53
3CD
Nr.TitelKünstlerBewertungLänge
1Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:39
2Woke Up This Morning
Produzent(in):
Al Stone (UK engineer) und Matthew Vaughan (UK producer)
recording of:
Woke Up This Morning
Verfasser(in):
Jake Black (member of Alabama 3), Chester Burnett, Simon Edwards (Sir Eddie Real), Piers Marsh und Robert Spragg
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Alabama 34:05
3Train to Skaville
recording of:
Train to Skaville
Texter und Komponist(in):
Clement “Coxsone” Dodd
The Ethiopians52:52
4You Don't Love Me (No, No No)
Produzent(in):
Steely & Clevie
recording of:
You Don’t Love Me (No, No, No)
Verfasser(in):
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Dawn Penn
Version von:
You Don’t Love Me
Dawn Penn23:16
5Shout
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984) und Chris Hughes (producer, aka “Merrick”) (in 1984)
Hintergrundgesang:
Sandy McLelland (in 1984)
Sologesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1984, in 1985) und Mercury Records Ltd. (not for release label use!) (in 1985, in 2014)
Musikvideos:
Shout von Tears for Fears
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4.46:32
6Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:48
7Cool for Cats
recording of:
Cool for Cats
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:08
8Teenage Kicks
Techniker(in):
Roger Bechirian
Produzent(in):
Roger Bechirian und The Undertones (Northern Irish punk rock band)
aufgenommen bei:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, Vereinigtes Königreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 59)
recording of:
Teenage Kicks
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:26
9I'm Waiting for the Man
recording engineer:
Omi Haden
Produzent(in):
Andy Warhol (American artist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 159)
recording of:
I’m Waiting for the Man
Texter und Komponist(in):
Lou Reed
publisher:
Screen Gems und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground3.654:39
10Keep on Running
Produzent(in):
Chris Blackwell (Island Records)
vocals und Interpret(in):
Steve Winwood
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1965)
cover recording of:
Keep On Running
Texter und Komponist(in):
Jackie Edwards
publisher:
Island Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group42:42
11The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:26
12Hair of the Dog
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton
Bassgitarre:
Pete Agnew
Gitarre und Synthesizer:
Manny Charlton
Schlagzeug:
Darrell Sweet
Hintergrundgesang:
Pete Agnew und Darrell Sweet
Sologesang:
Dan McCafferty
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Bearbeitung von:
Hair of the Dog von Nazareth
recording of:
Hair of the Dog
Verfasser(in):
Pete Agnew, Manny Charlton, Dan McCafferty und Darrell Sweet
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth53:21
13Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:43
14Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
15Whole Wide World
Bassgitarre und Gitarre:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Schlagzeug:
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
vocals:
Wreckless Eric
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Whole Wide World
Texter und Komponist(in):
Eric Goulden
publisher:
Imagem London Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
sub-publisher:
Concord Music Publishing Sàrl
Wreckless Eric4.653:00
16Substitute
Produzent(in):
Grahame Beggs
recording of:
Substitute (in 1978)
Texter und Komponist(in):
Willie Wilson
publisher:
Discoton (German club label)
Clout43:27
17Son of My Father
phonographisches Urheberrecht (℗) von:
Santa Ponsa Productions (in 1972)
recording of:
Son of My Father
Texter:
Michael Holm (German musician) (in 1971) und Pete Bellotte (English lyricist and producer) (in 1972)
Komponist(in):
Giorgio Moroder (in 1971)
publisher:
IQ Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Version von:
Nachts scheint die Sonne
Chicory Tip53:11
18I'm a Man
recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group2:51
19You Can Get It If You Really Want
recording of:
You Can Get It If You Really Want
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music Ltd. und Polygram Music
Desmond Dekker2:37
20(Is This the Way to) Amarillo?
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1972) und JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:11

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