NOW Yearbook Extra ’84

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1Digital Media
#TitleArtistRatingLength
1Radio Ga Ga
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (engineer) (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
synthesizer programming:
Fred Mandel (from 1983-08 until 1984-01)
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
bass guitar:
John Deacon (from 1983-08 until 1984-01)
drum machine, drums (drum set), vocoder and background vocals:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest sampler and guest synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
guitar:
Brian May (Queen guitarist) (from 1983-08 until 1984-01)
sampler:
Freddie Mercury (from 1983-08 until 1984-01) and Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
synthesizer arranger:
Fred Mandel
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
produced at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
recording of:
Radio Ga Ga (from 1983-08 until 1984-01)
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.855:43
2Sexcrime (Nineteen Eighty-Four)
additional engineer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
engineer:
Eric Thorngren
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Eric Thorngren
performer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) and Universal Music Careers
Eurythmics2.43:55
3Smooth Operator
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
lyricist and composer:
Sade Adu and Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:59
4No More Lonely Nights
assistant engineer:
Jon Jacobs (UK producer/engineer) and Jon Kelly (engineer at Air London Studios)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Herbie Flowers (from 1982-11-05 until 1984-07-26)
bass guitar:
Herbie Flowers
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1982-11-05 until 1984-07-26)
electric guitar:
David Gilmour (Pink Floyd) (from 1982-11-05 until 1984-07-26)
piano and lead vocals:
Paul McCartney (The Beatles) (from 1982-11-05 until 1984-07-26)
synthesizer:
Ann Dudley (English score composer) (from 1982-11-05 until 1984-07-26)
background vocals:
Linda McCartney (from 1982-11-05 until 1984-07-26), Paul McCartney (The Beatles) (from 1982-11-05 until 1984-07-26) and Eric Stewart (from 1982-11-05 until 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd.
recorded at:
Elstree Studios in Borehamwood, Hertfordshire, England, United Kingdom (from 1984-06 until 1984-07)
recording of:
No More Lonely Nights (from 1982-11-05 until 1984-07-26)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.354:44
5Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:00
6All Cried Out
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
edit of:
All Cried Out (album version) by Alison Moyet
recording of:
All Cried Out
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. and Sony/ATV Music Publishing Ltd.
Alison Moyet43:43
7I’ll Fly for You
recording of:
I’ll Fly for You
lyricist and composer:
Gary Kemp
Spandau Ballet5:35
8New Moon on Monday
Duran Duran4:19
9It’s a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:27
10I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw3.53:24
11You Take Me Up
Thompson Twins4:25
12Searchin’ (I Gotta Find a Man)
Hazell Dean3:45
13Girl You’re So Together
Michael Jackson3:12
14Thinking of You
recording of:
Thinking of You
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell North America
Sister Sledge4:27
15Stuck on You
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
lyricist and composer:
Lionel Richie
publisher:
Brockman Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
16Everything Must Change
recording of:
Everything Must Change
writer:
Ian Kewley and Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
ヤングポール5:32
17Shout to the Top
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.354:14
18A Rockin’ Good Way (to Mess Around and Fall in Love)
engineer:
Simon Hurrell and Neil King (sound engineer)
producer:
Christopher Neil
bass guitar:
Dick Bland (bass player from Cornwall, UK; member of The Onyx, Vineyard, Salamander)
drums (drum set):
Chris Wyles
guitar [lead guitar]:
Les Davidson and Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
guitar [rhythm guitar]:
Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
piano and synthesizer:
Gavin Povey
guest performer:
Shakin’ Stevens
performer:
Bonnie Tyler
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recorded at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
mixed at:
Audio International Studios in London (Greater London), England, United Kingdom and Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
cover recording of:
A Rockin’ Good Way
writer:
Brook Benton, Luchi de Jesus (American composer and producer) and Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Shakin’ Stevens2.52:51
19Hole in My Shoe
producer:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
background vocals:
Barbara Gaskin
lead vocals:
Neil (The Young Ones character)
cover recording of:
Hole in My Shoe
writer:
Dave Mason (co‐founder of Traffic)
Neil3:40
20Nellie the Elephant
The Toy Dolls3:28
2Digital Media
#TitleArtistRatingLength
1Love Kills
Freddie Mercury4:30
2Automatic
edit of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:46
3The Medicine Song
Stephanie Mills4:53
4Let It All Blow
Dazz Band5:52
5Like to Get to Know You Well
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
instruments:
Howard Jones (English singer, songwriter)
lead vocals:
Howard Jones (English singer, songwriter)
phonographic copyright (℗) by:
Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 1983)
recorded at and mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Like to Get to Know You Well
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:00
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:37
7(Feels Like) Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8Talking Loud and Clear
Orchestral Manoeuvres in the Dark4:22
9Life on Your Own
programming:
The Human League
engineer:
Renate Blauel, Gavin McKillop and Bill Price (UK producer/engineer)
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
percussion:
The Human League
background vocals:
Joanne Catherall and Susan Ann Sulley
lead vocals:
Philip Oakey
vocals:
The Human League
music videos:
Life on Your Own by The Human League
recording of:
Life on Your Own
lyricist and writer:
Philip Oakey and Philip Adrian Wright (Human League)
composer:
Jo Callis
The Human League54:05
10Dance Hall Days
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung4:01
11The Politics of Dancing
Re‐Flex3:57
12Speed Your Love to Me
producer:
Peter Walsh (UK producer)
remix of:
Speed Your Love to Me (1984 original stereo mix) by Simple Minds (Scottish rock band)
recording of:
Speed Your Love to Me
writer:
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) and Michael MacNeil
Simple Minds54:25
13Mothers Talk
recording of:
Mothers Talk
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
Tears for Fears5:06
14It’s My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:53
15The Ink in the Well
David Sylvian4:32
16Closest Thing to Heaven
The Kane Gang4:50
17My Ever Changing Moods
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
performer:
Mick Talbot (from 1983-10 until 1984-01) and Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
additionally recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recording of:
My Ever Changing Moods (from 1983-10 until 1984-01)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
The Style Council43:37
18Half a Minute
engineer and mixer:
Phil Harding (engineer, producer and remixer)
producer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
keyboard:
Danny White (keyboardist)
percussion:
Robin Jones (latin jazz percussionist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
writer:
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco3.253:47
19Joanna
recording of:
Joanna (Kool & the Gang)
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) and Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
publisher:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kool & the Gang4:16
20On the Wings of Love
phonographic copyright (℗) by:
A&M Records, Inc. (in 1982)
recording of:
On the Wings of Love (in 1982)
writer:
Peter Schless (keyboardist and composer) and Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Rondor Music (London) Ltd.
Jeffrey Osborne4:02
3Digital Media
#TitleArtistRatingLength
1Nobody Told Me
recording of:
Nobody Told Me
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music and Ono Music
John Lennon3:34
2Passengers
recording engineer:
Renate Blauel
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
guitar:
Davey Johnstone
keyboard and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1984)
produced for:
Frank N. Stein Productions Ltd.
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Passengers
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone and Phineas McHize
publisher:
Universal–Songs of PolyGram International, Inc., Big Pig Music Ltd. (publisher) (in 1984) and CBS Songs Ltd. (in 1984)
Elton John2.353:23
3Leave a Tender Moment Alone
recording of:
Leave a Tender Moment Alone
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
CBS Songs Ltd. and Joelsongs (in 1983)
Billy Joel3:57
4Thin Line Between Love and Hate
assistant engineer:
Jeremy Allom
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Andrew Bodner and Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
drums (drum set):
Martin Chambers (drummer for The Pretenders)
guitar:
Billy Bremner, Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano:
Paul Carrack
vocals:
Andrew Bodner, Billy Bremner, Paul Carrack, Martin Chambers (drummer for The Pretenders), Malcolm Foster (UK bass player, in The Pretenders, Simple Minds), Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
cover recording of:
Thin Line Between Love and Hate
writer:
Jackie Members, Richard Poindexter and Robert Poindexter
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Pretenders43:41
5Missing You
assistant engineer:
Ken Stiger (engineer)
engineer:
Gary Hellman
producer:
Gary Gersh, David Thoener and John Waite
mixer and editor:
John Luongo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite54:30
6Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
composer:
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top4.64:12
7Assassing
recording engineer, engineer and mixer:
Simon Hanhart (engineer, producer)
producer:
Nick Tauber
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1983-11 until 1984-02)
drums (drum set):
Ian Mosley (from 1983-11 until 1984-02)
guitar:
Steve Rothery (from 1983-11 until 1984-02)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1983-11 until 1984-02)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1983-11 until 1984-02)
recording of:
Assassing (from 1983-11 until 1984-02)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music (Publishing) Ltd and The Charisma Music Publishing Co Ltd
Marillion4.57:03
8Wonderland
Big Country3:57
9Skin Deep
recording of:
Skin Deep
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
EMI Songs Ltd. and Plugshaft Ltd.
The Stranglers3:54
10Perfect Skin
Lloyd Cole and the Commotions3:13
11Hand in Glove
Sandie Shaw3:00
12Swimming Horses
engineer:
Mike Hedges (UK producer/recording engineer)
producer:
Mike Hedges (UK producer/recording engineer) and Siouxsie and the Banshees
bass guitar:
Steven Severin
drums (drum set) and percussion:
Budgie (UK drummer Peter Clarke of The Banshees, The Creatures, etc.)
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Steven Severin and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Siouxsie Sioux (Susan Janet Ballion)
recording of:
Swimming Horses
lyricist:
Siouxsie Sioux (Susan Janet Ballion)
composer:
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin, Siouxsie Sioux (Susan Janet Ballion) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Siouxsie and the Banshees44:04
13Seven Seas
Echo & the Bunnymen3:19
14If It Happens Again
engineer:
Howard Gray (UK producer, engineer, and electronic musician)
producer:
Howard Gray (UK producer, engineer, and electronic musician) and UB40
bass guitar:
Earl Falconer
drums (drum set) and electronic drum set:
Jim Brown (UB40 drummer)
guitar:
Robin Campbell
keyboard:
Michael Virtue
trumpet:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist)
recording of:
If It Happens Again
lyricist and composer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Terrence Oswald Wilson (aka Astro of UB40), Brian Travers and Michael Virtue
UB403.353:43
15Too Late for Goodbyes
Julian Lennon3:35
16I’m Gonna Tear Your Playhouse Down
cover recording of:
I’m Gonna Tear Your Playhouse Down
lyricist and composer:
Earl Randle (US songwriter for Hi Records)
publisher:
Burlington Music Co., Ltd. and Irving Music, Inc.
Paul Young5:07
17Invisible
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
guitar:
Steve Jolley
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984, in 2009)
music videos:
Invisible by Alison Moyet
recording of:
Invisible
lyricist and composer:
Lamont Dozier
publisher:
All Boys Music Ltd., Beau‐Di‐O‐Do Music, Universal Music Publishers MGB Australia Pty Ltd, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Alison Moyet4:00
18Love All Day (And Night)
Nick Heyward3:57
19S.O.S.
ABC4:50
20The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:33

Credits

Release group

part of:Now Yearbook (UK Now subseries) (number: 1984) (order: 25)