Rock Essentials

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Deezer + Spotify)

(As of 2020-08-08).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-08-08 02:14 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:30
2Run to You
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-21)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-21)
drums (drum set) [drums]:
Mickey (from 1984-03-27 until 1984-09-21)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-21)
guitar [rhythm and lead guitars]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-21)
guitar [rhythm guitar] and lead vocals:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-21)
keyboard [keyboards]:
Tommy (from 1984-03-27 until 1984-09-21)
percussion:
Jim (from 1984-03-27 until 1984-09-21)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-21)
part of:
The Downloader’s Music Source Book (number: 175)
recording of:
Run to You (from 1984-03-27 until 1984-09-21)
written in:
Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
writer:
Bryan Adams (Canadian singer/songwriter) (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music and Calypso Toonz (in 1984)
Bryan Adams3.93:52
3Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
4Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:37
5Proud Mary
producer:
John Fogerty
bass guitar:
Stu Cook (in 1968)
drums (drum set):
Doug Clifford (in 1968)
guitar:
John Fogerty (in 1968) and Tom Fogerty (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 152) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 155)
recording of:
Proud Mary (in 1968)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.33:07
6Born to Be Wild (single version)
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:31
7The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
8Message in a Bottle (remastered 2003)
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) and A&M Records, Inc. (in 1997)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
recording of:
Message in a Bottle
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner and Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.94:50
9Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:53
10White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.554:59
11Jailbreak
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1976) and Mercury Records Ltd. (not for release label use!) (in 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 73)
recording of:
Jailbreak
lyricist and composer:
Phil Lynott
publisher:
Universal Music Publishing International Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Thin Lizzy4.554:01
12Refugee
assistant engineer:
Jon Mathias (engineer), Thom Panunzio, Gray Russell, Skip Saylor and Tori Swenson
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
12 string guitar and guitar and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
12 string guitar, guitar and harmonica and lead vocals:
Tom Petty
bass guitar:
Ron Blair
drums (drum set) and percussion:
Stan Lynch
harmonium, organ and piano:
Benmont Tench
background vocals:
Stan Lynch and Benmont Tench
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Sound City Studios in Van Nuys, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Refugee
writer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers4.53:22
13Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:42
14My Generation (2014 version)
The Who3:19
15Give a Little Bit
recording engineer:
Pete (J.B.) Henderson (English sound engineer)
assistant engineer:
Steve Smith (70s producer & engineer, mainly Island Records), Tom (G.B.) Likes and Tom (T.A.) Anderson (engineer)
producer:
Supertramp
mixer:
Geoff Emerick (British recording engineer)
lead vocals:
Roger Hodgson
remixer:
Tom (T.A.) Anderson (engineer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
recorded at:
The Caribou Ranch in Nederland, Colorado, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Give a Little Bit
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Rondor Music, Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) and Delicate Music (in 1977)
Supertramp44:08
16All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:32
17My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger (in The Knack)
lead vocals:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 201)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.154:51
18Layla (40th anniversary version / 2010 remastered)
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar:
Carl Radle (on 1970-09-09)
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1970-09-09)
electronic organ and piano:
Bobby Whitlock (on 1970-09-09)
guitar:
Duane Allman (on 1970-09-09) and Eric Clapton (on 1970-09-09)
lead vocals:
Eric Clapton (on 1970-09-09)
vocals:
Bobby Whitlock (on 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-09-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 27) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 224)
recording of:
Layla (on 1970-09-09)
writer:
Eric Clapton and Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.457:09
19White Wedding, Pt. 1
Billy Idol1:10
20We’re an American Band (remastered 2002)
assistant recording engineer:
Seth Snyder
engineer and producer:
Todd Rundgren
acoustic guitar, congas, electric piano and guitar:
Mark Farner
bass:
Mel Schacher
clavinet, Moog, organ and piano:
Craig Frost
drums (drum set) and percussion:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 99) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:26
21The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:27
22Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo43:36
23Love Like Blood
producer:
Chris Kimsey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.654:22
24Losing My Religion
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar and mandolin:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991) and R.E.M./Athens, Ltd. (in 1991)
music videos:
Losing My Religion (music video) by R.E.M. (American rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 112), Indie 88: Top 500 Indie Rock Songs (number: 115), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 169) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 349)
recording of:
Losing My Religion
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.34:28
25Crazy
programming:
John Webster (Canadian keyboardist)
assistant engineer:
Mike Plotnikoff
engineer:
Ken Lomas
producer:
Bruce Fairbairn
mixer:
Brendan O’Brien (engineer)
additional percussion, harmonica, mandolin and lead vocals:
Steven Tyler
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar [electric bass]:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford (Aerosmith)
instruments:
The Margarita Horns
keyboard [keyboards]:
Desmond Child, Steven Tyler and John Webster (Canadian keyboardist)
saxophone:
Tom Keenlyside
trombone:
Bob Rogers (Trombonist)
trumpet:
Paul Baron (trumpet player) and Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Geffen Records (in 1993) and Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
part of:
The Downloader’s Music Source Book (number: 221)
recording of:
Crazy
writer:
Desmond Child, Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) and Swag Song Music, Inc. (in 1992)
Aerosmith3.95:17
26Black Hole Sun
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
edit of:
Black Hole Sun (album version) by Soundgarden
recording of:
Black Hole Sun
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden44:31