| # | Title | Artist | Rating | Length |
|---|
| A1 | Hold On, I’m Comin’- engineer:
- Don Cartee
- producer:
- Rick Hall and Chips Moman
- phonographic copyright (℗) by:
- RCA Records (in 1983)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States
- cover recording of:
- Hold On, I’m Comin’
- writer:
- Isaac Hayes and David Porter
- publisher:
- Cotillion Music Inc. , East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
- sub-publisher:
- ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Waylon with Jerry Reed | | 2:33 |
| A2 | Leave Them Boys Alone | Waylon with Hank Williams, Jr. and Ernest Tubb | 2.5 | 3:32 |
| A3 | Spanish Johnny | Waylon with Emmylou Harris | | 3:50 |
| A4 | Just to Satisfy You- engineer:
- Don Cartee and Chips Moman
- producer:
- Chips Moman
- bass:
- Mike Leech (from 1981-09-21 until 1981-11-16)
- drums (drum set):
- Gene Chrisman (from 1981-09-21 until 1981-11-16)
- guitar:
- Johnny Christopher (from 1981-09-21 until 1981-11-16), Waylon Jennings (from 1981-09-21 until 1981-11-16) and Reggie Young (from 1981-09-21 until 1981-11-16)
- keyboard:
- Bobby Emmons (from 1981-09-21 until 1981-11-16)
- piano:
- Bobby Wood (from 1981-09-21 until 1981-11-16)
- lead vocals:
- Waylon Jennings (from 1981-09-21 until 1981-11-16) and Willie Nelson (from 1981-09-21 until 1981-11-16)
- phonographic copyright (℗) by:
- BMG Music (in 1982), RCA Corporation (in 1982) and RCA Records (in 1982)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States and Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-09-21, on 1981-11-16)
- cover recording of:
- Just to Satisfy You (from 1981-09-21 until 1981-11-16)
- writer:
- Don Bowman and Waylon Jennings
- publisher:
- Acuff-Rose , Acuff-Rose Music Limited , Irving Music , Irving Music, Inc. and Parody Publishing
- recording of:
- Just to Satisfy You
- writer:
- Don Bowman and Waylon Jennings
- publisher:
- Acuff-Rose , Acuff-Rose Music Limited , Irving Music , Irving Music, Inc. and Parody Publishing
| Waylon with Willie Nelson | 4 | 2:50 |
| A5 | So You Want to Be a Cowboy Singer | Waylon with Tony Joe White | | 2:58 |
| B1 | I May Be Used (But Baby I Ain’t Used Up) | Waylon | | 2:57 |
| B2 | Sight for Sore Eyes | Waylon with Jessi Colter | | 3:46 |
| B3 | I’ll Find It Where I Can | Waylon with James Garner | | 2:55 |
| B4 | The Conversation- recorded in:
- Muscle Shoals, Alabama, United States (in 1979)
- engineer:
- Don Cartee
- producer:
- Jimmy Bowen
- bass:
- Joe Osborne (in 1979)
- drums (drum set) and percussion:
- Larry Londin (in 1979)
- guitar:
- James Burton (in 1979), Waylon Jennings (in 1979), Rock Killough (in 1979) and Reggie Young (in 1979)
- harmonica:
- Rock Killough (in 1979)
- keyboard:
- David Briggs (in 1979) and Larry Knechtel (in 1979)
- mandolin:
- Kieran Kane (in 1979)
- lead vocals:
- Waylon Jennings (in 1979) and Hank Williams, Jr. (in 1979)
- performer:
- Waylon Jennings
- phonographic copyright (℗) by:
- BMG Music (in 1983) and RCA Records (in 1983)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States
- recording of:
- The Conversation (in 1979)
- writer:
- Richie Albright, Waylon Jennings and Hank Williams, Jr.
- publisher:
- Bocephus Music, Inc. and Richway Music, Inc.
| Waylon with Hank Williams, Jr. | 3.5 | 3:48 |
| B5 | Mason Dixon Lines | Waylon with Mel Tillis | | 2:45 |
Play on ListenBrainz