The Complete Works, 1953–1955

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

100 page book containing 2 CD's

Tracks info
1 & 2 , 1953 Personal recordings.
3 & 4 , 1954 Personal recordings.
25 & 26 January 6th 1955 Radio station KDVA Lubbock, TX.
27 January 19th 1955 Radio station WJOI Florence, Al.

Annotazione modificata l'ultima volta il 2023-07-28 18:01 UTC.

Elenco tracce

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1CD
#TitoloValutazioneDurata
1My Happiness (acetate)
registrazione cover di:
My Happiness
paroliere:
Borney Bergantine (nel 1933) e Betty Peterson (nel 1948)
compositore:
Borney Bergantine (nel 1933)
editore:
Chappell Music (UK) e Happiness Music Corp.
2:31
2That’s When Your Heartaches Begin (acetate)2:48
3I’ll Never Stand in Your Way (acetate)
registrazione cover di:
I’ll Never Stand in Your Way
autore:
Hy Heath e Fred Rose (songwriter)
editore:
Milene Music. Inc (ASCAP)
2:03
4It Wouldn’t Be the Same Without You (acetate)
registrazione cover di:
It Wouldn’t Be the Same Without You
autore:
Fred Rose (songwriter) e Jimmy Wakely (Country and western singer and songwriter)
editore:
Milene Music. Inc (ASCAP)
2:05
5Harbor Lights (take 3M)
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
registrazione di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
2:38
6I Love You Because
registrazione cover di:
I Love You Because
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
2:41
7That’s All Right (Sun 45rpm master)1:59
8Blue Moon of Kentucky
registrazione cover di:
Blue Moon of Kentucky
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:05
9Blue Moon (take 9 master)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
2:42
10Tomorrow Night
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-09-12 al 1954-09-16)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Tomorrow Night (dal 1954-09-12 al 1954-09-16)
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
43:01
11I’ll Never Let You Go
registrazione cover di:
I’ll Never Let You Go Little Darlin’
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2:25
12I Don’t Care If the Sun Don’t Shine (take 2fs, take 3M)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:50
13Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
2:33
14Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:13
15Milkcow Blues Boogie
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
32:38
16You’re a Heartbreaker
registrazione cover di:
You’re a Heartbreaker
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:11
17I’m Left You’re Right She’s Gone (take 5M Slow version)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:41
18Baby Let’s Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
registrazione di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
3.82:17
19I’m Left You’re Right She’s Gone
registrazione di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:38
20I Forgot to Remember to Forget
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti
registrazione cover di:
I Forgot to Remember to Forget (il 1955-07-11)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
registrazione di:
I Forgot to Remember to Forget
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:28
21Mystery Train2:29
22Trying to Get to You
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrazione cover di:
Trying to Get to You (dal 1954-07 al 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
42:33
23When It Rains It Really Pours
registrazione cover di:
When It Rains It Pours (nel 1955-11)
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
32:02
24Bonus Tracks: Shake Rattle and Roll (acetate)
2:24
25Bonus Tracks: Fool, Fool, Fool (acetate)
1:57
26Bonus Tracks: Shake Rattle and Roll (acetate)
2:21
27Bonus Tracks: Mystery Train (HMV 78RPM)
2:29
2CD: Outtakes & Sessions
#TitoloValutazioneDurata
1Harbor Lights (takes 1fs, 2fs, 4)
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
registrazione di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
3:16
2Harbor Lights (takes 5fs, 6fs, 7, 8 end)
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
registrazione di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
4:01
3I Love You Because (takes 1fs, 2)
registrazione cover di:
I Love You Because
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
3:54
4I Love You Because (take 3)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I Love You Because (dal 1954-07 al 1955-07)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
33:33
5I Love You Because (takes 4fs, 5)
registrazione cover di:
I Love You Because
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
4:05
6That’s All Right (takes 1, 3)2:15
7Blue Moon of Kentucky (outtake part, slow tempo version)
registrazione cover di:
Blue Moon of Kentucky
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
1:07
8Blue Moon (takes 1fs, 2fs, 3fs, 4)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3:34
9Blue Moon (take 5)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3:22
10Blue Moon (takes 6fs, 7fs, 8)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3:58
11I’ll Never Let You Go (alternate incomplete take)
registrazione cover di:
I’ll Never Let You Go Little Darlin’
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
0:48
12I Don’t Care If the Sun Don’t Shine (Mack David)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
0:44
13I’m Left You’re Right She’s Gone (take 1)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:54
14I’m Left You’re Right She’s Gone (take 2)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:48
15I’m Left You’re Right She’s Gone (takes 3, 4fs)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
3:04
16I’m Left You’re Right She’s Gone (takes 6, 7 end)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
4:13
17When It Rains It Really Pours (takes 1end, 2reh)
registrazione cover di:
When It Rains It Pours
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
3:37
18When It Rains It Really Pours (takes 3fs, 4fs)
registrazione cover di:
When It Rains It Pours
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
2:44
19When It Rains It Really Pours (takes 6fs, 7fs, 8lfs)
registrazione cover di:
When It Rains It Pours
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
2:54
20How Do You Think I Feel (guitar tape slapback rehearsals)
registrazione cover di:
How Do You Think I Feel
compositore:
Webb Pierce e Wiley Walker
4:23

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