Basic Instinct 2

~ Release by John Murphy (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Theme From Basic Instinct
0:58
2120 MPH Sex (Main Title - Basic Instinct 2)
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
120 MPH Sex (Main Title - Basic Instinct 2)
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
2:18
3Not Yet / Courtroom
2:08
4Bodies Still Warm
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Bodies Still Warm
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:42
5Sex With Michelle
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Sex With Michelle
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:41
6Adam Towers Is Dead
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Adam Towers Is Dead
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:28
7Questions About Catherine
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Questions About Catherine
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
0:57
8Catherine Is Waiting
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Catherine Is Waiting
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:02
9Legs Wide Open on a Chair
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Legs Wide Open on a Chair
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:51
10I Smell Blood
1:21
11Soho
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Soho
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:25
12If She Calls Again
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
If She Calls Again
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:09
13Michael Argues With Michelle
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Michael Argues With Michelle
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
0:55
14Olympic Toilets / Saving Denise
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Olympic Toilets / Saving Denise
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
3:02
15Catherine at Police Station
2:53
16Sex With Catherine
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Sex With Catherine
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:31
17Library
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Library
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:22
18No Apologies
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
No Apologies
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
0:57
19In the Car With Washburn
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
In the Car With Washburn
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
2:06
20The Long Night of the Soul
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Long Night of the Soul
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:31
21Jacuzzi
2:55
22Reading "The Analyst"
1:31
23Racing to Miena's
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Racing to Miena's
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:49
24Michael at Miena's
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Michael at Miena's
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
4:32
25Washburn Dies
1:49
26Broadmoor
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Broadmoor
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:35
27She Tells the Plot
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
She Tells the Plot
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:26
28She Kisses Him Goodbye
1:22
29Basic Instinct 2 - End Credits
3:35
30Yuppie Chill
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Yuppie Chill
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
2:02
31Atlantic Bar
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Atlantic Bar
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:40
32Orgy
recording engineer and mixer:
Nick Wollage
producer:
John Murphy (English score composer) and Ford A. Thaxton
editor:
Mike Higham (British score composer) and James Nelson (film score editor/mastering engineer/producer)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Film GmbH & Co. and IMF Internationale Medien
recorded at and mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Orgy
orchestrator:
Stephen Coleman and Matt Dunkley
composer:
John Murphy (English score composer)
1:15
33Mozart Violin Concerto in a Major "Minuetto"
4:05