Jazz Moods

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Take Five
Dave Brubeck4:50
2Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2.52:44
3The Lady Is a Tramp
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1960)
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Buddy Greco3:10
4Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
Stan Getz feat. Astrud Gilberto3:39
5Miles
recording of:
Miles
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter), Lowell “Sly” Dunbar, Bill Laswell (US bass guitarist and record producer) and Robert “Robbie” Shakespeare
publisher:
Jazz Horn Music, More Cut Music, Songs of PolyGram International, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis4:40
6Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:18
74 on 6
Lee Ritenour5:59
8Moon Ray
Claire Martin5:25
9I Wish I Knew How It Would Feel to Be Free
Billy Taylor3:40
10Call Me IrresponsibleDinah Washington2:16
11The Shadow of Your Smile
Earl Klugh5:08
12It's Alright With Me
recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Dinah Shore2:40
13Moanin'
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-10-30)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Moanin’ (on 1958-10-30)
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers49:32
14On the Sunny Side of the StreetTony Bennett2:22
15Morning Dance
recording of:
Morning Dance
composer:
Jay Beckenstein
Spyro Gyra3:57
16Summertime
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Benson6:03
17Love for Sale
recorded in:
New York, New York, United States (on 1965-02-10)
producer:
Clyde Otis (American songwriter and record producer)
mixer:
Leo Sacks and Mark Wilder (US recording/mastering engineer)
bass:
James Richardson (on 1965-02-10)
drums (drum set):
Hindal Butts (on 1965-02-10)
guitar:
Kenny Burrell (on 1965-02-10)
vocals:
Aretha Franklin (on 1965-02-10)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Love for Sale (on 1965-02-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Aretha Franklin32:31
18Cantaloop (instrumental)
Us3 feat. Rashaan4:13
2CD
#TitleArtistRatingLength
1Angola
Bheki Mseleku7:21
2Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
3Watermelon Man
Mongo Santamaría2:27
4Georgia on My Mind
Carol Kidd4:47
5Let's Get Lost
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recording of:
Let’s Get Lost (on 1955-03-07)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:43
6Ability to Swing
cover recording of:
Ability to Swing
writer:
Thomas Dolby and Matthew Seligman
Patti Austin4:50
7The Theme From the Black Orpheus
guitar:
Jim Hall (US jazz guitarist, composer & arranger)
Paul Desmond & Jim Hall4:10
8Close Your Eyes
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1961)
drums (drum set):
Frank Capp (in 1961)
piano:
André Previn (pianist, conductor, composer, arranger) (in 1961)
vocals:
Doris Day (in 1961)
recording of:
Close Your Eyes (in 1961)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
Doris Day & André Previn3:10
9Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:37
10I'm Beginning to See the Light
cover recording of:
I’m Beginning to See the Light (in 1962)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Bobby Darin2:18
11New York State of Mind
recording engineer and mixer:
Larry Rosen
assistant engineer:
Reed Ruddy (engineer)
producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
drums (drum set):
Moyes Lucas
electric bass guitar:
Dan Dean (bass)
electric guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer)
percussion:
Dave Grusin (American pianist and score composer)
synthesizer:
Dave Grusin (American pianist and score composer) and Don Grusin
vocals:
Diane Schuur
conductor:
Dave Grusin (American pianist and score composer)
arranger:
Dave Grusin (American pianist and score composer)
Diane Schuur5:21
12Walkin' Shoes
performer:
Gerry Mulligan
recording of:
Walkin’ Shoes
composer:
Gerry Mulligan
The Gerry Mulligan Chet Baker Quartet2.453:12
13Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:14
14Johnny & Mary
engineer:
Calum Malcolm
guitar:
Martin Taylor (jazz guitarist)
Martin Taylor5:04
15It Don't Mean a Thing
Rosemary Clooney2:51
16East of the Sun (And West of the Moon)
Al Cohn & Zoot Sims4:21
17That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:53
18Take the 'a' Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
recording of:
Take the “A” Train (original instrumental version)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington4:19