The Complete Madrigals

~ Release by Carlo Gesualdo (see all versions of this release, 1 available)

Annotation

The 7-CD set collection the six books of Madrigals by Carlo Gesualdo.

Annotation last modified on 2020-05-12 22:30 UTC.

Tracklist

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1CD: The First Book of Madrigals, 1594
#TitleRatingLength
1The First Book of Madrigals, 1594: “Baci soavi e cari” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Baci Soavi E Cari (Prima Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:34
2The First Book of Madrigals, 1594: “Quanto ha di dolce amore” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Quanto Ha Di Dolce Amore (Seconda Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:20
3The First Book of Madrigals, 1594: “Madonna, io ben vorrei”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27) and Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Madonna, Io Ben Vorrei” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:36
4The First Book of Madrigals, 1594: “Come esser può ch'io viva?”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Come Esser Puo Ch'Io Viva” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:41
5The First Book of Madrigals, 1594: “Gelo ha madonna il seno”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27) and Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Gelo Ha Madonna Il Seno” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:39
6The First Book of Madrigals, 1594: “Mentre madonna” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27) and Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Mentre Madonna Il Lasso Fianco Posa (Prima Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:34
7The First Book of Madrigals, 1594: “Ahi, troppo saggia” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27) and Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Ahi, Troppo Saggia Nell'Erar (Seconda Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:00
8The First Book of Madrigals, 1594: “Se da sì nobil mano”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Se Da Si Nobil Mano” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:25
9The First Book of Madrigals, 1594: “Amor, pace non chero”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-23 until 2007-07-27)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Amor, Pace Non Chero” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:03
10The First Book of Madrigals, 1594: “Sì gioioso mi fanno i dolor miei”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Si Goioso Mi Fanno I Dolor Miei” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:32
11The First Book of Madrigals, 1594: “O dolce mio martire”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “O Dolce Mio Martire” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:39
12The First Book of Madrigals, 1594: “Tirsi morir volea” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Tirsi morir volea (from 2007-07-23 until 2007-07-27)
composer:
Giaches de Wert (Franco-Flemish 16th century composer)
part of:
Il settimo libro de madrigali (Seventh book of madrigals of Giaches De Wert for mostly five voices, pub. 1577) (number: 12)
3:16
13The First Book of Madrigals, 1594: “Frenò Tirsi il desio” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Freno Tirsi Il Desio (Seconda Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:52
14The First Book of Madrigals, 1594: “Mentre, mia stella, miri”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Mentre, Mia Stella, Miri” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:55
15The First Book of Madrigals, 1594: “Non mirar, non mirare”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Non Mirar, Non Mirare” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:08
16The First Book of Madrigals, 1594: “Questi leggiadri odorosetti fiori”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27) and Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Questi Leggiadri Odorsetti Fiori” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
3:37
17The First Book of Madrigals, 1594: “Felice primavera!” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-23 until 2007-07-27)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Felice Primavera (Prima Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:05
18The First Book of Madrigals, 1594: “Danzan le ninfe” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-23 until 2007-07-27)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Danzan Le Ninfe Oneste (Seconda Parte)” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
1:38
19The First Book of Madrigals, 1594: “Son sì belle le rose”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Son Si Belle Le Rose” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:31
20The First Book of Madrigals, 1594: “Bella angioletta”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-23 until 2007-07-27)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-23 until 2007-07-27)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-23 until 2007-07-27) and Paolo Costa (countertenor) (from 2007-07-23 until 2007-07-27)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-23 until 2007-07-27)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-23 until 2007-07-27)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-23 until 2007-07-27)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-23 until 2007-07-27)
recording of:
Madrigals, Book 1: “Bella Angioletta” (from 2007-07-23 until 2007-07-27)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 1
2:09
2CD: The Second Book of Madrigals, 1594
#TitleRatingLength
1The Second Book of Madrigals, 1594: “Caro amoroso neo” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Caro amoroso neo - Ma se tale ha costei” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:09
2The Second Book of Madrigals, 1594: “Ma se tale ha costei” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Caro amoroso neo - Ma se tale ha costei” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:04
3The Second Book of Madrigals, 1594: “Hai rotto e sciolto”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Hai rotto e sciolto e spento” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
3:17
4The Second Book of Madrigals, 1594: “Se per lieve ferita” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se per lieve ferita - Che sentir deve il petto” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:04
5The Second Book of Madrigals, 1594: “Che sentir deve il petto” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se per lieve ferita - Che sentir deve il petto” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:50
6The Second Book of Madrigals, 1594: “In più leggiadro velo”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “In più leggiadro velo” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:05
7The Second Book of Madrigals, 1594: “Se cosi dolce è il duolo” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se così dolce è il duolo - Ma se avverrà ch'io moia” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:21
8The Second Book of Madrigals, 1594: “Ma se avverrà ch'io moia” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se così dolce è il duolo - Ma se avverrà ch'io moia” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:43
9The Second Book of Madrigals, 1594: “Se taccio, il duol s'avanza”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Se taccio, il duol s'avanza” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:31
10The Second Book of Madrigals, 1594: “O come è gran martire” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “O come è gran martire - O mio soave ardore” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:58
11The Second Book of Madrigals, 1594: “O mio soave ardore” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “O come è gran martire - O mio soave ardore” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:27
12The Second Book of Madrigals, 1594: “Sento che nel partire”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Sento che nel partire” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
4:13
13The Second Book of Madrigals, 1594: “Non è questa la mano” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Non è questa la mano - Nè tien face o saetta” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:24
14The Second Book of Madrigals, 1594: “Nè tien face o saetta” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Non è questa la mano - Nè tien face o saetta” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:49
15The Second Book of Madrigals, 1594: “Candida man qual neve”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Candida man qual neve” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
3:35
16The Second Book of Madrigals, 1594: “Dalle odorate spoglie” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Dalle odorate spoglie - E quell'arpa felice” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:16
17The Second Book of Madrigals, 1594: “E quell'arpa felice” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Dalle odorate spoglie - E quell'arpa felice” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:47
18The Second Book of Madrigals, 1594: “Non mai cangerò stato”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Non mai non cangerò stato” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:54
19The Second Book of Madrigals, 1594: “All'apparir di quelle luci”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “All'apparir di quelle luci ardenti” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:40
20The Second Book of Madrigals, 1594: “Non mi toglia il ben mio”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Non mi toglia il ben mio” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:07
21The Second Book of Madrigals, 1594: Canzon francese del Principe
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
clavichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Canzon francese del Principe, W. 10 No. 16 (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer) (in 1586)
6:25
22The Second Book of Madrigals, 1594: Gagliarda del Principe di Venosa
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass viol:
Teodoro Baù (violist) (from 2007-07-27 until 2007-10-25) and Luciana Elizondo (violist) (from 2007-07-27 until 2007-10-25)
tenor viol:
Leonardo Bortolotto (from 2007-07-27 until 2007-10-25)
treble viol:
Claudia Pasetto (violist) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Gagliarda del Principe di Venosa, W. 10 No. 22 (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer) (in 1586)
3:32
3CD: The Third Book of Madrigals, 1595
#TitleRatingLength
1The Third Book of Madrigals, 1595: “Voi volete ch'io mora” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Voi volete ch'io mora (part 1)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
1:32
2The Third Book of Madrigals, 1595: “Moro o non moro” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Moro o non moro (part 2)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:06
3The Third Book of Madrigals, 1595: “Ahi, disperata vita”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Ahi, disperata vita” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:14
4The Third Book of Madrigals, 1595: “Languisco e moro”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Languisco e moro” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
4:56
5The Third Book of Madrigals, 1595: “Del bel de' bei vostri occhi”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Del bel de'bei vostri occhi” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:35
6The Third Book of Madrigals, 1595: “Ahi, dispietata e cruda”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Ahi, dispietata e cruda” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:34
7The Third Book of Madrigals, 1595: “Dolce spirto d'amore”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Dolce spirto d'Amore” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:34
8The Third Book of Madrigals, 1595: “Sospirava il mio core” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Sospirava il mio core (part 1)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:45
9The Third Book of Madrigals, 1595: “O mal nati messaggi” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “O mal nati messaggi (part 2)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:18
10The Third Book of Madrigals, 1595: “Veggio, sì, dal mio sole”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Veggio, sì, dal mio sole” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:38
11The Third Book of Madrigals, 1595: “Non t'amo, o voce ingrata”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Non t'amo, o voce ingrata” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:50
12The Third Book of Madrigals, 1595: “Meraviglia d'amore” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Meraviglia d'Amore (part 1)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
1:16
13The Third Book of Madrigals, 1595: “Ed ardo e vivo” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Ed ardo e vivo (part 2)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:01
14The Third Book of Madrigals, 1595: “Crudelissima doglia”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Crudelissima doglia” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:34
15The Third Book of Madrigals, 1595: “Se piange, chimè, la donna del mio core”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Se piange, ohimè” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:55
16The Third Book of Madrigals, 1595: “Ancidetemi pur, grievi martiri”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Ancidetemi pur, grievi martiri” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:54
17The Third Book of Madrigals, 1595: “Se vi miro pietosa”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Se vi miro pietosa” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:40
18The Third Book of Madrigals, 1595: “Deh, se già fu crudele”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Deh, se già fu crudele” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
2:40
19The Third Book of Madrigals, 1595: “Dolcissimo sospiro”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01) and Raffaele Giordani (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Dolcissimo sospiro” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:53
20The Third Book of Madrigals, 1595: “Donna se m'ancidete” (a sei voci)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01), Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01) and Jacopo Facchini (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Donna, se m'ancidete (a sei voci)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
3:00
21The Third Book of Madrigals, 1595: “Come vivi cor mio” (canzonetta)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01), Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01) and Jacopo Facchini (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “Come vivi cor mio (canzonetta)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
4:37
22The Third Book of Madrigals, 1595: “All'ombra degli allori” (canzonetta)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2008-07-27 until 2008-08-01)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2008-07-27 until 2008-08-01)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2008-07-27 until 2008-08-01)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2008-07-27 until 2008-08-01) and Paolo Costa (countertenor) (from 2008-07-27 until 2008-08-01)
tenor vocals:
Fabio Fùrnari (tenor) (from 2008-07-27 until 2008-08-01)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2008-07-27 until 2008-08-01)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2008-07-27 until 2008-08-01)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2008-07-27 until 2008-08-01)
recording of:
Madrigals, Book 3: “All'ombra degli allori (canzonetta)” (from 2008-07-27 until 2008-08-01)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
4:03
4CD: The Fourth Book of Madrigals, 1596
#TitleArtistRatingLength
1The Fourth Book of Madrigals, 1596: “Luci serene e chiare”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Luci serene e chiare”, W. 4 No. 13
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo5:00
2The Fourth Book of Madrigals, 1596: “Tal'hor sano desio”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Tal'hor sano desio”, W. 4 No. 18
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo3:52
3The Fourth Book of Madrigals, 1596: “Io tacerò, ma nel silenzio mio” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Io tacerò”, W. 4 No. 21
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo3:58
4The Fourth Book of Madrigals, 1596: “Invan, dunque, o crudele” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo3:45
5The Fourth Book of Madrigals, 1596: “Che fai meco, mio cor”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Che fai meco, mio cor”, W. 4 No. 27
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo2:40
6The Fourth Book of Madrigals, 1596: “Questa crudele e pia”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Questa crudele e pia”, W. 4 No. 30
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo4:44
7The Fourth Book of Madrigals, 1596: “Hor che in gioia” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Or che in gioia”, W. 4 No. 33
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo1:15
8The Fourth Book of Madrigals, 1596: “O sempre crudo amore” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo3:41
9The Fourth Book of Madrigals, 1596: “Cor mio, deh, non piangete” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Cor mio deh non piangete”, W. 4 No. 37
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo2:07
10The Fourth Book of Madrigals, 1596: “Dunque non m'offendete” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo2:40
11The Fourth Book of Madrigals, 1596: (Luzzasco Luzzaschi: Toccata del IV tono)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Luzzasco Luzzaschi2:44
12The Fourth Book of Madrigals, 1596: “Sparge la morte al mio Signor”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Sparge la morte”, W. 4 No. 42
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo7:32
13The Fourth Book of Madrigals, 1596: “Moro, e mentre sospiro” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Moro, e mentre sospiro”, W. 4 No. 46
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo2:03
14The Fourth Book of Madrigals, 1596: “Quando di lui la sospirata vita” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo1:59
15The Fourth Book of Madrigals, 1596: “Mentre gira costei”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Mentre gira costei”, W. 4 No. 51
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo2:35
16The Fourth Book of Madrigals, 1596: “A voi, mentre il mio core”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “A voi, mentre il mio core”, W. 4 No. 55
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo3:03
17The Fourth Book of Madrigals, 1596: “Ecco, morirò dunque” (part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo2:01
18The Fourth Book of Madrigals, 1596: “Ahi, già mi discoloro” (part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo3:11
19The Fourth Book of Madrigals, 1596: “Arde il mio cor”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Arde il mio cor”, W. 4 No. 62
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo3:52
20The Fourth Book of Madrigals, 1596: “Se chiudete nel core”
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Se chiudete nel core”, W. 4 No. 65
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo2:22
21The Fourth Book of Madrigals, 1596: “Il sol qual or più splende” (a sei voci - part 1)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
recording of:
Madrigals, Book 4: “Il sol qual or più splende”, W. 4 No. 69
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo1:21
22The Fourth Book of Madrigals, 1596: “Volgi mia luce” (a sei voci - part 2)
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord and organ:
Carmen Leoni (from 2009-07-20 until 2009-07-24)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2009-07-20 until 2009-07-24)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2009-07-20 until 2009-07-24)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2009-07-20 until 2009-07-24) and Paolo Costa (countertenor) (from 2009-07-20 until 2009-07-24)
tenor vocals:
Fabio Fùrnari (tenor) (from 2009-07-20 until 2009-07-24) and Raffaele Giordani (tenor) (from 2009-07-20 until 2009-07-24)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2009-07-20 until 2009-07-24)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2009-07-20 until 2009-07-24)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2009-07-20 until 2009-07-24)
Carlo Gesualdo2:33
5CD: The Fifth Book of Madrigals, 1611
6CD: The Fifth Book of Madrigals, 1611 / The Sixth Book of Madrigals, 1611
7CD: The Sixth Book of Madrigals, 1611