101 Relaxing Classics

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Adagio for Strings, op. 11/2 (arr. Runswick)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber5:34
2Ave verum corpus, K. 618
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:37
3Ave Maria, CG 89a (from Bach Prelude in C, BWV 846)
harp:
Helen Tunstall
choir vocals:
Choir of New College Oxford
tenor vocals:
Benjamin Hulett (tenor)
conductor:
Edward Higginbottom (keyboardist, organist)
arranger:
Edward Higginbottom (keyboardist, organist)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles Gounod2:51
4Pavane, op. 50
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1987-10)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:39
5Panis Angelicus, op. 12, FWV 61
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
The Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (from 1996-07-01 until 1996-07-05)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:53
6Suite no. 3 in D, BWV 1068 (arr. Runswick): Air on the G String
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach3:19
7Eight Part-songs, op. 119: The Bluebird
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:22
8Concierto de Aranjuez: 2. Adagio (arr. Runswick)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Concierto de Aranjuez: II. Adagio (catch-all for arrangements)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
arrangement of:
Concierto de Aranjuez: II. Adagio
Joaquín Rodrigo6:00
9Cavalleria rusticana: Easter Hymn
choir vocals:
London Opera Chorus
soprano vocals:
Júlia Várady (soprano) (in 1976)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Gianandrea Gavazzeni (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) (in 1976)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni5:27
10Pavane pour une infante défunte, M. 19 (arr. Runswick)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Pavane pour une infante défunte (catch-all for arrangements)
composer:
Maurice Ravel (French composer) (in 1899)
arrangement of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel5:19
11O salutaris hostia
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Petite Messe solennelle: VI. O salutaris hostia (S - soprano solo)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Gioachino Rossini3:55
12Simple Gifts
organ:
Robert M. Cundick (American organist and composer)
choir vocals:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
chorus master:
Jerold Ottley (conductor)
arranger:
Lawrence Lyon
recording of:
Simple Gifts
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist and composer:
Joseph Brackett (in 1848)
arranger:
Mark Hayes (American composer and arranger, predominantly of Christian choral music)
Joseph Brackett3:09
13Song for Athene
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1997-09-29)
conductor:
Stephen Cleobury (organist, conductor) (on 1997-09-29)
chorus master:
Stephen Cleobury (organist, conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1997-09-29)
recording of:
Song for Athene (on 1997-09-29)
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener5:57
14Madama Butterfly: Act 2: Humming Chorus
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:58
15Miserere
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
spoken vocals [cantor]:
Edward Gardner (conductor) (from 1996-07-01 until 1996-07-05)
treble vocals:
Alastair Hussain (Chorister) (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
chorus master:
Edward Gardner (conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Miserere mei, Deus (from 1996-07-01 until 1996-07-05)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:04
2▼Digital Media
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man's Desiring
producer:
Harley Usill
organ:
Peter White (English organist) (in 1958-10)
choir vocals:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
chorus master:
George Guest (organist and conductor)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:27
2Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)
instruments:
Capricorn (UK classical ensemble)
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Crux fidelis
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Edward Higginbottom (keyboardist, organist)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:29
3What Sweeter Music
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
What Sweeter Music
lyricist:
Robert Herrick (English poet)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1988)
publisher:
Oxford University Press
John Rutter4:05
4String Quintet in C major, D. 956: 2. Adagio (arr. Runswick)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quintet in C major, D. 956: II. Adagio (catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1828)
arrangement of:
String Quintet in C major, D. 956: II. Adagio
Franz Schubert6:50
5Shenandoah
choir vocals:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
conductor:
Jerold Ottley (conductor)
recording of:
Shenandoah (arr. Erb)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
James Erb
arrangement of:
Shenandoah
[traditional]3:48
6Requiem, op. 48: 7. In paradisum
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
7String Quartet no. 2 in D major: 3. Notturno (arr. Runswick)
cello:
Christopher van Kampen (British cellist)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin6:08
8Piano Concerto no. 1 in B-flat minor, op. 23, TH. 55: 2. Andantino semplice - Prestissimo - Tempo I (arr. Runswick)
piano:
Peter Aronsky
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (catch-all for arrangements)
Pyotr Ilyich Tchaikovsky5:19
9Vespers (All-Night Vigil), op. 37: 3. "Blazhen muzh"
choir vocals:
The Choir of New College, Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Всенощное бдение, op. 37: 3. Блажен муж (All-Night Vigil, op. 37: III. Blessed is the Man)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergey Rachmaninov6:10
10Symphony no. 7 in A, op. 92: 2. Allegretto (arr. Runswick)
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (catch‐all for arrangements)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Symphony no. 7 in A major, op. 92: II. Allegretto
part of:
Symphony no. 7 in A major, op. 92 (catch‐all for arrangements)
Ludwig van Beethoven8:18
11Piano Concerto no. 21 in C major, K. 467: 2. Andante (arr. Runswick)
piano:
Peter Aronsky
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Wolfgang Amadeus Mozart7:18
12Cantique de Jean Racine, op. 11
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
Stephen Cleobury (organist, conductor) (from 1975-07-28 until 1975-07-29)
choir vocals:
Choir of St John’s College, Cambridge (from 1975-07-28 until 1975-07-29)
conductor:
George Guest (organist and conductor) (from 1975-07-28 until 1975-07-29)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1975-07-28 until 1975-07-29)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1975-07-28 until 1975-07-29)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:47
13Te Lucis ante Terminum (after "Song of the Birds")
harp:
Helen Tunstall
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Te lucis ante terminum
is based on:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
[traditional]2:23
14St. Matthew Passion, BWV 244: Part Two: No. 68. Chorus I/II: "Wir setzen uns mit Tränen nieder"
producer:
Ray Minshull (record producer)
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1964-07)
conductor:
Karl Münchinger (German conductor) (in 1964-07)
chorus master:
Gerhard Wilhelm (choir master)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1964-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:31
3▼Digital Media
#TitleArtistRatingLength
1Fantaisie, op. 79 (orchestrated by Louis Aubert, 1957)
producer:
Chris Hazell
flute:
William Bennett (flautist) (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Fantaisie, op. 79 (flute and orchestra, orch. Aubert) (in 1981-06)
orchestrator:
Louis Aubert (French composer)
composer:
Gabriel Fauré (French composer)
orchestration of:
Fantaisie pour flûte & piano en ut majeur, op. 79
Gabriel Fauré5:32
2Suite bergamasque, L. 75: 3. Clair de lune
harp:
Naoko Yoshino (harpist)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:39
3Mazurka no. 5 in B-flat, op. 7 no. 1
engineer:
Stanley Goodall (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1981-02)
harp arranger:
Marisa Robles (Spanish harpist)
recorded at:
St George the Martyr (Southwark, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Mazurka no. 5 in B‐flat major, op. 7 no. 1 (catch‐all for arrangements) (in 1981-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
arrangement of:
Mazurka no. 5 in B‐flat major, op. 7 no. 1
Fryderyk Chopin2:57
4Flute Quartet no. 2 in G, K. 285a: 1. Andante
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1969-12-16 until 1969-12-22)
engineer:
Joost Hummeling (engineer)
producer:
Volker Straus (producer/engineer)
cello:
Eva Czako (cellist) (from 1969-12-16 until 1969-12-22)
flute:
William Bennett (flautist) (from 1969-12-16 until 1969-12-22)
string trio:
Grumiaux Trio (from 1969-12-16 until 1969-12-22)
viola:
Georges Janzer (viola, Grumiaux Trio) (from 1969-12-16 until 1969-12-22)
violin:
Arthur Grumiaux (Belgian violinist) (from 1969-12-16 until 1969-12-22)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1969-12-16 until 1969-12-22)
recording of:
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest: I. Andante (from 1969-12-16 until 1969-12-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest
Wolfgang Amadeus Mozart6:10
5Danza del Corregidor
harp:
Marisa Robles (Spanish harpist)
recording of:
Danza del corregidor (for harp, Falla)
composer and arranger:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla3:03
6Wiegenlied, op. 49 no. 4
harp:
Marisa Robles (Spanish harpist)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:32
7La plus que lente, L. 121 (arr. Hutchins)
engineer:
Philip Siney (sound engineer)
producer:
Chris Hazell
editor:
Simon Bertram
flute:
Timothy Hutchins (flautist) (from 1995-05-29 until 1995-05-30)
piano:
Janet Creaser Hutchins (pianist) (from 1995-05-29 until 1995-05-30)
flute arranger and piano arranger:
Timothy Hutchins (flautist)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1995-05-29 until 1995-05-30)
recording of:
La plus que lente, L. 121 (catch-all for arrangements) (from 1995-05-29 until 1995-05-30)
composer:
Claude Debussy (French composer) (in 1910)
arrangement of:
La plus que lente, L. 121, CD 128 (pour piano solo)
Claude Debussy4:22
8Concerto in C major for Harp and Orchestra: 2. Andante
harp:
Annie Challan
orchestra:
Orchestre Antiqua Musica
conductor:
Marcel Couraud (conductor)
recording of:
Concerto for Harp and Orchestra in C: II. Andante
composer:
Ernst Eichner (German bassoonist and composer)
part of:
Concerto for Harp and Orchestra in C
Ernst Eichner4:32
9Suite no. 2 in B minor, BWV 1067: 3. Sarabande
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:04
1024 Préludes, op. 28: No. 15 "Raindrop"
harp:
Marisa Robles (Spanish harpist)
harp arranger:
Marisa Robles (Spanish harpist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (catch‐all for arrangements)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
arrangement of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Fryderyk Chopin5:53
11Pìece en forme de habanera, M. 51
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1989-02)
piano:
Michael Grandt (pianist) (in 1989-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1989-02)
recording of:
Pièce en forme de habañera (catch-all for arrangements) (in 1989-02)
composer:
Maurice Ravel (French composer)
arrangement of:
Pièce en forme de habañera (original version for bass vocals and piano)
Maurice Ravel3:03
12Joueurs de flûte, op. 27: 3. Krishna
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1989-02)
piano:
Michael Grant (pianist) (in 1989-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1989-02)
recording of:
Joueurs de flûte, op. 27: No. 3. Krishna (in 1989-02)
composer:
Albert Roussel (French composer) (in 1924)
part of:
Joueurs de flûte, op. 27
Albert Roussel3:10
13Sonata no. 2 in E-flat: 2. Romance (Adagio non tanto)
harp:
Naoko Yoshino (harpist) (in 1994-04)
recording of:
Sonata in E-flat major, Murray D20, Kaul IV:13/2: II. Romance: Adagio non tanto (in 1994-04)
composer:
Antonio Rosetti (German-Czech composer)
part of:
Sonata in E-flat major, Murray D20, Kaul IV:13/2
Antonio Rosetti2:23
14Flute Concerto in D major: 2. Andante alla Siciliana
producer:
Andrew Cornall (engineer / producer)
flute:
Andrea Griminelli (Italian flautist) (in 1986-08)
orchestra:
English Chamber Orchestra (in 1986-08)
conductor:
Jean‐Pierre Rampal (flautist) (in 1986-08)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1986-08)
recording of:
Flute Concerto in D major: II. Andante alla siciliana (in 1986-08)
composer:
Saverio Mercadante (Italian composer)
part of:
Flute Concerto in D major
Saverio Mercadante4:56
15Flute Sonata in A minor, HWV 374 "Halle" no. 1: 3. Adagio
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Denis Vigay (cellist) (in 1981-01)
flute:
William Bennett (flautist) (in 1981-01)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (in 1981-01)
instruments:
Academy of St Martin in the Fields Chamber Ensemble (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1": III. Adagio (in 1981-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1" (authenticity uncertain)
George Frideric Handel4:21
16Il Padrino (for harp): Un poco liberamente
harp:
Naoko Yoshino (harpist)
recording of:
Love Theme from The Godfather
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
Nino Rota3:32
17Sonata for Flute and Piano: 2. Lento
engineer:
Philip Siney (sound engineer)
producer:
Chris Hazell
editor:
Simon Bertram
flute:
Timothy Hutchins (flautist) (in 1995-05, from 1995-05-29 until 1995-05-30)
piano:
Janet Creaser Hutchins (pianist) (in 1995-05, from 1995-05-29 until 1995-05-30)
balance engineer:
John Dunkerley (engineer)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1995-05, from 1995-05-29 until 1995-05-30)
recording of:
Sonate n° 1 pour flûte et piano: II. Lent (from 1995-05-29 until 1995-05-30)
composer:
Philippe Gaubert (French composer, conductor and flautist) (in 1904)
revised by:
Philippe Gaubert (French composer, conductor and flautist) (in 1917)
part of:
Sonate n° 1 pour flûte et piano
recording of:
Sonate n° 1 pour flûte et piano: II. Lent (in 1995-05)
composer:
Philippe Gaubert (French composer, conductor and flautist) (in 1904)
revised by:
Philippe Gaubert (French composer, conductor and flautist) (in 1917)
part of:
Sonate n° 1 pour flûte et piano
Philippe Gaubert4:07
18Spiegel im Spiegel (arr. violin & harp)
harp:
Naoko Yoshino (harpist)
violin:
Gidon Kremer (violinist)
recording of:
Spiegel im Spiegel (catch-all for arrangements)
composer:
Arvo Pärt (Estonian composer) (in 1978)
arrangement of:
Spiegel im Spiegel (for violin and piano)
Arvo Pärt9:42
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1Oboe Concerto in D minor (arr. guitar and orchestra): 2. Andante sostenuto
producer:
Anna Barry (classical producer), Stef Collignon and Martha de Francisco (classical producer and engineer)
guitar:
Alexandre Lagoya (guitarist/composer) (in 1994-05)
orchestra:
Academy of St Martin in the Fields (in 1994-05)
conductor:
Kenneth Sillito (violinist) (in 1994-05)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1994-05)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (catch-all for arrangements)
composer:
Alessandro Marcello
arrangement of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio)
Alessandro Marcello4:24
2Concerto for 2 Mandolins, Strings and Continuo in G, R. 532 (arr. for 2 guitars, strings and continuo by Pepe Romero): 2. Andante
classical guitar and guitar:
Celin Romero (from 1967-11-13 until 1967-11-21) and Pepe Romero (classical and flamenco guitarist) (from 1967-11-13 until 1967-11-21)
orchestra:
San Antonio Symphony (from 1967-11-13 until 1967-11-21)
conductor:
Victor Alessandro (conductor) (from 1967-11-13 until 1967-11-21)
guitar family [two guitars] arranger, harpsichord [continuo] arranger and strings arranger:
Pepe Romero (classical and flamenco guitarist)
recorded at:
San Antonio Municipal Auditorium in San Antonio, Texas, United States (from 1967-11-13 until 1967-11-21)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (from 1967-11-13 until 1967-11-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:25
312 Concertos, op. 3 "L'estro Armonico": Concerto no. 6 in A minor for Solo Violin, RV 356: Largo
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Ángel Romero (guitarist/conductor) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:21
4Concerto pour mandoline cordes et basse continue en ut majeur RV 425: Largo
guitar:
Alexandre Lagoya (guitarist/composer) and Ida Presti
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
arranger:
Alexandre Lagoya (guitarist/composer)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Mandolin in C major, RV 425: II. Largo
Antonio Vivaldi3:42
5Recuerdos De La Alhambra
classical guitar:
Eduardo Fernández (guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:45
6Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio
guitar family [guitar quartet]:
Los Romeros (quartet of Spanish guitarists) (in 1978-04)
orchestra:
Academy of St Martin in the Fields (in 1978-04)
conductor:
Sir Neville Marriner (conductor) (in 1978-04)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-04)
recording of:
Concierto andaluz: II. Adagio (in 1978-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1967)
part of:
Concierto andaluz
Joaquín Rodrigo9:54
7Suite española, op. 47 (transcr. Celedonio Romero): Granada (Serenata)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:34
8Danse Espagnole N°2 op. 37 "Oriental"
classical guitar and guitar:
Alexandre Lagoya (guitarist/composer) and Ida Presti
recording of:
12 danzas españolas, op. 37, nº 2: Oriental (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 2: Oriental (original for piano)
Enrique Granados5:23
9Concierto Madrigal for 2 Guitars and Orchestra: Madrigal (Andante nostalgico)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Ángel Romero (guitarist/conductor) (in 1974-04) and Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Concierto madrigal: II. Madrigal (Andante nostalgico) (in 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo2:51
10Concierto Madrigal for 2 Guitars and Orchestra: Pastoral (Allegro)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Ángel Romero (guitarist/conductor) (in 1974-04) and Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Concierto madrigal: VI. Pastoral (Allegro) (in 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo2:00
11Concierto Madrigal for 2 Guitars and Orchestra: Arieta (Andante nostalgico)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Ángel Romero (guitarist/conductor) (in 1974-04) and Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Concierto madrigal: VIII. Arieta (Andante nostalgico) (in 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo6:12
12Fantaisie op. 34 l'encouragement en mi majeur: Cantabile
classical guitar and guitar:
Alexandre Lagoya (guitarist/composer) and Ida Presti
recording of:
Duet for guitars "L'encouragement", op. 34: I. Cantabile
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor3:59
13Waltz, op. 39 no.15
guitar:
Pepe Romero (classical and flamenco guitarist)
guitar arranger:
Celedonio Romero
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Johannes Brahms1:43
14Album für die Jugend, op. 68 (transcr. Celedonio Romero): Mélodie
guitar:
Pepe Romero (classical and flamenco guitarist)
guitar arranger:
Celedonio Romero
recording of:
Album für die Jugend, op. 68: I. Melodie (catch-all for arrangements)
composer:
Robert Schumann (German classical composer)
arrangement of:
Album für die Jugend, op. 68: I. Melodie
Robert Schumann1:46
15Mazurka no. 22 in G-sharp minor, op. 33 no. 1
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Mazurka no. 22 in G‐sharp minor, op. 33 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 33
Fryderyk Chopin1:54
16Concerto for 2 Hurdy-Gurdies and Orch. in G, H.VIIh no. 2 (transcr. A. Lagoya): 2. Adagio ma non troppo
guitar:
Alexandre Lagoya (guitarist/composer) and Ida Presti
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
arranger:
Alexandre Lagoya (guitarist/composer)
recording of:
Concerto no. 2 in G major, Hob. VIIh:2: II. Adagio ma non troppo (catch-all for arrangements)
composer:
Joseph Haydn (composer) (in 1786)
arrangement of:
Concerto no. 2 in G major, Hob.:VIIh/2: II. Adagio ma non troppo
Joseph Haydn4:03
17Suite for Cello Solo no. 3 in C, BWV 1009: 3. Courante
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1998-01)
arranger:
Celedonio Romero
recorded at:
Mission San Luis Rey de Francia in Oceanside, California, United States (in 1998-01)
recording of:
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach2:44
18Concierto para una fiesta for Guitar and Orchestra: 2. Andante calmo
classical guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concierto para una fiesta: II. Andante calmo
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto para una fiesta
Joaquín Rodrigo11:05
5▼Digital Media
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13 Gymnopédies: No.1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:10
2Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabile
engineer:
Stanley Goodall (engineer) (on 1980-12-13)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) and Richard Beswick (on 1980-12-13)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1980)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1980-12-13)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1980)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:58
3Melody in F, op. 3 no. 1
engineer:
Philip Wade (engineer)
producer:
Peter Wadland (producer) (from 1974-05 to present)
piano:
Шура Черкасский (Shura Cherkassky, American pianist) and Shura Cherkassky (American pianist) (in 1974-05)
balance engineer:
Philip Wade (engineer) (from 1974-05 to present)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (in 1974-05)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer) (in 1852)
part of:
2 Mélodies, op. 3
Anton Rubinstein4:16
4Children's Corner, L. 113: 4. The Snow Is Dancing
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:45
5Children's Corner, L. 113: 5. The Little Shepherd
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:12
6Années de pèlerinage: 1e année: Suisse, S. 160: 4. Au bord d'une source
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1983-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-03)
recording of:
Au bord d'une source, S. 160 no. 4 (version from Années de pèlerinage) (in 1983-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source (Version from Album d'un voyageur)
Franz Liszt3:53
7Nocturne no. 8 in D-flat, op. 27 no. 2
engineer:
Simon Eadon (classical music engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto (in 1983-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Nocturnes, op. 27
Fryderyk Chopin5:48
8Berceuse in D-flat, op. 57
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Berceuse in D‐flat major, op. 57
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
dedicated to:
Elise Gavard
part of:
Works of Fryderyk Chopin by opus number (number: op. 57)
Fryderyk Chopin5:02
9Piano Sonata no. 13 in A, D. 664: 2. Andante
engineer and balance engineer:
John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1992-11-08 until 1992-11-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1992-11-08 until 1992-11-10)
recording of:
Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: II. Andante (from 1992-11-08 until 1992-11-10)
composer:
Franz Schubert (composer) (in 1819)
part of:
Sonata for Piano no. 13 in A major, op. posth. 120, D. 664
Franz Schubert4:13
10Gnossiennes: No. 1 - Lent
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
balance engineer:
Simon Eadon (classical music engineer) (in 1983-05: piano)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
6 Gnossiennes by Pascal Rogé (pianist)
recording of:
Gnossienne no. 1 (in 1983-05)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie53:44
11Images, Book 1, L. 110: 1. Reflets dans l'eau
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1979-09)
balance engineer:
Colin Moorfoot (engineer) (in 1979-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St. George the Martyr (Queen Square, Holborn) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (in 1979-09)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy5:00
12Jeux d'eau, M. 30
producer:
Michael Woolcock (producer)
piano:
Pascal Rogé (pianist) (in 1974-12)
balance engineer:
Philip Wade (engineer) (in 1974-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-12)
recording of:
Jeux d’eau (in 1974-12)
composer:
Maurice Ravel (French composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:48
13Miroirs, M. 43: 3. Une barque sur l'océan
piano:
Pascal Rogé (pianist) (in 1974-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-12)
recording of:
Miroirs: III. Une barque sur l’océan (for piano) (in 1974-12)
composer:
Maurice Ravel (French composer) (from 1904 until 1905)
part of:
Miroirs
Maurice Ravel7:21
14Préludes, Book 1, L. 117: 10. La cathédrale engloutie
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:26
15Préludes, Book 1, L. 117: 8. La fille aux cheveux de lin
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:25
16Années de pèlerinage: 2ème année: Italie, S. 161: 5. Sonetto 104 del Petrarca
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1982-09)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-09)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5 (in 1982-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 2. Sonetto CIV. Pace non trovo (for solo piano)
Franz Liszt6:59
17Waltz no. 9 in A-flat, op. 69 no. 1 "Farewell"
engineer:
Stanley Goodall (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (from 1983-01 to present)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983, in 1983-01)
balance engineer:
Stanley Goodall (engineer) (from 1983-01 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-01)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1 (in 1983-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1 (in 1983-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Fryderyk Chopin3:59
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