Classic Kennedy

~ Release by Nigel Kennedy (see all versions of this release, 2 available)

Annotation

Comes in slipcase

Recorded at Lyndhurst Hall, Air Studios, Hampstead, 18-25 June 1998

℗ 1999 The copyright in this sound recording is owned by EMI Records Ltd.
© 1999 EMI Records Ltd.
Made in the UK

Annotation last modified on 2019-10-17 13:26 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate": III. Presto
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
cello:
Charles Tunnell (from 1998-06-18 until 1998-06-25)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1998-06-18 until 1998-06-25)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:39
2Meditation from Thais
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1998-06-18 until 1998-06-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:36
3Scarborough Fair
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Sally Drew (Decca engineer) and Paul Baily (audio engineer) (in 1998-06)
cimbalom and percussion:
Greg Knowles (percussionist) (in 1988-06)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
flute:
David Heath (in 1998-06)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25)
uilleann pipes:
Liam O’Flynn (in 1988-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Scarborough Fair (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
[traditional] (special purpose artist)
arrangement of:
Scarborough Fair
[traditional]4:41
4Hungarian Dance No. 5 in G minor: Allegro - Vivace
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Hungarian Dance no. 5 in G minor: Allegro - Vivace (for violin and orchestra, orch. Kennedy, Lenehan, Messiter) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist), John Lenehan (classical pianist) and Malcolm Messiter (oboist)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Johannes Brahms2:54
5Nocturne No. 20 in C-sharp minor, Op. Posth.
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
arranger:
Nigel Kennedy (violinist), John Lenehan (classical pianist) and Malcolm Messiter (oboist)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Nocturne no. 20 in C‐sharp minor (catch‐all for arrangements) (from 1998-06-18 until 1998-06-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
arrangement of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Frédéric Chopin3:40
6Gymnopédie No. 2: Lent et triste
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Deuxième Gymnopédie (orch. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
Erik Satie2:07
7Prelude No. 1
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Prelude no. 1 (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
George Gershwin1:56
8Orchestersuite No. 3 D-dur, BWV 1068: II. Air
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:28
9Danny Boy
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Paul Baily (audio engineer) and Sally Drew (Decca engineer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
uilleann pipes:
Liam O’Flynn (in 1998-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (in 1998-06)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Danny Boy (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
[traditional] (special purpose artist)
arrangement of:
Danny Boy
Nigel Kennedy4:14
10Czardas
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Csárdás (orchestrated by Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist)
composer:
Vittorio Monti (Italian violinist and composer)
orchestration of:
Csárdás
recording of:
Csárdás
composer:
Vittorio Monti (Italian violinist and composer) (until 1904)
Vittorio Monti5:25
11Solomon Act III. Symphony in B flat major: The Arrival of the Queen of Sheba
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
oboe:
Janice Knight (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1998-06-18 until 1998-06-25)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:01
12Ave Maria
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
guitar:
Fábio Zanon (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
orchestration of:
Ave Maria (Bach/Gounod)
Charles‐François Gounod2:32
13Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-06, from 1998-06-18 until 1998-06-25)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (orch. Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:59
14Gymnopédie No. 1: Lent et douloureux
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Erik Satie (French composer)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Erik Satie2:47
15Prelude No. 2
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
cello:
Charles Tunnell (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Prelude no. 2 (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
George Gershwin (composer) (in 1926)
orchestration of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
George Gershwin4:19
16The Tale of Tsar Sultan, Op. 57: III. The Flight of the Bumble-Bee
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:20
17Banjo and Fiddle
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Banjo and Fiddle (for violin and orchestra, orch. Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
William Kroll
orchestration of:
Banjo and Fiddle (for violin and piano)
William Kroll3:05
18Zigeunerweisen, Op. 20
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (from 1998-06-18 until 1998-06-25)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate9:41
19Urge for Going
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25) and Fábio Zanon (from 1998-06-18 until 1998-06-25)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
instrumental recording of:
Urge for Going (from 1998-06-18 until 1998-06-25)
lyricist and composer:
Joni Mitchell
Joni Mitchell4:10
20Melody in the Wind
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25)
harpsichord and violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25) and Janice Knight (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Melody in the Wind (for violin and orchestra) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Nigel Kennedy (violinist)
Nigel Kennedy5:51