Ultimate Broadway

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Oklahoma
vocals:
Alfred Drake (actor, singer)
conductor:
Jay Blackton
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Oklahoma (from 1943-10-20 until 1944-05-24)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:32
2If I Loved You
vocals:
Jan Clayton and John Raitt
conductor:
Joseph Littau
orchestrator:
Robert Russell Bennett (American composer and arranger) and Don Walker (orchestrator)
recording of:
If I Loved You (Carousel) (in 1945)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Jan Clayton, John Raitt4:23
3You’ll Never Walk Alone
conductor:
Joseph Littau
orchestrator:
Robert Russell Bennett (American composer and arranger) and Don Walker (orchestrator)
recording of:
You’ll Never Walk Alone (Carousel) (on 1945-05-16)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Christine Johnson, Jan Clayton2:42
4There’s No Business Like Show Business
recording engineer:
Ernie Oelrich (on 1966-06-05)
producer:
Andy Wiswell
vocals:
Ethel Merman (on 1966-06-05), Jerry Orbach (on 1966-06-05), Rufus Smith (on 1966-06-05) and Bruce Yarnell (on 1966-06-05)
conductor:
Franz Allers (European-American conductor) (on 1966-06-05)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1966-06-05)
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (on 1966-06-05)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
Ethel Merman, Original Cast3:11
5Once in Love With Amy
recorded in:
New York, New York, United States (on 1949-02-15)
vocals:
Ray Bolger (US actor, singer and dancer) (on 1949-02-15)
recording of:
Once in Love With Amy (Where’s Charly?) (on 1949-02-15)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Bolger4:23
6Some Enchanted Evening
vocals:
Ezio Pinza (operatic bass)
conductor:
Salvatore Dell’Isola (in 1949-04)
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Some Enchanted Evening (South Pacific) (in 1949)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music, Inc.
part of:
South Pacific (Rodgers & Hammerstein musical)
Ezio Pinza3:03
7Diamonds Are a Girl’s Best Friend
vocals:
Carol Channing
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes) (in 1949)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Carol Channing3:00
8Getting to Know You
lead vocals:
Gertrude Lawrence
vocals:
Gertrude Lawrence
conductor:
Frederick Dvonch
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Getting to Know You (The King and I) (in 1951)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence3:30
9Shall We Dance?
lead vocals:
Yul Brynner and Gertrude Lawrence
vocals:
Yul Brynner and Gertrude Lawrence
conductor:
Frederick Dvonch
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Shall We Dance? (The King and I) (in 1951)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence, Yul Brynner2:53
10I Could Have Danced All Night
vocals:
Julie Andrews (English actress/vocalist) (on 1956-03-25) and Philippa Bevans (on 1956-03-25)
conductor:
Franz Allers (European-American conductor) (on 1956-03-25)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1956)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-03-25)
recording of:
I Could Have Danced All Night (My Fair Lady) (on 1956-03-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Julie Andrews3:30
11I’ve Grown Accustomed to Her Face
lead vocals:
Rex Harrison (actor)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Rex Harrison5:17
12The Party’s Over
lead vocals:
Judy Holliday
recording of:
The Party’s Over (Bells Are Ringing) (in 1956)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
partial recording of:
Bells Are Ringing (stage musical)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
Judy Holliday3:16
13Maria
producer:
Goddard Lieberson
lead vocals [Tony]:
Larry Kert (on 1957-09-29)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-09-29)
conductor:
Max Goberman (on 1957-09-29)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1957-09-29)
recording of:
West Side Story: Maria (Tony) (on 1957-09-29)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
Larry Kert52:39
14Tonight
producer:
Goddard Lieberson
lead vocals [Maria]:
Carol Lawrence (on 1957-09-29)
lead vocals [Tony]:
Larry Kert (on 1957-09-29)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-09-29)
conductor:
Max Goberman (on 1957-09-29)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1957-09-29)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1957-09-29)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Larry Kert, Carol Lawrence43:55
15Seventy Six Trombones
lead vocals:
Robert Preston (US stage & film actor)
recording of:
Seventy-Six Trombones (The Music Man)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Robert Preston3:03
16Everything’s Coming up Roses
producer:
Goddard Lieberson
lead vocals:
Ethel Merman
vocals:
Ethel Merman (on 1959-05-24)
conductor:
Milton Rosenstock (conductor, composer, arranger) (on 1959-05-24)
orchestrator:
Robert Ginzler and Sid Ramin
recording of:
Everything’s Coming Up Roses (Gypsy) (on 1959-05-24)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gypsy
Ethel Merman3:08
17The Sound of Music
lead vocals:
Mary Martin (US film and musical actor/singer)
recording of:
The Sound of Music (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) and Williamson Music Company
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin2:48
18Try to Remember
lead vocals:
Jerry Orbach
recording of:
Try to Remember (The Fantasticks) (in 1960)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) and Warner/Chappell Music Ltd. (1996–2019)
Jerry Orbach2:49
19Camelot
vocals:
Richard Burton (Welsh actor, twice married to Elizabeth Taylor)
orchestra:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
Camelot (from "Camelot") (in 1960)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Camelot (full musical)
Richard Burton2:32
20If Ever I Would Leave You
lead vocals:
Robert Goulet (singer, actor)
vocals:
Robert Goulet (singer, actor)
orchestra:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
If Ever I Would Leave You (from “Camelot”) (in 1960)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
part of:
Camelot (full musical)
Robert Goulet3:13
21Hello, Dolly!
lead vocals:
Carol Channing
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Carol Channing5:43
22If I Were a Rich Man
recording engineer:
Ernie Oelrich
lead vocals [Tevye]:
Zero Mostel (actor) (on 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (on 1964-09-27)
vocals arranger:
Milton Greene (orchestrator, musical director, conductor, arranger)
orchestrator:
Don Walker (orchestrator)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-09-27)
recording of:
If I Were a Rich Man (Fiddler on the Roof) (on 1964-09-27)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
Zero Mostel4:54
2▼CD
#TitleArtistRatingLength
1People
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
Barbra Streisand3:28
2On a Clear Day (You Can See Forever)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum2:51
3The Impossible Dream
recording of:
The Impossible Dream (Man of La Mancha)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
Richard Kiley2:24
4Mame
recording of:
Mame
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
Charles Braswell & Company6:18
5Cabaret
vocals:
Liza Minnelli
recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Liza Minnelli3:35
6Aquarius
recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
Ronnie Dyson2:55
7Send In the Clowns
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Judy Collins4:06
8All That Jazz
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Chita Rivera3:15
9One
producer:
Goddard Lieberson
choir vocals:
[theatre] (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
One (from “A Chorus Line”) (on 1975-06-02)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
part of:
A Chorus Line (Marvin Hamlisch musical)
Original Cast4:48
10Tomorrow
vocals:
Andrea McArdle (on 1977-04-25)
orchestrator:
Philip J. Lang
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1977-04-25)
recording of:
Tomorrow (Annie) (on 1977-04-25)
lyricist:
Martin Charnin
composer:
Charles Strouse
publisher:
Charles Strouse Publishing, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and WC Music Corp.
part of:
Annie (Charles Strouse musical)
Andrea McArdle2:09
11Don’t Cry for Me Argentina
recording of:
Don’t Cry for Me Argentina (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Patti LuPone4:38
12And I Am Telling You I’m Not Going
lead vocals:
Jennifer Holliday
vocals:
Jennifer Holliday
conductor:
Yolanda Segovia
orchestrator:
Harold Wheeler
recording of:
And I Am Telling You I’m Not Going (Dreamgirls)
lyricist:
Tom Eyen
composer:
Henry Krieger
part of:
Dreamgirls (1981 Henry Krieger musical)
Jennifer Holliday44:08
13Memory
recording engineer:
David Hamilton-Smith (engineer)
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Elaine Paige
vocals:
Elaine Paige (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
David Firman (conductor) and Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981) and Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Memory (Cats) (from 1998-06-07 until 1998-06-08)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:13
14The Best of Times
recording of:
The Best of Times (from “La Cage aux folles”)
lyricist and composer:
Jerry Herman
part of:
La Cage aux folles (complete musical)
George Hearn5:34
15I Dreamed a Dream
producer:
David "Pic" Conley (soul musician)
vocals:
Aretha Franklin
cover recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Aretha Franklin4:24
16The Music of the Night
assistant engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (in 1991-09)
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) (in 1991-09)
executive producer:
Don Reedman (producer)
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
editor:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
vocals:
Michael Crawford (UK actor and singer) (in 1991-09)
orchestra:
Royal Philharmonic Orchestra (in 1991-09)
conductor:
Michael Reed (UK conductor/arranger for musicals) (in 1991-09)
remixer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer)
performer:
Michael Crawford (UK actor and singer)
arranger:
David Cullen (composer, arranger, orchestrator)
concertmaster:
David Towse (in 1991-09)
phonographic copyright (℗) by:
USM Copyrights Ltd. (in 1991)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-09)
recording of:
The Music of the Night (The Phantom of the Opera) (in 1991-09)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford5:51
17As If We Never Said Goodbye
recording of:
As If We Never Said Goodbye (Sunset Boulevard)
additional lyricist:
Amy Powers (lyricist, songwriter and producer)
lyricist:
Don Black (English lyricist) and Christopher Hampton
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Limited (not for release label use!)
part of:
Sunset Boulevard (Andrew Lloyd Webber musical)
Elaine Paige5:24
18Seasons of Love
drum machine programming, synthesizer programming and co-producer:
Steve Skinner
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer)
bass guitar:
Steve Mack (bassist)
contrabassoon:
Anthony Jackson (contrabassoonist)
drums (drum set) and percussion:
Jeff Potter (drummer)
electric guitar:
Ira Siegel
guitar:
Kenny Brescia and Daniel A. Weiss
keyboard:
Steve Skinner
piano:
Tim Weil
piccolo trumpet and trumpet:
Dominic Derasse
synthesizer:
Tim Weil and Daniel A. Weiss
solo lead vocals:
Gwen Stewart
vocals:
Taye Diggs, Wilson Jermaine Heredia, Jesse L. Martin, Idina Menzel, Adam Pascal, Anthony Rapp, Daphne Rubin‐Vega (Panamanian‐American actress, dancer & singer‐songwriter), Byron Utley and Fredi Walker
additional arranger:
Tim Weil
arranger:
Steve Skinner
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 1996)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States and Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Seasons of Love (Rent)
lyricist and composer:
Jonathan Larson
publisher:
Finster & Lucy Music Ltd. Co., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Rent (stage musical)
Original Cast2:52

Credits

Release

printed in:U.S.A.
executive producer:Clive Davis (record producer, A&R executive and music industry chief executive)
manufactured by and distributed by:Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
copyrighted (©) by and phonographic copyright (℗) by:Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
ASIN:US: B000007SNS [info]