Il rock in discoteca

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:30
2Whatever You Want
producer:
Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo43:48
3You Ain’t Seen Nothing Yet
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:52
4Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.93:33
5Eyes Without a Face
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Sal Cuevas (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
background vocals:
Perri Lister (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
edit of:
Eyes Without a Face by Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:10
6867-5309
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller (member of Tommy Tutone) and Chuck Plotkin
bass guitar [bass]:
Jon Lyons (from 1981-07 until 1981-08)
drums (drum set) [drums]:
Victor Carberry (from 1981-07 until 1981-08)
guitar, piano and lead vocals:
Tommy Heath (from 1981-07 until 1981-08)
guitar [lead guitar]:
Jim Keller (member of Tommy Tutone) (from 1981-07 until 1981-08)
keyboard [keyboards]:
Steve LeGassick (from 1981-07 until 1981-08)
percussion and background vocals [harmonies]:
John Cowsill (from 1981-07 until 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (from 1981-07 until 1981-08)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States (from 1981-07 until 1981-08)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 36) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 494)
recording of:
867‒5309/Jenny (from 1981-07 until 1981-08)
lyricist and composer:
Alex Call and Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:45
7Get Ready
producer:
Rare Earth (Detroit band)
cover recording of:
Get Ready
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Rare Earth52:47
8Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
9Urgent
recording of:
Urgent
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4:25
10Soul Man
cover recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Blues Brothers3:01
11My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger (in The Knack)
lead vocals:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 201)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.154:55
12Give It Away
recording of:
Give It Away
writer:
Flea (US bassist), John Frusciante, Anthony Kiedis and Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
Moebetoblame Music
Red Hot Chili Peppers4:45
13Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:26
14The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:53
15Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:21
16Jeopardy
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
writer:
Greg Kihn and Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:47
17Black Cars
recording of:
Black Cars
writer:
Roy Freeland and Gino Vannelli
publisher:
En Forme Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Whirling Rainbow Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Gino Vannelli3:09
18Purple Rain
recording of:
Purple Rain
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince & The Revolution6:33