The Best of 1980–1990, Volume 6

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
Assistent recording engineer:
Eddie DeLena (engineer) und Stephan Wissnet
recording engineer, Programmierung und Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzlich recording engineer:
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Akustikgitarre [acoustic rhythm guitar] und Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
E-Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Gast-Solo-Synthesizer und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Synthesizer:
John Deacon (von 1983-08 bis 1984-01) und Freddie Mercury (von 1983-08 bis 1984-01)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Raincloud Productions Ltd. (in 1984) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 2011)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
Bearbeitung von:
I Want to Break Free (single version) von Queen (UK rock group)
recording of:
I Want to Break Free (von 1983-08 bis 1984-01)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
Teil von:
We Will Rock You (German version of the Queen musical)
Queen4.353:18
2Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:52
3Our HouseMadness3.93:23
4The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:51
5Hey Matthew
Techniker(in):
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Produzent(in):
Karel Fialka und Nick Magnus
phonographisches Urheberrecht (℗) von:
I.R.S. Records Ltd. (in 1987)
aufgenommen bei und mixed at:
Old Barn Studios in Croydon (London Borough of Croydon), London (Greater London), England, Vereinigtes Königreich
recording of:
Hey Matthew
Texter und Komponist(in):
Karel Fialka
publisher:
Illegal Music Ltd. (publisher; not for release label use!) (in 1987)
Karel Fialka3.353:34
6Blue Night Shadow
recording of:
Blue Night Shadow
Texter:
Timothy Touchton
Komponist(in):
Ulrich Herter (singer, songwriter, producer)
publisher:
Blue Box (publisher) (vom 1985 bis heute), CBS Songs (vom 1985 bis heute) und Edition Kanone (publisher) (vom 1985 bis heute)
Two of Us53:39
7Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:58
8Sweet Sixteen
Techniker(in):
Dave Concors, Neil Dorfsman und Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
assistierende(r) Mix:
Craig Vogel
Mix:
Gary Langan
Bass:
Marcus Miller (jazz musician) (in 1986)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1986) und Steve Stevens (US guitarist and songwriter) (in 1986)
Keyboard und Schlagzeug:
Keith Forsey (drummer, producer and songwriter) (in 1986)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986), BMG Ariola München GmbH (in 1987) und Chrysalis Records, Inc. (not for release label use!) (in 1987)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideo für:
Sweet Sixteen von Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music und Rare Blue Music Inc
Billy Idol44:15
9Land of Confusion
assistierende(r) Techniker(in):
Paul Gomersall
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (von 1985-10 bis 1986-02)
Bass-Synthesizer und Keyboard:
Tony Banks (Genesis) (von 1985-10 bis 1986-02)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1985-10 bis 1986-02)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (in 1986)
aufgenommen bei und mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
Musikvideos:
Land of Confusion von Genesis (English rock band)
recording of:
Land of Confusion (von 1985-10 bis 1986-02)
Texter und Verfasser(in):
Mike Rutherford
Komponist(in):
Tony Banks (Genesis) und Phil Collins (of Genesis)
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis3.84:47
10True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order3.755:53
11Dr. Mabuse
recording of:
Dr. Mabuse
Texter:
Ralf Dörper
Komponist(in):
Ralf Dörper, Michael Mertens (German musician & producer) und Andreas Thein
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda54:19
12My Soul Unwraps Tonight
recording of:
My Soul Unwraps Tonight
Texter und Komponist(in):
Richard Kenton
Savage Progress3:23
13The Lion Sleeps Tonight
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Musikvideos:
The Lion Sleeps Tonight von Tight Fit
cover recording of:
The Lion Sleeps Tonight
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Tight Fit3.653:21
14Feels Like Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:31
15Hide and Seek
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
recording of:
Hide and Seek
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
Howard Jones4:50
2CD
Nr.TitelKünstlerBewertungLänge
1Tainted Love
Produzent(in):
Mike Thorne (UK producer & keyboardist)
remixer:
Mike Thorne (UK producer & keyboardist)
Interpret(in):
Soft Cell (1980s English synth‐pop duo)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1981)
medley including a cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
medley including a cover recording of:
Where Did Our Love Go
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland / Dozier / Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Soft Cell59:03
2Just Can’t Get Enough
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Depeche Mode und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan (in 1981-07)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) und Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
aufgenommen bei:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 66) und Indie 88: Top 500 Indie Rock Songs (Nummer: 460)
recording of:
Just Can’t Get Enough
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (beendet), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.33:43
3Heart
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
recording of:
Heart
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. und Cage Music Ltd.
Pet Shop Boys4:17
4Love Is a ShieldCamouflage54:02
5Living on Video
recording of:
Living on Video
Texter und Komponist(in):
Pascal Languirand
publisher:
Costa Demo Productions (publisher) (in 1983)
Trans‐X46:12
6Axel F
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer56:09
7Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:55
8Big in Japan
Produzent(in):
Orlando
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
Bearbeitung von:
Big in Japan (album version) von Alphaville (German synth pop band)
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:55
9Oh L’Amour
recording of:
Oh l’amour
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure53:25
10Waiting for Another Chance
recording of:
Waiting for Another Chance
Verfasser(in):
Willie Gardner (ex-member of Endgames), Brian McGee (UK drummer), Douglas Muirden, David Murdoch, David Rudden (Berlin Blondes, Endgames) und Paul Wishart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Ltd. (PRS‐affiliated)
Endgames3:58
11Just an Illusion
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1982)
recording of:
Just an Illusion
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination46:33
12I Need Love
Produzent(in):
LA Posse und LL Cool J
phonographisches Urheberrecht (℗) von:
Def Jam Records, Inc. (in 1987) und Def Jam Recordings (US) (in 2021)
recording of:
I Need Love
Komponist(in):
Bobby “Bobcat” Ervin, Steven Ettinger, James Todd Smith, Darryl Pierce und Dwayne Simon
publisher:
Def Jam Music, Inc.
LL Cool J4.355:25
13Forever Live and Die
recording engineer und Mix:
Tom Lord‐Alge
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
aufgenommen bei und mixed at:
Studio de la Grande Armée in Paris, Île-de-France, Frankreich
recording of:
(Forever) Live and Die
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Graham Weir und Neil Weir
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark1.53:35

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of 1980–1990 (Nummer: 6) (Reihenfolge: 6)