Leonard Bernstein: The Remastered Edition IV

~ Release by Leonard Bernstein (see all versions of this release, 6 available)

Tracklist

| |
61▼CD: Bach: Concertos
#TitleArtistRatingLength
1Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: I. Allegro
producer:
Paul Myers (classical record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
violin:
Isaac Stern (violinist) (on 1966-02-16)
orchestra:
New York Philharmonic (on 1966-02-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-16)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro) (on 1966-02-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach8:22
2Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: II. Adagio
producer:
Paul Myers (classical record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
violin:
Isaac Stern (violinist) (on 1966-02-16)
orchestra:
New York Philharmonic (on 1966-02-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-16)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (on 1966-02-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:40
3Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: III. Allegro assai
producer:
Paul Myers (classical record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
violin:
Isaac Stern (violinist) (on 1966-02-16)
orchestra:
New York Philharmonic (on 1966-02-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-16)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-16)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (on 1966-02-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach3:10
4Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: I. Allegro
producer:
John McClure (recording engineer and record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
oboe:
Harold Gomberg (oboist) (on 1966-02-07)
violin:
Isaac Stern (violinist) (on 1966-02-07)
orchestra:
New York Philharmonic (on 1966-02-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-07)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (on 1966-02-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach6:00
5Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: II. Largo ovvero Adagio
producer:
John McClure (recording engineer and record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
oboe:
Harold Gomberg (oboist) (on 1966-02-07)
violin:
Isaac Stern (violinist) (on 1966-02-07)
orchestra:
New York Philharmonic (on 1966-02-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-07)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (on 1966-02-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach6:57
6Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: III. Allegro
producer:
John McClure (recording engineer and record producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
oboe:
Harold Gomberg (oboist) (on 1966-02-07)
violin:
Isaac Stern (violinist) (on 1966-02-07)
orchestra:
New York Philharmonic Orchestra (New York Philharmonic) (on 1966-02-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-07)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-07)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (on 1966-02-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach4:11
7Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: I. Vivace
producer:
Thomas Frost (classical music producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
violin:
Yehudi Menuhin (violinist) (on 1976-05-18) and Isaac Stern (violinist) (on 1976-05-18)
orchestra:
Members of the New York Philharmonic (New York Philharmonic) (on 1976-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1976-05-18)
live recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (on 1976-05-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:07
8Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: II. Largo, ma non tanto
producer:
Thomas Frost (classical music producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
violin:
Yehudi Menuhin (violinist) (on 1976-05-18) and Isaac Stern (violinist) (on 1976-05-18)
orchestra:
Members of the New York Philharmonic (New York Philharmonic) (on 1976-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1976-05-18)
live recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (on 1976-05-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:26
9Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: III. Allegro
producer:
Thomas Frost (classical music producer)
harpsichord:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
violin:
Yehudi Menuhin (violinist) (on 1976-05-18) and Isaac Stern (violinist) (on 1976-05-18)
orchestra:
Members of the New York Philharmonic (New York Philharmonic) (on 1976-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1976-05-18)
live recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro (on 1976-05-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:00
62▼CD: Mendelssohn: Scotch Symphony / Hebrides Overture
#TitleArtistRatingLength
1Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1964-01-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1964-01-13)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-01-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (on 1964-01-13)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn13:08
2Symphony no. 3 in A minor “Scottish”, op. 56: II. Vivace non troppo
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1964-01-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1964-01-13)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-01-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (on 1964-01-13)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:21
3Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1964-01-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1964-01-13)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-01-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (on 1964-01-13)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn11:36
4Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1964-01-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1964-01-13)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1964-01-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (on 1964-01-13)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn9:18
5Die Hebriden (Die Fingalsöhle), op. 26
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-17)
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) (on 1966-02-17)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn9:07
63▼CD: Mussorgsky: Night on Bald Mountain / Khovantchina Prelude / Ippolitov-Ivanov: Two Caucasian Sketches / Borodin: Polovetsian Dances / Glinka: Russlan and Ludmila Overture
#TitleArtistRatingLength
1Prince Igor: Polovtsian Dances: Act II. Dance of the Polovtsian Maidens
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
recording of:
Prince Igor: Act II. Dance of the Polovtsian Maidens (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin2:10
2Prince Igor: Polovtsian Dances: Act II. Polovtsian Dance. Introduzione. Andantino -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin2:23
3Prince Igor: Polovtsian Dances: Act II. Allegro vivo -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin1:10
4Prince Igor: Polovtsian Dances: Act II. Allegro -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin2:07
5Prince Igor: Polovtsian Dances: Act II. Presto -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin1:19
6Prince Igor: Polovtsian Dances: Act II. Moderato alla breve -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin1:18
7Prince Igor: Polovtsian Dances: Act II. Presto -
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin1:18
8Prince Igor: Polovtsian Dances: Act II. Allegro con spirito - Più animato
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-01-21)
orchestra:
New York Philharmonic (on 1963-01-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-01-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-21)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1963-01-21)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin1:25
9Caucasian Sketches, op. 10: II. In the Village
producer:
John McClure (recording engineer and record producer)
cor anglais [english horn]:
Engelbert Brenner (classical oboist) (on 1965-02-01)
viola:
Leonard Davis (violist) (on 1965-02-01)
orchestra:
New York Philharmonic (on 1965-02-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-02-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-02-01)
Mikhail Ippolitov-Ivanov4:53
10Caucasian Sketches, op. 10: IV. Procession of the Sardar
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1965-02-01)
orchestra:
New York Philharmonic (on 1965-02-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-02-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-02-01)
recording of:
Caucasian Sketches Suite no. 1, op. 10: IV. Procession of the Sardar (on 1965-02-01)
composer:
Михаил Ипполитов‐Иванов (Mikhail Ippolitov-Ivanov, Russian composer, conductor, teacher) (in 1894)
part of:
Caucasian Sketches Suite no. 1, op. 10
Mikhail Ippolitov-Ivanov3:48
11A Night on Bare Mountain
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1965-02-16)
orchestra:
New York Philharmonic (on 1965-02-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-02-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-02-16)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (on 1965-02-16)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky11:04
12Khovanshchina: Dawn over the Moscow River
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-12-02)
orchestra:
New York Philharmonic (on 1963-12-02)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-12-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-12-02)
recording of:
Khovanshchina: Prelude: Dawn Over the River Moscow (orchestrated by Rimsky-Korsakov) (on 1963-12-02)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1882)
composer:
Modest Mussorgsky (composer) (in 1880)
librettist:
Modest Mussorgsky (composer)
orchestration of:
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River"
Modest Mussorgsky5:48
13Ruslan and Lyudmila Overture. Presto
producer:
John McClure (recording engineer and record producer)
viola:
Leonard Davis (violist) (on 1963-10-14)
orchestra:
New York Philharmonic (on 1963-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-10-14)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-10-14)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (on 1963-10-14)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:22
64▼CD: Nielsen: Concerto for Flute and Orchestra / Concerto for Clarinet and Orchestra
#TitleArtistRatingLength
1Concerto for Flute and Orchestra, CNW 42: I. Allegro moderato
producer:
John McClure (recording engineer and record producer)
flute:
Julius Baker (flautist) (on 1966-02-15)
orchestra:
New York Philharmonic (on 1966-02-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-15)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-15)
recording of:
Flute Concerto, FS 119: I. Allegro moderato (on 1966-02-15)
composer:
Carl Nielsen (Danish composer) (in 1926)
part of:
Flute Concerto, FS 119
Carl Nielsen11:00
2Concerto for Flute and Orchestra, CNW 42: II. Allegretto - Adagio ma non troppo - Allegretto
producer:
John McClure (recording engineer and record producer)
flute:
Julius Baker (flautist) (on 1966-02-15)
orchestra:
New York Philharmonic (on 1966-02-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-15)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-15)
recording of:
Flute Concerto, FS 119: II. Allegretto (on 1966-02-15)
composer:
Carl Nielsen (Danish composer) (in 1926)
part of:
Flute Concerto, FS 119
Carl Nielsen7:31
3Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Cadenza - Tempo I - Poco Adagio - Allegro non troppo - Cadenza - Adagio - Allegro vivace
producer:
John McClure (recording engineer and record producer)
clarinet:
Stanley Drucker (clarinetist) (on 1967-03-21)
orchestra:
New York Philharmonic (on 1967-03-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-03-21)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-03-21)
recording of:
Clarinet Concerto, op. 57 (on 1967-03-21)
orchestrator:
Peter Jensen (trombone)
composer:
Carl Nielsen (Danish composer) (in 1928)
dedicated to:
Aage Oxenvad
premiered at:
[concert] (1928-10-11)
publisher:
Edition Wilhelm Hansen (ended) and Skandinavisk og Borups Musikforlag (in 1931)
part of:
Catalogue of Carl Nielsen’s Works (CNW) (number: CNW 43), Works of Carl Nielsen by opus number (number: op. 57) and Carl Nielsen, kompositioner (FS) (number: FS 129)
Carl Nielsen23:18
65▼CD: Die Schöpfung (Parts I & II beginning)
#TitleArtistRatingLength
1Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: “Im Anfange schuf Got Himmel und Erde” (Raphael, Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn9:16
2Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 2 Aria and Chorus: “Nun schwanden vor dem heiligen Strahle” (Uriel) - “Verzweiflung, Wut und Schrecken”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:43
3Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 3 Recitative: “Und Gott machte das Firmament” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:09
4Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 4 Solo and Chorus: “Mit Staunen sieht das Wunderwerk” (Gabriel) - “Und laut ertönt aus ihren Kehlen”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:43
5Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 5 Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:50
6Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 6 Aria: “Rollend in schäumenden Wellen” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:46
7Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 7 Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:37
8Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 8 Aria: “Nun beut die Flur das frische Grün” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:18
9Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 9 Recitative: “Und die himmlischen Heerscharen verkündigten” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:14
10Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 10 Chorus: “Stimmt an die Saiten”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:07
11Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 11 Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:44
12Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 12 Recitative: “In vollem Glanze steiget jetzt” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:46
13Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 13 Chorus and Soli: “Die Himmel erzählen die Ehre Gottes” (Gabriel, Uriel, Raphael) - “Dem kommenden Tage sagt es der Tag”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:47
14Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 14 Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:40
15Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 15 Aria: “Auf starkem Fittiche schwinget sich der Adler stolz” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn6:19
16Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 16 Recitative: “Und Gott schuf große Walfische” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn2:43
17Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 17 Recitative: “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:30
18Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 18 Trio: “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:23
19Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 19 Chorus and Soli: “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:22
66▼CD: Die Schöpfung (Parts II conclusion & III)
#TitleArtistRatingLength
1Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 20 Recitative: “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:36
2Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 21 Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:11
3Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 22 Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn2:56
4Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 23 Recitative: “Und Gott schuf den Menschen nach seinem Bilde” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:52
5Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 24 Aria: “Mit Würd' und Hoheit angetan” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:24
6Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 25 Recitative: “Und Gott sah jedes Ding” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:29
7Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 26 Chorus: “Vollendet ist das große Werk”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIa. Chor: Vollendet ist das große Werk (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn1:28
8Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 27 Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIb. Terzett: Zu dir, o Herr, blickt alles auf (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn4:49
9Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 28 Chorus: “Vollendet is das große Werk”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIc. Chor: Vollendet ist das große Werk (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn2:54
10Die Schöpfung, Hob XXI:2: Part III. No. 29 Orchestral Introduction and Recitative: “Aus Rosenwolken bricht” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn5:04
11Die Schöpfung, Hob XXI:2: Part III. No. 30 Duet and Chorus: “Von deiner Güt', o Herr und Gott” (Eva, Adam) - “Geseegnet sei des Herren Macht”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Adam]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Eva]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn9:13
12Die Schöpfung, Hob XXI:2: Part III. No. 31 Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)
cello [cello continuo]:
Bernard Altmann (cellist)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist)
baritone vocals [Adam]:
John Reardon (baritone)
soprano vocals [Eva]:
Judith Raskin (soprano)
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn2:24
13Die Schöpfung, Hob XXI:2: Part III. No. 32 Duet: “Holde Gattin, dir zur Seite” (Adam, Eva)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Adam]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Eva]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn8:29
14Die Schöpfung, Hob XXI:2: Part III. No. 33 Recitative: “O glücklich Paar” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn0:26
15Die Schöpfung, Hob XXI:2: Part III. No. 34 Chorus and Soli: “Singt dem Herren alle Stimmen!”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn3:23
67▼CD: Mahler: Symphony no. 6 in A minor
#TitleArtistRatingLength
1Symphony no. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo. Heftig, aber markig
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-05-06)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-06)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (on 1967-05-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler21:28
2Symphony no. 6 in A minor “Tragic”: II. Scherzo. Wuchtig
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-05-06)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-06)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (on 1967-05-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler12:25
3Symphony no. 6 in A minor “Tragic”: III. Andante moderato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-05-06)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-06)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (on 1967-05-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler15:20
4Symphony no. 6 in A minor “Tragic”: IV. Finale. Allegro moderato - Allegro energico
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-05-06)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-06)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (on 1967-05-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler28:43
68▼CD: Mahler: Symphony no. 9 in D major
#TitleArtistRatingLength
1Symphony no. 9 in D major: I. Andante comodo
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1965-12-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-12-16)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-12-16)
recording of:
Symphony no. 9 in D major: I. Andante comodo (on 1965-12-16)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler28:24
2Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1965-12-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-12-16)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-12-16)
recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb (on 1965-12-16)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler15:53
3Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1965-12-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-12-16)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-12-16)
recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig (on 1965-12-16)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler12:32
4Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1965-12-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-12-16)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-12-16)
recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (on 1965-12-16)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler23:00
69▼CD: Brahms: Serenade in A
#TitleArtistRatingLength
1Serenade no. 2 in A major, op. 16: I. Allegro moderato
producer:
Richard Killough (producer)
orchestra:
New York Philharmonic (on 1966-02-01, on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-01, on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-01, on 1966-02-17)
recording of:
Serenade no. 2 in A major, op. 16: I. Allegro moderato (on 1966-02-17)
composer:
Johannes Brahms (German composer) (from 1858 until 1859)
part of:
Serenade no. 2 in A major, op. 16
Johannes Brahms8:40
2Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace - Trio
producer:
Richard Killough (producer)
orchestra:
New York Philharmonic (on 1966-02-01, on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-01, on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-01, on 1966-02-17)
recording of:
Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace – Trio (on 1966-02-17)
composer:
Johannes Brahms (German composer) (from 1858 until 1859)
part of:
Serenade no. 2 in A major, op. 16
Johannes Brahms2:45
3Serenade no. 2 in A major, op. 16: III. Adagio non troppo
producer:
Richard Killough (producer)
orchestra:
New York Philharmonic (on 1966-02-01, on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-01, on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-01, on 1966-02-17)
recording of:
Serenade no. 2 in A major, op. 16: III. Adagio non troppo (on 1966-02-17)
composer:
Johannes Brahms (German composer) (from 1858 until 1859)
part of:
Serenade no. 2 in A major, op. 16
Johannes Brahms9:03
4Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto - Trio
producer:
Richard Killough (producer)
orchestra:
New York Philharmonic (on 1966-02-01, on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-01, on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-01, on 1966-02-17)
recording of:
Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto – Trio (on 1966-02-17)
composer:
Johannes Brahms (German composer) (from 1858 until 1859)
part of:
Serenade no. 2 in A major, op. 16
Johannes Brahms5:41
5Serenade no. 2 in A major, op. 16: V. Rondo. Allegro
producer:
Richard Killough (producer)
orchestra:
New York Philharmonic (on 1966-02-01, on 1966-02-17)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-02-01, on 1966-02-17)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-02-01, on 1966-02-17)
recording of:
Serenade no. 2 in A major, op. 16: V. Rondo. Allegro (on 1966-02-17)
composer:
Johannes Brahms (German composer) (from 1858 until 1859)
part of:
Serenade no. 2 in A major, op. 16
Johannes Brahms6:00
70▼CD: Prokofiev: Classical Symphony / Bizet: Symphony in C
#TitleArtistRatingLength
1Classical Symphony (no. 1) in D major, op. 25: I. Allegro
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-19)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1968-03-19)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-19)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (on 1968-03-19)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:07
2Classical Symphony (no. 1) in D major, op. 25: II. Larghetto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-19)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1968-03-19)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-19)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (on 1968-03-19)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev3:55
3Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-19)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1968-03-19)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-19)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (on 1968-03-19)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev1:37
4Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-19)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1968-03-19)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-19)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (on 1968-03-19)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:05
5Symphony in C major: I. Allegro vivo
producer:
Thomas Z. Shepard
orchestra:
New York Philharmonic (on 1963-05-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-05-27)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-05-27)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo) (on 1963-05-27)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet7:08
6Symphony in C major: II. Adagio
producer:
Thomas Z. Shepard
orchestra:
New York Philharmonic (on 1963-05-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-05-27)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-05-27)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio) (on 1963-05-27)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet9:24
7Symphony in C major: III. Scherzo. Allegro vivace
producer:
Thomas Z. Shepard
orchestra:
New York Philharmonic (on 1963-05-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-05-27)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-05-27)
recording of:
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace (Symphony no. 1 in C major: III. Allegro vivace) (on 1963-05-27)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet5:23
8Symphony in C major: IV. Finale. Allegro vivace
producer:
Thomas Z. Shepard
orchestra:
New York Philharmonic (on 1963-05-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-05-27)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-05-27)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace) (on 1963-05-27)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet6:11
71▶CD: Karl Goldmark: Rustic Wedding Symphony
72▶CD: Haydn: Symphony no. 88 / Symphony no. 102
73▶CD: Berlioz: Symphonie fantastique
74▶CD: On the Beautiful Blue Danube
75▶CD: Mahler: Des Knaben Wunderhorn
76▶CD: Hindemith: Symphony in E-flat / Symphonic Metamorphosis of Themes by Carl Maria von Weber
77▶CD: William Schuman: Symphony no. 3 / Symphony for Strings
78▶CD: Tchaikovsky: Swan Lake Ballet Suite
79▶CD: Der Rosenkavalier (Act I)
80▶CD: Der Rosenkavalier (Act II)