Body & Soul

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

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1▼CD: Midnight Sun
#TitleRatingLength
1It's No Sin
baritone saxophone:
Cecil Payne
double bass [bass]:
Conrad Henry
drums (drum set):
Art Taylor
piano:
Duke Jordan
tenor saxophone:
Coleman Hawkins
trombone:
Matthew Gee (jazz trombonist)
trumpet:
Benny Harris and Idrees Sulieman
cover recording of:
It’s No Sin
writer:
George Hoven and Chester R. Shull
3:02
2And So to Sleep Again
baritone saxophone:
Cecil Payne
bass and double bass [bass]:
Conrad Henry
drums (drum set):
Art Taylor
piano:
Duke Jordan
tenor saxophone:
Coleman Hawkins
trombone:
Matthew Gee (jazz trombonist)
trumpet:
Benny Harris and Idrees Sulieman
instrumental recording of:
And So to Sleep Again
composer:
Joe Marsala and Sunny Skylar
2:59
3Spellbound
double bass [bass]:
Trigger Alpert
drums (drum set):
Norris "Bunny" Shawker
guitar:
Al Casimenti
piano:
Sanford Gold
tenor saxophone:
Coleman Hawkins
cover recording of:
Spellbound
composer:
Miklós Rózsa (composer)
3:07
4Lost in a Fog
double bass [bass]:
Trigger Alpert
drums (drum set):
Norris "Bunny" Shawker
guitar:
Al Casimenti
piano:
Sanford Gold
tenor saxophone:
Coleman Hawkins
instrumental cover recording of:
Lost in a Fog
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:08
5Carioca
double bass [bass]:
Trigger Alpert
drums (drum set):
Norris "Bunny" Shawker
guitar:
Al Casimenti
piano:
Sanford Gold
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
2:29
6Midnight Sun
double bass [bass]:
Trigger Alpert
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer)
keyboard:
Bill Doggett and Danny Mendelsohn
tenor saxophone:
Coleman Hawkins
trumpet:
Joe Wilder
instrumental recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
2:56
7If I Could Be With You
guitar:
George Barnes
tenor saxophone:
Coleman Hawkins
instrumental recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
3:14
8I Can't Get Started
guitar:
George Barnes
tenor saxophone:
Coleman Hawkins
instrumental recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:57
9Ruby
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Ruby
orchestrator:
Marty Paich
lyricist:
Mitchell Parish
composer:
Heinz Roemheld
publisher:
Miller Music (publisher) (in 1960)
2:27
10Where Is Your Heart
tenor saxophone:
Coleman Hawkins
instrumental recording of:
The Song From Moulin Rouge (aka “Where Is Your Heart”)
lyricist:
William Engvick
composer:
Georges Auric (composer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
Moulin Rouge (1952 film)
3:00
11My Blue Heaven
cornet:
Rex Stewart
double bass [bass]:
Arvell Shaw
drums (drum set):
Cozy Cole
guitar:
Billy Bauer (US cool jazz guitarist)
piano:
Claude Hopkins
tenor saxophone:
Coleman Hawkins
trombone:
Tyree Glenn
instrumental recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
3:01
12Honeysuckle Rose
cornet:
Rex Stewart
double bass [bass]:
Arvell Shaw
drums (drum set):
Cozy Cole
guitar:
Billy Bauer (US cool jazz guitarist)
piano:
Claude Hopkins
tenor saxophone:
Coleman Hawkins
trombone:
Tyree Glenn
instrumental recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:36
13Organ Grinder's Swing
cornet:
Rex Stewart
double bass [bass]:
Arvell Shaw
drums (drum set):
Cozy Cole
guitar:
Billy Bauer (US cool jazz guitarist)
piano:
Claude Hopkins
tenor saxophone:
Coleman Hawkins
trombone:
Tyree Glenn
instrumental recording of:
Organ Grinder’s Swing
lyricist:
Irving Mills and Mitchell Parish
composer:
Will Hudson
publisher:
EMI Mills Music Inc. (ASCAP-affiliated)
3:09
14Perdido
cornet:
Rex Stewart
double bass [bass]:
Arvell Shaw
drums (drum set):
Cozy Cole
guitar:
Billy Bauer (US cool jazz guitarist)
piano:
Claude Hopkins
tenor saxophone:
Coleman Hawkins
trombone:
Tyree Glenn
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
4:42
15Sweethearts on Parade
cornet:
Rex Stewart
double bass [bass]:
Arvell Shaw
drums (drum set):
Cozy Cole
guitar:
Billy Bauer (US cool jazz guitarist)
piano:
Claude Hopkins
tenor saxophone:
Coleman Hawkins
trombone:
Tyree Glenn
instrumental recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
3:42
16The Man I Love
double bass [bass]:
Wendell Marshall
drums (drum set):
Shadow Wilson
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
7:02
17Foolin' Around
double bass [bass]:
Wendell Marshall
drums (drum set):
Shadow Wilson
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
recording of:
Foolin' Around
composer:
Coleman Hawkins
1:25
18Time on My Hands
double bass [bass]:
Wendell Marshall
drums (drum set):
Shadow Wilson
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
5:39
19Ornithology
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
double bass [bass]:
Gene Ramey
drums (drum set):
Walter Bolden (drums)
piano:
Tommy Flanagan
tenor saxophone:
Coleman Hawkins
trombone:
Jimmy Knepper (trombonist)
cover recording of:
Ornithology
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
5:12
20Body and Soul
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
double bass [bass]:
Gene Ramey
drums (drum set):
Walter Bolden (drums)
piano:
Tommy Flanagan
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:26
2▼CD: The Breeze and I
#TitleRatingLength
1Blues for Yolande
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
Blues for Yolande
composer:
Coleman Hawkins
6:48
2It Never Entered My Mind
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:49
3Rosita
double bass [bass]:
Ray Brown (jazz bassist)
drums (drum set):
Alvin Stoller
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins and Ben Webster
cover recording of:
Rosita
composer:
Walter G. Haenschen
5:04
4You'd Be So Nice to Come Home To
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:18
5Prisoner of Love
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Prisoner of Love
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
4:15
6Tangerine
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Tangerine (1941 song)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:23
7Shine on Harvest Moon
recorded in:
Los Angeles, California, United States (on 1957-10-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
instrumental recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
4:49
8Running Wild
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
Runnin’ Wild (on 1955-05-10)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
3:23
9I’ll Never Be the Same
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
I’ll Never Be the Same (on 1955-05-10)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
7:13
10When Your Lover Has Gone
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trombone:
Eddie Bert (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
When Your Lover Has Gone (on 1955-05-10)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
4:59
11Blue Room
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trombone:
Eddie Bert (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
Blue Room (on 1955-05-10)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
4:43
12The Breeze and I
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
The Breeze and I (on 1955-05-10)
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
3:17
13What’s New
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trombone:
Eddie Bert (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
instrumental recording of:
What’s New? (on 1955-05-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
5:48
14My Own Blues
double bass:
Wendell Marshall (on 1955-05-10)
drums (drum set):
Osie Johnson (on 1955-05-10)
guitar:
Sidney Gross (on 1955-05-10)
piano:
Joe "Earl" Knight (on 1955-05-10)
tenor saxophone:
Coleman Hawkins (on 1955-05-10)
trombone:
Eddie Bert (on 1955-05-10)
trumpet:
Ernie Royal (on 1955-05-10)
recording of:
My Own Blues (on 1955-05-10)
composer:
Coleman Hawkins
6:03
3▼CD: Rainbow Mist
#TitleRatingLength
1Meet Doctor Foo
alto saxophone:
Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Jackie Fields (on 1939-10-11) and Coleman Hawkins (on 1939-10-11)
trombone:
Joe Guy (trumpet) (on 1939-10-11), Earl Hardy (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
lead vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
recording of:
Meet Doctor Foo (on 1939-10-11)
composer:
Coleman Hawkins
2:34
2Body and Soul
alto saxophone:
Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Jackie Fields (on 1939-10-11) and Coleman Hawkins (on 1939-10-11)
trombone:
Joe Guy (trumpet) (on 1939-10-11), Earl Hardy (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
lead vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:01
3Dedication
double bass [bass]:
John Kirby (jazz bass/trombone/tuba player)
drums (drum set):
Sid Catlett
guitar:
Bernard Addison
tenor saxophone:
Coleman Hawkins
recording of:
Dedication
composer:
Leonard Feather
2:52
4Serenade to a Sleeping Beauty
alto saxophone:
Jackie Fields (on 1940-08-09), Eustis Moore (on 1940-08-09) and Ernie Powell (on 1940-08-09)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1940-08-09)
drums (drum set):
J.C. Heard (on 1940-08-09)
piano:
Gene Rodgers (on 1940-08-09)
tenor saxophone:
Coleman Hawkins (on 1940-08-09)
trombone:
William Cato (on 1940-08-09), Claude Jones (on 1940-08-09) and Sandy Williams (American jazz trombonist) (on 1940-08-09)
trumpet:
Nelson Bryant (on 1940-08-09), Joe Guy (trumpet) (on 1940-08-09), Tommy Lindsay (on 1940-08-09) and Tommy Stevenson (on 1940-08-09)
3:05
5My Ideal
clarinet:
Edmond Hall (American jazz clarinetist, bandleader)
double bass [bass]:
Oscar Pettiford
drums (drum set):
Sid Catlett
guitar:
Al Casey (US jazz/soul guitarist)
piano:
Art Tatum (US jazz pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Cootie Williams
instrumental recording of:
My Ideal (from “Playboy of Paris”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:07
6Lover Come Back to Me
double bass [bass]:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Jimmy Shirley
piano:
Ellis Larkins
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1943-12-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:05
7Crazy Rhythm
bass:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:14
8Get Happy
double bass [bass]:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Get Happy (on 1943-12-23)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:23
9The Man I Love
double bass [bass]:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
5:07
10Bean at the Met
drums (drum set):
Cozy Cole
piano:
Billy Taylor (jazz/bop pianist) and Teddy Wilson
tenor saxophone:
Coleman Hawkins
trumpet:
Roy Eldridge
recording of:
Bean at the Met
composer:
Coleman Hawkins
3:05
11Rainbow Mist
alto saxophone:
Leo Parker
bass saxophone:
Budd Johnson
double bass [bass]:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Clyde Hart
tenor saxophone:
Colonel Abrams, Don Byas and Coleman Hawkins
recording of:
Rainbow Mist
composer:
Coleman Hawkins
2:59
12Recollections
drums (drum set):
Denzil Best
piano:
Thelonious Monk
tenor saxophone:
Coleman Hawkins
2:53
13Indian Summer
double bass [bass]:
Harry Carney (on 1946-12-04) and Chubby Jackson (on 1946-12-04)
guitar:
John Collins (US jazz guitarist) (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
Buck Clayton (on 1946-12-04), J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
instrumental recording of:
Indian Summer (on 1946-12-04)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
3:13
14Phantomesque
alto saxophone:
Howard Johnson (tuba & baritone saxophone)
bass:
Marion DeVeta
double bass [bass]:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
Kai Winding
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Phantomesque (in 1947-06)
composer:
Coleman Hawkins
2:56
15April in Paris
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
instrumental recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:08
16How Strange
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
How Strange
lyricist:
Gus Kahn
additional composer:
Earl Brent and Herbert Stothart (composer)
composer:
[traditional] (special purpose artist) and B. A. Prozorovsky
publisher:
EMI Feist Catalog Inc.
3:02
17Half Step Down Please
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Half Step Down Please (on 1947-12-11)
composer:
Tadd Dameron
3:02
18Angel Face
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Angel Face (on 1947-12-11)
composer:
Hank Jones (piano) and Geoffrey Keezer
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:12
19Jumpin for Jane
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Jumping for Jane (on 1947-12-11)
writer:
Leonard Feather
3:08
20Picasso
tenor saxophone:
Coleman Hawkins
recording of:
Picasso
composer:
Coleman Hawkins
3:13
4▼CD: Cheek to Cheek
#TitleRatingLength
1Stompin’ at the Savoy
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
6:19
2If I Had You
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
If I Had You (jazz standard)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
4:34
3Out of Nowhere
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Out of Nowhere
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:46
4Get Happy
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Get Happy
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
5:34
5Ain't Misbehavin’
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
7:34
6Cheek to Cheek
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
8:06
7Lullaby of Birdland
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
5:15
8Just You, Just Me
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
instrumental recording of:
Just You, Just Me
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
6:09
9Blue Love
engineered in:
New York, New York, United States (in 1954)
double bass [bass]:
Milt Hinton
drums (drum set):
Jo Jones (US jazz drummer)
piano:
Billy Taylor (jazz/bop pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Emmett Berry and Eddie Bert
cover recording of:
Blue Lou
composer:
Irving Mills and Edgar Sampson
5:08