Guardians Of The Galaxy Vol. 2: Awesome Mix Vol. 2

~ Release by Various Artists (see all versions of this release, 9 available)

Tracklist

1▼Cassette
#TitleArtistRatingLength
A1Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.555:03
A2Fox on the Run
engineer:
Peter Coleman (British engineer & producer)
producer:
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Chinebridge Ltd. (The Sweet) (in 1974)
recorded at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Fox on the Run
writer:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) and Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
Sweet4.553:25
A3Lake Shore Drive
recording of:
Lake Shore Drive
lyricist and composer:
Eugene von Heitlinger
Aliotta Haynes Jeremiah3.653:49
A4The Chain - 2004 Remaster
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
The Chain
writer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music and Welsh Witch Music (BMI affiliated)
revision of:
Keep Me There
Fleetwood Mac4.44:27
A5Bring It On Home to Me
engineer:
Al Schmitt
producer:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore and Hugo Peretti
bass:
Ray Pohlman
cello:
Cecil Figelski (String player) and Armand Kaproff
drums (drum set) and percussion:
Frank Capp
guitar:
Clifton White, René Hall and Tommy Tedesco (guitar)
piano:
Ernest Freeman
saxophone:
William Green (woodwind)
viola:
Wilbert Nuttycombe (strings) and Irving Weinper
violin:
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer and Marshall Sosson
additional vocals:
Lou Rawls
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1962-04-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 16)
cover recording of:
Bring It On Home to Me (on 1962-04-26)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Sam Cooke3.752:43
A6Southern Nights
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977)
cover recording of:
Southern Nights
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.72:58
A7My Sweet Lord (2014 Remaster)
recording engineer:
Phil McDonald (engineer and producer) (from 1970-05-26 until 1970-08) and Ken Scott (UK record producer & engineer) (from 1970-05-26 until 1970-08)
producer:
George Harrison (The Beatles) and Phil Spector
acoustic guitar:
Eric Clapton (from 1970-05-26 until 1970-08), Tom Evans (UK guitarist for Badfinger) (from 1970-05-26 until 1970-08), Peter Frampton (from 1970-05-26 until 1970-08), Pete Ham (from 1970-05-26 until 1970-08), George Harrison (The Beatles) (from 1970-05-26 until 1970-08) and Joey Molland (from 1970-05-26 until 1970-08)
bass guitar:
Klaus Voormann (from 1970-05-26 until 1970-08)
drums (drum set):
Andy White (Scottish drummer) (from 1970-05-26 until 1970-08)
electric piano:
Gary Wright (US singer/keyboardist) (from 1970-05-26 until 1970-08)
piano:
Billy Preston (from 1970-05-26 until 1970-08)
slide guitar and lead vocals:
George Harrison (The Beatles) (from 1970-05-26 until 1970-08)
tambourine:
Mike Gibbins (drummer for Badfinger) (from 1970-05-26 until 1970-08) and Ringo Starr (The Beatles) (from 1970-05-26 until 1970-08)
background vocals:
Eric Clapton (from 1970-05-26 until 1970-08), George Harrison (The Beatles) (from 1970-05-26 until 1970-08), Phil Spector (from 1970-05-26 until 1970-08) and Bobby Whitlock (from 1970-05-26 until 1970-08)
vocals:
Bobby Whitlock (from 1970-05-26 until 1970-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and G.H. Estate Limited (in 2014)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1970-05-26 until 1970-08)
music videos:
My Sweet Lord (50th anniversary video) by George Harrison (The Beatles)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 454)
recording of:
My Sweet Lord (from 1970-05-26 until 1970-08)
written in:
Europe (in 1969-12)
lyricist and composer:
George Harrison (The Beatles) (from 1969-12 until 1970)
publisher:
Harrisongs Ltd.
version of:
He’s So Fine
George Harrison4.44:38
B1Brandy (You're a Fine Girl) - Single Version
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 2), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 11) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
lyricist and composer:
Elliot Lurie
Looking Glass4.253:03
B2Come a Little Bit Closer
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1964)
recording of:
Come a Little Bit Closer
writer:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell and Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Morris Music Inc
Jay & the Americans3.52:46
B3Wham Bam Shang‐a‐Lang
producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Tom Sellers (US musician, producer, arranger and songwriter)
bass guitar:
Tom Leadon
drums (drum set):
Harry Stinson
guitar:
John Batdorf and Greg Collier
keyboard:
Brent Mydland
vocals:
John Batdorf, Greg Collier, Tom Leadon, Brent Mydland and Harry Stinson
arranger:
Silver (70s US country rock band “Wham Bam”) and Tom Sellers (US musician, producer, arranger and songwriter)
recording of:
Wham Bam Shang‐A‐Lang
lyricist and composer:
Rick Giles (US country musician)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Silver3.13:32
B4Surrender
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 356) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 465)
recording of:
Surrender (from 1978-04-30 until 1978-05-03)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Cheap Trick3.854:14
B5Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens4.253:39
B6Flash Light
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 199) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 252)
recording of:
Flash Light
writer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) and Bernie Worrell (keyboardist, composer and record producer)
publisher:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) and Rubberband Music, Inc.
Parliament4.44:29
B7Guardians Inferno
producer:
Tyler Bates (American musician and score composer)
mixer:
Gustavo Borner
recording of:
Guardians Inferno
writer:
Tyler Bates (American musician and score composer) and James Gunn (United States filmmaker/actor)
The Sneepers feat. David Hasselhoff3.453:17