Roots Music: An American Journey

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Tennessee Mountain Fox Chase
recorded in:
Dade County, Georgia, United States (in 1984-10)
recording engineer:
Bruce Nemerov (in 1984-10)
producer:
Norman Blake (bluegrass guitarist)
banjo:
Tommy Jackson (clawhammer style banjo player) (in 1984-10)
fiddle:
Nancy Blake (in 1984-10) and James Bryan (American fiddle player) (in 1984-10)
guitar:
Norman Blake (bluegrass guitarist) (in 1984-10)
Norman Blake2:54
2Banjo Picking Girl
recording engineer and mixer:
John Nagy
producer:
Hazel Dickens and Alice Gerrard
banjo:
Alice Gerrard, Lamar Grier and Mike Seeger
fiddle:
Tracy Schwarz
lead vocals:
Alice Gerrard
tenor vocals:
Hazel Dickens
recording of:
Banjo Pickin’ Girl
Hazel Dickens & Alice Gerrard3:06
3Old Corn Liquor
recording engineer:
Wes Lachot
producer:
Bob Carlin
mixer:
Bob Carlin and Wes Lachot
banjo:
Bob Carlin
double bass:
Pam Davis (bassist)
fiddle:
Joe Thompson (US fiddler)
guitar:
Clyde Davids
vocals:
Joe Thompson (US fiddler)
recorded at and mixed at:
Overdub Lane in Durham, North Carolina, United States
recording of:
Old Corn Liquor (Joe Thompson arrangment)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Thompson (US fiddler)
arrangement of:
Old Corn Liquor
Joe Thompson3:26
4Rain and Snow
recording engineer:
Chris Hertzler
producer:
Ken Irwin
mixer:
Richard Adler (producer/engineer)
solo banjo [clawhammer banjo] and solo vocals:
Suzanne Thomas
recording of:
Rain and Snow
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3634)
Dry Branch Fire Squad2:15
5The Orphan Child
recording engineer:
Jody Stecher (folksinger)
engineer:
Mike Cogan and Bob Shumaker
mixer:
Bob Shumaker
banjo:
Kate Brislin
guitar:
Jody Stecher (folksinger)
bass vocals:
Larry Hanks
vocals:
Kate Brislin and Jody Stecher (folksinger)
Jody Stecher & Kate Brislin4:05
6Working on a Building
producer:
The Johnson Mountain Boys
banjo:
Tom Adams (US bluegrass banjoist)
double bass:
Marshall Wilborn
fiddle:
Eddie Stubbs
guitar:
Dudley Connell
mandolin:
David McLaughlin (US bluegrass musician)
vocals:
Dudley Connell, David McLaughlin (US bluegrass musician) and Marshall Wilborn
The Johnson Mountain Boys3:18
7You Better Mind
recording engineer:
Bruce Kaplan (Flying Fish Records) (in 1973-07) and Bill Nowlin (Rounder Records) (in 1973-07)
Bessie Jones2:50
8Dry Bones
recording engineer:
Chris Rival
producer:
Jerry Lawson and Chris Rival
vocals:
Jimmy Hayes (vocalist with The Persuasions), B.J. Jones, Jerry Lawson, Joe Russell (tenor singer of the Persuasions) and Jayotis Washington
The Persuasions2:17
9Did You Hear John Hurt?
engineer:
Chas Eller
producer:
Mitch Greenhill (60's folk)
guitar:
Dave Van Ronk
vocals:
Dave Van Ronk
Dave Van Ronk3:15
10One‐Dime Blues
producer:
Wayne Martin (Smithsonian Folkways), Lesley Williams and Lesley Williams (folklorist)
guitar:
Etta Baker
Etta Baker2:35
11All the Way From East St. Louis
recorded in:
Como, Mississippi, United States (in 1962-04)
recording engineer:
Richard K. Spottswood (American Musicologist) (in 1962-04)
guitar:
Mississippi Fred McDowell (in 1962-04)
vocals:
Mississippi Fred McDowell (in 1962-04)
Mississippi Fred McDowell3:08
12Juke Medley
recorded in:
Chicago, Illinois, United States (in 1964-09)
recording engineer:
Norman Dayron (in 1964-09)
producer:
Norman Dayron
guitar [lead guitar]:
Robert Nighthawk (in 1964-09)
guitar [rhythm guitar]:
Johnny Young (US blues singer, mandolin player & guitarist) (in 1964-09)
harmonica:
Carey Bell (in 1964-09)
membranophone:
Robert Whitehead (1950s blues drummer) (in 1964-09)
Robert Nighthawk & Carey Bell1:38
13Black’s Ball
assistant recording engineer and assistant mixer:
Ed Goodreau (in 1993)
recording engineer and mixer:
Glenn Berger (in 1993)
producer:
Scott Billington
bass:
Kenny Krumbholtz (in 1993)
guitar:
J.B. Hutto (in 1993)
membranophone:
Leroy Pina (in 1993)
solo guitar [first solo]:
Brian Bisesi (in 1993)
tenor saxophone:
Greg Piccolo (in 1993)
vocals:
J.B. Hutto (in 1993)
recorded at and mixed at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States (in 1993)
J.B. Hutto & The New Hawks2:57
14Just a Little While to Stay Here
recording engineer:
Keith Keller (Producer, Engineer, Chez Flames Studio) (in 1994)
producer:
Keith Keller (Producer, Engineer, Chez Flames Studio)
bass drum:
Keith Frazier (Bass Drum) (in 1994)
cymbal [cymbal]:
Keith Frazier (Bass Drum) (in 1994) and Ajay Mallery (in 1994)
snare drum:
Ajay Mallery (in 1994)
tenor saxophone:
Roderick Paulin (in 1994)
trombone:
Tyrus Chapman (in 1994) and Reginald Stewart (trombone) (in 1994)
trumpet:
Glen Andrews (trumpet) (in 1994), Kermit Ruffins (US jazz trumpeter, singer, composer, and actor) (in 1994) and Kenneth Terry (Kenny “Little Milton” Terry) (in 1994)
tuba:
Philip Frazier ("Tuba" Phil Fraizer) (in 1994)
recorded at:
Chez Flames in New Orleans, Louisiana, United States (in 1994)
Rebirth Brass Band6:18
15Iko, Iko
engineer:
David Farrell (engineer)
producer:
Ron Levy (American electric blues musician and composer)
bass drum:
Geechee
congas:
Geenie (US percussionist, member of Wild Magnolias)
cowbell:
Lil' Crip
tambourine:
Big Chief Monk Boudreaux, Bo Dollis, Gator June, Penney and Pretty Queen
background vocals:
Big Chief Monk Boudreaux, Gator June, Geechee, Geenie (US percussionist, member of Wild Magnolias), Lil’ Crip, Penney and Pretty Queen
lead vocals:
Bo Dollis
arranger:
Bo Dollis
recorded at and mixed at:
Southlake Recording Studio in Jefferson Parish, Louisiana, United States
recording of:
Iko Iko
lyricist:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins and Joan Marie Johnson (Joan Marie Johnson Faust)
composer:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins and Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
revision of:
Jockomo
Bo Dollis and The Wild Magnolias3:43
16Mai Kai No Kauai
recorded in:
Hawaii, United States (in 1988)
engineer and mixer:
Pete Carlson (engineer and producer) (in 1988)
producer:
Bob Brozman
guitar and bass vocals:
Tau Moe (in 1988)
guitar [second guitar]:
Dorian Moe (in 1988)
Hawaiian guitar:
Bob Brozman (in 1988)
ukulele:
Lani Moe (in 1988)
lead vocals:
Rose Moe (in 1988)
vocals:
Dorian Moe (in 1988) and Lani Moe (in 1988)
recording of:
Mai Kai No Kauai (in 1988)
writer:
[traditional] (special purpose artist)
arranger:
Bob Brozman and Tau Moe Family
Tau Moe Family2:47
17Texas Cowboy
recorded in:
Mountain View, Arkansas, United States
producer:
Mark Wilson (technical/producer)
fiddle:
J.P. Fraley
guitar:
Glenn Ohrlin
guitar [second guitar]:
Gordon McCann
vocals:
Glenn Ohrlin
Glenn Ohrlin3:20
18Streets of Laredo
recording engineer:
Pete Reiniger (in 1983)
producer:
Joe Wilson (folklorist/producer/musician)
guitar:
Brownie Ford (in 1983)
vocals:
Brownie Ford (in 1983)
arranger:
Brownie Ford
recording of:
Streets of Laredo (aka “Cowboy’s Lament”) (in 1983)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 23650)
version of:
The Unfortunate Lass (Bad Girl's Lament)
Brownie Ford4:27
2▼CD
#TitleArtistRatingLength
1Lacassine Special
producer:
Ralph Rinzler
accordion:
Hadley Fontenot
fiddle:
Dewey Balfa, Rodney Balfa and Will Balfa
triangle:
Harry Balfa and Nelda Balfa
The Balfa Brothers3:14
2Ti galop pour Mamou
recording engineer:
Rex Hebert
producer:
Ken Irwin and D. L. Menard
mixer:
Bill McElroy
accordion:
Blackie Forestier and Eddie LeJeune
fiddle:
Ken Smith (fiddler)
guitar:
D. L. Menard
background vocals [harmony vocals]:
Blackie Forestier
vocals:
D. L. Menard
recorded at:
La Louisianne Recording Studios in Lafayette, Louisiana, United States
mixed at:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, United States
D. L. Menard2:40
3Dimanche apres‐midi
recording engineer and mixer:
David Farrell (engineer)
producer:
Scott Billington
bass:
Derek Dee Greenwood
button accordion:
Chris Ardoin
frottoir [rubboard]:
Tammy Ledet
guitar:
Gabriel "Pandy" Perrodin Jr.
membranophone and lead vocals:
Sean Ardoin
recorded at and mixed at:
Ultrasonic Studios in New Orleans, Louisiana, United States
Chris Ardoin and Double Clutchin'3:24
4Père et garçon zydeco
recording engineer and mixer:
David Farrell (engineer) (in 1991-12)
producer:
Scott Billington
accordion:
Geno Delafose (in 1991-12)
frottoir:
John Delafose (in 1991-12)
membranophone:
Germaine Jack (in 1991-12)
vocals:
John Delafose (in 1991-12)
recorded at and mixed at:
Ultrasonic Studios in New Orleans, Louisiana, United States (in 1991-12)
John and Geno Delafose4:58
5Oh bye mon neg
assistant recording engineer:
Steve Himelfarb (in 1993-05)
recording engineer:
Tom Mark (sound engineer) (in 1993-05)
producer:
Terry Adams (Producer)
mixer:
Chris Andersen and Tom Mark (sound engineer)
accordion:
Boozoo Chavis (in 1993-05)
bass:
Classie Ballou, Jr. (in 1993-05)
frottoir [rubboard]:
Charles Chavis (in 1993-05)
guitar [lead guitar]:
Carlton "Guitar" Thomas (in 1993-05)
guitar [rhythm guitar]:
Nathaniel Fontenot (in 1993-05)
membranophone:
Rellis Chavis (in 1993-05)
vocals:
Boozoo Chavis (in 1993-05)
recorded at:
The New Orleans Recording Co. in Louisiana, United States (in 1993-05)
mixed at:
Grog Kill Studio in Woodstock, New York, United States and Nevessa Productions in Woodstock, New York, United States
Boozoo Chavis3:44
6Zulema Waltz
producer:
Carl Finch and Santiago Jiménez, Jr.
mixer:
Carl Finch (in 1989-05) and Toby Torres (in 1989-05)
accordion:
Santiago Jiménez, Jr. (in 1989-05)
bajo sexto:
Toby Torres (in 1989-05)
tololoche:
Juan Viesca (in 1989-05)
recorded at and mixed at:
Toby's Custom Recording Studio in San Antonio, Texas, United States (in 1989-05)
Santiago Jimenez, Jr.2:22
7El ahualulco
recording engineer and mixer:
Pete Reiniger
producer:
Daniel Sheehy (Smithsonian Folkways) and Joe Wilson (folklorist/producer/musician)
guitar:
Valente Reyes
guitar [jarana] and guitar [requinto]:
José Gutiérrez and Oliverio Lara
harp:
Gonzalo Mata
vocals:
Gonzalo Mata and Valente Reyes
recorded at and mixed at:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, United States
Los Pregoneros del Puerto3:54
8Ven (Come to Me)
Los Cachorros3:00
9Reels: Catherine McEvoy’s / Arklow Mountains
recorded in:
Chicago, Illinois, United States (in 1975)
recording engineer:
Miles Krassen (in 1975) and Larry McCullough (in 1975)
producer:
Miles Krassen and Larry McCullough
fiddle:
Liz Carroll (fiddle player) (in 1975)
piano accordion:
James Keane, Jr. (in 1975)
Liz Carroll & James Keane, Jr.2:25
10Silver Star Hornpipe / Karen’s Reel / Temperence Reel
recorded in:
Waltham, Massachusetts, United States (from 1996 until 1997)
producer:
Frank Ferrel and Mark Wilson (technical/producer)
bass:
Edmond Boudreau
fiddle:
Joe Cormier
piano:
Eddie Irwin
Joe Cormier3:31
11Long Journey Home
engineer:
Steve Chandler (US recording engineer, Nashville based)
producer:
J.D. Crowe
banjo and baritone vocals:
J.D. Crowe
bass:
Curt Chapman
fiddle:
Randy Howard (fiddle and mandolin player)
guitar and lead vocals:
Richard Bennett (American Bluegrass Singer/Guitarist)
mandolin and tenor vocals:
Don Rigsby
resonator guitar [dobro]:
Phil Leadbetter
recording of:
My Long Journey Home
writer:
[traditional] (special purpose artist)
J.D. Crowe and the New South3:04
12Leavin’
recording engineer and mixer:
Ronnie Freeland
producer:
Ken Irwin
banjo:
Tom Adams (US bluegrass banjoist) (from 1993-04-24 until 1993-04-25)
double bass [bass]:
Marshall Wilborn (from 1993-04-24 until 1993-04-25)
fiddle:
Tim Smith (bluegrass fiddler) (from 1993-04-24 until 1993-04-25)
guitar and background vocals [harmony vocals]:
Dudley Connell (from 1993-04-24 until 1993-04-25)
mandolin:
David McLaughlin (US bluegrass musician) (from 1993-04-24 until 1993-04-25)
lead vocals:
James King (Bluegrass/gospel musician) (from 1993-04-24 until 1993-04-25)
recorded at:
Big Mo Recording Studio in Kensington, Maryland, United States (from 1993-04-24 until 1993-04-25)
mixed at:
Big Mo Recording Studio in Kensington, Maryland, United States
recording of:
Leavin' (from 1993-04-24 until 1993-04-25)
lyricist and composer:
Jack Tottle (American mandolinist, singer/songwriter)
James King3:02
13Old Folks at Home
engineer and mixer:
Bob Shumaker
banjo:
Keith Little
double bass [acoustic bass]:
Kevin Thompson (double bassist)
fiddle:
Ed Neff
guitar:
Delbert Williams
mandolin:
Vern Williams
vocals:
Keith Little, Delbert Williams and Vern Williams
recording of:
Old Folks at Home (Swanee River)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
Vern Williams4:12
14Nobody’s Business
recording engineer and mixer:
Steve Chandler (US recording engineer, Nashville based)
producer:
Ken Irwin
banjo:
Frank Lee (US old-time banjo player)
double bass [acoustic bass]:
James O'Keefe
fiddle:
David Bass (fiddler)
guitar:
Cary Fridley
vocals:
Cary Fridley and Frank Lee (US old-time banjo player)
recorded at and mixed at:
Hilltop Recording Studios in Nashville, Tennessee, United States
The Freight Hoppers3:36
15All Around the World
recording engineer:
Jay Gallagher (engineer, founder of Ultrasonic Studios) (from 1982-10-18 until 1982-10-20)
producer:
Scott Billington and John Parsons (Musician, composer and producer)
mixer:
Scott Billington and Paul Mufson
piano:
James Booker (from 1982-10-18 until 1982-10-20)
vocals:
James Booker (from 1982-10-18 until 1982-10-20)
recorded at:
Ultrasonic Studios in New Orleans, Louisiana, United States (from 1982-10-18 until 1982-10-20)
cover recording of:
All Around the World (aka “Grits Ain’t Groceries”) (in 1982)
lyricist and composer:
Titus Turner
publisher:
Bro ’n Sis Music, Rockland Music and Titus Turner Songs Co.
James Booker3:28
16Frankie and Johnny
recording engineer:
Jay Gallagher (engineer, founder of Ultrasonic Studios)
producer:
John Berthelot, Scott Billington and Jeff Hannusch
piano:
Tuts Washington
vocals:
Tuts Washington
arranger:
Tuts Washington
recorded at:
Ultrasonic Studios in New Orleans, Louisiana, United States
recording of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
publisher:
Hughie Cannon (in 1904) and Carl Sandburg (in 1927)
lyricist, writer and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 254)
is based on:
You’re My Baby
Tuts Washington2:22
17Yancey’s Bugle Call
engineer:
John Nagy
producer:
Ken Irwin
mixer:
Jake Guralnick and Chris Rival
piano:
Preacher Jack
vocals:
Tuts Washington
Preacher Jack3:06
18Bottle Up and Go
recording engineer:
Jerry W. Shook (in 1980)
producer:
Ken Irwin
mixer:
Scott Billington (in 1999-08) and David Farrell (engineer) (in 1999-08)
bass:
Henry Strzelecki (in 1980)
guitar:
Sleepy LaBeef (in 1980) and Cliff Parker (in 1980)
membranophone:
D.J. Fontana (in 1980)
piano:
Earl Poole Ball (US country pianist) (in 1980)
vocals:
Sleepy LaBeef (in 1980)
recorded at:
Shook Shack in Nashville, Tennessee, United States (in 1980)
mixed at:
Ultrasonic Studios in New Orleans, Louisiana, United States (in 1999-08)
Sleepy LaBeef2:37
3▼CD
#TitleArtistRatingLength
1Friend of the Devil
recording engineer and producer:
Bill Wolf (US engineer/producer)
double bass:
Ronnie Simpkins
fiddle:
Rickie Simpkins
guitar:
Tony Rice
mandolin and lead vocals:
Larry Rice (bluegrass mandolinist, singer, songwriter)
resonator guitar [dobro]:
Herb Pedersen
recorded at:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, United States
cover recording of:
Friend of the Devil
written in:
Kentfield, California, United States (from 1969 until 1970) and Travis County, Texas, United States (from 1969 until 1970)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead) (from 1969 until 1970)
composer:
John Dawson (of New Riders of the Purple Sage) (from 1969 until 1970) and Jerry Garcia (guitarist / vocalist in Grateful Dead) (from 1969 until 1970)
publisher:
Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and WC Music Corp.
Rice, Rice, Hillman & Pedersen3:16
2Every Time You Say Goodbye
recording engineer and mixer:
Richard Adler (producer/engineer)
engineer:
Randy Best (US engineer)
producer:
Alison Krauss & Union Station
banjo and tenor vocals [low tenor vocals]:
Ron Block
double bass [acoustic bass]:
Barry Bales
fiddle and lead vocals:
Alison Krauss
guitar:
Tim Stafford
mandolin:
Adam Steffey (bluegrass mandolin player)
recorded at:
Champagne Studios in Nashville, Tennessee, United States, Suite 2000 in Nashville, Tennessee, United States, The Homeplace Studios in White House, Tennessee, United States, The Sound Shop (Nashville, TN) in Nashville, Tennessee, United States and Treasure Isle Recorders in Nashville, Tennessee, United States
recording of:
Every Time You Say Goodbye
lyricist and composer:
John Pennell
Alison Krauss & Union Station43:17
3Man of Constant Sorrow
engineer:
Kevin Clock (in 1994)
producer:
Tony Furtado
mixer:
Cookie Marenco
banjo:
Tony Furtado (in 1994)
bass:
Sally Truitt (in 1994)
fiddle and mandolin:
Tim O’Brien (US bluegrass musician) (in 1994)
guitar:
Nick Forster (US bluegrass musician, host of “etown” radio program) (in 1994)
vocals:
Tim O’Brien (US bluegrass musician) (in 1994)
performer:
Tim O’Brien (US bluegrass musician)
recorded at:
Colorado Sound Studios in Westminster, Colorado, United States (in 1994)
mixed at:
OTR Studios in Belmont, California, United States (in 1994)
recording of:
Man of Constant Sorrow (traditional, arranger neutral) (in 1994)
writer:
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
Tony Furtado & Tim O’Brien4:11
4Crossfire
engineer:
Bob Shumaker
producer:
Béla Fleck
mixer:
Richard Adler (producer/engineer)
banjo:
Béla Fleck
bass:
Mark Schatz
fiddle:
Darol Anger
fiddle [harmony fiddle] and guitar:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
mandolin:
David Grisman
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
Béla Fleck3:27
5You’re in My Heart
recording engineer:
Ronny Light (American producer, recording engineer and songwriter.)
producer:
Ronny Light (American producer, recording engineer and songwriter.) and Rhonda Vincent
banjo:
Marc Pruett (bluegrass banjo player)
bass:
Darrin Vincent
fiddle:
Ron Stewart (bluegrass multi-instrumentalist session player, known for fiddle)
guitar:
Bryan Sutton
mandolin:
Rhonda Vincent
vocals:
Paul Brewster (US bluegrass singer and guitarist) and Darrin Vincent
Rhonda Vincent2:25
6Second Wind
engineer, producer and mixer:
Bil VornDick (engineer)
acoustic guitar:
David Grier
banjo:
Alison Brown (American banjo player)
bass:
Gene Libbea
fiddle:
Randy Howard (fiddle and mandolin player)
mandolin:
Larry Lynch
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
background vocals [harmony vocals]:
Chuck Holcomb and Kenny Smith (Bluegrass guitarist)
vocals:
Claire Lynch
recorded at:
Music Row Audio in Nashville, Tennessee, United States
recording of:
Second Wind
writer:
Pamela Brown Hayes and Claire Lynch
publisher:
Songs of PolyGram International, Inc., Sound Cell Songs and Universal–Songs of PolyGram International, Inc.
Claire Lynch3:05
7Black Dog
recording engineer, producer and mixer:
Gurf Morlix (in 2000-09)
acoustic guitar [lead acoustic guitar] and background vocals [harmony vocals]:
Gurf Morlix (in 2000-09)
fiddle:
Eamon McLoughlin (in 2000-09)
guitar:
Ray Wylie Hubbard (singer-songwriter) (in 2000-09)
membranophone and percussion:
Rick Richards (US drummer) (in 2000-09)
resonator guitar [dobro]:
Jeff Plankenhorn (in 2000-09)
vocals:
Ray Wylie Hubbard (singer-songwriter) (in 2000-09)
recorded at and mixed at:
Rootball Studio (Gurf Morlix's home studio) in Austin, Texas, United States (in 2000-09)
produced at:
Rootball Studio (Gurf Morlix's home studio) in Austin, Texas, United States (in 2000-09)
Ray Wylie Hubbard3:15
8Don’t Kneel at My Graveside
engineer:
Dave Matthew (engineer)
producer:
Richie Owens
bass:
Byron House (American bass player)
guitar:
Gary Davis (guitarist) and Douglas Stevens
membranophone:
Larry Atamaniuk
slide guitar:
Mike Henderson (US country songwriter)
background vocals [harmony vocals]:
April Stevens (Member of Beth & April Stevens)
lead vocals:
Beth Stevens
The Stevens Sisters3:37
9Oh Death
engineer and producer:
Chris Rival
double bass [bass fiddle]:
Johnny Sciascia
guitar:
Michael Tarbox
membranophone and percussion:
Jon Cohan (drummer and drum technician from Boston, MA)
violin:
Daniel Kellar
vocals:
Daniel Kellar, Johnny Sciascia and Michael Tarbox
arranger:
Tarbox Ramblers
engineered at:
My Generation Studio in Somerville, Massachusetts, United States
produced at:
My Generation Studio in Somerville, Massachusetts, United States
recording of:
O Death
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4933)
Tarbox Ramblers3:24
10You Can’t Hold on to a Love That’s Gone
recording engineer and mixer:
Mark Wessel (American recording and mastering engineer) (in 1991)
producer:
Scott Billington
bass:
Sherman Holmes (in 1991)
guitar:
Wendell Holmes (in 1991)
membranophone:
Willie "Popsy" Dixon (in 1991)
pedal steel guitar:
Gib Wharton (in 1991)
piano:
Jon Cleary (US funk/R&B musician) (in 1991)
vocals:
Willie "Popsy" Dixon (in 1991), Sherman Holmes (in 1991) and Wendell Holmes (in 1991)
recorded at and mixed at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States (in 1991)
The Holmes Brothers3:47
11This Time I’m Gone for Good
recording engineer, mixer and editor:
David Farrell (engineer) (in 1998)
assistant engineer:
Steve Reynolds (Engineer) (in 1998)
producer:
Scott Billington
baritone saxophone and tenor saxophone:
Jim Spake (saxophonist) (in 1998)
bass:
George Porter, Jr. (in 1998)
guitar:
Michael Toles (in 1998) and Walter “Wolfman” Washington (in 1998)
keyboard:
David Torkanowsky (in 1998)
membranophone:
Donnell Spencer (in 1998)
trombone:
Craig Klein (trombone, Craig "Sparky" Klein) (in 1998)
trumpet:
Scott Thompson (Trumpet player) (in 1998)
vocals:
Johnny Adams (US blues, jazz and gospel singer) (in 1998)
recorded at, mixed at and edited at:
Ultrasonic Studios in New Orleans, Louisiana, United States (in 1998)
Johnny Adams4:37
12Down the Road
recording engineer and mixer:
Miles Wilkinson
producer:
Marcia Ball and Miles Wilkinson
bass:
Don Bennett (bass)
guitar:
Steve Williams (US guitarist, Texas based)
membranophone:
Rodney Craig
piano:
Marcia Ball
saxophone:
Paul Kemperer
vocals:
Marcia Ball
performer:
Steve Williams (guest guitarist for 93-D)
recorded at and mixed at:
Pedernales Studio in Spicewood, Texas, United States
Marcia Ball3:59
13Think It Over One More Time
recording engineer:
Gregg Lunsford (in 1985-04)
producer:
Scott Billington
mixer:
Gregg Lunsford (ended)
accordion:
Buckwheat Zydeco (in 1985-04)
bass:
Lee Allen Zeno (in 1985-04)
frottoir [rubboard]:
Elijah Cudges (in 1985-04)
guitar:
Jimmy Reed (blues musician) (in 1985-04)
membranophone:
Nathaniel Jolivette (in 1985-04)
trumpet:
Calvin Landry (in 1985-04)
vocals:
Buckwheat Zydeco (in 1985-04)
recorded at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States (in 1985-04)
Buckwheat Zydeco3:34
14Just One Kiss
recording engineer and mixer:
David Farrell (engineer) (in 1996-04)
assistant engineer:
Matt Coby (in 1996-04) and Steve Reynolds (Engineer) (in 1996-04)
producer:
Scott Billington
accordion and lead vocals:
Beau Jocque (in 1996-04)
bass:
Chuck Bush (in 1996-04)
frottoir [rubboard]:
Wilfred "Caveman" Pierre (in 1996-04)
guitar:
Russell Dorion (in 1996-04)
Hammond organ [Hammond B-3 organ] and keyboard:
Michael Lockett (in 1996-04)
membranophone and background vocals [second vocal]:
Steve Charlot (drummer Steve Charlot) (in 1996-04)
recorded at and mixed at:
Ultrasonic Studios in New Orleans, Louisiana, United States (in 1996-04)
Beau Jocque and the Zydeco Hi-Rollers4:40
15La Danse de Mardi Gras
recording engineer:
Tony Daigle (in 1995-01, from 1995-01-04 until 1995-01-10)
producer:
Scott Billington
assistant mixer:
Alex Case
mixer:
Mark Wessel (American recording and mastering engineer)
bass guitar [bass] and percussion [fiddle sticks]:
Peter Schwarz (fiddler and bassist) (in 1995-01)
diatonic button accordion [cajun accordion], fiddle [lead fiddle] and lead vocals:
Steve Riley (US cajun singer/accordionist) (in 1995-01)
drums (drum set):
Kevin Dugas (US cajun drummer) (in 1995-01)
fiddle:
David Greely (in 1995-01)
guitar:
Jimmy Domengeaux (in 1995-01)
triangle:
Kelli Roberts (in 1995-01)
vocals:
David Greely (in 1995-01) and Peter Schwarz (fiddler and bassist) (in 1995-01)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (in 1995-01)
mixed at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States
Steve Riley and the Mamou Playboys3:54
16Chez Seychelles
recording engineer:
Mark Miller (Louisiana producer, engineer, bassist & studio owner) (on 1985-09-27)
producer:
Steve Conn, Michael Doucet and Sonny Landreth
mixer:
Scott Billington and Gregg Lunsford
accordion:
Errol Verret (on 1985-09-27)
bass:
Dave Ransom
fiddle:
Michael Doucet (on 1985-09-27)
guitar:
David Doucet (on 1985-09-27)
guitar [rhythm guitar] and mandolin:
Tommy Comeaux (on 1985-09-27)
membranophone:
Tommy Alesi
percussion:
Billy Ware
resonator guitar [dobro]:
Sonny Landreth (on 1985-09-27)
BeauSoleil3:19
4▼CD
#TitleArtistRatingLength
1Frosty
recording engineer:
David Farrell (engineer) (in 1981-06)
producer:
Jim Bateman and Scott Billington
alto saxophone and solo alto saxophone:
Bill Samuel (saxophone) (in 1981-06)
baritone saxophone:
Joe Sunseri (in 1981-06)
bass:
Myron Dove (in 1981-06) and Red Lane (in 1981-06)
guitar:
Clarence “Gatemouth” Brown (in 1981-06) and David "Fingers" Fender (in 1981-06)
Hammond organ:
David "Fingers" Fender (in 1981-06)
membranophone:
Lloyd Herman (drummer) (in 1981-06)
piano:
Lawrence Sieberth (in 1981-06)
tenor saxophone:
Bill Samuel (saxophone) (in 1981-06) and Alvin “Red” Tyler (American jazz saxophonist) (in 1981-06)
trombone:
Jim McMillen (arranger & trombonist) (in 1981-06)
trumpet:
Stanton Davis (in 1981-06)
vocals:
Clarence “Gatemouth” Brown (in 1981-06)
Clarence “Gatemouth” Brown3:48
2Funkyard
recording engineer, mixer and editor:
David Farrell (engineer) (in 1997)
producer:
Scott Billington
alto saxophone and tenor saxophone:
Tom Fitzpatrick (in 1997)
electric bass guitar:
Jack Cruz (in 1997)
guitar:
Walter “Wolfman” Washington (in 1997)
Hammond organ [Hammond B-3 organ]:
Luca Fredericksen (in 1997)
membranophone and percussion:
Wilbert “Junkyard Dog” Arnold (Jazz drummer) (in 1997)
trombone:
Dave Woodard (trombonist) (in 1997)
trumpet:
Larry Carter (trumpeter) (in 1997)
recorded at, mixed at and edited at:
Ultrasonic Studios in New Orleans, Louisiana, United States (in 1997)
Walter “Wolfman” Washington5:01
3Doyne / Freylekhs
recording engineer, mixer and editor:
George B. Hicks
engineer:
Andy Hollinger
producer:
George B. Hicks and Hankus Netsky
clarinet:
Ilene Stahl
cornet:
Gary Bohan
double bass:
Jim Guttman
membranophone and percussion:
Grant Smith (drummer & percussionist)
piano:
Javier Perez Saco
trombone:
Mark Hamilton (Klezmer trombone)
arranger:
Hankus Netsky
recorded at and mixed at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States
The Klezmer Conservatory Band4:34
4Somos Boricuas (We Are Puerto Rican)
recording engineer:
David Lescoe (in 1995)
producer:
Peter K. Siegel (American folk producer, engineer & banjo player)
engineered at:
Variety Recording Studios in New York, New York, United States (in 1995)
Los Pleneros de la 213:33
5Hey Little Love
recording engineer and mixer:
Fred Remmert
producer:
Marvin Dykhuis and Tish Hinojosa
acoustic guitar:
Tish Hinojosa
bass:
Glenn Kawamoto (bassist)
electric guitar, mandolin and background vocals:
Marvin Dykhuis
Hammond organ [Hammond B3 organ]:
Chip Dolan
membranophone:
Rafael Gayol (Rafael Bernardo Gayol)
vocals:
Tish Hinojosa
recorded at and mixed at:
Cedar Creek Studios in Austin, Texas, United States
Tish Hinojosa2:55
6El Año Viejo
recording engineer and producer:
Cesar Rosas
The Blazers4:25
7All Just to Get to You
recording of:
All Just to Get to You
lyricist and composer:
Joe Ely and Will Sexton
Joe Ely4:14
8One Endless Night
recording engineer and mixer:
Buddy Miller (Nashville singer-songwriter, married to Julie Miller)
producer:
Jimmie Dale Gilmore and Buddy Miller (Nashville singer-songwriter, married to Julie Miller)
recorded at and mixed at:
Dog Town Studio in Nashville, Tennessee, United States
Jimmie Dale Gilmore3:49
9Nebraska
engineer and mixer:
Greg Goldman
producer:
The Cash Brothers and Julian Raymond
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Josh Freese (American drummer)
guitar family:
Andrew Cash (Canadian singer-songwriter) and Peter Cash (Canadian singer-songwriter)
keyboard and keyboard [keyboards]:
Kim Bullard
vocals:
Andrew Cash (Canadian singer-songwriter) and Peter Cash (Canadian singer-songwriter)
phonographic copyright (℗) by:
Four Chord (in 2001)
recording of:
Nebraska
writer:
Andrew Cash (Canadian singer-songwriter) and Peter Cash (Canadian singer-songwriter)
The Cash Brothers3:48
10Uniform Grey
recording engineer and mixer:
Pete Prilesnik
producer:
Sarah Harmer (Canadian singer, songwriter and activist) and Pete Prilesnik
double bass:
Maury LaFoy
guitar:
Sarah Harmer (Canadian singer, songwriter and activist)
resonator guitar [dobro]:
Pete Prilesnik
vocals:
Jason Euringer and Sarah Harmer (Canadian singer, songwriter and activist)
recording of:
Uniform Grey
lyricist and composer:
Sarah Harmer (Canadian singer, songwriter and activist)
Sarah Harmer3:44
11Broke Down
recording engineer, producer and mixer:
Gurf Morlix
acoustic guitar:
Slaid Cleaves
double bass:
Ivan Brown
electric guitar:
Gurf Morlix
Hammond organ:
Ian McLagan
membranophone:
Mark Cousins (production music composer)
background vocals:
Darcie Deaville
vocals:
Slaid Cleaves
recorded at and mixed at:
Rootball Studio (Gurf Morlix's home studio) in Austin, Texas, United States
Slaid Cleaves3:13
12Birches
recording engineer:
Jesse Henderson (engineer)
mixer:
Bob Bernstein
guitar:
Bill Morrissey
solo bass:
Richard Gates
vocals:
Bill Morrissey
recorded at:
Long View Farm Studios in North Brookfield, Massachusetts, United States
Bill Morrissey3:24
13More Than a Paycheck
producer:
Bernice Johnson Reagon (gospel singer)
Sweet Honey in the Rock3:55
14Swing Low, Sweet Chariot
recording engineer:
Richard Adler (producer/engineer)
producer:
IIIrd Tyme Out
mixer:
Richard Adler (producer/engineer) and IIIrd Tyme Out
vocals:
Wayne Benson, Ray Deaton, Steve Dilling, Mike Hartgrove and Russell Moore (US bluegrass guitarist and singer)
IIIrd Tyme Out3:17
15Flamenco Fling
recording engineer and mixer:
Jeff Wolpert
producer:
Gordie Sampson
bass:
Bruce Dixon
fiddle:
Natalie MacMaster
guitar family:
Jesse Cook (Canadian guitarist)
handclaps [palmas]:
Art Avalos, Jesse Cook (Canadian guitarist), Charlie Cooley and Gordie Sampson
membranophone:
Charlie Cooley
percussion:
Art Avalos
saxophone and trombone:
Phil Dwyer
trumpet:
Terry Promane and Rick Tate
Natalie MacMaster3:46
16Ashokan Farewell
recording engineer:
Glenn Berger
producer:
Glenn Berger and Fiddle Fever
bass:
Molly Mason
fiddle:
Russ Barenberg, Matt Glaser, Evan Stover and Jay Ungar
recorded at:
Blue Jay Recording Studios in Carlisle, Massachusetts, United States
Fiddle Fever4:07

Credits