The Mono Years

~ Release by Ernest Ansermet (see all versions of this release, 1 available)

Annotation

A 26-CD collection of Ernest Ansermet's mono recordings for Decca. Includes a booklet with complete tracklists, essays, and cross-reference of release year to original catalogue number. The CD wallets are printed with original jacket artwork.

Annotation last modified on 2024-11-08 10:48 UTC.

Tracklist

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1▼CD: Handel: Concerti Grossi op. 6 nos. 2, 3, 4, 6, 10, 12
#TitleArtistRatingLength
1Concerto Grosso in F, op. 6/2, HWV 320: I. Andante larghetto
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in F major, op. 6 no. 2, HWV 320
George Frideric Handel4:34
2Concerto Grosso in F, op. 6/2, HWV 320: II. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in F major, op. 6 no. 2, HWV 320
George Frideric Handel2:38
3Concerto Grosso in F, op. 6/2, HWV 320: III. Largo
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in F major, op. 6 no. 2, HWV 320
George Frideric Handel3:34
4Concerto Grosso in F, op. 6/2, HWV 320: IV. Allegro, ma non troppo
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in F major, op. 6 no. 2, HWV 320
George Frideric Handel2:35
5Concerto Grosso in E minor, op. 6/3, HWV 321: I. Larghetto
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel3:01
6Concerto Grosso in E minor, op. 6/3, HWV 321: II. Andante
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel1:41
7Concerto Grosso in E minor, op. 6/3, HWV 321: III. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel1:56
8Concerto Grosso in E minor, op. 6/3, HWV 321: IV. Polonaise
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise, andante (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel2:31
9Concerto Grosso in E minor, op. 6/3, HWV 321: V. Allegro, ma non troppo
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel1:06
10Concerto Grosso in A minor, op. 6/4, HWV 322: I. Larghetto affetuoso
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
George Frideric Handel2:58
11Concerto Grosso in A minor, op. 6/4, HWV 322: II. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
George Frideric Handel3:02
12Concerto Grosso in A minor, op. 6/4, HWV 322: III. Largo e piano
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
George Frideric Handel2:47
13Concerto Grosso in A minor, op. 6/4, HWV 322: IV. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
George Frideric Handel2:51
14Concerto Grosso in G minor, op. 6/6, HWV 324: I. Largo affetuoso
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Largo affettuoso (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel3:45
15Concerto Grosso in G minor, op. 6/6, HWV 324: II. A tempo giusto
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel1:44
16Concerto Grosso in G minor, op. 6/6, HWV 324: III. Musette: Larghetto
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette, larghetto (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel5:28
17Concerto Grosso in G minor, op. 6/6, HWV 324: IV. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel3:53
18Concerto Grosso in G minor, op. 6/6, HWV 324: V. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel1:13
19Concerto Grosso in D minor, op. 6/10, HWV 328: I. Ouverture
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Overture (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
George Frideric Handel1:36
20Concerto Grosso in D minor, op. 6/10, HWV 328: II. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro-lento (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
George Frideric Handel2:24
21Concerto Grosso in D minor, op. 6/10, HWV 328: III. Aria: Lento
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, lento (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
George Frideric Handel3:29
22Concerto Grosso in D minor, op. 6/10, HWV 328: IV. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
George Frideric Handel3:21
23Concerto Grosso in D minor, op. 6/10, HWV 328: V. Allegro moderato
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
George Frideric Handel2:00
24Concerto Grosso in B minor, op. 6/12, HWV 330: I. Largo
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel2:10
25Concerto Grosso in B minor, op. 6/12, HWV 330: II. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel4:01
26Concerto Grosso in B minor, op. 6/12, HWV 330: III. Larghetto e piano
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel4:02
27Concerto Grosso in B minor, op. 6/12, HWV 330: IV. Largo
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel1:04
28Concerto Grosso in B minor, op. 6/12, HWV 330: V. Allegro
harpsichord [continuo harpsichord]:
Leslie Howard (Australian pianist) (from 1929-09-16 until 1929-09-21)
orchestra:
The Decca String Orchestra (from 1929-09-16 until 1929-09-21)
conductor:
Ernest Ansermet (conductor) (from 1929-09-16 until 1929-09-21)
concertmaster:
William Primrose (violist) (from 1929-09-16 until 1929-09-21)
recorded at:
Chenil Galleries (not the original) in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1929-09-16 until 1929-09-21)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro (from 1929-09-16 until 1929-09-21)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel2:29
2▼CD: Vivaldi: Bassoon Concerto RV 481 / Marcello: Oboe Concerto / Handel: Organ Concertos HWV 289 & 290
#TitleArtistRatingLength
1Basson Concerto in D minor, RV 481: I. Allegro
producer:
Victor Olof
bassoon:
Henri Helaerts (bassoonist) (in 1952-04)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-04)
conductor:
Ernest Ansermet (conductor) (in 1952-04)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-04)
recording of:
Bassoon Concerto in D minor, RV 481: I. Allegro (in 1952-04)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Bassoon Concerto in D minor, RV 481
Antonio Vivaldi4:11
2Basson Concerto in D minor, RV 481: II. Larghetto
producer:
Victor Olof
bassoon:
Henri Helaerts (bassoonist) (in 1952-04)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-04)
conductor:
Ernest Ansermet (conductor) (in 1952-04)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-04)
recording of:
Bassoon Concerto in D minor, RV 481: II. Larghetto (in 1952-04)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Bassoon Concerto in D minor, RV 481
Antonio Vivaldi4:01
3Basson Concerto in D minor, RV 481: III. Allegro molto
producer:
Victor Olof
bassoon:
Henri Helaerts (bassoonist) (in 1952-04)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-04)
conductor:
Ernest Ansermet (conductor) (in 1952-04)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-04)
recording of:
Bassoon Concerto in D minor, RV 481: III. Allegro molto (in 1952-04)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Bassoon Concerto in D minor, RV 481
Antonio Vivaldi2:40
4Oboe Concerto (C minor version): I. Allegro moderato
engineer:
Gil Went
producer:
Victor Olof
oboe:
Roger Reversy (oboist) (in 1951-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-10)
conductor:
Ernest Ansermet (conductor) (in 1951-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-10)
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): I. Allegro moderato (in 1951-10)
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
Alessandro Marcello3:53
5Oboe Concerto (C minor version): II. Adagio
engineer:
Gil Went
producer:
Victor Olof
oboe:
Roger Reversy (oboist) (in 1951-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-10)
conductor:
Ernest Ansermet (conductor) (in 1951-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-10)
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): II. Adagio (in 1951-10)
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
Alessandro Marcello3:59
6Oboe Concerto (C minor version): III. Allegro
engineer:
Gil Went
producer:
Victor Olof
oboe:
Roger Reversy (oboist) (in 1951-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-10)
conductor:
Ernest Ansermet (conductor) (in 1951-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-10)
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): III. Allegro (in 1951-10)
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
Alessandro Marcello3:36
7Organ Concerto in G minor, HWV 289: I. Larghetto e staccato
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
organ:
Jeanne Demessieux (in 1952-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto, e staccato (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1735 until 1736)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
George Frideric Handel5:48
8Organ Concerto in G minor, HWV 289: II. Allegro
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
organ:
Jeanne Demessieux (in 1952-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1735 until 1736)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
George Frideric Handel7:39
9Organ Concerto in G minor, HWV 289: III. Adagio - Andante
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
organ:
Jeanne Demessieux (in 1952-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio (for organ, Dupré)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: IV. Andante (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: IV. Andante (for organ, Dupré)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
George Frideric Handel6:19
10Organ Concerto in B-flat, HWV 290: I. A tempo ordinario e staccato - Allegro
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
organ:
Jeanne Demessieux (in 1952-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario, e staccato (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290
recording of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Allegro (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290
George Frideric Handel7:27
11Organ Concerto in B-flat, HWV 290: II. Adagio e staccato - Allegro, ma non presto
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
organ:
Jeanne Demessieux (in 1952-10)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Adagio, e staccato (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290
recording of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: IV. Allegro, ma non presto (in 1952-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290
George Frideric Handel4:50
3▼CD: Mozart: Symphony no. 38 “Prague” / Serenade no. 10 / Exsultate, jubilate
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1Symphony no. 38 in D, K. 504 “Prague”: I. Adagio - Allegro
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1947-07-04)
conductor:
Ernest Ansermet (conductor) (on 1947-07-04)
recorded at:
Radio Studio in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1947-07-04)
recording of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”: I. Adagio – Allegro (on 1947-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”
Wolfgang Amadeus Mozart10:31
2Symphony no. 38 in D, K. 504 “Prague”: II. Andante
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1947-07-04)
conductor:
Ernest Ansermet (conductor) (on 1947-07-04)
recorded at:
Radio Studio in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1947-07-04)
recording of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”: II. Andante (on 1947-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”
Wolfgang Amadeus Mozart9:18
3Symphony no. 38 in D, K. 504 “Prague”: III. Finale: Presto
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1947-07-04)
conductor:
Ernest Ansermet (conductor) (on 1947-07-04)
recorded at:
Radio Studio in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1947-07-04)
recording of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”: III. Presto (on 1947-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 for Orchestra in D major, K. 504 “Prague”
Wolfgang Amadeus Mozart3:45
4Exsultate, jubilate, K. 165: I. Exsultate, jubilate
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
soprano vocals:
Janine Micheau (soprano) (on 1948-05-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-28)
conductor:
Ernest Ansermet (conductor) (on 1948-05-28)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (on 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart5:29
5Exsultate, jubilate, K. 165: II. Fulget amica dies
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
soprano vocals:
Janine Micheau (soprano) (on 1948-05-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-28)
conductor:
Ernest Ansermet (conductor) (on 1948-05-28)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (on 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart1:01
6Exsultate, jubilate, K. 165: III. Tu virginum corona
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
soprano vocals:
Janine Micheau (soprano) (on 1948-05-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-28)
conductor:
Ernest Ansermet (conductor) (on 1948-05-28)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (on 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart5:50
7Exsultate, jubilate, K. 165: IV. Alleluja
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
soprano vocals:
Janine Micheau (soprano) (on 1948-05-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-28)
conductor:
Ernest Ansermet (conductor) (on 1948-05-28)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (on 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:38
8Serenade no. 10 in B-flat, K. 361: I. Largo
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: I. Largo – Allegro molto (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart7:57
9Serenade no. 10 in B-flat, K. 361: II. Minuet
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: II. Minuetto (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart6:21
10Serenade no. 10 in B-flat, K. 361: III. Adagio
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:42
11Serenade no. 10 in B-flat, K. 361: IV. Minuet
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: IV. Minuetto. Allegretto (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart3:32
12Serenade no. 10 in B-flat, K. 361: V. Romanze: Adagio
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: V. Romanze. Adagio (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart4:40
13Serenade no. 10 in B-flat, K. 361: VI. Tema con variazioni
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: VI. Tema con variazioni (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart6:43
14Serenade no. 10 in B-flat, K. 361: VII. Finale: Molto allegro
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-05)
conductor:
Ernest Ansermet (conductor) (in 1955-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: VII. Rondo (in 1955-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart3:09
4▼CD: Haydn: Symphony no. 101 “Clock” / Schumann: Symphony no. 1 “Spring” / Genoveva Overture
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1Symphony no. 101 in D, Hob. I:101 “Clock”: I. Adagio - Presto
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-07-11)
conductor:
Ernest Ansermet (conductor) (on 1949-07-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-07-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto (on 1949-07-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:19
2Symphony no. 101 in D, Hob. I:101 “Clock”: II. Andante
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-07-11)
conductor:
Ernest Ansermet (conductor) (on 1949-07-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-07-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante (on 1949-07-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:55
3Symphony no. 101 in D, Hob. I:101 “Clock”: III. Minuetto & Trio: Allegretto
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-07-11)
conductor:
Ernest Ansermet (conductor) (on 1949-07-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-07-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet (on 1949-07-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:16
4Symphony no. 101 in D, Hob. I:101 “Clock”: IV. Finale: Vivace
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-07-11)
conductor:
Ernest Ansermet (conductor) (on 1949-07-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-07-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale. Vivace (on 1949-07-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn4:11
5Genoveva, op. 81 Overture
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-06-02)
conductor:
Ernest Ansermet (conductor) (on 1948-06-02)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-06-02)
recording of:
Genoveva, op. 81: Overture (on 1948-06-02)
composer:
Robert Schumann (German classical composer) (from 1844 until 1850)
part of:
Works of Robert Schumann by opus number (number: op. 81)
part of:
Genoveva, op. 81
Robert Schumann8:49
6Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-03)
conductor:
Ernest Ansermet (conductor) (in 1951-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-03)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (in 1951-03)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann11:35
7Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-03)
conductor:
Ernest Ansermet (conductor) (in 1951-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-03)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (in 1951-03)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann6:12
8Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-03)
conductor:
Ernest Ansermet (conductor) (in 1951-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-03)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (in 1951-03)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:39
9Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1951-03)
conductor:
Ernest Ansermet (conductor) (in 1951-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1951-03)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (in 1951-03)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:50
5▼CD: Schumann: Piano Concerto / Cello Concerto / Tchaikovsky: Variations on a Rococo Theme
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1Piano Concerto in A minor, op. 54: I. Allegro affettuoso
piano:
Dinu Lipatti (Romanian classical pianist and composer) (on 1950-02-22)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1950-02-22)
conductor:
Ernest Ansermet (conductor) (on 1950-02-22)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1950-02-22)
live recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (on 1950-02-22)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
Robert Schumann15:18
2Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso -
piano:
Dinu Lipatti (Romanian classical pianist and composer) (on 1950-02-22)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1950-02-22)
conductor:
Ernest Ansermet (conductor) (on 1950-02-22)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1950-02-22)
live recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (on 1950-02-22)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann4:53
3Piano Concerto in A minor, op. 54: III. Allegro vivace
piano:
Dinu Lipatti (Romanian classical pianist and composer) (on 1950-02-22)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1950-02-22)
conductor:
Ernest Ansermet (conductor) (on 1950-02-22)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1950-02-22)
live recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (on 1950-02-22)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann11:35
4Cello Concerto in A minor, op. 128: I. Nicht zu schnell
engineer:
Gil Went
producer:
Victor Olof
cello:
Maurice Gendron (cellist) (in 1953-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-11)
conductor:
Ernest Ansermet (conductor) (in 1953-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-11)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (in 1953-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann10:35
5Cello Concerto in A minor, op. 128: II. Langsam
engineer:
Gil Went
producer:
Victor Olof
cello:
Maurice Gendron (cellist) (in 1953-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-11)
conductor:
Ernest Ansermet (conductor) (in 1953-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-11)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (in 1953-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann4:03
6Cello Concerto in A minor, op. 128: III. Sehr schnell
engineer:
Gil Went
producer:
Victor Olof
cello:
Maurice Gendron (cellist) (in 1953-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-11)
conductor:
Ernest Ansermet (conductor) (in 1953-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-11)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (Concerto for Cello and Orchestra in A minor, Op. 129: III. Sehr lebhaft) (in 1953-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann7:26
7Variations on a Rococo Theme, op. 33
engineer:
Gil Went
producer:
Victor Olof
cello:
Maurice Gendron (cellist) (in 1953-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-11)
conductor:
Ernest Ansermet (conductor) (in 1953-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-11)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version) (in 1953-11)
premiered in:
Moscow, Russia (on 1877-11-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1877)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
dedicated to:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 33)
version of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky16:10
6▼CD: Mussorgsky: Pictures at an Exhibition [1947] / Rimsky-Korsakov: Scheherazade
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1Pictures at an Exhibition: Promenade I
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:50
2Pictures at an Exhibition: I. Gnomus
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:18
3Pictures at an Exhibition: Promenade II
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:56
4Pictures at an Exhibition: II. Il vecchio castello
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:39
5Pictures at an Exhibition: Promenade III
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:34
6Pictures at an Exhibition: III. Tuileries
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:00
7Pictures at an Exhibition: IV. Bydlo
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:38
8Pictures at an Exhibition: Promenade IV
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:54
9Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:18
10Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:26
11Pictures at an Exhibition: VII. The Marketplace at Limoges
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:21
12Pictures at an Exhibition: VIII. The Catacombs (Sepulchrum romanum)
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:04
13Pictures at an Exhibition: IX. The Hut of Fowl's Legs (Baba-Yaga)
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:17
14Pictures at an Exhibition: X. The Great Gate of Kiev
engineer:
Kenneth Wilkinson (engineer)
producer:
Victor Olof
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1947-10-14 until 1947-10-17)
conductor:
Ernest Ansermet (conductor) (from 1947-10-14 until 1947-10-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1947-10-14 until 1947-10-17)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (from 1947-10-14 until 1947-10-17)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky5:50
15Scheherazade, op. 35: I. The Sea and Sinbad's Ship
engineer:
Andrew Hallifax (task: 78-rpm transfer) and Kenneth Wilkinson (engineer)
producer:
Victor Olof
solo violin:
Pierre Nerini (violinist) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-29, from 1948-05-31 until 1948-06-01)
conductor:
Ernest Ansermet (conductor) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (on 1948-05-29)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (from 1948-05-31 until 1948-06-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov9:41
16Scheherazade, op. 35: II. The Story of the Kalendar Prince
engineer:
Andrew Hallifax (task: 78-rpm transfer) and Kenneth Wilkinson (engineer)
producer:
Victor Olof
solo violin:
Pierre Nerini (violinist) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-29, from 1948-05-31 until 1948-06-01)
conductor:
Ernest Ansermet (conductor) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (on 1948-05-29)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (from 1948-05-31 until 1948-06-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov11:02
17Scheherazade, op. 35: III. The Young Prince and Princess
engineer:
Andrew Hallifax (task: 78-rpm transfer) and Kenneth Wilkinson (engineer)
producer:
Victor Olof
solo violin:
Pierre Nerini (violinist) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-29, from 1948-05-31 until 1948-06-01)
conductor:
Ernest Ansermet (conductor) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (on 1948-05-29)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (from 1948-05-31 until 1948-06-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov9:09
18Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff Surmounted by a Bronze Horseman
engineer:
Andrew Hallifax (task: 78-rpm transfer) and Kenneth Wilkinson (engineer)
producer:
Victor Olof
solo violin:
Pierre Nerini (violinist) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1948-05-29, from 1948-05-31 until 1948-06-01)
conductor:
Ernest Ansermet (conductor) (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recorded at:
La Maison de la Mutualité in Paris, Île-de-France, France (on 1948-05-29, from 1948-05-31 until 1948-06-01)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (on 1948-05-29)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (from 1948-05-31 until 1948-06-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:04
7▼CD: Rimsky-Korsakov: Introduction & Bridal procession from The Golden Cockerel / The Golden Cockerel Suite / Capriccio espagnol / Mussorgsky: Gopak from Sorochyntsi Fair [mono & stereo versions]
#TitleArtistRatingLength
1The Golden Cockerel: Introduction & Bridal procession: I. Introduction
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1947-02-11)
conductor:
Ernest Ansermet (conductor) (on 1947-02-11)
recorded at:
Radio Studio in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1947-02-11)
recording of:
The Golden Cockerel: Introduction & Bridal procession: I. Introduction (on 1947-02-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
The Golden Cockerel
Nikolai Rimsky-Korsakov4:17
2The Golden Cockerel: Introduction & Bridal procession: II. Bridal procession
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1947-02-11)
conductor:
Ernest Ansermet (conductor) (on 1947-02-11)
recorded at:
Radio Studio in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1947-02-11)
recording of:
The Golden Cockerel: Introduction & Bridal procession: II. Bridal procession (on 1947-02-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
The Golden Cockerel
Nikolai Rimsky-Korsakov3:50
3The Golden Cockerel Suite: I. King Dodon in his Palace
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: I. Царь Додон у себя дома (Four Musical Pictures from the Opera "The Golden Cockerel": I. Introduction and Dodon's Sleep) (in 1952-10)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov9:15
4The Golden Cockerel Suite: II. King Dodon on the Battlefield
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: II. Царь Додон в походе (Four Musical Pictures from the Opera "The Golden Cockerel": II. King Dodon on the Battlefield) (in 1952-10)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov4:30
5The Golden Cockerel Suite: III. King Dodon with Queen Chimaka
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: II. Царь Додон в походе (Four Musical Pictures from the Opera "The Golden Cockerel": II. King Dodon on the Battlefield) (in 1952-10)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov6:41
6The Golden Cockerel Suite: IV. Marriage Feast and Lamentable End of King Dodon
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: IV. Свадьба и печальный конец Додона (Four Musical Pictures from the Opera "The Golden Cockerel": IV. Wedding Procession - Death of King Dodon - Finale) (in 1952-10)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov6:33
7Capriccio espagnol, op. 34: I. Alborada
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1952-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:16
8Capriccio espagnol, op. 34: II. Variazioni
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1952-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov5:14
9Capriccio espagnol, op. 34: III. Alborada
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1952-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:09
10Capriccio espagnol, op. 34: IV. Scena e canto gitano
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1952-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov3:48
11Capriccio espagnol, op. 34: V. Fandango asturiano
engineer:
Arthur Haddy (recording engineer)
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1952-10)
conductor:
Ernest Ansermet (conductor) (in 1952-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1952-10)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1952-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov3:31
12Sorochyntsi Fair: Gopak (mono)
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1955-10-07 until 1955-10-16)
conductor:
Ernest Ansermet (conductor) (from 1955-10-07 until 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1955-10-07 until 1955-10-16)
recording of:
The Fair at Sorochintsï: Gopak (orchestrated by Lyadov) (from 1955-10-07 until 1955-10-16)
orchestrator:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874 until 1880)
orchestration of:
The Fair at Sorochintsï: Hopak
Modest Mussorgsky2:02
13Sorochyntsi Fair: Gopak (stereo)
engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1955-10-07 until 1955-10-16)
conductor:
Ernest Ansermet (conductor) (from 1955-10-07 until 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1955-10-07 until 1955-10-16)
recording of:
The Fair at Sorochintsï: Gopak (orchestrated by Lyadov) (from 1955-10-07 until 1955-10-16)
orchestrator:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874 until 1880)
orchestration of:
The Fair at Sorochintsï: Hopak
Modest Mussorgsky2:01
8▶CD: Villa-Lobos: Piano Concerto no. 1 / Chopin: Piano Concerto no. 2
9▶CD: Ravel: Alborada del gracioso [1947] / Debussy: La Mer [1947] / Ravel: La Valse [1947] / Shéhérazade / Debussy: Petite Suite
10▶CD: Rossini/Respighi: La Boutique fantasque / Falla: El sombrero de tres picos / Ravel: 3 Poèmes de Stéphane Mallarmé
11▶CD: Debussy: Images / Ravel: L'Heure espagnole
12▶CD: Debussy: Pelléas et Mélisande (Acts I, II & III beginning)
13▶CD: Debussy: Pelléas et Mélisande (Acts III conclusion, IV & V)
14▶CD: Ravel: Piano Concerto in D for the Left Hand [1949, 1953] / Piano Concerto in G
15▶CD: Debussy: Nocturnes / Ravel: Rapsodie espagnole / Valses nobles et sentimentales / Le Tombeau de Couperin
16▶CD: Ravel: Daphnis et Chloé (Complete Ballet)
17▶CD: Debussy: La Mer [1951] / Prélude à l'après-midi d'un faune / Ravel: Ma mère l'Oye Suite / Alborada del gracioso [1951] / Stravinsky: Circus Polka / Prokofiev: March from The Love for Three Oranges Suite
18▶CD: Prokofiev: Symphony no. 6 / Bizet: Symphony in C
19▶CD: Prokofiev: Symphony no. 1 “Classical” / Glinka: Ruslan and Lyudmila Overture / Borodin: In the Steppes of Central Asia / Mussorgsky: Night on the Bare Mountain / Debussy: Jeux / 6 Épigraphes antiques
20▶CD: Bartók: Piano Concerto no. 3 / Prokofiev: Piano Concerto no. 3 / Martin: Violin Concerto
21▶CD: Martin: Petite Symphonie concertante / Stravinsky: Divertimento from Le Baiser de la fée / Saint-Saëns: Danse macabre / Le Rouet d' Omphale / Chabrier: Joyeuse marche / España / Ravel: Pavane pour une infante défunte
22▶CD: Mussorgsky: Pictures at an Exhibition [1953] / Ravel: La Valse [1953] / Boléro / Honegger: Pacific 231 / Dukas: L'Apprenti sorcier
23▶CD: Bloch: Voice in the Wilderness / Schelomo / Oboussier: Antigone / Geiser: Symphony no. 1
24▶CD: Stravinsky: Petrushka [1946] / Firebird Suite [1946] / Symphony of Psalms
25▶CD: Stravinsky: Petrushka [1949] / The Rite of Spring
26▶CD: Stravinsky: Firebird Suite [1950] / Oedipus Rex

Credits

Release

miscellaneous support:Andrew Dalton (Research (Repertoire, Publishing & Data), liner notes and compiler at Decca.) (task: repertoire, publishing & data)
Edward Weston (Catalogue Manager, Decca Classics) (task: project management)
executive producer:Cyrus Meher‐Homji
mastering:Chris Bernauer (freelance multi-instrumentalist, producer, and engineer)
compiler:Ray Granlund
design:Paul Chessell (art director)
Discogs:https://www.discogs.com/release/30267098 [info]
purchase for mail-order:https://store.deccaclassics.com/products/the-mono-years-26cd-boxset [info]
https://www.prestomusic.com/classical/products/9556238--ernest-ansermet-the-mono-years [info]
Allmusic:https://www.allmusic.com/album/release/mr0006202719 [info]