Die Ultimative Rock Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music e Universal Music Publishing France (not for release label use!)
KISS4.54:29
2Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:57
3All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:15
4You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:37
5The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.24:24
6Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:45
7Since You’ve Been Gone
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:17
8Addicted to Love
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric "E.T." Thorngren
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Andy Taylor (of Duran Duran)
chitarra basso :
Bernard Edwards (American bassist and record producer)
voce di accompagnamento:
Benny Diggs e Fonzi Thornton
arrangiatore voci:
Chaka Khan
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1985) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer44:24
9Crocodile Rock
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra basso :
Dee Murray
chitarra elettrica :
Davey Johnstone
farfisa e pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972, nel 1973) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:55
10With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:10
11Whatever You Want
assistente tecnico:
Freek Feenstra
tecnico:
John Eden (producer) e Barry Hammond
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
tecnico di missaggio:
Simon Sullivan
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979), Mercury Records Ltd. (London) (for copyrights use only) (nel 1979), Mercury Records Ltd. (UK) (nel 1979), Phonogram Ltd. (not for release label use!) (nel 1979) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1979)
è stato produttore per:
Handle Records Ltd.
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
Whatever You Want di Status Quo (UK boogie rock band)
registrazione di:
Whatever You Want
scritta a:
Jersey
autore:
Andy Bown e Rick Parfitt (UK guitarist for Status Quo)
editore:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton e Shawbury Music Ltd. (publisher)
Status Quo44:01
12Na Na Hey Hey Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam53:44
13Everything About You
tecnico e tecnico di missaggio:
Mark Dodson (UK producer) e Randy Long
produttore:
Ryan Dorn e Ugly Kid Joe
batteria :
Mark Davis (US drummer for Ugly Kid Joe) (nel 1991)
chitarra :
Klaus Eichstadt (nel 1991) e Roger Lahr (nel 1991)
chitarra basso :
Cordell Crockett (nel 1991)
pianoforte :
Carrie Hamilton (nel 1991)
voce aggiuntiva:
Julia Sweeney (actress / comedian) (nel 1991)
voce principale:
Whitfield Crane (nel 1991)
edit di:
Everything About You (EP version) di Ugly Kid Joe
registrazione di:
Everything About You (Ugly Kid Joe) (nel 1991)
paroliere:
Whitfield Crane e Klaus Eichstadt
compositore:
Klaus Eichstadt
editore:
Sloppy Slouch Music e Ugly Music
Ugly Kid Joe44:21
14Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:37
15Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:52
2▼CD
#TitoloArtistaValutazioneDurata
1Hold the Line
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Toto (US rock group)
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (nel 1978-08)
percussione :
Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
2What’s Up?
tecnico di registrazione:
David Tickle (nel 1992)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico:
Mark Hensley
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso :
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
voce:
Christa Hillhouse (nel 1992) e Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes4.354:12
3Cats in the Cradle
tecnico e tecnico di missaggio:
Mark Dodson (UK producer) e Randy Long
produttore:
Mark Dodson (UK producer)
batteria :
Mark Davis (US drummer for Ugly Kid Joe) (nel 1992)
chitarra :
Klaus Eichstadt (nel 1992) e Dave Fortman (nel 1992)
chitarra basso :
Cordell Crockett (nel 1992)
voce di accompagnamento:
Jennifer Barry (nel 1992)
voce principale:
Whitfield Crane (nel 1992)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1992) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1992)
registrazione cover di:
Cat’s in the Cradle (nel 1992)
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:02
4Come to Sin
Bananafishbones3:25
5Word Up
tecnico, produttore e tecnico di missaggio:
Chris Sheldon (mixer, producer)
batteria :
Mark Kerr
chitarra :
Giuliano Gizzi
chitarra basso :
Dante Gizzi
voce principale:
Mark Rankin (Gun vocalist)
registrazione cover di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gun44:17
6Bad Case of Loving You (Doctor, Doctor)
tecnico di registrazione e tecnico di missaggio:
Karl Pitterson
produttore:
Robert Palmer (English singer‐songwriter)
assistente tecnico di missaggio:
Benjamin Armbrister e Kendal Stubbs
basso elettrico :
Pierre Brock
batteria :
Dony Wynn
chitarra :
Eddie Martinez (guitar) e Kenny Mazur
tastiera :
Steve Robbins (US keyboardist) e Jack Waldman
voce:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Bad Case of Lovin’ You
paroliere e compositore:
Moon Martin
editore:
Bug Music Ltd. e Sony/ATV Songs LLC
Robert Palmer4.653:12
7Magic Carpet Ride
produttore:
Gabriel Mekler
registrazione di:
Magic Carpet Ride
autore:
John Kay (lead singer of Steppenwolf) e Rushton Moreve
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:25
8I Just Want to Celebrate
registrazione di:
I Just Want to Celebrate
autore:
Dino Fekaris e Nick Zesses
editore:
Jobete Music Co., Inc.
Rare Earth53:36
9I’m a Man
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Fontana (nel 1967)
registrazione di:
I’m a Man
autore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) e Steve Winwood
compositore:
Keith Emerson
editore:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group42:51
10Whiskey in the Jar
registrazione di:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
autore:
[traditional] (special purpose artist)
arrangiatore:
Thin Lizzy (Irish hard rock band)
editore:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
versione di:
Whiskey in the Jar (traditional)
Thin Lizzy3:41
11Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
12In the Army Now
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986), Mercury Records Ltd. (UK) (nel 1986), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986) e Quo Entertainment (nel 1986)
è stato produttore per:
Handle Artists
registrazione cover di:
In the Army Now
autore:
Ferdi Bolland e Rob Bolland
editore:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV e The International Music Network
Status Quo2.53:54
13God Gave Rock ’n’ Roll to You
tecnico:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette), Stan Katayama e Chris Steinmetz
produttore:
Bob Ezrin
tecnico di missaggio:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
basso elettrico :
Gene Simmons (KISS bassist and vocalist)
batteria :
Eric Singer (rock/metal drummer)
chitarra elettrica [lead guitar] :
Bruce Kulick
chitarra elettrica [rhythm guitar] :
Paul Stanley (KISS frontman)
voce di accompagnamento:
Eric Carr (KISS drummer) e Bruce Kulick
voce principale:
Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Interscope Records, Inc. (not for release label use!) (nel 1991)
lavorazione tecnica effettuata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti, Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
remix di:
God Gave Rock and Roll to You II (soundtrack mix) di KISS (US rock band)
registrazione di:
God Gave Rock ’n’ Roll to You II
paroliere e compositore:
Russ Ballard
paroliere aggiunto:
Bob Ezrin, Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
editore:
Bocu Music Ltd., Verulam Music Co., Ltd. e Mainspring Music (dal 1991 al ????)
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
versione di:
God Gave Rock and Roll to You
KISS4.55:18
14A Whiter Shade of Pale
assistente tecnico:
Brooke Hendricks (Enginear), Brian Stover e Michael White (sound engineer)
tecnico:
Jeff Hendrickson (sound engineer) e Dominick Maita
produttore:
Joey Balin
tecnico di missaggio:
Jeff Hendrickson (sound engineer)
batteria :
Bob Rondinelli
chitarra :
Jon Levin
chitarra basso e voce di accompagnamento:
Tommy Henriksen
tastiera ospite :
Claude Schnell
voce:
Doro Pesch
arrangiatore:
Joey Balin
registrata presso:
Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, Stati Uniti e Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Doro3:48
15Free Bird
registrazione di:
Free Bird (nel 1973)
paroliere e compositore:
Allen Collins e Ronnie Van Zant
editore:
EMI Longitude Music, Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
Lynyrd Skynyrd53:31
3▼CD
#TitoloArtistaValutazioneDurata
1Black Hole Sun
assistente tecnico e assistente tecnico di missaggio:
Adam Kasper
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Michael Beinhorn e Soundgarden
tecnico di missaggio:
Brendan O’Brien (engineer)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1994)
mixata presso e lavorazione tecnica effettuata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
video musicali:
Black Hole Sun di Soundgarden
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 77), Indie 88: Top 500 Indie Rock Songs (numero: 231) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 368)
registrazione di:
Black Hole Sun (dal 1993-07 al 1993-09)
paroliere e compositore:
Christopher J Cornell (Soundgarden lead singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH e You Make Me Sick I Make Music (nel 1994)
Soundgarden4.15:19
2Selling the Drama
Lïve3:25
3Along Comes Mary
produttore:
Jimmy Pop (member of Bloodhound Gang)
tecnico di missaggio:
Raahu
batteria :
Spanky G
chitarra :
Lüpüs Thünder
chitarra basso :
“Evil” Jared Hasselhoff
piatto (giradischi) :
DJ Q-Ball
voce:
Jimmy Pop (member of Bloodhound Gang)
registrazione di:
Along Comes Mary (Bloodhound Gang version)
paroliere:
Tandyn Almer
compositore:
Tandyn Almer e Jimmy Pop (member of Bloodhound Gang)
editore:
Irving Music, Inc. (conclusa) e Irving Music (BMI)
versione di:
Along Comes Mary
Bloodhound Gang4.153:22
4Space Lord
tecnico:
Matt Hyde (US producer & engineer)
produttore:
Matt Hyde (US producer & engineer) e Dave Wyndorf
tecnico di missaggio:
Randy Staub
video musicali:
Space Lord di Monster Magnet (US stoner rock band)
registrazione di:
Space Lord
paroliere e compositore:
Dave Wyndorf
editore:
Bullgod Music Inc. e Songs of PolyGram International, Inc.
Monster Magnet4.35:58
5Kryponite
tecnico di registrazione:
Matt Martone (recording engineer) e Paul Ebersold
produttore:
Paul Ebersold
assistente tecnico di missaggio:
Mike Butler (engineer)
tecnico di missaggio:
Toby Wright (producer & engineer)
editor:
Andrew Garver
batteria e voce principale:
Brad Arnold (vocalist for 3 Doors Down)
chitarra :
Chris Henderson (member of 3 Doors Down) e Matt Roberts (guitarist for 3 Doors Down)
chitarra basso :
Todd Harrell
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (nel 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1999) e Universal Republic Records (2006–2012) (nel 2012)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Village Voice – The 50 Worst Songs of the ’00s (numero: 42) e BILLIONS CLUB
registrazione di:
Kryptonite
paroliere:
Brad Arnold (vocalist for 3 Doors Down)
compositore:
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell e Matt Roberts (guitarist for 3 Doors Down)
editore:
Escatawpa Songs, Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
3 Doors Down4.053:55
6Last Resort
tecnico:
David Dominguez
produttore e tecnico di missaggio:
Jay Baumgardner
assistente tecnico di missaggio:
D Rock
editor:
James Murray (US engineer)
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e mixata presso:
NRG Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Last Resort di Papa Roach
registrazione di:
Last Resort
paroliere e compositore:
David Buckner, Tobin Esperance, Jerry Horton e Jacoby Shaddix
editore:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music e Viva La Cucaracha Music
Papa Roach3.953:21
7Smooth Criminal
assistente tecnico:
Justin Harvey
tecnico e editor:
James Murray (US engineer)
produttore e tecnico di missaggio:
Jay Baumgardner
assistente tecnico di missaggio:
Dan Certa
editor aggiunto:
John Ewing (engineer) e Brian Virtue
basso elettrico [bassadilla] , chitarra e voce di accompagnamento:
Tye Zamora
batteria :
Mike Cosgrove
chitarra elettrica :
Terence Corso
voce principale:
Dryden Mitchell
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 2001)
registrata presso e mixata presso:
NRG Recording Services in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Smooth Criminal di Alien Ant Farm
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 6) e The Downloader’s Music Source Book (numero: 355)
registrazione cover di:
Smooth Criminal
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music
parte di:
MJ: The Musical
Alien Ant Farm4.253:29
8(You Gotta) Fight for Your Right (to Party)
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 49) e Indie 88: Top 500 Indie Rock Songs (numero: 269)
registrazione di:
Fight for Your Right (to Party)
paroliere:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) e Adam Yauch
compositore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
editore:
Brooklyn Dust Music e Def Jam Music
Beastie Boys4.13:26
9Rest in Peace
registrazione di:
Rest in Peace
autore:
Nuno Bettencourt e Gary Cherone
parte di:
Yours
Extreme4:56
10Never Enough
produttore:
Mark Saunders (UK record producer) (nel 1990-07) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (nel 1990-07)
tecnico di missaggio:
Mark Saunders (UK record producer) (nel 1990-07)
batteria :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
video musicali:
Never Enough di The Cure
registrazione di:
Never Enough
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Boris Williams
editore:
Fiction Songs Ltd.
The Cure44:28
11Shout
produttore:
Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1984) e Mercury Records Ltd. (not for release label use!) (nel 2014)
registrazione di:
Shout (nel 1984)
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears4.654:52
12Policy of Truth
registrazione cover di:
Policy of Truth
paroliere e compositore:
Martin L. Gore
editore:
Grabbing Hands Ltd. e Sonet Publishing
Terry Hoax3:53
13You Get What You Give
tecnico di missaggio:
Michael Brauer (engineer)
basso elettrico :
John Pierce (US session bassist)
batteria :
Gary Ferguson (Session drummer)
chitarra :
Gregg Alexander e Rusty Anderson
percussione :
Juliet Prater
tastiera e voce di accompagnamento:
Rick Nowels
voce principale:
Gregg Alexander
arrangiatore voci aggiunto:
Richie Podler
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1998)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals3.654:41
14Are You Inventive
produttore:
Clive Langer & Alan Winstanley
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1988)
registrazione di:
Are You Inventive
autore:
Dirk Darmstaedter, Christoph Maria Kaiser e Louis Christian Oberlander
editore:
Antenna (German publisher and record company) (nel 1988)
The Jeremy Days3:44
15Mama Told Me Not to Come
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
The Land3:45

Accreditamenti

Pubblicazione

ASIN:DE: B000UH8B6S [info]