20th Century Hits for a New Millennium: 40 Hits of 1970–1974

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:32
2Popcorn
phonographic copyright (℗) by:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
3Dyna-mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
4Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
5Long Cool Woman in a Black Dress
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:16
6Sacramento
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Sacramento (Middle of the Road song)
additional lyricist:
Viggo Happel
lyricist:
Giovambattista Sposato and Lally Stott
writer:
Giosy Capuano, Mario Capuano, Rubirosa and Lally Stott
composer:
Giosy Capuano and Mario Capuano
Middle of the Road2:57
7The Show Must Go On
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
recording of:
The Show Must Go On
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer2:51
8I Hear You Knockin’
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
9Raindrops Keep Falling on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 345)
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas43:02
10American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
11Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:01
12The Bannerman
recording of:
Smoliar (The Bannerman)
writer:
Roger Cook (US‐based British singer, songwriter and producer), Herbie Flowers and Roger Greenaway
is based on:
Banner Man
Blue Mink3:21
13Radar Love
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
acoustic guitar and electric guitar:
George Kooymans
drums (drum set) and percussion:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
Rinus Gerritsen (bass player)
slide guitar:
Eelco Gelling
vocals:
Barry Hay and George Kooymans
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.36:23
14Let’s Work Together
cover recording of:
Let’s Work Together
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat2:49
15Johnny Reggae
recording of:
Johnny Reggae
writer:
Jonathan King
The Piglets2:11
16Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
17See My Baby Jive
producer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. and Roy Wood Music Ltd.
Wizzard54:59
18Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:35
19Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & the Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971)
part of:
New York Post: 100 Greatest Covers (2007) (number: 69) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 420)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:57
20Why Can’t We Live Together
recording of:
Why Can’t We Live Together
lyricist and composer:
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas4:35
2▼CD
#TitleArtistRatingLength
1American Woman
producer:
Nimbus 9 and Jack Richardson
phonographic copyright (℗) by:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
recording of:
American Woman (from 1969-08 until 1969-11)
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.15:07
2Rubber Bullets
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
Rubber Bullets (in 1972)
writer:
Lol Creme, Kevin Godley and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1973)
10cc4.655:18
3Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:58
4Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:38
5The Air That I Breathe
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:04
6Streets of London
producer:
Gus Dudgeon
guitar:
Ralph McTell (in 1969)
vocals:
Ralph McTell (in 1969)
recording of:
Streets of London (in 1969)
lyricist and composer:
Ralph McTell
publisher:
Essex Music International and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell4:08
7(You’re) Having My Baby
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
(You’re) Having My Baby
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
Paul Anka32:34
8Sugar Me
engineer:
Pete Coleman
producer:
Lynsey de Paul
phonographic copyright (℗) by:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
writer:
Barry Ian Green (singer, producer, and songwriter) and Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:53
9Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:19
10Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:08
11You Won’t Find Another Fool Like Me
The New Seekers3:11
12Long Tall Glasses (I Can Dance)
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
phonographic copyright (℗) by:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer3:04
13Emma
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Emma
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
14The Man Who Sold the World
performer:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
recording of:
The Man Who Sold the World
lyricist:
David Bowie (English singer‐songwriter) (on 1970-05-22)
composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) and MainMan (in 1974)
David Bowie feat. Lulu33:49
15Rock & Roll, Part 1
recording of:
Rock and Roll, Part 1
writer:
Gary Glitter and Mike Leander
publisher:
MCA Music Ltd.
Gary Glitter4.152:58
16Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
phonographic copyright (℗) by:
RAK (in 1974)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:51
17Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Suzi Quatro4.753:47
18Easy Livin’
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled "Sydney") and Umble Tunes Ltd.
Uriah Heep4.252:36
19Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra4.354:32
20Hocus Pocus
recording engineer:
Jerry Boys (from 1971-04-13 until 1971-05-14)
performer:
Focus (Dutch progressive rock group) (from 1971-04-13 until 1971-05-14)
recording of:
Hocus Pocus (from 1971-04-13 until 1971-05-14)
composer:
Jan Akkerman and Thijs van Leer
Focus4.756:39