Top of the Pops: 1985–1989

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:17
2The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:01
3Addicted to Love
producer:
Bernard Edwards (American bassist and record producer)
music videos:
Addicted to Love by Robert Palmer (English singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 85)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer4.756:00
4Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
5Shout
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984) and Chris Hughes (producer, aka “Merrick”) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Sandy McLelland (in 1984)
lead vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1984, in 1985) and Mercury Records Ltd. (not for release label use!) (in 1985, in 2014)
music videos:
Shout by Tears for Fears
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.46:32
6When Smokey Sings
assistant recording engineer and assistant mixer:
Tim Burrell
recording engineer and engineer:
Martyn Webster (engineer)
co-producer:
Bernard Edwards (American bassist and record producer)
producer:
Bernard Edwards (American bassist and record producer), Martin Fry and Mark White (ABC/Vice Versa)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
bass:
Brad Lang
double bass:
Danny Thompson (English double bass player)
drums (drum set):
Graham Broad
harmonica:
Judd Lander
keyboard:
David Clayton
percussion:
Pandit Dinesh and Louis Jardim
saxophone:
Howie Casey
strings arranger:
Richard Niles
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1987) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recorded at and mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom
music videos:
When Smokey Sings by ABC (English 80s pop group)
part of:
The Downloader’s Music Source Book (number: 70)
recording of:
When Smokey Sings
writer:
Martin Fry and Mark White (ABC/Vice Versa)
dedicated to:
Smokey Robinson
publisher:
Neutron Music, Neutron Music Ltd. and 10 Music Ltd. (in 1987)
ABC4.254:17
7I’m Your Man
producer:
George Michael
arranger:
George Michael
music videos:
I’m Your Man by Wham! (British pop-duo) and I’m Your Man by Wham! (British pop-duo)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 8)
recording of:
I'm Your Man
lyricist and composer:
George Michael
Wham!54:03
8I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:47
9Baby I Don’t Care
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1989)
recording of:
Baby I Don’t Care (Transvision Vamp)
lyricist and composer:
Nick Christian Sayer
publisher:
Notting Hill Music (publisher)
Transvision Vamp4:27
10Walls Come Tumbling Down
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
12 string guitar, bass guitar, guitar, synthesizer [synth] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (from 1984-12 until 1985-03)
drums (drum set) [drums] and percussion:
Steve White (Style Council drummer) (from 1984-12 until 1985-03)
fortepiano [piano forte], Hammond organ and keyboard [electronic keyboards]:
Mick Talbot (from 1984-12 until 1985-03)
piano:
Helen Turner (from 1984-12 until 1985-03)
saxophone:
Mike Mower (from 1984-12 until 1985-03)
trombone:
Chris Lawrence (from 1984-12 until 1985-03)
trumpet:
David DeFries (from 1984-12 until 1985-03) and Stewart Prosser (from 1984-12 until 1985-03)
vocals:
D.C. Lee (from 1984-12 until 1985-03)
strings arranger:
John Mealing (British keyboards player, composer and arranger.)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1984-12 until 1985-03)
recording of:
Walls Come Tumbling Down (from 1984-12 until 1985-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:23
11There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
12The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes and Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.253:16
13Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:47
14Eloise
engineer and producer:
Jon Kelly (engineer at Air London Studios)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation and Hill & Range (publisher)
The Damned3.55:10
15Lullaby
recording of:
Lullaby
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co. and Fiction Songs Ltd. (in 1989)
The Cure4:10
16Love Train
recording of:
Love Train
composer:
Holly Johnson
Holly Johnson4:02
17Spy in the House of Love
recording of:
Spy in the House of Love
writer:
David Was and Don Was
publisher:
MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi Music and MCA Music Ltd. (in 1987)
Was Not Was5:27
18Sweet Little Mystery
guitar:
Graeme Duffin
music videos:
Sweet Little Mystery by Wet Wet Wet
recording of:
Sweet Little Mystery
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
Wet Wet Wet3.653:44
2CD
#TitleArtistRatingLength
1My PrerogativeBobby Brown4:32
2Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:49
3Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:55
4Word Up!
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:20
5Ain’t Nothin’ Goin’ on but the Rent
engineer:
Matthew “Krash” Kasha ("Krash")
associate producer:
David “Pick” Conley (soul musician)
producer:
Gwen Guthrie (US singer, songwriter & pianist)
mixer and editor:
Larry Levan
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 8)
recording of:
Ain’t Nothin’ Goin’ On but the Rent
lyricist and composer:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie6:01
6Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:05
7Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:01
8Human
co-producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
background vocals:
Susan Ann Sulley
background vocals and spoken vocals and spoken vocals:
Joanne Catherall
lead vocals:
Philip Oakey
mixed at:
Flyte Tyme Studios in Edina, Minnesota, United States
recording of:
Human
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Flyte Tyme Tunes
The Human League44:25
9Back to Life (However Do You Want Me)
producer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler43:46
10Breakout
producer:
Paul Staveley O’Duffy
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 72)
recording of:
Breakout (in 1986)
writer:
Andy Connell (in 1986), Corinne Drewery (in 1986) and Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) and Virgin 10 Music Ltd.
Swing Out Sister3.83:48
11Obsession
recording engineer:
Jeff Harris (recording engineer)
programming:
Jeff Harris (recording engineer) and Holly Knight
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
bass guitar:
Charles Ottavio
guitar:
Bill Wadhams
keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 12)
cover recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
Animotion5:37
12I Didin’t Mean to Turn You On
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Eric "E.T." Thorngren
bass guitar:
Bernard Edwards (American bassist and record producer)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Eddie Martinez (guitar)
cover recording of:
I Didn’t Mean to Turn You On
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing (in 1985) and Flyte Tyme Tunes (in 1985)
Robert Palmer4.353:37
13HeartachePepsi & Shirlie23:35
14Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:14
15When the Going Gets Tough the Tough Get Going
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3:01
16Everywhere
programming:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood (in 1987)
electric bass guitar:
John McVie (in 1987)
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) and Christine McVie (in 1987)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) and Stevie Nicks (in 1987)
lead vocals:
Christine McVie (in 1987)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:48
17Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:25
18Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown4.54:56
19Don’t Turn Around
producer:
Aswad (British reggae group)
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad43:41
3CD
#TitleArtistRatingLength
1Take on Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:50
2A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.63:38
3I Don’t Want a Lover
engineer:
Simon Vinestock
producer:
Tim Palmer (British producer/mixer)
bass:
Johnny McElhone
drums (drum set):
Stuart Kerr
guitar:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) and Sharleen Spiteri
harmonica:
Mark Fletman
keyboard:
Craig Armstrong (Scottish score composer) and Wix (UK / Paul Wickens)
background vocals:
Stuart Kerr and Sharleen Spiteri
publisher:
10 Music Ltd.
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.655:00
4Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:24
5Crazy Crazy Nights
producer:
Ron Nevison
mixer:
Ron Nevison (from 1987-06 until 1987-07)
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1987-06 until 1987-07)
recording of:
Crazy Crazy Nights
writer:
Adam Mitchell (Scottish-Canadian songwriter) and Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 大洋音楽 (Taiyō Music)
KISS4.153:48
6The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.155:10
7Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:21
8If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.754:09
9China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:00
10(I Just) Died in Your Arms Tonight
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:44
11Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:04
12Cherish
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang44:00
13All Around the World
producer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield54:22
14Everytime You Go Away
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
cover recording of:
Everytime You Go Away
lyricist and composer:
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young5:22
15Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:32
16The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
17Holding Back the Years
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (drummer for Simply Red) (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (English soul and pop band) (in 1985)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
music videos:
Holding Back the Years by Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
lyricist:
Mick Hucknall (lead singer of Simply Red)
composer:
Mick Hucknall (lead singer of Simply Red) and Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. and So What Ltd
Simply Red44:30
18Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:41

Credits

Release

part of:Top of the Pops (series released by Spectrum Music) (order: 1)
Discogs:https://www.discogs.com/release/9431425 [info]
ASIN:UK: B01LAJ37NQ [info]

Release group

part of:Top of the Pops (UMC) (number: 5) (order: 5)