Milt Jackson

~ Veröffentlichung von Milt Jackson (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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Nr.TitelBewertungLänge
1Lillie
alto saxophone:
Lou Donaldson (am 1952-04-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1952-04-07)
recording of:
Lillie (am 1952-04-07)
Komponist(in):
Milt Jackson
3:18
2Tahiti
alto saxophone:
Lou Donaldson
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
recording of:
Tahiti (am 1952-04-07)
Komponist(in):
Milt Jackson
3:29
3What's New
alto saxophone:
Lou Donaldson
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
recording of:
What’s New? (am 1952-04-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
3:15
4Bags' Groove
alto saxophone:
Lou Donaldson (am 1952-04-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1952-04-07)
recording of:
Bags’ Groove (am 1952-04-07)
Komponist(in):
Milt Jackson
3:08
5On the Scene
alto saxophone:
Lou Donaldson (am 1952-04-07)
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
recording of:
On the Scene (am 1952-04-07)
Komponist(in):
Lou Donaldson
2:45
6Willow Weep For Me
alto saxophone:
Lou Donaldson und Sahib Shihab (American jazz musician) (am 1951-07-23)
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) und Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Kenny Clarke und Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
instrumental recording of:
Willow Weep for Me (am 1951-07-23)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
7Criss Cross
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Criss‐Cross (am 1951-07-23)
Komponist(in):
Thelonious Monk
2:58
8Eronel
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Eronel (am 1951-07-23)
Komponist(in):
Thelonious Monk
3:04
9Misterioro (alternate take)
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
recording of:
Misterioso (am 1948-07-02)
Komponist(in):
Thelonious Monk
2:46
10Evidence
alto saxophone:
Lou Donaldson
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) und Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Kenny Clarke und Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
recording of:
Evidence (am 1948-07-02)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music und Thelonious Music Corporation (publisher, affiliated to BMI)
2:35
11Lillie (alternate master)
alto saxophone:
Lou Donaldson (am 1952-04-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass [bass]:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1952-04-07)
recording of:
Lillie (am 1952-04-07)
Komponist(in):
Milt Jackson
3:20
12Four In One (alternate take)
alto saxophone:
Lou Donaldson
Bass:
Percy Heath
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) und Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Kenny Clarke und Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
recording of:
Four in One (am 1951-07-23)
Komponist(in):
Thelonious Monk
3:31
13What's New (alternate take)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
instrumental recording of:
What’s New? (am 1952-04-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
3:12
14Don't Get Around Much Anymore
alto saxophone:
Lou Donaldson
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet)
Kontrabass:
Percy Heath
Schlagzeug:
Kenny Clark
Vibraphon:
Milt Jackson
instrumental recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
3:02
15Don't Get Around Much Anymore (alternate take)
alto saxophone:
Lou Donaldson (am 1952-04-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-04-07)
Kontrabass:
Percy Heath (am 1952-04-07)
Schlagzeug:
Kenny Clarke (am 1952-04-07)
Vibraphon:
Milt Jackson (am 1952-04-07)
instrumental recording of:
Don’t Get Around Much Anymore (am 1952-04-07)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
3:01
16Criss Cross (alternate take)
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
recording of:
Criss‐Cross (am 1951-07-23)
Komponist(in):
Thelonious Monk
2:52
17All the Things You Are
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
Sologesang:
Kenny Hagood
vocals:
Kenny Hagood (am 1948-07-02)
aufgenommen bei:
Apex Studios in New York, New York, Vereinigte Staaten (am 1948-07-02) und WOR Studios in New York, New York, Vereinigte Staaten (am 1948-07-02)
recording of:
All the Things You Are (from “Very Warm for May”) (am 1948-07-02)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
3:01
18I Should Care (alternate take)
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
vocals:
Kenny Hagood (am 1948-07-02)
aufgenommen bei:
Apex Studios in New York, New York, Vereinigte Staaten (am 1948-07-02) und WOR Studios in New York, New York, Vereinigte Staaten (am 1948-07-02)
recording of:
I Should Care (am 1948-07-02)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:04
19I Should Care
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
Sologesang:
Kenny Hagood (am 1948-07-02)
vocals:
Kenny Hagood (am 1948-07-02)
aufgenommen bei:
Apex Studios in New York, New York, Vereinigte Staaten (am 1948-07-02) und WOR Studios in New York, New York, Vereinigte Staaten (am 1948-07-02)
recording of:
I Should Care (am 1948-07-02)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:01

Nennungen

Veröffentlichungsgruppe

Teil von:Grand Prix de l’Académie du Jazz (Nummer: 1954) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/366884 [Info]
Wikidata:Q28689345 [Info]