Sounds of the Eighties: The Rolling Stone Collection 1987–1988

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Forever Young
producer:
Bernard Edwards (American bassist and record producer), Rod Stewart, Andy Taylor (of Duran Duran) and Andy Taylor (US producer)
mixer:
Bernard Edwards (American bassist and record producer) and Steve MacMillan
acoustic guitar:
Jim Cregan (producer & member of Family)
bass:
Bernard Edwards (American bassist and record producer)
drums (drum set) [drums]:
Tony Brock
guitar [guitars]:
Michael Landau and Andy Taylor (of Duran Duran)
keyboard [keyboards]:
Kevin Savigar
solo guitar:
Andy Taylor (of Duran Duran)
recorded at and mixed at:
Record Plant Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Forever Young (Rod Stewart arrangement)
writer:
Jim Cregan (producer & member of Family), Bob Dylan, Kevin Savigar and Rod Stewart
publisher:
Cardinal Music Ltd., Kevin Savigar Music, Ram’s Horn Music, Rod Stewart (Publishing label; ASCAP-affiliated), Southern Music Pub. Co. Ltd., Special Rider Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
version of:
Forever Young (Bob Dylan song)
Rod Stewart54:06
2Paper in Fire
assistant engineer:
Rick Fettig
engineer and mixer:
Don Gehman and David Leonard (US producer and engineer)
producer:
Don Gehman and John Mellencamp
engineered at:
Belmont Mall (John Mellencamp's private studio) in Belmont, Indiana, United States (from 1986-09 until 1987-06)
recording of:
Paper in Fire
lyricist and composer:
John Mellencamp
John Mellencamp4.653:52
3Don't Dream It's Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson "S" Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label's publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House43:55
4Like the Weather
recording engineer:
George Massenburg
additional engineer:
Sharon Rice (Los Angeles sound engineer)
assistant engineer:
Duane Seykora and Shep Lonsdale
assistant producer:
Edd Kolakowski
producer:
Peter Asher
mixer:
Frank Wolf (engineer at Skyline Recording) and George Massenburg
drums (drum set) and percussion:
Jerome Augustyniak
electric bass guitar:
Steven Gustafson
guitar, mandolin and pedal steel guitar:
Robert Buck
keyboard:
Dennis Drew
vocals:
Natalie Merchant
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
produced at:
The Complex Studios in Los Angeles, California, United States (from 1987-03 until 1987-04)
music videos:
Like the Weather by 10,000 Maniacs
recording of:
Like the Weather
lyricist and composer:
Natalie Merchant
publisher:
Indian Love Bride Music and Christian Burial Music (in 1987)
10,000 Maniacs4.63:59
5Blood and Roses
recording of:
Blood and Roses
lyricist and composer:
Pat DiNizio
The Smithereens4.53:38
6Can't Hardly Wait
recording engineer and mixer:
John Hampton (engineer, producer) and Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Jim Dickinson
acoustic guitar and bass guitar:
Tommy Stinson
baritone saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist)
drums (drum set):
Chris Mars
guitar:
Alex Chilton, Tommy Stinson and Paul Westerberg
harmonica and lead vocals:
Paul Westerberg
keyboard:
East Memphis Slim
strings:
Max Huls
tenor saxophone:
Andrew Love
trumpet:
Ben Cauley
remixer:
Jimmy Iovine
recording of:
Can’t Hardly Wait
lyricist and composer:
Paul Westerberg
The Replacements4.53:06
7Take It So Hard
producer:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer) and Keith Richards (Rolling Stones guitarist)
drums (drum set):
Charley Drayton
electric bass guitar:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Keith Richards (Rolling Stones guitarist) and Waddy Wachtel
keyboard and piano:
Ivan Neville
background vocals:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer) and Keith Richards (Rolling Stones guitarist)
lead vocals:
Keith Richards (Rolling Stones guitarist)
recording of:
Take It So Hard
lyricist:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
composer:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer) and Keith Richards (Rolling Stones guitarist)
publisher:
Promopub. B.V. (from 1988 to present)
Keith Richards53:17
8Middle Man
recording of:
Middle Man
writer:
Corey Glover and Vernon Reid (English-born US guitarist and songwriter)
Living Colour53:50
9One
additional engineer and assistant engineer:
Toby Wright (producer & engineer)
engineer:
Flemming Rasmussen
producer:
Metallica and Flemming Rasmussen
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
bass guitar:
Jason Newsted (from 1988-01 until 1988-05)
drums (drum set):
Lars Ulrich (from 1988-01 until 1988-05)
guitar:
Kirk Hammett (from 1988-01 until 1988-05) and James Hetfield (from 1988-01 until 1988-05)
lead vocals:
James Hetfield (from 1988-01 until 1988-05)
arranger:
James Hetfield and Lars Ulrich
phonographic copyright (℗) by:
Metallica (in 1988)
phonographic copyright (℗) by:
Blackened Recordings (copyrights holder, do not use as label!) (in 2018)
recorded at:
One on One Studios in North Hollywood, Los Angeles, California, United States (from 1988-01 until 1988-05)
mixed at:
Bearsville Studios in Bearsville, New York, United States
part of:
Grammy Award: Best Metal Performance nominees (number: 1990 winner) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 11)
recording of:
One (from 1988-01 until 1988-05)
lyricist:
James Hetfield
composer:
James Hetfield and Lars Ulrich
publisher:
Creeping Death Music
Metallica4.47:26
10Tall Cool One
producer:
Phil Johnstone, Tim Palmer (British producer/mixer) and Robert Plant (of Led Zeppelin)
guitar [guitar solo]:
Jimmy Page
recording of:
Tall Cool One
writer:
Phil Johnstone and Robert Plant (of Led Zeppelin)
Robert Plant4.654:41
11The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.253:19
12Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.355:00
13Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:54
14Spy in the House of Love
recording of:
Spy in the House of Love
writer:
David Was and Don Was
publisher:
MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi Music and MCA Music Ltd. (in 1987)
Was (Not Was)54:19
15Colors
producer:
Afrika Islam and Ice‐T
instrumental versions:
Colors (instrumental) by Ice‐T
recording of:
Colors
writer:
Charles Andre Glenn and Tracy Marrow (Ice‐T)
Ice‐T54:28
16Fight Like a Brave
recording engineer:
Judy Clapp
engineer:
James Bauerlein (engineer)
producer:
Michael Beinhorn
assistant mixer:
Russell Bracher and Stan Katayama
mixer:
John Potoker (producer/engineer aka Tokes)
bass:
Flea (US bassist)
drums (drum set):
Jack Irons
guitar:
Hillel Slovak
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1987)
produced for:
Demolition Sound
recording of:
Fight Like a Brave
writer:
Jack Irons, Anthony Kiedis, Michael Peter Balzary (US bassist) and Hillel Slovak
publisher:
EMI Music Inc., Moebetoblame Music and Screen Gems
Red Hot Chili Peppers3.753:53
17Had a Dad
bass guitar:
Eric Avery
drums (drum set):
Stephen Perkins (American drummer)
guitar:
Dave Navarro (American guitarist)
saxophone:
Angelo Moore
trombone:
Christopher Dowd
trumpet:
Flea (US bassist)
vocals:
Perry Farrell
recording of:
Had a Dad
lyricist:
Perry Farrell
composer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.253:48
18Bring the Noise
producer:
Carl Ryder, Eric Sadler and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Funky Drummer, Part 1 by James Brown (The Godfather of Soul), Get Off Your Ass and Jam by Funkadelic and It's My Thing, Part 1 by Marva Whitney
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 90), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 397)
recording of:
Bring tha Noize (Original Version) (in 1987)
lyricist:
Carlton Douglas Ridenhour and Hank Shocklee
composer:
Carlton Douglas Ridenhour, George Clinton (US funk musician), Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Public Enemy3.853:46