Sounds of the Eighties: The Mid-'80s: Take Two

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Loverboy
engineer:
Bryan “Chuck” New (Engineer/ Producer)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Productions Ltd. (in 1984)
recording of:
Loverboy
writer:
Keith Diamond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music Ltd., Keith Diamond Music, Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Universal Music–Z Songs and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean44:12
2Easy Lover
producer:
Phil Collins (of Genesis)
recording of:
Easy Lover (in 1984)
writer:
Philip Bailey, Phil Collins (of Genesis) and Nathan East
publisher:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
Phil Collins & Philip Bailey3.54:43
3Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:03
4You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:19
5Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Brock Walsh (singer, producer, songwriter) (in 1983)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:50
6The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex3:58
7I Can't Wait
producer:
John Smith (Nu Shooz) and Rick Waritz (producer)
phonographic copyright (℗) by:
Injection (Netherlands) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 60)
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:43
8Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.24:01
9Heartbeat
additional engineer:
David Axelbaum
engineer:
Gary McGachan
producer:
Chas Sandford
mixer:
Gary McGachan and Chas Sandford
bass:
Mark Leonard
drums (drum set):
William “Curly” Smith (Jo Jo Gunne musician)
guitar:
Chas Sandford
keyboard:
Charles Judge (American guitarist, pianist, arranger and songwriter)
background vocals:
Bill Champlin and Tamara Champlin
lead vocals:
Don Johnson (US actor, Miami Vice)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 58)
cover recording of:
Heartbeat
writer:
Eric Kaz and Wendy Waldman
publisher:
Cotillion Music Inc. (BMI), Glasco Music Company and Moon and Stars Music
Don Johnson24:18
10The Heart of Rock 'n' Roll
producer:
Huey Lewis and the News (American pop rock band)
edit of:
The Heart of Rock & Roll by Huey Lewis and the News (American pop rock band)
recording of:
The Heart of Rock & Roll
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Huey Lewis and the News44:07
11Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 96)
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
publisher:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:25
12Round and Round
assistant engineer:
Dave Clark (engineer), Clif Smith (Engineer), Robin Laine and Ray Leonard (engineer)
engineer:
Jim Faraci and Beau Hill
producer:
Beau Hill
bass guitar:
Juan Croucier
drums (drum set) and percussion:
Bobby Blotzer
electric guitar:
Robbin Crosby and Warren DeMartini
background vocals:
Robbin Crosby, Juan Croucier and Warren DeMartini
lead vocals:
Stephen Pearcy
recorded at:
Sound City Studios in Van Nuys, California, United States and The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 20), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 51) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 61)
recording of:
Round and Round
writer:
Robbin Crosby, Warren DeMartini and Stephen Pearcy
publisher:
Ratt Music and Time Coast Music
Ratt4.54:26
13Lovin' Every Minute of It
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Lovin’ Every Minute of It
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Zomba Enterprises, Inc. (from 1984 to ????)
Loverboy4.53:35
14Day by Day
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Day by Day
writer:
Eric Bazilian, Rick Chertoff and Rob Hyman
publisher:
Dub Notes Music (publisher), Hobbler Music and Human Boy Music
The Hooters43:25
15Let the Music Play
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon4:40
16Something About You
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
music videos:
Something About You by Level 42
recording of:
Something About You
writer:
Wally Badarou, Boon Gould, Phil Gould, Mark King (bass guitarist and vocalist) and Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Level 422.53:46
17You're a Friend of Mine
performer:
Jackson Browne (American singer-songwriter)
recording of:
You’re a Friend of Mine
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
arranger:
Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (publisher as Warner/Chappell Music)
Clarence Clemons & Jackson Browne34:53
18Things Can Only Get Better
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
brass:
The TKO Horns
instruments:
Howard Jones (English singer, songwriter)
background vocals:
Claudia Fontaine (vocals, background vocals), Naomi Thompson and Caron Wheeler (English singer, songwriter, and record producer)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:55