Moody's Mood

~ Release by James Moody (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleRatingLength
A1Flute 'N The Blues
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
4:06
A2Birdland Story
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
vocals:
Eddie Jefferson (on 1956-11-01)
2:29
A3Mean To Me
recorded in:
Chicago, Illinois, United States (on 1957-01-13)
engineer:
Jack Weiner
producer:
Phil Chess
double bass [bass]:
John Latham (on 1957-01-13)
drums (drum set):
Clarence Johnston (on 1957-01-13)
piano:
Jimmy Boyd (piano) (on 1957-01-13)
tenor saxophone:
James Moody (jazz saxophonist) (on 1957-01-13)
trumpet:
John Coles (trumpet) (on 1957-01-13)
instrumental recording of:
Mean to Me (on 1956-12-14)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:54
A4I Cover The Waterfront
recorded in:
Chicago, Illinois, United States (in 1956)
baritone saxophone:
Pee Wee Moore (in 1956)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (in 1956)
trombone:
William Shepherd (US jazz trombonist) (in 1956)
trumpet:
Johnny Coles (US jazz trumpeter) (in 1956)
woodwind:
James Moody (jazz saxophonist) (in 1956)
vocals:
Eddie Jefferson (in 1956)
instrumental recording of:
I Cover the Waterfront (on 1956-11-01)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
2:40
A5Body And Soul
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
instrumental recording of:
Body and Soul (on 1956-11-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
7:21
A6Breaking The Blues
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
4:07
B1Parker's Mood
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
vocals:
Eddie Jefferson (on 1956-11-01)
recording of:
Parker's Mood (on 1956-11-01)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:20
B2Boo's Tune
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
recording of:
Boo's Tune (on 1956-11-01)
composer:
James Moody (jazz saxophonist)
3:42
B3Richard's Blues
recorded in:
Chicago, Illinois, United States (on 1956-11-01)
baritone saxophone:
Pee Wee Moore (on 1956-11-01)
double bass [bass]:
John Latham (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
woodwind:
James Moody (jazz saxophonist) (on 1956-11-01)
4:37
B4Foolin' The Blues
recorded in:
Chicago, Illinois, United States (on 1957-01-13)
engineer:
Jack Weiner
producer:
Phil Chess
double bass [bass]:
John Latham (on 1957-01-13)
drums (drum set):
Clarence Johnston (on 1957-01-13)
flute:
James Moody (jazz saxophonist) (on 1957-01-13)
horn [peck horn]:
Jimmy Boyd (piano) (on 1957-01-13)
trumpet:
John Coles (trumpet) (on 1957-01-13)
4:52
B5Phil Up
recorded in:
Chicago, Illinois, United States (on 1956-12-14)
engineer:
Jack Weiner
producer:
Phil Chess
baritone saxophone:
Tate Houston (on 1956-12-14)
double bass [bass]:
John Latham (on 1956-12-14)
drums (drum set):
Clarence Johnston (on 1956-12-14)
flute:
James Moody (jazz saxophonist) (on 1956-12-14)
piano:
Jimmy Boyd (piano) (on 1956-12-14)
trombone:
Donald Cole (on 1956-12-14)
2:27
B6Plus Eight
recorded in:
Chicago, Illinois, United States (on 1957-01-13)
engineer:
Jack Weiner
producer:
Phil Chess
double bass [bass]:
John Latham (on 1957-01-13)
drums (drum set):
Clarence Johnston (on 1957-01-13)
flute:
James Moody (jazz saxophonist) (on 1957-01-13)
piano:
Jimmy Boyd (piano) (on 1957-01-13)
3:45
2▼12" Vinyl
#TitleRatingLength
C1I'm In The Mood For Love
recorded in:
Chicago, Illinois, United States (on 1956-12-14)
engineer:
Jack Weiner
producer:
Phil Chess
baritone saxophone:
Tate Houston (on 1956-12-14)
double bass [bass]:
John Latham (on 1956-12-14)
drums (drum set):
Clarence Johnston (on 1956-12-14)
flute:
James Moody (jazz saxophonist) (on 1956-12-14)
piano:
Benny Golson (American jazz saxophonist and composer) (on 1956-12-14)
trombone:
Donald Cole (on 1956-12-14)
vocals:
Eddie Jefferson (on 1956-12-14)
recording of:
Moody’s Mood for Love (1952 song, lyrics by Eddie Jefferson)
lyricist:
Eddie Jefferson
additional composer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
version of:
Moody’s Mood for Love (1949 jazz instrumental)
3:00
C2You Go To My Head
recorded in:
Chicago, Illinois, United States (on 1956-12-14)
engineer:
Jack Weiner
producer:
Phil Chess
baritone saxophone:
Tate Houston (on 1956-12-14)
double bass [bass]:
John Latham (on 1956-12-14)
drums (drum set):
Clarence Johnston (on 1956-12-14)
flute:
James Moody (jazz saxophonist) (on 1956-12-14)
piano:
Jimmy Boyd (piano) (on 1956-12-14)
trombone:
Donald Cole (on 1956-12-14)
instrumental recording of:
You Go to My Head (on 1956-12-14)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:25
C3Billie's Bounce
recorded in:
Chicago, Illinois, United States (on 1956-12-14)
engineer:
Jack Weiner
producer:
Phil Chess
baritone saxophone:
Tate Houston (on 1956-12-14)
double bass [bass]:
John Latham (on 1956-12-14)
drums (drum set):
Clarence Johnston (on 1956-12-14)
flute:
James Moody (jazz saxophonist) (on 1956-12-14)
piano:
Jimmy Boyd (piano) (on 1956-12-14)
trombone:
Donald Cole (on 1956-12-14)
trumpet:
John Coles (trumpet) (on 1956-12-14)
vocals:
Eddie Jefferson (on 1956-12-14)
recording of:
Billie’s Bounce (on 1956-12-14)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:05
C4Stardust
recorded in:
Chicago, Illinois, United States (on 1957-01-13)
engineer:
Jack Weiner
producer:
Phil Chess
double bass [bass]:
John Latham (on 1957-01-13)
drums (drum set):
Clarence Johnston (on 1957-01-13)
flute:
James Moody (jazz saxophonist) (on 1957-01-13)
piano:
Jimmy Boyd (piano) (on 1957-01-13)
trumpet:
John Coles (trumpet) (on 1957-01-13)
instrumental recording of:
Stardust (the jazz standard) (on 1956-12-14)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
6:22
C5Last Train From Overbrook
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
recording of:
Last Train From Overbrook (in 1958-09)
composer:
James Moody (jazz saxophonist)
2:55
C6Don't Worry About Me
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
Don’t Worry ’Bout Me (in 1958-09)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
2:23
D1Why Don't You
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
2:18
D2What's New
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
What’s New? (in 1958-09)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
3:22
D3Tico Tico
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
Tico tico (French version of "Tico‐Tico no fubá") (in 1958-09)
lyricist:
Jacques Larue (French lyricist)
composer:
Zequinha de Abreu (in 1917)
translated version of:
Tico-tico no fubá (original Portuguese version)
1:37
D4The Moody One
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
3:23
D5Brother Yusef
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
3:04
D6All The Things You Are
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1958-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
2:03
D7Yvonne
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
3:35
D8There She Goes
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
2:18