Now That’s What I Call Reggae Party

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1It Wasn’t Me
recording engineer and mixer:
Shaun Pizzonia
producer:
Sting International
brass:
Kevin Bachelor and Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
guitar:
Robert Zapata
keyboard:
Nigel Staff
membranophone:
Shaun Pizzonia
violin:
Gwen Laster
background vocals:
Brian & Tony Gold and Shaun Pizzonia
vocals and performer:
Ricardo “Rik Rok” Ducent
recording of:
It Wasn’t Me
writer:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
is based on:
Smile Happy
Shaggy feat. Ricardo “Rik Rok” Ducent?:??
2Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.8?:??
3Cheerleader
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 11)
recording of:
Cheerleader
writer:
Mark Bradford (member of Ray), Mark Bradford (songwriter, Cheerleader), Clifton Dillon, Ryan Dillon, Omar Samuel Pasley ("Cheerleader", Jamaican reggae/pop artist Omar Samuel Pasley) and Sly Dunbar
part of:
Matuschkes Lieblinge 2015
Omi?:??
4The Tide Is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.45?:??
5Our Day Will Come
recording engineer:
Gleyder “Gee” Disla (in 2002-05) and Gary Noble (in 2002-05)
assistant engineer:
Shomari “Sho” Dillon and Neil Dyer
producer:
Salaam Remi
assistant mixer:
Ben Baptie and Xavier Stephenson (engineer)
mixer:
Gary Noble
drums (drum set):
Troy Auxilly-Wilson (in 2002-05)
flute, guitar and horn:
Vincent Henry (in 2002-05)
Rhodes piano, bass guitar, drums (drum set), guitar, organ and piano:
Salaam Remi (in 2002-05)
trumpet:
Bruce Purse (brass) (in 2002-05)
background vocals:
Heshima Thompson (in 2002-05) and Zalon Thompson (in 2002-05)
horn arranger:
Vincent Henry
arranger:
Salaam Remi
background vocals arranger:
Heshima Thompson and Zalon Thompson
phonographic copyright (℗) by:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (in 2011)
recorded at:
Creative Space in Miami, Florida, United States (in 2002-05) and Instrument Zoo in Miami, Florida, United States (in 2002-05)
cover recording of:
Our Day Will Come (in 2002-05)
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Amy Winehouse2.65?:??
6No Woman, No Cry
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
Fugees?:??
7Show Me
recording engineer:
Ari Levine
additional engineer:
Charles Moniz
producer:
Dwayne "Supa Dups" Chin-Quee (reggae dancehall) and The Smeezingtons
mixer:
Manny Marroquin
vocals:
Bruno Mars (US singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
produced for:
Black Chiney Music, Inc.
mixed at:
Larrabee Studio in Los Angeles, California, United States
engineered at:
Levcon Studios in Hollywood, Los Angeles, California, United States
recording of:
Show Me
writer:
Mitchum Chin, Dwayne Chin-Quee (reggae dancehall), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine and Peter Hernandez (Bruno Mars, US singer)
publisher:
Black Chiney Music (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Mars Force Music, Roc Nation Music and Sony/ATV Tunes LLC (ASCAP)
Bruno Mars3?:??
8RudeMAGIC!4.35?:??
9Wake Me Up (Reggae mix)Avicii?:??
10Antenna
recording of:
Antenna
lyricist and composer:
Nana Abiona
Fuse ODG2?:??
11Tease Me
Chaka Demus & Pliers?:??
12Don’t Turn Around
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad2.5?:??
13Wild World
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Maxi Priest3.5?:??
14Baby, I Love Your Way
recording engineer and producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
additional programming:
Erik Hansen
programming:
Aaron Zigman (American score composer)
executive producer:
Jeff Aldrich (A&R)
assistant mixer:
Dave Betancourt (engineer)
mixer:
Tom Lord Alge
acoustic guitar:
John Goux
bass guitar:
Abraham Laboriel
drums (drum set):
Abraham Laboriel Jr. and John Robinson (session drummer)
flute and tenor saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
guitar [skank guitar]:
Tony Chin
keyboard:
Aaron Zigman (American score composer)
percussion:
Steve Forman (US percussionist)
solo alto saxophone:
Warren Hill
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Jerry Hey
background vocals:
James McWhinney
background vocals and lead vocals:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California, United States
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain?:??
15LDN
engineer:
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) and Mike Pelanconi
producer:
Darren Lewis, Future Cut and Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistant mixer:
Dan Porter
mixer:
Future Cut and Mike Pelanconi
bass guitar:
Clive Hunte
guitar:
Paul Farr
keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) and Iyiola Babalola (drum n bass producer Iyiola Babalola)
saxophone:
Michael Rose (Saxophonist)
trombone:
Trevor Edwards
trumpet:
Eddie Thornton
lead vocals:
Lily Allen
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
samples:
Reggae Meringue by Tommy McCook
recording of:
LDN
writer:
Lily Allen, Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) and Duke Reid (Jamaican producer and label owner)
Lily Allen3.95?:??
16Uptown Top Ranking
Althea & Donna?:??
17Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth4?:??
18Boom Shack-A-LakApache Indian?:??
19King of the Dancehall
producer:
Tony Kelly (reggae producer)
recording of:
King of the Dancehall
writer:
Anthony Moses Davis (Jamaican dancehall artist), Maurice Gregory (reggae artist) and Tony Kelly (reggae producer)
Beenie Man3.5?:??
20Mr. Loverman
guest vocals and guest performer:
Chevelle Franklyn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Mr. Loverman
writer:
Mikey Bennett, Hopeton Lindo and Shabba Ranks
publisher:
Greensleeves Publishing Ltd.
Shabba Ranks feat. Chevelle Franklyn2.5?:??
21I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.75?:??
22Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.65?:??
2CD
#TitleArtistRatingLength
1(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403.25?:??
2In the Summertime
recording engineer:
Dr. Marshall Harris (engineer) and Sting Int'l
miscellaneous support:
Dennis Donald (task: track layed by), George Miller (task: track layed by), Robert Livingston (Jamaican reggae and dancehall producer) (task: track layed by) and Paul Crosdale (task: track layed by)
producer:
Robert Livingston (Jamaican reggae and dancehall producer) and Shaun "Sting Int'l" Pizzonia
mixer:
Lynford "Fatta" Marshall
additional performer:
Rayvon
produced for:
Big Yard Production
recorded at:
H.C.&F. Recording Studio (defunct) in Freeport, Hempstead, New York, United States (other vocals [vocals]) and Music Works Recording Studio (fka Music Works Recording Studio, Music Works Studio, Music Works. aka Anchor Music Works, Anchor Recording Studio) in Kingston (Kingston Parish), Jamaica
mixed at:
Mixing Lab Recording Studio in Kingston (Kingston Parish), Jamaica
cover recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Shaggy feat. Rayvon3.05?:??
3You Don’t Love Me (No, No, No)
recording of:
You Don’t Love Me (No, No, No)
writer:
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Dawn Penn
version of:
You Don’t Love Me
Dawn Penn?:??
4Turn Me On
recording of:
Turn Me On (Lyttle original)
lyricist:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus and Courtney Sills
composer:
Arnold Hennings, Daron Jones, Kevin Lyttle and Raeon Primus
Kevin Lyttle4.15?:??
5It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness4?:??
6Twist and Shout
performer:
Jack Radics and The Taxi Gang
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chaka Demus & Pliers feat. The Taxi Gang1.65?:??
7Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials4?:??
8Hands Off She’s Mine
producer:
Bob Sargeant
recording of:
Hands Off... She's Mine
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
The Beat4?:??
9Now That We’ve Found Love
cover recording of:
Now That We Found Love
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Third World?:??
10Get Up Stand Up
Peter Tosh?:??
11My Jamaican Guy
Grace Jones feat. Bounty Killer?:??
12Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographic copyright (℗) by:
Trojan Recordings Ltd. (in 1999)
music videos:
Sun Is Shining by Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
Bob Marley vs Funkstar De Luxe3.65?:??
13On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.2?:??
14Shine
producer:
Aswad (British reggae group), The Beatmasters (British producer trio) and Carlton “Bubblers” Ogilvie
remixer:
Beatmasters (British producer trio)
recording of:
Shine
writer:
Joe Cang, Brinsley Forde, Angus Gaye and Dennis Anthony Robinson
Aswad3?:??
15Ku Klux Klan
Steel Pulse?:??
16Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze3?:??
17Sweat (A La La La La long)
additional producer:
Per Adebratt and Tommy Ekman
producer:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
remixer:
Per Adebratt and Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
lyricist and composer:
Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
Inner Circle3.35?:??
18Sweets for My Sweet
cover recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
C.J. Lewis?:??
19Compliments on Your Kiss
Red Dragon?:??
20Good Thing Going (We’ve Got a Good Thing Going)
Sugar Minott?:??
21Shy Guy
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King?:??
22Hurt So Good
recording of:
It Hurts So Good
lyricist and composer:
Phillip Mitchell
Susan Cadogan?:??
3CD
#TitleArtistRatingLength
1Oh Carolina
cover recording of:
Oh Carolina
lyricist and composer:
John Folkes
Shaggy2.15?:??
2My Boy Lollipop
producer:
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small4.65?:??
3Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces4?:??
4Young, Gifted and Black
producer:
Harry Johnson
cover recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone
Bob & Marcia?:??
5I’m in the Mood for Ska
Lord Tanamo?:??
6Harder They Come
producer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music (Island Music Ltd.)
recording of:
The Harder They Come
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff4?:??
7Let Your Yeah Be Yeah
recording of:
Let Your Yeah Be Yeah
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Irving Music (BMI), Island Music (Island Music Ltd.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Pioneers?:??
8Double Barrel
producer:
Winston Riley
bass:
Robert “Robbie” Shakespeare
guitar:
Ranchie McLean
keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
lead vocals:
Dave Barker (reggae artist)
performer:
Techniques All Stars
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins5?:??
9Return of Django
recording of:
Return to Django
composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
B & C Music Publishing
The Upsetters?:??
10Liquidator
Harry J. All Stars?:??
11Montego Bay
recording of:
Montego Bay
writer:
Jeff Barry and Bobby Bloom (US singer-songwriter)
publisher:
Cheezburger Music Co., EMI Unart Catalog Inc. and United Artists (publisher)
Bobby Bloom5?:??
1254-46 Was My Number
recording of:
54‐46 (That’s My Number)
lyricist and composer:
Toots Hibbert
Toots & The Maytals?:??
13Love of the Common PeopleNicky Thomas?:??
14Black and White
Greyhound?:??
15Suzanne Beware of the Devil
Dandy Livingstone?:??
16Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton feat. Ali & Robin Campbell2.65?:??
17Night NurseGregory Isaacs?:??
18Police & Thieves
recording of:
Police and Thieves
writer:
Junior Murvin and Lee “Scratch” Perry (aka The Upsetter)
Junior Murvin?:??
19Don’t Worry Be Happy
phonographic copyright (℗) by:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don't Worry Be Happy by Bobby McFerrin
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 31)
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin?:??
20You Can Get It If You Really Want
recording of:
You Can Get It If You Really Want
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music Ltd. and Polygram Music
Desmond Dekker?:??
21Wonderful World, Beautiful People
recording of:
Wonderful World, Beautiful People
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff5?:??
22Help Me Make It Through the NightJohn Holt?:??
23Everything I Own
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe2?:??
24Silly Games
recording of:
Silly Games
lyricist and composer:
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay?:??
25I Can See Clearly Now
producer:
Johnny Nash (US reggae/pop singer-songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 165)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4?:??

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 63)