Four Classic Albums

~ Release by June Christy (see all versions of this release, 2 available)

Tracklist

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1▼CD: Something Cool / Misty Miss Christy
#TitleRatingLength
1Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
44:21
2It Could Happen to You
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18, on 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18, on 1960-04-27)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-27)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18) and Larry Bunker (on 1960-04-27)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1960-04-27)
piano:
Russ Freeman (pianist) (on 1954-01-18) and Joe Castro (on 1960-04-27)
reeds:
Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
trombone:
Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (trumpet) (on 1954-01-18), Frank Beach (trombone, trumpet) (on 1960-04-27) and Conte Candoli (on 1960-04-27)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1960-04-27)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
vocals:
June Christy (on 1954-01-18, on 1960-04-27)
conductor:
Pete Rugolo (on 1954-01-18, on 1960-04-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-27)
recording of:
It Could Happen to You (on 1954-01-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:58
3Lonely House
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Russ Freeman (pianist) (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (on 1954-01-18)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
is based on:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
44:00
4This Time the Dream's on Me
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
41:33
5The Night We Called It a Day
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
34:51
6Midnight Sun
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-12-27)
baritone saxophone:
Chuck Gentry (on 1953-12-27)
bass:
Joe Mondragon (on 1953-12-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-27)
trombone:
Tommy Pederson (on 1953-12-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1953-12-27) and Conrad Gozzo (on 1953-12-27)
vocals:
June Christy (on 1953-12-27)
conductor:
Pete Rugolo (on 1953-12-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-12-27)
recording of:
Midnight Sun (on 1953-12-27)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
33:17
7I'll Take Romance
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-19)
drums (drum set):
Larry Bunker (on 1954-01-19) and Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Joe Castro (on 1954-01-19) and Russ Freeman (pianist) (on 1954-01-19)
reeds:
Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19) and Phil Stephens (bass and tuba player) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
I’ll Take Romance (on 1954-01-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
22:23
8A Stranger Called the Blues
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
John Graas (on 1954-01-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Russ Freeman (pianist) (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
A Stranger Called the Blues (on 1954-01-19)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
44:00
9I Should Care
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-18)
drums (drum set):
Larry Bunker (on 1954-01-18) and Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-18) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Joe Castro (on 1954-01-18) and Russ Freeman (pianist) (on 1954-01-18)
reeds:
Chuck Gentry (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
I Should Care (on 1954-01-18)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:12
10Softly as in a Morning Sunrise
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-12-29)
bass:
Joe Mondragon (on 1954-12-29)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-29)
drums (drum set):
Larry Bunker (on 1954-12-29) and Shelly Manne (US jazz drummer) (on 1954-12-29)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-12-29) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-12-29)
piano:
Joe Castro (on 1954-12-29)
reeds:
Chuck Gentry (on 1954-12-29)
tenor saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1954-12-29)
trombone:
Milt Bernhart (on 1954-12-29), Herbie Harper (on 1954-12-29) and Frank Rosolino (on 1954-12-29)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-12-29), Conte Candoli (on 1954-12-29), Conrad Gozzo (on 1954-12-29), Ollie Mitchell (on 1954-12-29) and Shorty Rogers (trumpet) (on 1954-12-29)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-12-29), Paul Horn (on 1954-12-29) and Harry Klee (on 1954-12-29)
vocals:
June Christy (on 1954-12-29)
conductor:
Pete Rugolo (on 1954-12-29)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-12-29) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
42:13
11I'm Thrilled
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
recording of:
I’m Thrilled (on 1955-05-10)
writer:
Sylvia Dee (American lyricist) and Sidney Lippman (American songwriter)
42:43
12That's All
cover recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
3:21
13I Didn't Know About You
recording of:
I Didn’t Know About You
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
2:52
14Day-Dream
recording of:
Day Dream
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
2:59
15Sing Something Simple
2:15
16Maybe You'll Be There
recording of:
Maybe You’ll Be There
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
2:51
17Dearly Beloved
recording of:
Dearly Beloved (from “You Were Never Lovelier”)
lyricist:
Johnny Mercer
composer:
Jerome Kern
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
1:36
18'round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:57
19A Lovely Way to Spend the Evening
recording of:
A Lovely Way to Spend an Evening
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Chappell Music (UK), Memory Lane Music Ltd. and Victoria Music Publishing Co. Ltd.
2:23
20The Wind
3:47
21This Year's Kisses
recording of:
This Year’s Kisses
lyricist and composer:
Irving Berlin
2:03
22For All We Know
recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
2:50
23There's No You
recording of:
There’s No You
lyricist:
Thomas Montgomery Adair
writer:
G. Durgom
composer:
Hal Hopper
publisher:
Barton Music Corp.
2:10
2▼CD: Gone for the Day / Ballads for Night People
#TitleRatingLength
1It's So Peaceful in the Country
recording of:
It’s So Peaceful in the Country
lyricist and composer:
Alec Wilder (American composer)
4:22
2When the Sun Comes Out
recording of:
When the Sun Comes Out
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
3:11
3It's a Most Unusual Day
recording of:
It’s a Most Unusual Day
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
medley of:
En högst förunderlig dag
2:24
4Interlude
4:44
5Love Turns Winter Into Spring
recording of:
Love Turns Winter to Spring (in 1957)
writer:
Matt Dennis (American singer, pianist, band leader) and Frank Killduff (songwriter)
3:33
6When You Awake
recording of:
When You Awake
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
2:30
7Lazy Afternoon
recording of:
Lazy Afternoon (The Golden Apple, 1954)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
3:18
8When the World Was Young
recording of:
When the World Was Young
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
4:38
9Gone for the Day
recording of:
Gone for the Day
writer:
Bob Cooper (US jazz saxophonist) and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:04
10Lost in a Summer Night
recording of:
Lost in a Summer Night
4:13
11Give Me the Simple Life
recording of:
Give Me the Simple Life
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:18
12(Love's Got Me in A) Lazy Mood
2:31
13Bewitched, Bothered and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1959)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:57
14Night People
3:23
15Do Nothing 'til You Hear From Me
recording of:
Do Nothin’ Till You Hear From Me (in 1959)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:09
16I Had a Little Sorrow
3:53
17I'm in Love
2:47
18Shadow Woman
3:16
19Kissing Bug
recording of:
Kissing Bug
writer:
Billy Sherrill (US songwriter/producer/arranger), Reginald Stewart (trombone) and Billy Strayhorn
2:44
20My Ship
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (in 1959)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:01
21Don't Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (in 1959)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:00
22Make Love to Me
recording of:
Make Love to Me (in 1959)
writer:
Kim Gannon, Paul Mann (German/American pianist and composer) and Stephan Weiss
3:07