100 Best Children's Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Carnival
#TitleArtistRatingLength
1The Flight of the Bumblebee
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:27
2La Carnaval des animaux : Introduction et marche royale du lion
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:05
3La Carnaval des animaux : Poules et coqs
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:43
4La Carnaval des animaux : Animaux véloces
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:36
5La Carnaval des animaux : Tortues
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:07
6La Carnaval des animaux : L'Èléphant
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:19
7La Carnaval des animaux : Kangourous
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
8La Carnaval des animaux : Aquarium
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:32
9La Carnaval des animaux : Personnages à longues oreilles
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:37
10La Carnaval des animaux : Le coucou au fond des bois
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:42
11La Carnaval des animaux : Volière
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
12La Carnaval des animaux : Pianistes
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:24
13La Carnaval des animaux : Fossiles
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
14La Carnaval des animaux : Le cygne
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:09
15La Carnaval des animaux : Finale
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:46
16Guillaume Tell - Ouverture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:16
17Peter and the Wolf
spoken vocals [narrator]:
Itzhak Perlman (violinist and conductor)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Peter and the Wolf, op. 67
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev27:05
18The Young Person's Guide to the Orchestra
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
Benjamin Britten16:51
2▼CD: Toys
#TitleArtistRatingLength
1The Snow Maiden, Act III: Dance of the Tumblers
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Suite from “The Snow Maiden”: IV. Dance of the Tumblers
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1895)
part of:
Suite from “The Snow Maiden”
Nikolai Rimsky-Korsakov3:57
2Toy Symphony: I Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1996)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Cassation in G major "Toy Symphony": III. Allegro (on 1976-01-29)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": III. Allegro (on 1976-10-26)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
Leopold Mozart3:11
3Toy Symphony: II Menuetto (Allegretto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1996)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Cassation in G major "Toy Symphony": IV. Menuetto and Trio (on 1976-01-29)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": IV. Menuetto and Trio (on 1976-10-26)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
Leopold Mozart3:40
4Toy Symphony: III Allegro moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1996)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Cassation in G major "Toy Symphony": VII. Presto (on 1976-01-29)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": VII. Presto (on 1976-10-26)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
Leopold Mozart1:30
5The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Chocolate (Spanish Dance)
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12a. Дивертисмент (а) Шоколад: испанский танец (The Nutcracker, op. 71: Act II, Scene III. Divertimento: Chocolate: Spanish Dance, Chocolate: Spanish Dance) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:12
6The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Coffee (Arab Dance)
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky3:29
7The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Tea (Chinese Dance)
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:11
8The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Trepak (Russian Dance)
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:09
9The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Flutes
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:22
10The Nutcracker, Op. 71, No. 12, Act II: Divertissement: Variation II (Sugar-Plum Fairy)
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (from 1986-01-29 until 1986-02-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1986-01-29 until 1986-02-01)
balance engineer:
Stuart Eltham (engineer) (from 1986-01-29 until 1986-02-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-01-29 until 1986-02-01)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (from 1986-01-29 until 1986-02-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:20
11Dolly Suite, Op. 56: I. Berceuse
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:24
12Dolly Suite, Op. 56: II. Mi-a-ou
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: II. Mi-a-ou (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:12
13Dolly Suite, Op. 56: III. Le Jardin de Dolly
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: III. Le Jardin de Dolly (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:11
14Dolly Suite, Op. 56: IV. Kitty-Waltz
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: IV. Kitty Valse (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:53
15Dolly Suite, Op. 56: V. Tendresse
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: V. Tendresse (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : V. Tendresse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:52
16Dolly Suite, Op. 56: VI. Le Pas espagnol
orchestra:
Orchestre National de IʼORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 1990)
recording of:
Dolly Suite, op. 56: VI. Le Pas Espagnol (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:26
17Marche des petits soldats de plomb, Op.14, Nr. 6
orchestra:
Orchestre de Liège (Liège Royal Philharmonic, Belgian orchestra, aka “OPRL”)
conductor:
Paul Tortelier (cellist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and EMI France (in 1990)
recording of:
March of the Little Lead Soldiers
composer:
Gabriel Pierné (French composer and conductor)
Gabriel Pierné3:20
18Children's Corner, L. 113: I. Doctor Gradus ad Parnassum
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:31
19Children's Corner, L. 113: II. Jimbo's Lullaby
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy3:32
20Children's Corner, L. 113: III. Serenade for the Doll
piano:
Dame Moura Lympany (British pianist)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy3:16
21Children's Corner, L. 113: IV. The Snow is Dancing
piano:
Dame Moura Lympany (British pianist)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:55
22Children's Corner, L. 113: V. The Little Shepherd
piano:
Dame Moura Lympany (British pianist)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
23Children's Corner, L. 113: VI. Golliwogg's Cake Walk
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:56
24Petite Suite: I. Marche (Orch. Version of No. 2 from "Jeux d'enfants", WD 56)
orchestra:
Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:11
25Petite Suite: II. Berceuse (Orch. Version of No. 3 from "Jeux d'enfants", WD 56)
orchestra:
Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:23
26Petite Suite: III. Impromptu (Orch. Version of No. 6 from "Jeux d'enfants", WD 56)
orchestra:
Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: III. Impromptu. La Toupie
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : II. La Toupie
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:04
27Petite Suite: IV. Duo (Orch. Version of No. 11 from "Jeux d'enfants", WD 56)
orchestra:
Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:27
28Petite Suite: V. Galop (Orch. Version of No. 12 from "Jeux d'enfants", WD 56)
orchestra:
Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: V. Galop. Le Bal
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XII. Le Bal
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:45
3▼CD: Nature
#TitleArtistRatingLength
1Peer Gynt: Prelude (Morning) (1987 Remastered Version)
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg54:15
2Preludes: Prelude No. 15 in D flat 'Raindrop' (Sostenuto) (1991 Remastered Version)
piano:
John Ogdon (pianist and composer)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin6:05
3The Four Seasons, Concerto No. 4 in F minor (L'inverno/ Winter) RV297 (Op. 8 No. 4): I. Allegro non molto
violin:
Yehudi Menuhin (violinist)
orchestra:
Camerata Lysy Gstaad
conductor:
Alberto Lysy (violinist and conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:48
4The Four Seasons, Concerto No. 4 in F minor (L'inverno/ Winter) RV297 (Op. 8 No. 4): II. Largo
violin:
Yehudi Menuhin (violinist)
orchestra:
Camerata Lysy Gstaad
conductor:
Alberto Lysy (violinist and conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:09
5The Four Seasons, Concerto No. 4 in F minor (L'inverno/ Winter) RV297 (Op. 8 No. 4): III. Allegro
violin:
Yehudi Menuhin (violinist)
orchestra:
Camerata Lysy Gstaad
conductor:
Alberto Lysy (violinist and conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:07
6Má vlast: Vltava, B. 111
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:09
7Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo)
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:38
8Chants d'Auvergne: Baïlèro (I/2) (1986 Remastered Version)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube4:50
9Chants d'Auvergne: Trois Bourreés (1/3): (a) L'ïo dè rotso (1986 Remastered Version)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
recording of:
Chants d'Auvergne: Première Série: No. 3. Trois Bourrées: I. L'aïo dé Rotso
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube1:14
10Chants d'Auvergne: Malurous qu'o uno fenno (Bourrée) (III/5)* (1986 Remastered Version)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
recording of:
Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Troisième Série
Joseph Canteloube1:34
11Country Gardens, Bfms 22 (Arr. for orchestra By L. Artok)
orchestra:
Light Music Society Orchestra
conductor:
Sir Vivian Dunn
recording of:
Country Gardens (for band, Clark)
composer:
[traditional] (special purpose artist)
arranger:
Tom Clark (US composer) and Percy Grainger (Australian composer 1882–1961)
arrangement of:
Country Gardens (Morris dance tune)
Percy Grainger2:16
12Shepherd's Hey, Bfms 16
orchestra:
Light Music Society Orchestra
conductor:
Sir Vivian Dunn
recording of:
Shepherd’s Hey (Morris dance tune)
composer:
Percy Grainger (Australian composer 1882–1961)
Percy Grainger2:14
13Estampes: Jardins sous la pluie
piano:
Jean‐Bernard Pommier (pianist and conductor)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano)
composer:
Claude Debussy (French composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy3:52
14Fantasia on Greensleeves, for Flute, Harp and Strings
orchestra:
London Symphony Orchestra
conductor:
Sir Adrian Boult (conductor)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
15Siegfried, WWV 86C, Act 2: Waldweben (Mässig - Lebhaft)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Siegfried: Waldweben (Forest Murmurs)
composer:
Richard Wagner (composer) (from 1856 until 1871)
is based on:
Siegfried, WWV 86C: Akt II
Richard Wagner6:53
4▼CD: Fantasy
#TitleArtistRatingLength
1Syrinx, L. 129
flute and flute [Flöte]:
Leonore Smith (flutist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1981)
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy2:35
2The Planets, Op. 32: VI. Uranus, the Magician
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-09-28 until 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-09-28 until 1973-09-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-09-28 until 1973-09-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-09-28 until 1973-09-29)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 1973-09-28 until 1973-09-29)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:03
3A Night on the Bare Mountain (completed and orch. Rimsky-Korsakov)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky10:43
4A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo (Allegro vivace)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:56
5Pictures at an Exhibition: No. 4, Il Vecchio Castello
orchestra:
Oslo Philharmonie Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (catch-all for unknown versions and arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:53
6Pictures at an Exhibition: No. 7, Bydlo
orchestra:
Oslo Philharmonie Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Pictures at an Exhibition: No. 4 “Bydło” (catch-all for unknown versions and arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:50
7Ma Mère l'oye, 'Mother Goose': Prélude
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye : Prélude: Très lent (in 1990-04)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:21
8Ma Mère l'oye, 'Mother Goose': Danse du rouet et scène
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye : Tableau I : Danse du rouet et scène (in 1990-04)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:39
9Ma Mère l'oye, 'Mother Goose': Pavane de la Belle au bois dormant
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (in 1990-04)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel1:49
10Ma Mère l'oye, 'Mother Goose': Interlude & Les Entretiens de la belle et la bête
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre) (in 1990-04)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel5:07
11Ma Mère l'oye, 'Mother Goose': Interlude & Petit Poucet
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye: II. Petit poucet (pour orchestre) (in 1990-04)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel4:11
12Ma Mère l'oye, 'Mother Goose': Interlude & Laideronette, impératrice des pagodes
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre) (in 1990-04)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel5:03
13Ma Mère l'oye, 'Mother Goose': Interlude & apothèose: Le Jardin féerique
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1990-04)
conductor:
Simon Rattle (conductor) (in 1990-04)
balance engineer:
Michael Sheady (engineer) (in 1990-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (in 1990-04)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) (in 1990-04)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel5:28
14L'Apprenti sorcier (1975 Remastered Version)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1988)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas11:22
5▼CD: Lullabies
#TitleArtistRatingLength
1Suite bergamasque, L. 75: III. Clair de lune
piano:
Dame Moura Lympany (British pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:01
2Préludes, Livre I : N°8 La Fille auc cheveux de lin
piano:
Aldo Ciccolini (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:50
3Adagio for Strings and Organ in G Minor, "Albinoni's Adagio"
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:46
4Träumerei (aus "Kinderszenen op.15)
piano:
Rudolf Buchbinder (Austrian classical pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:43
5Cantata, BWV 208: No. 9. Schafe können sicher weiden
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:37
6Trois Gymnopédies: No. 1 Lent et douloureux
piano:
Anne Queffélec (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:33
7Trois Gymnopédies: 2. Lent et triste
piano:
Anne Queffélec (pianist)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:57
8Trois Gymnopédies: 3. Lent et grave
piano:
Anne Queffélec (pianist)
recording of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:48
9Canon and Gigue in D Major, P. 37: I. Canon
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel4:59
10Piano Concerto No. 21 in C K467: II. Andante (1990 Remastered Version)
piano:
Annie Fischer (pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:40
11Air on a G String (from Orchestral Suite No.3) (1989 Remastered Version)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:31
123 Nocturnes, Op. 9: No. 2 in E-Flat Major (Andante)
piano:
John Ogdon (pianist and composer)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:19
13Clarinet Concerto in A K.622: II. Adagio (1991 Remastered Version)
clarinet:
Jack Brymer (clarinettist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:54
145 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gute Nacht" (Orch. Gamley)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Rafael Frühbeck de Burgos (conductor)
orchestrator:
Douglas Gamley (film composer)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:22
15Pavane in F-Sharp Minor, Op. 50 (Orchestral Version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:17
6▼CD: Dance
#TitleArtistRatingLength
1La Gioconda: Dance of the hours (2005 Remastered Version)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli9:57
2Les Patineurs - Valse, Op.183 (2005 Remastered Version)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel7:38
3Romeo and Juliet, Op. 64, Act 1: No. 13, Danse of the Knights
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:44
4Swan Lake Op. 20, Act II, 13. Dances of the Swans: IV. Dance of the Cygnets (Allegro moderato)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans")
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky1:31
5Gayaneh, Act 4: Sabre Dance
orchestra:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khachaturian2:25
6Danse macabre, Op. 40
violin:
Felix Kok (South African-British violinist)
orchestra and performer:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns6:46
7Tales of Beatrix Potter - Music from the Royal Ballet Film: The Tale of Squirrel Nutkin
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Lanchbery (conductor)
recording of:
Tales of Beatrix Potter: The Tale of Squirrel Nutkin
composer:
John Lanchbery (conductor)
part of:
Tales of Beatrix Potter
John Lanchbery7:50
8An der schönen, blauen Donau - Walzer, Op.314 (1985 Remastered Version)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss10:28
9La Fille mal gardèe: Widow Simone - Clog Dance (Act II)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
La Fille mal gardée: Act I: No. 17. Simone
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
recording of:
La Fille mal gardée: Act I: No. 17a. Clog Dance
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
Ferdinand Hérold2:44
10Boléro, M. 81: (Tempo di Bolero. Moderato assai)
orchestra:
Orchestre de Paris
conductor:
Jean Martinon (French conductor and composer)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:56