Die Kunst der Fuge BWV 1080

~ Release by Bach; Musica Antiqua Köln, Reinhard Goebel (see all versions of this release, 5 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Contrapunctus 1 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola [viola I]: Hajo Bäß (viola player) (in 1984-06) viola [viola II]: Karlheinz Steeb (in 1984-06) violin: Reinhard Goebel (violinist and conductor) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:58
2	Contrapunctus 2 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord: Andreas Staier (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/2) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		3:00
3	Contrapunctus 3 producer: Dr. Andreas Holschneider and Wolfgang Mitlehner harpsichord: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) balance engineer: Wolfgang Mitlehner recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/3) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:57
4	Contrapunctus 4 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) harpsichord: Andreas Staier (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/4) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		3:13
5	Canon alla Ottava producer: Dr. Andreas Holschneider and Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) balance engineer: Wolfgang Mitlehner recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/15) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		3:57
6	Contrapunctus 5 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Hajo Bäß (viola player) (in 1984-06) and Karlheinz Steeb (in 1984-06) violin: Reinhard Goebel (violinist and conductor) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/5) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		3:28
7	Contrapunctus 6, a 4, in Stylo Francese executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) harpsichord: Andreas Staier (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/6) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		3:36
8	Contrapunctus 7, a 4, per Augmentationem et Diminutionem executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/7) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:55
9	Canon alla Decima, in Contrapunto alla Terza executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/16) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		4:20
10	Contrapunctus 9, a 4, alla Duodecima executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/9) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:24
11	Contrapunctus 10, a 4, alla Decima executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/10) version of: Die Kunst der Fuge, BWV 1080: Contrapunctus a 4 part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) revision of: Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)	Johann Sebastian Bach		4:16
12	Contrapunctus 8, a 3 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin: Reinhard Goebel (violinist and conductor) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/8) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		4:58
13	Contrapunctus 11, a 4 executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola: Karlheinz Steeb (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/11) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		4:18
14	Canon alla Duodecima in Contrapunto alla Quinta executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/17) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		3:51
15	Contrapunctus 12, a 4. Rectus executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:19
16	Contrapunctus 12, a 4. Inversus executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,2) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:21
17	Contrapunctus 13, a 3. Rectus executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) harpsichord: Andreas Staier (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:13
18	Contrapunctus 13, a 3. Inversus executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) harpsichord: Andreas Staier (in 1984-06) violin [violin I]: Reinhard Goebel (violinist and conductor) (in 1984-06) violin [violin II]: Hajo Bäß (viola player) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,2) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		2:15
19	Fuga a 2 Clav. executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/18,1) arrangement of: Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		2:12
20	Alio modo. Fuga a 2 Clav. executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord [harpsichord I]: Andreas Staier (in 1984-06) harpsichord [harpsichord II]: Robert Hill (American harpsichordist) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/18,2) arrangement of: Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		2:18
21	Canon per Augmentationem in contrario Motu executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner harpsichord: Andreas Staier (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/14) version of: Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version) version of: Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) revision of: Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)	Johann Sebastian Bach		4:21
22	Fuga a 3 Soggetti executive producer: Dr. Andreas Holschneider producer and balance engineer: Wolfgang Mitlehner cello: Phoebe Carrai (American cellist) (in 1984-06) viola [viola I]: Hajo Bäß (viola player) (in 1984-06) viola [viola II]: Karlheinz Steeb (in 1984-06) violin: Reinhard Goebel (violinist and conductor) (in 1984-06) orchestra: Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06) conductor: Reinhard Goebel (violinist and conductor) (in 1984-06) recorded at: Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06) recording of: Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1984-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/19) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		7:29

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Discogs:	https://www.discogs.com/release/3560563 [info]
ASIN:	DE: B000025U5X [info]
other databases:	https://www.musik-sammler.de/media/330561/ [info]
discography entry:	https://www.deutschegrammophon.com/en/cat/4472932 [info]
Allmusic:	https://www.allmusic.com/album/release/mr0002705488 [info]

Die Kunst der Fuge BWV 1080

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