Platinum: A Life in Music

~ Release by Elvis Presley (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1I’ll Never Stand in Your Way
cover recording of:
I’ll Never Stand in Your Way
writer:
Hy Heath and Fred Rose (songwriter)
publisher:
Milene Music. Inc (ASCAP)
2:04
2That’s All Right (alternate take)
cover recording of:
That’s All Right (in 1954-07)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
2:08
3Blue Moon (alternate take)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:15
4Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
52:12
5Mystery Train
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
3.42:25
6I Got a Woman (alternate take)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:26
7Heartbreak Hotel (alternate take)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:16
8I’m Counting on You (alternate take)
recording of:
I’m Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
2:31
9Shake, Rattle and Roll / Flip, Flop and Fly
medley including a cover recording of:
Flip, Flop & Fly (on 1956-01-28)
writer:
Charles Calhoun and Lou Willie Turner
publisher:
Unichappell Music, Inc.
medley including a cover recording of:
Shake, Rattle and Roll (on 1956-01-28)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:11
10Lawdy, Miss Clawdy (alternate take)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:22
11I Want You, I Need You, I Love You (alternate take)
recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
2:47
12Hound Dog
cover recording of:
Hound Dog (on 1956-06-05)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
2:37
13Don’t Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
3.82:03
14Rip It Up (alternate take)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
2:12
15Love Me Tender
recording of:
Love Me Tender (on 1956-09-09)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
3:19
16When the Saints Go Marching In
recording of:
When the Saints Go Marching In (in 1956-12)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
1:23
17All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
3.651:58
18(There’ll Be) Peace in the Valley (for Me) (alternate take)
cover recording of:
There’ll Be Peace in the Valley for Me (on 1957-01-13)
publisher:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:24
19Blueberry Hill
cover recording of:
Blueberry Hill (in 1957-01)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
3:22
20(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
2.851:46
21Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
3.552:28
22New Orleans
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
cover recording of:
New Orleans (on 1958-01-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
42:00
23I Need Your Love Tonight (alternate take)
cover recording of:
I Need Your Love Tonight (on 1958-06-10)
writer:
Bickley Reichner and Sid Wayne
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
2:01
24A Big Hunk o’ Love (alternate take)
cover recording of:
A Big Hunk o’ Love (on 1958-06-10)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) and Williamson Music Company
2:15
25Bad Nauheim (medley)
medley including a cover recording of:
Apron Strings (in 1959)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and George David Weiss
medley including a recording of:
I Will Be True (in 1959)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc. (publisher)
medley including a cover recording of:
I’ll Take You Home Again, Kathleen (in 1959)
lyricist and composer:
Thomas P. Westendorf (in 1875)
part of:
Roud Folk Song Index (number: 12907)
medley including a cover recording of:
It’s Been So Long Darlin’ (in 1959)
lyricist and composer:
Ernest Tubb
medley including a cover recording of:
There’s No Tomorrow (in 1959)
composer:
Leon Carr, Leo Corday and Al Hoffman
is based on:
’O sole mio
4:06
▼ CD 2
#TitleRatingLength
1Stuck on You
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (on 1960-03-20)
additional performer:
The Jordanaires (on 1960-03-20)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
recording of:
Stuck on You (on 1960-03-20)
lyricist:
Aaron Schroeder (1950s~1960s US songwriter) (on 1960-03-20)
composer:
J. Leslie McFarland (composer) (on 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
12:25
2Fame and Fortune
cover recording of:
Fame and Fortune (on 1960-03-26)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co., Erika Music Publishing, Gladys Music, Gladys Music Inc., Spirit Two Music Inc. and Williamson Music Company
2:26
3It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
3.73:14
4It Feels So Right (alternate take 3)
cover recording of:
It Feels So Right (from 1960-03-20 to present)
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
2:10
5A Mess of Blues (alternate take 1)
cover recording of:
A Mess of Blues (on 1960-03-20)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:45
6Are You Lonesome Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03)
additional performer:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 9)
cover recording of:
Are You Lonesome Tonight? (on 1960-04-03)
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
3.63:07
7Reconsider Baby
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Reconsider Baby (on 1960-04-03)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
cover recording of:
Reconsider Baby (in 1960-04)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
43:40
8Tonight Is So Right for Love (alternate take 3)
recording of:
Tonight Is So Right for Love (on 1960-04-27)
writer:
Abner Silver and Sid Wayne
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music and Holly-Hill Music Publishing Co.
2:16
9His Hand in Mine (alternate take 1)
cover recording of:
His Hand in Mine (on 1960-10-30)
writer:
Mosie Lister (Gospel song writer)
3:16
10Milky White Way (alternate take 3)
cover recording of:
Milky White Way (Elvis arr.) (on 1960-10-30)
writer:
Landers Coleman
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation
arrangement of:
Milky White Way
2:32
11I’m Comin’ Home (alternate take 3)
cover recording of:
I’m Coming Home (on 1961-03-12)
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Elvis Presley Music Inc., Knox Music, Inc. and R&H Music
2:26
12I Feel So Bad (alternate take 1)
cover recording of:
I Feel So Bad (on 1961-03-12)
lyricist and composer:
Chuck Willis
publisher:
Berkshire Music Inc., Cecil Lennox Ltd, Chuck Willis Music Co., Elvis Presley Music Inc. and Tideland Music Publishing Corporation
2:58
13Can’t Help Falling in Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-23)
vocals:
The Jordanaires (on 1961-03-23) and The Surfers (a.k.a. The Hawaiian Surfers) (on 1961-03-23)
additional performer:
The Jordanaires (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 137)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
4.13:01
14Something Blue (alternate take 2)
cover recording of:
Something Blue (on 1962-03-18)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
publisher:
Gladys Music Inc. and Port Music, Inc.
3:06
15Return to Sender
producer:
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
bass:
Ray Siegel (on 1962-03-27)
clarinet and saxophone:
Boots Randolph (on 1962-03-27)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1962-03-27), D.J. Fontana (on 1962-03-27) and Bernie Mattinson (on 1962-03-27)
guitar:
Barney Kessel (on 1962-03-27), Scotty Moore (American guitarist and recording engineer) (on 1962-03-27) and Tiny Timbrell (on 1962-03-27)
piano:
Dudley Brooks (on 1962-03-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1962-03-27)
vocals:
The Jordanaires (on 1962-03-27)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Music (in 1962) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1962-03-27)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 21)
recording of:
Return to Sender (on 1962-03-27)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., The Manor Music Co. Ltd. and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
cover recording of:
Return to Sender
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., The Manor Music Co. Ltd. and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
42:07
16Bossa Nova Baby (alternate take 2)
cover recording of:
Bossa Nova, Baby (on 1963-01-22)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
2:17
17How Great Thou Art (alternate take 2)
cover recording of:
How Great Thou Art (Hine’s version) (on 1966-05-25)
additional lyricist:
Stuart K. Hine (from 1931 until 1949)
lyricist:
Carl Gustav Boberg
composer:
Stuart K. Hine (from 1931 until 1949)
translator:
Stuart K. Hine (from 1931 until 1949, in 1949)
publisher:
Thankyou Music Ltd.
translated version of:
O store Gud
2:56
18Guitar Man (alternate take 2)
cover recording of:
Guitar Man (on 1967-09-10)
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated) and The International Music Network
2:27
19You’ll Never Walk Alone (alternate take 2)
cover recording of:
You’ll Never Walk Alone (Carousel) (on 1967-09-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
3:42
20Oh How I Love Jesus (home recording)
cover recording of:
Oh, How I Love Jesus (in 1966)
writer:
[traditional] (special purpose artist)
arranger:
Frederick Whitfield
1:37
21Tennessee Waltz (home recording)
cover recording of:
Tennessee Waltz (in 1966)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
1:21
22Blowin’ in the Wind (home recording)
cover recording of:
Blowin’ in the Wind (in 1966)
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1962 until 1990) and Special Rider Music (from 1990 to present)
2:06
23I Can’t Help It (home recording)
cover recording of:
I Can’t Help It (If I’m Still in Love With You) (in 1961)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Chappell & Co. and Acuff-Rose Publications, Inc. (BMI) (on 1951-04-25)
1:54
24I’m Beginning to Forget You (home recording)
cover recording of:
I’m Beginning to Forget You (in 1961)
lyricist and composer:
Willie Phelps (William Thomas Phelps)
0:56
25After Loving You (home recording)
cover recording of:
After Loving You (in 1966)
writer:
Johnny Lantz and Eddie Miller (US country music songwriter)
publisher:
Elvis Presley Music Inc., Red River Songs, Inc. and Roschelle Publishing
2:25
▼ CD 3
#TitleRatingLength
1I Got a Woman (rehearsal, 1968-06)
cover recording of:
I Got a Woman (in 1968-06)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:41
2Tiger Man (rehearsal, 1968-06)
cover recording of:
Tiger Man (in 1968-06)
writer:
Joe Hill Lewis and Sam Burns (founder of Sun Records)
2:46
3When My Blue Moon Turns to Gold Again (rehearsal, 1968-06-27)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1968-06-27)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
0:35
4Trying to Get to You (live, 1968-06-27)
live cover recording of:
Trying to Get to You (on 1968-06-27)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:57
5If I Can Dream (alternate take 1)
recording of:
If I Can Dream (on 1968-06-23)
lyricist and composer:
Earl Brown (composer and arranger)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Steve Peter Music (ASCAP), Universal Music Corporation (USA, affiliated with ASCAP), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:08
6In the Ghetto (alternate take 3)
recording of:
In the Ghetto (on 1969-01-20)
lyricist and composer:
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
2:40
7Suspicious Minds (alternate take 7)
cover recording of:
Suspicious Minds (on 1969-01-22)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
3:19
8Power of My Love (alternate take 3)
recording of:
Power of My Love (on 1969-02-18)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Elvis Presley Music Inc. and R&H Music
3:03
9Baby What You Want Me to Do (live, 1969-08-24)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1969-08-24)
live cover recording of:
Baby What You Want Me to Do (on 1969-08-24)
lyricist:
Jimmy Reed (blues musician) (until 1952-08-07)
composer:
Jimmy Reed (blues musician) (until 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music and Tristan Music Ltd.
4.352:18
10Words (live, 1968-08-24)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1969-08-24)
live cover recording of:
Words (on 1969-08-24)
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
2:33
11Johnny B. Goode (live, 1969-08-24)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1969-08-24)
live cover recording of:
Johnny B. Goode (on 1969-08-24)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
2:04
12Release Me (rehearsal, 1970-02-18)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1970-02-18)
cover recording of:
Release Me (on 1970-02-18)
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
1:48
13See See Rider (rehearsal, 1970-02-18)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1970-02-18)
cover recording of:
See See Rider Blues (on 1970-02-18)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
2:49
14The Wonder of You (rehearsal, 1970-02-18)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1970-02-18)
cover recording of:
The Wonder of You (on 1970-02-18)
lyricist and composer:
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
2:38
15The Sound of Your Cry
recording of:
The Sound of Your Cry (on 1970-06-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
3:31
16You Don’t Have to Say You Love Me
engineer:
Al Pachucki
producer:
Felton Jarvis
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1970-06-06)
brass [horns] arranger and strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1970-06-06)
cover recording of:
You Don’t Have to Say You Love Me (on 1970-06-06)
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
32:31
17Funny How Time Slips Away
cover recording of:
Funny How Time Slips Away (on 1970-06-07)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Tree Publishing
4:20
18I Washed My Hands in Muddy Water (rehearsal, 1970-07-29)
cover recording of:
I Washed My Hands in Muddy Water (on 1970-07-29)
lyricist and composer:
Joe Babcock
publisher:
Mariposa Music Inc. (publisher)
4:15
19I Was the One (rehearsal, 1970-07-29)
recording of:
I Was the One (on 1970-07-29)
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
1:02
20Cattle Call (rehearsal, 1970-07-29)
cover recording of:
The Cattle Call (on 1970-07-29)
lyricist and composer:
Tex Owens
publisher:
Forster Music Publisher, Inc. (on 1934-09-14)
3.70:25
21Baby, Let’s Play House (rehearsal, 1970-07-29)
cover recording of:
Baby Let’s Play House (on 1970-07-29)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
1:10
22Don’t (rehearsal, 1970-07-29)
cover recording of:
Don’t (on 1970-07-29)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:56
23Money Honey (rehearsal, 1970-07-29)
cover recording of:
Money Honey (on 1970-07-29)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
1:24
24What’d I Say (rehearsal, 1970-07-29)
cover recording of:
What’d I Say (on 1970-07-29)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:46
25Bridge Over Troubled Water (live master, 1970-08-11)
recorded at:
International Hotel in Winchester, Nevada, United States (on 1970-08-11)
live cover recording of:
Bridge Over Troubled Water (on 1970-08-11)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:12
▼ CD 4
#TitleRatingLength
1Miracle of the Rosary
recording of:
Miracle of the Rosary (on 1971-05-15)
writer:
Jesse Lee Denson
publisher:
Fred Rose Music, Inc.
1:53
2He Touched Me
cover recording of:
He Touched Me (on 1971-05-18)
lyricist and composer:
Bill Gaither (contemporary gospel singer & songwriter)
publisher:
Fine Balance Music Ltd.
2:37
3Bosom of Abraham
recording of:
Bosom of Abraham (on 1971-06-09)
writer:
Ted Brooks and George McFadden
1:38
4I’ll Be Home on Christmas Day
engineer:
Al Pachucki
bass:
Norbert Putnam (from 1971-05-15 until 1971-05-16)
drums (drum set):
Kenny Buttrey (from 1971-05-15 until 1971-05-16), Jerry Carrigan (US drummer) (from 1971-05-15 until 1971-05-16) and Larry Londin (from 1971-05-15 until 1971-05-16)
guitar:
James Burton (guitarist) (from 1971-05-15 until 1971-05-16) and Chip Young (American session guitarist, bassist, producer in the genre of country) (from 1971-05-15 until 1971-05-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1971-05-15 until 1971-05-16)
organ:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1971-05-15 until 1971-05-16) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (from 1971-05-15 until 1971-05-16)
percussion:
Larry Londin (from 1971-05-15 until 1971-05-16) and Charlie McCoy (white blues harmonica player, 1960s-present) (from 1971-05-15 until 1971-05-16)
piano:
David Briggs (English organist and composer) (from 1971-05-15 until 1971-05-16)
background vocals:
The Imperials (gospel/CCM group) (on 1971-05-16)
vocals:
Ginger Holladay (American singer-songwriter) (from 1971-05-15 until 1971-05-16), The Imperials (gospel/CCM group) (from 1971-05-15 until 1971-05-16), Millie Kirkham (from 1971-05-15 until 1971-05-16) and Temple Riser (from 1971-05-15 until 1971-05-16)
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1971-05-15 until 1971-05-16, on 1971-05-16)
recording of:
I’ll Be Home on Christmas Day (from 1971-05-15 until 1971-05-16)
lyricist and composer:
Tony Macaulay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Oten Music and R&H Music
3.353:49
5For the Good Times
cover recording of:
For the Good Times (on 1972-03-27)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
3:17
6Burning Love
cover recording of:
Burning Love (on 1972-03-28)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
3:05
7Separate Ways
recording of:
Separate Ways (on 1972-03-27)
writer:
Richard Mainegra and Red West
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:38
8Always on My Mind
bass:
Emory Gordy (on 1972-03-29)
drums (drum set):
Ronnie Tutt (drummer) (on 1972-03-29)
guitar:
James Burton (guitarist) (on 1972-03-29), Charlie Hodge (on 1972-03-29), Dennis Linde (on 1972-03-29) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-03-29)
percussion:
Jerry Carrigan (US drummer) (on 1972-03-29)
piano:
Glen D. Hardin (on 1972-03-29)
background vocals:
J.D. Sumner & The Stamps (on 1972-03-29)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1972-03-29)
vocals:
J.D. Sumner & The Stamps
horn arranger and strings arranger:
Glen D. Hardin
phonographic copyright (℗) by:
BMG Music (in 1956), BMG Entertainment (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1972-03-29)
cover recording of:
Always on My Mind (on 1972-03-29)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
3.653:34
9An American Trilogy
cover recording of:
An American Trilogy (on 1973-01-12)
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
4:18
10Take Good Care of Her
cover recording of:
Take Good Care of Her (on 1973-07-21)
lyricist:
Ed Warren (US songwriter Edward C. Warren)
writer:
Arthur Kent
publisher:
Chappell & Co Ltd., Music Sales Corp Publishers and Music Sales Corporation (American copyright holder in both popular and classical music)
2:54
11I’ve Got a Thing About You Baby
bass guitar:
Tommy Cogbill
drums (drum set):
Jerry Carrigan (US drummer)
guitar:
Dennis Linde
percussion:
Joe Esposito
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
strings arranger:
Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Music
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1973-07-22 until 1973-07-23)
cover recording of:
I’ve Got a Thing About You Baby (on 1973-07-22)
lyricist and composer:
Tony Joe White
publisher:
Carlin Music Corporation, Hilary Music Ltd. and Tennessee Swamp Fox Music Co.
32:21
12Are You Sincere
cover recording of:
Are You Sincere (on 1973-09-23)
lyricist and composer:
Wayne Walker
publisher:
Cedarwood Publishing Company, Inc.
2:02
13It’s Midnight
recording of:
It’s Midnight (on 1973-12-10)
writer:
Jerry Chesnut and Billy Edd Wheeler
3:21
14Promised Land
cover recording of:
Promised Land (on 1973-12-15)
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
3:22
15Steamroller Blues
cover recording of:
Steamroller Blues (on 1974-03-20)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) and EMI Blackwood Music Inc.
2:52
16And I Love You So
cover recording of:
And I Love You So (on 1975-03-11)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:41
17T‐R‐O‐U‐B‐L‐E
recording of:
T-R-O-U-B-L-E (on 1975-03-11)
lyricist and composer:
Jerry Chesnut
publisher:
Sony/ATV Tree Publishing
3:03
18Danny Boy
cover recording of:
Danny Boy (on 1976-02-05)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
3:54
19Moody Blue
vocals:
Myrna Smith, J.D. Sumner & The Stamps and Kathy Westmoreland
brass [horns] arranger and strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographic copyright (℗) by:
BMG Music
recorded at:
Graceland in Memphis, Tennessee, United States
cover recording of:
Moody Blue (on 1976-02-04)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sweet Glory Music, Inc.
32:50
20Hurt
cover recording of:
Hurt (on 1976-02-05)
writer:
Jimmie Crane and Al Jacobs
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. and Miller Music Corp.
2:10
21For the Heart
cover recording of:
For the Heart (on 1976-02-05)
lyricist and composer:
Dennis Linde
publisher:
Combine Music Corp.
3:47
22Pledging My Love
cover recording of:
Pledging My Love (on 1976-10-29)
writer:
Don Robey and Ferdinand Washington
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music and Wemar Music Corp.
4:52
23Way Down
recording of:
Way Down (on 1976-10-29)
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. and Ray Stevens Music
3:06
24My Way
live cover recording of:
My Way (Frank Sinatra song) (on 1977-04-25)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
3:49
25(excerpt from) The Jaycees Speech
spoken vocals:
Elvis Presley (“The King of Rock and Roll”)
recorded at:
Holiday Inn Rivermont (on 1971-01-16)
0:19

Credits

Release

printed in:United States
art direction and producer:Ernst Mikael Jorgensen
Roger Semon
mixer:Dennis Ferrante
additional engineer:Paul Brizzi
Vince Caro (engineer, music editor, producer)
Marian Conaty
Dennis Ferrante
Tom MacCluskey
James Nichols
mastering:Paul Brizzi
Vince Caro (engineer, music editor, producer)
Marian Conaty
Dennis Ferrante
Tom MacCluskey
James Nichols
manufactured by and distributed by:BMG Distribution (distributor, do not use as a label!)
mastered at:BMG Studios in Theater District, New York, New York, United States
additionally engineered at:BMG Studios in Theater District, New York, New York, United States
Discogs:https://www.discogs.com/release/6803686 [info]
ASIN:US: B000002X3D [info]